Yan Macs Prints and Multiples

Serigraph in colors on linen with hand embellishment in acrylic paint. Hand signed lower front by Itzchak Tarkay. Hand signed lower front by Itzchak Tarkay. Hand numbered 120/150 ...

Edition of 300. Murakami signed and numbered in silver marker pen along the lower right edge. Offset lithograph with cold foil stamp and high gloss varnishing on UV paper—diameter si...

Peter Beard The End of the Game (Hand Signed by Peter Beard), 1977 Offset Lithograph Poster (hand signed by Peter Beard and inscribed with a heart) Han...

Finely detailed late 19th century chromo-lithograph portrait of a violinist street musician by John George Brown (British, 1831-1913). Many of Brown’s paintings were reproduced in lithography (Chromo-lithograpy), as is the case with the one offered here. Presented in a rustic antique Oak wood frame with giltwood fillet. Image, 15.63"H x 10.63"W. John George Brown was a British citizen and an American painter born in Durham, England. His parents apprenticed him to the career of glass worker at the age of fourteen, in an attempt to dissuade him from pursuing painting. He studied nights at the School of Design in Newcastle-on-Tyne while working as a glass cutter there between 1849 and 1852, and evenings at the Trustees Academy in Edinburgh while working at the Holyrood Glass Works between 1852 ad 1853. After moving to New York City in 1853, he studied with Thomas Seir Cummings at the National Academy of Design where he was elected a National Academician in 1861. Brown was the Academy’s vice-president from 1899 to 1904. Around 1855, he worked for the owner of the Brooklyn Glass Company, and later he married the daughter of his employer. His father-in-law encouraged his artistic abilities, supporting him financially, letting Brown pursue painting full-time. In 1866, he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904. Brown became famous for his depictions of street urchins found of the streets of New York (bootblacks, street musicians, posy sellers, newsboys, etc.). Brown’s art is best characterized as British genre painting...

Keith Haring - Fun Book Second Edition Limited Edition 1500 - published in a stated limited edition of 1500 (unnumbered; total edition documented on the back page) Plate signed (prin...

Roy Lichtenstein The Red Horsemen, aka The Equestrians (with COA from the 1984 Olympic Committee), 1982 Limited Edition Lithograph and offset Lithograph on Parsons Diploma Parchment...

"Guys and Dolls" Broadway Musical Tony Awards Signed Nathan Lane & Faith Prince Al Hirschfeld (1903-2003) "Guys and Dolls" Lithograph on heavy pape...

Keith Haring Tony Shafrazi 1982: set of 6 printed works: A set of six, individual, double-sided lithographic inserts from the seminal, spiral bound 1982 Keith Haring Tony Shafrazi ca...

A rare, extensively hand-colored impression of this charming British satirical image. London: 1830. Lithograph with hand coloring in watercolor on cream wove paper, 12 1/4 x 9 5/1...

Artist: Larry Rivers (1923-2002) Title: Camel Year: 1980 Medium: Color lithograph on wove paper Edition: 75, plus proofs Size: 11.13 x 8.64 inches Condition: Excellent Inscription: Signed & inscribed A.P. in pencil, lower margin Notes: Larry Rivers is considered by many to be the father of the Pop Art movement. In Rivers's 1980 work "Camel," we see a slightly out of focus Camel Cigarette pack, an item from consumer culture Rivers has appropriated to create a critique of commoditization and consumer culture. Rivers would have certainly been aware of the work of Stuart Davis and his 1921 painting...

Damien Hirst From the Cradle to the Grave, 2005 Limited Edition hardback monograph (Hand signed and numbered) Hand signed and numbered 998/1500 by Damien Hirst on the title page 16 ×...

Faile Across the Cosmos: Burgundy, 2026 Acrylic and Silkscreen Ink on Lenox 100 Archival Paper Signed, Stamped and Embossed 63.5 x 43.2 cm Edition of 50