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Framed Lithograph by Corneille titled "La Chambre En Luminance"
About the Item
Artist: Guillaume Corneille (1923-2010)
Title: La Chambre En Luminance
Year: 1979
Medium: Lithograph on wove paper Edition: 148/250
Size: 19.50 x 25.50 inches but in frame 29"x 34.5"
Inscription: Signed and numbered by the artist.
This piece is being sold framed. The lithograph features 2 nude women, one lying on a rug and the other only partially visible from the lower right corner of the work. There is a brightly colored wall in the background and a sofa and chair in a vibrant shade of blue.
Corneille Guillaume Beverloo, aka. Corneille, was a Dutch painter and graphic artist who radicalized the conservative Dutch art world in the early 1950s. He was a co-founder of CoBrA, a post-war Expressionist European movement, along with Karel Appel and Constant. Corneille studied at the Academy of Art in Amsterdam, but is generally considered a self-trained painter. His art is described as imaginative and poetic. It characterized by a bold use of color.
- Creator:
- Dimensions:Height: 29 in (73.66 cm)Width: 34.5 in (87.63 cm)Depth: 0.5 in (1.27 cm)
- Style:Modern (In the Style Of)
- Materials and Techniques:
- Period:
- Date of Manufacture:1979
- Condition:Minor losses. The piece came to us framed. It has a lovely simple black frame and white mat. There are minor imperfections on the frame.
- Seller Location:Chicago, IL
- Reference Number:1stDibs: LU8831240800312
Guillaume Cornelis van Beverloo (Corneille)
Corneille was born in Liege, Belgium, although his parents were Dutch and moved back to the Netherlands when he was 12. He studied art at the Academy of Art in Amsterdam, in the Netherlands. He was one of the founders of the REFLEX movement in 1948 and in 1949 he was also one of the founders of the COBRA movement, which has had great influence on Scandinavian art.[3] He was active within the group from the beginning, not only painting but also publishing poetry in the Cobra magazine. He was a cofounder of the Experimentele Groep in Holland [nl].
The poetic Corneille was strongly influenced by Miró and Klee. After the group dissolved in 1951 he moved to Paris and began collecting African art. These artifacts became evident in his works, which began to take on a more imaginative style, like landscapes seen from a bird's eye view, exotic birds and stylised forms. His work is in the collection of the Centre Georges Pompidou.
Until his death Corneille lived and worked in Paris, and made visits to Israel where he worked with the Jaffa Atalier. On 24 September 2003 an exhibition of his prints opened at the Ramat-Gan Museum of Art, Israel. He died at Auvers-sur-Oise, France.
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