Items Similar to NOCTURNE Signed Lithograph, Black Women Theater Stage Night Sky Balloon Ribbons
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 14
Hughie Lee-SmithNOCTURNE Signed Lithograph, Black Women Theater Stage Night Sky Balloon Ribbons1995
1995
$3,200
$4,00020% Off
£2,395.15
£2,993.9420% Off
€2,767.63
€3,459.5320% Off
CA$4,437.33
CA$5,546.6720% Off
A$4,970.38
A$6,212.9820% Off
CHF 2,584.05
CHF 3,230.0620% Off
MX$61,374.23
MX$76,717.7920% Off
NOK 32,918.72
NOK 41,148.4020% Off
SEK 31,119.53
SEK 38,899.4120% Off
DKK 20,653.55
DKK 25,816.9320% Off
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
Nocturne is an original limited edition lithograph by the African American artist Hughie Lee-Smith printed using hand lithography techniques on archival Arches paper, 100% acid free. Nocturne is a mysterious, surreal stage-like theatrical scene featuring a dramatic deep midnight blue night sky with two young black women each wearing pink clothing, standing alone, one facing forward, the other with her back to the viewer; urban architectural elements, a single blue balloon and dark pink ribbons floating in the sky evoke a feeling of hope.
Print size - 26 x 36 inches, mint condition, unframed, pencil signed and numbered by Hughie Lee-Smith
Image size - 20 x 31 inches
Edition size - 175, plus proofs
Year published - 1995
Printed at J K Fine Art Editions Co.
Publisher - Mojo Portfolio, NJ
Artist statement by Hughie Lee-Smith - 23 February 1995
"Nocturne is simply about the feel of night; about the emotions one experiences when exposed to deep blue obscurity of night - feelings not altogether unrelated to fear. The two figures in Nocturne; wrapped in mystery and inscrutability, are evocative of the enigmatic nature of nighttime."
Hughie Lee-Smith was born in Eustis, Florida, but went to school in Cleveland, Ohio, and graduated from the Cleveland School of Arts with high honors and a grant for post-graduate studies. He served in the Navy during World War II and there completed a series of paintings entitled “The History of the Negro in the United States Navy”. He had his first one-man show in Chicago in 1945, and has exhibited his works in one-man, group, and jury shows ever since. Mr. Lee-Smith began to win prizes for his art in 1938 and has received such awards as the Detroit Institute Founders Prize in 1953, the National Academy of Design (four times), the Emily Lowe Award (1957), and the 1960 award from the American Society of African Culture. In 1967, he was elected a member of the National Academy of Design. He has been an instructor in art, the head of the Department of Drawing and Painting at Claflin University, and he has taught at Rex Goreleigh’s Studio-on-the-Canal in Princeton, New Jersey.
After leaving the Navy, he returned to the classroom as a student himself and won a Bachelor of Arts from Wayne State University in 1953. Hughie Lee-Smith is a realistic and yet magical painter who is intimately concerned with the loneliness of decaying urban life. A fine draughtsman and quiet colorist, he paints with the precision of the surrealists in a highly poetic, minor key. His settings of aged dying neighborhoods are wastelands where old buildings stand isolated, side by side with empty spaces once teeming with life. He peoples these wastelands with one, two, or three individuals: when they are alone they are seemingly unaware of their surroundings or so depressed by them that they stand doubly alone: when his individuals have companions, each is quite unaware of other presences, and moves alone in his private world. Lee-Smith is marvelously skilled at depicting textures. The care with which he minutely details non-organic objects-crumbling plaster, cement, wire, and wood contributes a kind of sharpness to the overall feeling of desolation. The brooding intensity and penetrating honesty of his work hold a degree of universality and truth within contemporary Western civilization.
Artist bio - US Dept. of State, Art In Embassies
- Creator:Hughie Lee-Smith (1915-1999, American)
- Creation Year:1995
- Dimensions:Height: 26 in (66.04 cm)Width: 36 in (91.44 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Pristine condition, unframed, vivid colors, pencil signed and numbered by the artist, actual print number may be different than photo upon availability, print documentation/COA provided.
- Gallery Location:Union City, NJ
- Reference Number:1stDibs: LU832311246632
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1975
1stDibs seller since 2018
680 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Union City, NJ
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllFUGUE Signed Lithograph, Figurative Collage, Musicians, Girls, Balloons
By Hughie Lee-Smith
Located in Union City, NJ
Fugue is an original hand drawn limited edition lithograph by the African American artist Hughie Lee-Smith printed using hand lithography techniques on archival Arches paper, 100% ac...
Category
1990s Contemporary Figurative Prints
Materials
Lithograph
$3,200 Sale Price
20% Off
THE CONVERSATION Signed Lithograph, Black Women, Train, African American Culture
By Romare Bearden
Located in Union City, NJ
THE CONVERSATION is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. THE CONVERSATION...
Category
1970s Contemporary Figurative Prints
Materials
Lithograph
FALLING STAR Signed Lithograph Black Woman Portrait, African American Culture
By Romare Bearden
Located in Union City, NJ
FALLING STAR is a limited edition color lithograph printed using traditional hand lithography methods on archival printmaking paper, 100% acid free, by the renowned African American artist Romare Bearden. FALLING STAR presents a visual memory from Bearden's childhood in Mecklenburg County North Carolina expressed as a modern collage portrait depicting a black woman set in a nostalgic Southern domestic interior. FALLING STAR's main focus is a black woman standing on the right drinking from a blue and white teacup...
Category
1970s Contemporary Portrait Prints
Materials
Lithograph
NEW DREAMS Original Lithograph, Black History, African American Women
By Ernest Crichlow
Located in Union City, NJ
NEW DREAMS is an original limited edition lithograph by the Harlem Renaissance, social realist African-American artist ERNEST CRICHLOW (1914-2005). NEW DREAMS was printed from hand d...
Category
Early 2000s Contemporary Portrait Prints
Materials
Lithograph
$2,000 Sale Price
20% Off
MECKLENBURG AUTUMN Signed Lithograph, Black Women Portrait, African Mask, Quilt
By Romare Bearden
Located in Union City, NJ
MECKLENBURG AUTUMN is an original limited edition color lithograph printed using traditional hand lithography methods on archival Arches printmaking...
Category
1970s Contemporary Portrait Prints
Materials
Lithograph
BACKYARD Signed Lithograph, Black Couple, African American Heritage, Quilts
By James Denmark
Located in Union City, NJ
BACKYARD by the artist James Denmark is an original hand drawn, limited edition lithograph printed on archival Somerset paper, 100% acid free using traditional hand lithography techniques. BACKYARD is one of Denmark's colorful collage compositions of everyday African American life - a soulful Southern country folk scene featuring a standing woman wearing a red orange skirt, multicolored floral print top, and dark indigo print head wrap; her male companion dressed in blue denim jeans, dark indigo print shirt and denim hat sitting in the backyard as the patchwork quilts flutter on the clothesline. Vivid coloration and textures captivate the eye with variety - deep violet, reds, fiery orange, touches of yellow, dark black and shades of blue - a very strong impression and fine example of hand lithography!
Print size - 38 x 23 inches, unframed, mint condition, pencil signed and numbered by James Denmark
Edition size - 250, plus proofs
Year published - 1996
Printer - J K Fine Art Editions Co., NJ
Publisher - Mojo...
Category
1990s Contemporary Figurative Prints
Materials
Lithograph
$1,440 Sale Price
20% Off
You May Also Like
Iranian Israeli Large Aquatint Etching Figurative Abstract Circus Monde Balloons
By Elie (Eliahu) Abrahami
Located in Surfside, FL
Bright colorful abstract circus scene with balloons.
Born in 1941 in Sanandaj, Iran and immigrated to Israel at the age of 17. Elie Abrahami began his study of art at the Avni School...
Category
20th Century Abstract Figurative Prints
Materials
Aquatint
Floating Figure (Night), Surrealist Lithograph by Horst Antes
By Horst Antes
Located in Long Island City, NY
Floating Figure (Night)
Horst Antes, German (1936)
Lithograph, signed and numbered in pencil
Edition of 47/150
Image Size: 15.25 x 21 inches
Size: 20 x 25.5 in. (50.8 x 64.77 cm)
Category
1970s Modern Figurative Prints
Materials
Lithograph
Keeping the Culture, mixed media signed/N print by top African American artist
By Kerry James Marshall
Located in New York, NY
Kerry James Marshall
Keeping the Culture, 2011
Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges
20-1/4 x 30-1/4 inches
Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front
Published by Africa House International, Chicago
Unframed
Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier. Marshall, along with his dealer, were voted by ArtReview the top two of the 100 most influential people in the art world of 2018 - even ahead of the #MeToo movement, and ahead of figures like Jeff Koons, Larry Gagosian and Eli Broad! His paintings now sell for tens of millions of dollars - after P. Diddy paid $21 million for a painting. The present work "Keeping the Culture" is an extremely desirable work of art and exemplifies Marshall's style. For a feature profile/article written for Marshall's first retrospective - a blockbuster show entitled "MASRY" at the Museum of Contemporary Art, LA, the Museum of Contemporary Art Chicago and the Met Breuer in New York, Barbara Isenberg of the LA Times wrote: ." The New York Times called the show “smashing” and its subject “one of the great history painters of our time.” The New York Review of Books and Artforum magazine put large images from the show on their January covers. “I’ve been acutely aware that museums are behind their academic colleagues in terms of thinking of representation and people of color,” MOCA chief curator Helen Molesworth says. “I find Kerry’s paintings ravishing — they are drop dead, great paintings — and they have an extra level of reward for people who hold in their heads a history of Western painting.” Marshall is a compelling storyteller, whether on canvas or in conversation. Talking at length during a visit to MOCA, he is easygoing but eloquent, recalling his neighborhood in Birmingham, Ala., where he was born in 1955, or about growing up black there and in Los Angeles. He remembers the names of teachers who encouraged him. Asked when he first began to notice a lack of black subjects...
Category
2010s Realist Figurative Prints
Materials
Screen, Pencil, Mixed Media, Linocut
Night Watchers: African American collage painting w/ Black figures, red pink
By Richard J. Watson
Located in Bryn Mawr, PA
"Night Watchers" is a collage / painting created from acrylic and collage on leather mounted on MDF panel with predominant red / pink / orange. The work itself is 24" x 22", framed to 24.5" x 22.5" in a narrow, simple black metal frame. It includes several photograph of Black figures. It is signed and dated along the lower edge. This is one of a series of five works -- see image gallery for additional works in the series. Each is listed separately on IstDibs, but I will combine shipping for multiple purchases.
PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, PA, Oct 2021 - Mar 2022 & "And the Beat Goes On," Suzanne H. Arnold Gallery, Lebanon Valley College, Annville, PA, Sept - Oct 2022.
"Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements...
Category
2010s Abstract Figurative Paintings
Materials
Leather, Acrylic, Panel, Fiberboard, Archival Paper
Night Light Signed Aquatint Etching California Modernist Woman Artist Susan Hall
By Susan Hall
Located in Surfside, FL
Susan Hall
Hand signed and numbered
Aquatint Etching
This piece has a Memphis Milano sort of vibe to it.
Susan Hall lives and works in Point Reyes Station, California, a town in the heart of the Point Reyes National Seashore. This pristine wilderness area is dominated by a mosaic of bays and ocean, rolling grass lands and forests. It is inhabited by a diversity of wildlife, including over 450 species of birds, mountains lions, deer, bobcats, foxes, and elk. Ms. Hall who is a native of this area returned after spending twenty years in New York City.
In her book, “Painting Point Reyes”, Hall says, “Point Reyes is the center of my painting life. Point Reyes has been my life and when I haven’t lived here, it has been an underground stream that spoke to me in dreams and visions.”
While living and painting in New York City, Ms. Hall exhibited her work widely in museums and galleries. Among them are the Whitney Museum of Art; San Francisco Museum of Art; Nancy Hoffman Gallery, Trabia MacAfee Gallery, Phyllis Kind Gallery, Chicago; Ovsey Gallery, Los Angeles.
In addition, her work has been featured in group exhibitions throughout the United States and abroad, including in 2020 Bud Shark's Ink: The California Crew at BMoCA, Boulder Museum of Contemporary Art Colorado USA representing the panoply of aesthetics, cultural backgrounds, viewpoints, and talent held within the bounty of art “made in California.” This remarkable grouping of artists, Brad Brown, Enrique Chagoya, Roy De Forest, Amy Ellingson, Susan Hall, Don Ed Hardy, Mildred Howard, Robert Hudson, Hung Liu, Kara Maria, Rex Ray, Alison Saar, Italo Scanga, and William T. Wiley.
Women to the Fore, Hudson River Museum Yonkers 2021
A group of women artists working in oil painting and drawing, lithograph prints and photograph, collage and sculpture. Many icons of feminist art history. Judy Chicago, Judy Giera, Marisol, and Shanequa Benitez, Ann McCoy, Anna Walinska, Audrey Flack, Barbara Morgan, Berenice Abbott,
Bessie Potter Vonnoh, Georgia O'Keeffe, Hannelore Baron, Harriet, Judy Chicago, Louise Nevelson, Marisol, Mary Frank, Nancy Graves, Susan Hall, Yvonne Thomas...
Category
1970s American Modern Abstract Prints
Materials
Etching, Aquatint
"Performing Arts Center" lithograph by R. B. Kitaj from "New York, New York"
By Ronald Brooks Kitaj
Located in Boca Raton, FL
"Performing Arts Center" lithograph of dancers and musicians by R. B. (Ronald Brooks) Kitaj from the "New York, New York" portfolio published by the New York Graphic Society. Signed ...
Category
1980s Contemporary Figurative Prints
Materials
Lithograph