William Anastasi Art

Silkscreen in colours on Somerset Tub Sized Radiant White 410gsm paper. Edition of 35.

Bill Schenck Waco Serigraph 7/58 1981 Hand signed, date and numbered by Schenck in pencil. 25.75 inches H. x 25 inches W. 'Waco' is classic early example...

"Chair-A-Plan" is a unique silkscreen print edition on felt. It is signed and numbered in paint pen by the artist, Jane Dickson. Jane Dickson has been exhibiting her paintings, dra...

Every Year The Salmon Come Back, 1983. Serigraph, 65/99 In reference to the work, Robert Davidson says: "A narrative painting originating from personal experience of the Yakun ...

Bob Gruen met John Lennon in 1971, shortly after he moved to New York. For the next 9 years, Bob worked as John’s personal photographer and captured a wide variety of moments in John...

"IT WILL NOT DISAPPEAR IF WE JUST IGNORE IT," Al Diaz, 2022 Silkscreen on 290 gram Coventry Rag paper with hand deckled edges Dimensions: 18" x 37" An edition of 10 Signed and numbered by the Artist Note that the edition number you receive may be different than the one in the photograph. Al Díaz’s career spans five decades. Born and raised Puerto Rican in New York City, by age 15 he was an influential first-generation subway graffiti artist known as “BOMB-ONE.” His friendship and artistic collaboration with high school schoolmate Jean-Michel Basquiat on SAMO, (a late 70s Avant-garde graffiti tag project) has been noted often in contemporary art history. Díaz later contributed percussion to numerous musical recordings and performances, including Basquiat’s historic 1983 record, “Beat Bop,” (considered to be one of the earliest hip-hop albums). Díaz is sought-after as an expert of New York City counterculture art. He appears often in publications, as a highlighted speaker for a variety of panel discussions at universities and museums (including Smithsonian Institution, the Brooklyn Museum, The New School and Christie’s Education), and has been featured in several films, including Boom for Real: The Late Teenage Years of Jean-Michel Basquiat, BBC’s American Masters — Basquiat: Rage to Riches and Jean-Michel Basquiat: The Radiant Child. In 2018, Díaz authored "SAMO …SINCE 1978", an in-depth, color illustrated history of the street art legacy that he began with Basquiat in the late 70s. A notebook that Díaz made with Basquiat in his teens is currently held in the collection of the Yale University Beinecke Library.

A skilled chef as well as an artist, Jay Batlle treats his art much like a recipe, with careful preparation and a methodical process. His layered compositions often incorporate image...

PAN AM has a long history in Cey’s studio, first created as a painting within his Trusted Brands collection and then reimagined as a suite of hand-collaged monoprints in different co...

Mason Storm "Applause" Screen print Artists proof 0/50 Mason Storm "Applause" Screen-print Artists proof 0/50 1/1 Signed bottom right 26cm w x 27cm h Framed size = 40 x 40 cm appr...

In 9.29.2 (2014), a biomorphic purple shape alights onto a green ground. This creature has stilts and stands to keep it upright, and the depiction we see does not contain its entiret...

Roz Chast’s work has appeared in numerous magazines through the years, including The Village Voice, National Lampoon, Scientific American, Harvard Business Review,Redbook and Mother ...

Sam Francis 1923 - 1994 "For the blue sons of air" 1990 Color screenprint on paper, 136 x 81.3cm Signed in pencil below, numbered 132/150 below l. Publisher: The American Indian He...

In 1984, Eric Orr and Keith Haring joined forces to create a series of chalk drawings in the NYC subways. As their work evolved, the artists shifted their focus from the subway to the studio and embarked on the production of a suite of drawings. Included in the group was Repeat which had made its first appearance in the 23rd Street IRT uptown station. Little did Orr and Haring know that the reimagined drawing would be auctioned at Christie’s six years later. 2020 heralds a new beginning for Repeat, a truly unique silkscreen print that both illustrates and celebrates a fierce friendship that began in the early 1980s at The Roxy roller rink in NYC, when two young artists decided to trade t-shirts on the dance floor. Repeat, Eric Orr and Keith Haring, 2020 Silkscreen on 320 gram Coventry Rag paper with hand-deckled edges Dimensions: 20 x 28 inches Edition Size: 250 with 25 Artist Proofs and 25 Printer Proofs Signed and numbered in pencil by Eric Orr Plate signed by Eric Orr and Keith Haring Courtesy of Eric Orr and the Keith Haring Foundation Printed and Published by Gary Lichtenstein...

Edition of 100. 26 colour screenprint with hand-painted gouache embellishments on Somerset Tub Sized Satin Radiant White 410gsm. Size: 76 x 60 cm. Signed and dated by the artist lowe...

Silkscreen in 9 colors on 320 gram Coventry Rag Dimensions: 29" x 29" Signed by the Artists in pencil An edition of 75 John “CRASH” Matos and Eric Orr met for the first time as high school students. Although the exact location is unclear, both agree that it would have been at either Fashion Moda or the Writers’ Bench at 149th Street and Grand Concourse. Founded by Stefan Eins in 1978, Fashion Moda began as a “cultural concept” whose principles revolved around the fact that art can be made by anyone, anywhere and art should be accessible to anyone, anywhere. Located in the South Bronx, Fashion Moda embraced new talent and encouraged creative production across all mediums. The gallery has been credited as a major force behind the recognition of graffiti writing as an art form and it played a pivotal role in a community where Hip Hop was rapidly emerging. CRASH was only 19 years old when he curated “Graffiti Art Success for America” at Fashion Moda and his varied experiences at the gallery would later inspire his founding of WALLWORKS. The 149th Street Writers’ Bench, located at the back of the uptown...