Willem Blaeu Wall Decorations

The classic encyclopedia of the arcane in an expanded edition. Renowned philosopher and lecturer Manly P. Hall’s masterful encyclopedia of ancient symbols, hidden rituals, and arcane practices has remained a classic since first published in 1928. Hall’s densely detailed writings explore topics ranging from Hermeticism to Tarot, Egyptian mythology to Pythagorean theory. Each chapter is accompanied by the vivid illustrations of artist J. Augustus Knapp, with additional images by Mihran Serailian found in the companion volume, each taking their own unique approach to nearly 60 artworks depicting occult subject matter. The initial concept for what became known as Hall’s “Great Book”, first began in 1923 when the young Los Angeles-based orator began a months-long trip around the globe. Circumnavigating by ship, Hall visited Egypt, China and India, immersing himself in the philosophical and religious history of each country. Upon his return he spent the next five years penning his massive compendium of philosophy and myth. Nearly a century after its release, this iconic masterwork has been reproduced for the first time from the rare and extravagant original edition. This meticulously-restored version of Hall’s “Great Book” is also accompanied by an expansive companion book, featuring condensed summaries of each chapter of The Secret Teachings, alongside newly-discovered artworks, rare photography...

ST/619 - "Old Geographical Atlas of Italy - Topographic map of ex-Principality of Monaco" - ediz Vallardi - Milano - A somewhat special edition ---  

A large hand colored 17th century map of England and the British Isles by Frederick de Wit entitled "Accuratissima Angliæ Regni et Walliæ Principatus", published in Amsterdam in 1680. It is a highly detailed map of England, Scotland, the Scottish Isles...

Great map of Ancient Greece. Showing the region of Thessaly, including Mount Olympus Drawn by J.D. Barbie Du Bocage Copper plate engraving by P.F Tardieu Original hand color...

A collection of 11 framed and glazed engravings taken from the New Book Of Martyrs By Henry Southwell The 11 engravings show authentic and genuine historical account of the many dre...

Framed antique hand-coloured map of the Republic of Genoa including the duchies of Mantua, Modena, and Parma. Europe, late 18th century. Dimension: 25...

Super map of Spain and Portugal Copper plate engraving by A. Bell Published, circa 1790. Unframed.  

A 17th century hand-colored map of North & South America entitled "Americae Descriptio" by the cartographer Johannes Jansson, published in Jansson's Atlas Minor in Amsterdam in 1628....

Great map of Ancient Greece. Showing the region of Boeotia, including Thebes Drawn by J.D. Barbie Du Bocage Copper plate engraving by P.F T...

A fine antique 18th century map of the North American seaboard. Entitled "A New Map of North America from the Latest Discoveries 1763". By the Cartographer/Engraver - John Spil...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

The Prints of Reginald Marsh by Norman Sasowsky. Clarkson N. Potter, Inc. / Publisher / Distributed by Crown Publishers, Inc., New York, 1976. First Edition hardcover with dust jacke...