William Waithe Figurative Paintings

American Genre Painting

Winter Forest Landscape - Antique Oil Painting by 19th Century American Artist, Clara Davis Inness (1874-1932) Art measures 20 x 16 inches Frame measures 22.25 x 18.25 inches Oil o...

This refined trompe-l’œil botanical still life by American painter Bruce Kurland depicts a small branch of magnolia blossoms arranged in a simple cylindrical vessel resting on a narr...

Rod Goebel was a post-impressionist / impressionist painter of landscape, still life and figure who made his mark in Taos, New Mexico. After receiving his degree from the University of New Mexico, Goebel studied at the Colorado Institute of Art in 1968 1969, graduating in Advertising Design. He later studied at the Ramon Froman School of Art. Goebel was a charter member of the Taos Six Society of Artists with Ron Barsano, Robert Daughters, Walt Gonske, Julian Robles...

A wonderful realistic portrait of the Penobscot, a mid-19th century coastal sidewheel steamer, rendered in Cameron’s hallmark marine portrait style - technically meticulous, historically informed, and visually serene. Executed with crisp linework and a soft, luminous palette, the ship is shown in profile navigating calm Atlantic waters under both steam and sail, her red paddle box emblazoned boldly with her name. Commissioned in 1843 by Menemon Sanford’s Steamship Line and constructed in New York, the Penobscot was a near twin to her sister ship, the Kennebec, but became especially prized for her seaworthiness. Measuring 228 feet in length with a 48-foot beam and twin 14-foot paddlewheels, she carried schooner rigging fore and aft, providing the added stability necessary for coastal and offshore passages. Initially assigned to the Maine coastal excursion routes, she would later be reassigned to the elite New York–Philadelphia line and eventually sold and renamed Norfolk for pre-Civil War service along the southern coast. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...

“Eastern White Pines, c. 1910” by Charles Warren Eaton (American, 1857-1937). A wonderful example of Eaton’s renowned compositions of Eastern white pine trees in his mature style. A...

A striking and historically attentive portrait of the sidewheel steamer Kennebec, built in 1842. Rendered in crisp profile against a soft, painterly sky and calm Atlantic swells, Cameron’s portrait captures the stately elegance of early American steam navigation. The Kennebec, identified in bold red lettering on her paddle box, is shown under partial sail with twin smokestacks active - suggesting both the hybrid nature of early steam propulsion and the vessel’s readiness for sea. Flying period flags, including a U.S. ensign and company pennants, she presents as a proud representative of the Sanford Steamship Line, for whom she plied the route between Boston, Bangor, and the summer resorts of Maine. Her design, with a wood hull, 230-foot length, and distinctive “hogging truss,” speaks to mid-19th century innovation tailored to coastwise packets. Cameron’s style is reminiscent of 19th-century ship portraiture yet refined with contemporary technical precision. This is an excellent example of his work. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...

Mark Harrison's (UK based) "Keeler" is an oil painting that depicts an arid landscape with clouds and road leading to a small unassuming building. Sometimes they are silent epic lan...

Zack Zdrale's (US based) "6 and Two" is an oil painting that depicts two male figures with an obscured faces arching their backs and extending their arms a...

"Pelham Bay" WPA American Scene Social Realism Modern NYC Subway Transportation Daniel Ralph Celantano (1902-1980) "Pelham Bay" 12 1/4 x 16 inches Oil on canvas Signed lower cente...

Lani Vlaanderen's (US based) "Sand Wash Crossing" is an oil painting that depicts a herd of multi-colored wild horses and a pony crossing a river. Bio/artist statement: Living in the mountains near Rocky Mountain National Park Lani is never lacking something inspiring to paint, be it a grand sunrise on Long's Peak or a small sparrow perched on a pine branch. All fill her with the desire to put paint to canvas. Her goal is not to replicate what she sees, but to express her emotional response from the source of inspiration visually in paint and convey it to the world. She wants to communicate the awe she feels when in the natural world and the joy she experiences from seeing even the seemingly most insignificant moment in time that will never come again. She strives to convey her belief that all things, all beings, all life and non-life, share equal significance and are essential to the whole. "I began my art quest by taking a few classes at Rocky Mountain College of Art and Design, then enrolled in Kim English's class at the Art Student's Leaque of Denver. After four years with Kim and functioning as his class monitor, I had the opportunity to participate in a painting group with Richard Schmid in Loveland Colorado. I painted there with him for six years. I have taken workshops from such masters as David Leffel, Sherrie McGraw...

This modern still life diptych by Gio Bellagio is inspired by ancient Greek ceramic vessels. The pots are adorned with minimalist patterns reminiscent of Greek geometry, emphasising...