Adrian Alan

A Louis XVI Style Gilt and Patinated Bronze and Marble Clock Garniture, Comprising a 'Pendule à Cercles Tournants' Modelled with the Three Graces and a Pair of Cherub Four-Light Cand...

A Pair Of Louis XVI Style Gilt-Bronze And Royal Blue Sèvres-Style Porcelain Three-Light Vase Candelabra. Each baluster-form vase applied with a fruiting swag, flanked by twin entwin...

A Rare and Important Napoléon III Gilt-Bronze and Sèvres Style Porcelain-Mounted Mahogany and Lemon Wood Bonheur Du Jour, Attributed to Édouard Kreisser, This magnificent bonheur d...

A Biedermeier Satin Birch Occasional Table. The canted rectangular top above a frieze drawer and sides with lion mask handles, on swept legs joined by an 'X'-shaped stretcher. Aust...

A Louis XVI Style Giltwood and Aubusson Tapestry Five-Piece Salon Suite. This suite of seat furniture comprises four fauteuils or open armchairs of generous proportions and a canapé...

An Important and Extremely Rare Grand Figural Cartel Clock, After a Design by Gilles-Marie Oppenord. Of grand proportions and of exceptional quality this rare cartel clock is after...

A Fine Louis XVI Style Oval Three Tier Gueridon After The Model by Simon Phillippe Poirier and Martin Carlin. This fine and unusual gueridon has three graduating oval shelves surmo...

A Rare and Highly Unusual Pair of Gilt-Bronze Twin-Light Wall Appliques. France, Circa 1870. Each vigourously modelled in the Louis XV high rococo style as branches of oak leave and acorns suspended from ribbon tied drapes. Provenance: Alfred de Rothschild (1842-1918) the Bronzina Room at Halton House, Buckinghamshire Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House Literature: Rothschild Archive, London, Manuscript: 000/174/C/3, Christie, Manson & Woods Probate Valuation of 'The Estate of Alfred C. de Rothschild, Esq. C.V.O. Deceased, Halton House Tring'. 1918. Listed as 'A pair of Louis XV ormolu wall...

A Louis XVI style gilt-bronze and polished steel pedestal table. The circular white marble top with bead cast surround, on athenienne tripod support with central spirally-fluted ste...

A Louis XVI Style Gilt-Bronze Mounted Mahogany and Aubusson Tapestry Upholstered Corner Settee. French, Circa 1880.

A Fine Pair of Patinated Bronze Allegorical Busts of Autumn and Summer By Pierre-Louis Détrier. Finely modelled and cast, the busts depict young maidens allegorical of Summer and Au...

A Fine Louis XVI Style Gilt-Bronze Mounted Mahogany Display Cabinet With Wedgwood Porcelain Plaques. The upper section has a s...

A Fine Louis XVI Style Parquetry, Gilt-Bronze and Lacquer Mounted Petit Secretaire Cabinet, Attributed to Maison Beurdeley. Stamped to the reverse of the bronze mounts to the botto...

A Fine Pair of Transitional Style Gilt-Bronze Mounted Parquetry Commodes, by Paul Sormani, After the Model by Charles Topino. Stamped beneath the marble top to one commode ‘SORMANI’...

A Large and Important Multi-Patinated Bronze Figure of an Arab Warrior by Henri Honoré Plé. Signed Henri Plé to the base. The figure is finely modelled as an Arab warrior, with sw...

A Very Large and Impressive Gilt-Bronze Mounted and Marquetry Inlaid Bookcase. Signed to the lock on the central door ‘Les Fils Chambon’. This very fine marquetry bookcase has a...

A Large Rococo Style Gilt-Bronze Hall Lantern. Grand in scale, this palatial lantern is finely cast in gilt-bronze. It is sumptuously modelled with asymmetrical C-scrolls, swept aca...

An Art Nouveau Ash and Marquetry Easel. The shaped cresting with marquetry panel of coloured woods depicting a Lilly flower, above a splayed latticework stand with an adjustable rack and support decorated with marquetry flowers. This elegant gallery easel is designed in the Art Nouveau Style of the École de Nancy and Louis Majorelle. France, Circa 1900. Provenance: With Harrods Antique Furniture...

A Fine Pair of Bronze Figures Entitled 'Avant le Combat' and 'Apres le Combat', Cast from the models by Etienne-Henri Dumaige (1830 - 1888). Signed H. Dumaige, with title plaquet...

A Very Fine Berlin (KPM) Porcelain Plaque Of A Young Woman, In a Giltwood Frame. The plaque has an impressed KPM sceptre mark to the reverse with impressed number 315_255 and a letter H. A paper label for the studio of 'Franz Xavier Thallmaier, Mucnich'. This fine KPM plaque is superbly painted with a portrait bust of a young woman holding a music scroll and a laurel branch, possibly representing St. Cecilia. The plaque is set in a giltwood frame. Franz Xaver Thallmaier (1890-1910) established in Munich in 1890 one of the most prominent and successful porcelain painting studios in Germany. He employed a number of talented porcelain painters specialising in portraits and genre scenes after artists such as Joseph Stieler, Wilhelm Kray...

A Louis XVI Style Gilt-Bronze Mounted Mahogany Commode, After The Model By Joseph Stöckel and Guillaume Benneman. Decorated overall with berried s...

A Louis XVI Style Beechwood and Aubusson Tapestry Five-piece Salon Suite. Comprising a canapé and four fauteuils, the beechwood frames crisply carved with beading, stylised petals a...

An Important Pair of Empire Style Carved Giltwood Tub Chairs with Green Velvet Upholstery. The Lion Monopedia side supports feature finely carved detail and a realistic pose. These...

A Very Rare Pair of Louis XVI Style Exhibition Gilt-Bronze Mounted Bonheur Du Jours With Lacquer Panels, by Henry Dasson. One cabinet signed 'Henry Dasson / 1880' to the gilt-bron...

A Pair of Sèvres Porcelain Presentation Vases, Designed by Albert-Ernest Carrier-Belleuse. France, Dated 1874. Marked to the base of each vase ‘Doré A Sèvr...

A Very Fine Marble Top Marquetry and Gilt-Bronze Commode by Emmanuel Zwiener. The keyhole escutcheon stamped with the ‘ZN’ mark from the bronze master model. The back of the bronze...

A Pair of Néo-Grec Parcel-Gilt Patinated Bronze Vases Mounted as Lamps, Cast by Ferdinand Barbedienne, from the Model by Henry Cahieux. Each vase is finely cast with herm-headed handles flanking a slender elongated neck above a tapering body relief-cast with classical figures and anthemion, raised on a square Belgian black marble bases. Cast signatures 'F. BARBEDIENNE FONDEUR.' and 'HENRY CAHIEUX'. This model of vase was exhibited by Barbedienne at the 1855 Paris 'Exposition Universelle' to great acclaim. They were illustrated in the Exhibition Catalogue alongside a classical revival tripod. The pair of vases together with another were described as follows: The two vases (...) selected from many exquisite and beautiful decorative works in bronze from the atelier of Messrs. Barbedienne & Cie, of Paris; they are formed, and ornamented, on the best models of the ancient Greek. The tall slender shape of the vases with their elongated necks and a flaring mouth, in the form of anamphora with two handles, is derived from ancient Greek Loutrophoroi, which were ceremonial vases...

The lock stamped to the reverse 'DUVIVIER PARIS 77 FG-ST ANTOINE'. This rare vitrine is surmounted by a large and finely carved putto figure holding a torc...

A Pair of Patinated Bronze Figures Of The Egyptian High Priest 'Pastophore' and The Egyptian Scribe 'Hierogrammate' By Emile Louis Picault (French, 1833-1915). Each signed 'Picau...

A Rare Louis XV Style Gilt-Bronze Inkwell. Designed by Léon Messagé and Cast By The Ferdinand Barbedienne Foundry, Paris. Designed in the exuberant Rococo style surmounted by a sea...

A Pair of Large Sarreguemines Majolica Sang de Boeuf Glazed Earthenware Jardinières On Pedestals. Each bowl with moulded leaf decoration, lion head handles and Bleu de Deck interior. On a baluster socle with square foot. The tapering pedestals with neoclassical ornament of foliage, masks and birds, corned by rams heads above paw feet. Impressed stamp 'SARREGUEMINES / 849 / 227', and '4 / 01' The urns are Form Number 849 called 'Coupe ovale Porphyre'. The stamp '4 / 01' identifies a date of manufacture as April 1901. The large urns on pedestals...

A Pair Of Late Louis XV Period Gilt And Patinated Bronze Figural Chenets, Attributed to Jacques and Philippe Caffieri. Modelled as a dog and cat, ea...

A Magnificent Pair of George II Style English Carved Giltwood ‘Rococo’ Wall Mirrors After A Design By Thomas Johnson. Of large proportions, each mirror having a cartouche-shaped plate within a profusely carved and pierced branch-entwined frame with stylised acanthus foliate rocaille and ‘C’-scroll decoration, architectural motifs and running dogs, surmounted by an asymmetrical pagoda form cresting with rockwork spires and a seated rustic couple holding a basket, flanked by confronted Ho-Ho birds, with a conforming asymmetrical apron of acanthus and waterwork icicles centred by a perching bird. This magnificent and ornate pair of English wall mirrors or ‘pier glasses’ are refined and reduced from a design by Thomas Johnson (1723–1799) first published in 1756 and included in his ‘Collections of Designs’ (1758), plate 4, and republished in his ‘One Hundred and Fifty New Designs" (1761) as plate 22. Pier Glasses were designed to be placed on the wall or 'pier' between windows; as well as forming part of a decorative scheme they provided an important functional use, creating a reversal of dynamic with the windows at night, reflecting and maximising the light given off by candles or oil lamps. Johnson’s asymmetrical design creates a sense of fluidity and lightness to the mirrors, employing ‘contraste’ in the placing or absence of elements, to create a stylised form, which through the dynamic tension of its constituent parts instils the mirrors with a sense of playfulness and vitality. In London throughout the 1740s and 1750s there developed a great enthusiasm for the whimsical Rococo style, and it rapidly became the height of fashion, popularised, and disseminated throughout the country and further afield by cabinetmakers’ 'Books of Prices', and 'Directories'. The second half of the 19th century saw a revival of the Rococo style in England and many designers and furniture makers turned once again to Chippendale’s ‘Director’ and designs by Matthias Lock and Thomas Johnson for inspiration, with fine examples based on modified designs or specific plates. Thomas Johnson’s designs, executed in a vigourous picturesque manner, are often inspired by the work of earlier French designers, transposing motifs taken from engraved ornament by Jean Bérain, Daniel Marot, William de la Cour, J. B. Toro and Francis Barlow...

A Fine Patinated Bronze Figural Group of Cupid and Psyche, Entitled 'L'Amour Vainqueur' ('A Love Vanquished') By Adolphe Itasse (French, 1830 - 1893). On a revolving rouge de Fran...

A Pair of Louis XVI Gilt-Bronze Five-Light Wall Appliques. Each modelled with a quiver-shaped back plat surmounted by an classical urn finial. Issuing five 'S'-scrolled branches. ...

A Pair of Louis XIV Style Gilt-Bronze Twin-Light Wall-Appliques. Each modelled as a cherubic herm emerging from bracket with foliate swags and holding an 'S'-shaped branch. Wired fo...

A Louis XV Style Gilt-Bronze Mounted Bureau de Dame, by François Linke. Signed to the bronze mount ‘F.Linke’. Linke Index Number 1650. This very fine and unusual bureau de dame ha...

A Magnificent Gilt-Bronze Mounted Parquetry Commode, After Antoine Gaudreaux's 'Commode Médallier'. The serpentine Vert Maurin marble top above a conforming case set with two cupbo...

A Rare Louis XVI Style Gilt-Bronze Mounted Mahogany Cylinder Bureau. By François Linke, Paris. Index Number 100. France, Circa 1890. The top with three quarter pierced gallery. The cylinder front centred by a gilt-bronze foliate framed oval decorated with floral marquetry and a harp and books representing lyric poetry. Flanked by twin-light gilt-bronze candelabra. The roll-top enclosing an arrangement of four small drawers and five small compartments above a gilt-tooled green leather writing surface. The frieze fronted by a central drawer with spring-loaded secret release and faced with a relief-cast plaque of cloudborne putti representing the arts. The flanking drawers with gilt-bronze acanthus cast handles and fruiting cornucopia...

A Large Napoleon III Carved Giltwood & Gesso Mirror. Grand in size and decoration, this impressive Napoleon III period overmantel mirror is designed in the Louis XVI style with an ...

A Pair of Gilt-Bronze and Ruby Glass Table Lamps. Each with hexagonal stem and tulip-shaped Bohemian glass base. The metalwork finely turned with crosshatched patterns in gilt-bron...

A Louis XIV Style Gilt-Bronze Mounted Mahogany Bureau Plat, By Cueunières, Paris. After the Model by Charles Cressent. Stamped to underside 'L. CUEUNIERES JNE / ÉBÉNISTE' The orig...

A Pair of Louis XIV Style Gilt-Bronze Twin-Light Wall-Appliques Modelled With Cherubic Herms. In the Manner of André-Charles Boulle. Each modelled as a cherubic herm holding aloft a...

A Pair of Louis XIV Style Gilt-Bronze Twin-Light Wall-Appliques. In the Manner of André-Charles Boulle. Each modelled as a cherubic herm holding aloft spiral branches. Wired for el...

A Fine Patinated Bronze Group, Entitled 'Thesée Combattant le Centaure Bianor' ('Theseus Fighting the Centaur Bianor'), Cast by Ferdinand Barbedienne, From the Model By Antoine Louis...

A Fine Gilt-Bronze Mounted Marquetry Commode, By Heinrich Pallenberg, Cologne. The original marble top is a rare yellow, black and grey brèche marble. This magnificent chest of dra...

A Pair of Louis XV Style Gilt-Bronze Eight-Light Candelabra, Attributed to Victor Paillard. Each exuberantly modelled in the high rococo style with pl...

A Fine Louis XVI Style Gilt-Bronze Mounted Mahogany And Lacquer Commode à Vantaux After The Model by Weisweiler, by Hubert-Joseph Heubès. The carcass stamped 'HEUBES' and bearing ...

A Louis XVI Style Gilt-Bronze Mounted Mahogany Centre Table. The table with a Villefranche de Conflent marble top of soft purple patterning against a white ground. Beneath the marbl...

A Large Patinated Bronze Sculpture of Emperor Napoleon on Horseback, Cast by Susse Frères, Paris, From the Model By Alfred Émilien O'Hara, Comte de Nieuwerkerke (1811-1892). Dark br...

An Orientalist Lifesize Figural Bronze Statue, Attributed to Louis Hottot (French, 1834-1906). Modelled as a lady in Ottoman dress standing beneath an Eastern style pagoda with minaret. Depicting as if answering a call and stepping forward in greeting. France, Circa 1890. This impressive figural group is a rare work in bronze attributed to the Orientalist sculptor Louis Hottot whose oeuvre is more readily associated with what was called ‘bronze imitation’, referring to sculpture in white-metal or, as it is known today, spelter. That this large statue is cast from superior and costly bronze is indicative of its rarity and importance. The Orientalist subject relates to paintings by Jean-Léon Gérôme (1824–1904), Ludwig Deutsch (1855–1935) Gustav Bauernfeind...

A Pair of Louis XVI Style Carved Giltwood Mirrors. Each mirror with an arched mirror plate and corresponding frame carved with still leaf decoration and an arched pediment centred ...

A Fine Louis XV Style Gilt-Bronze Mounted Bois Satiné and Lacquered Tray-Top Table, by Henry Dasson. This elegant table is inset to the top with a lacquered tray decorated with a s...

A Louis XVI Style Porcelain Mounted Gueridon. The oval top with a pierced gallery centred by an inset Sèvres-style porcelain plaque painted ...

A Pair of Large Gilt-Bronze Mounted Sèvres-Style Cobalt Blue Ground Porcelain Vases and Covers. Signed 'H. Desprez'. Each of baluster form. One painted to the front with Louis XV a...

A Fine White Marble Figure of a Kneeling Cherub, By Pio Fedi. Signed to the base 'Pio Fedi Faceva'. Italian, Circa 1860. Pio Fedi (1815-1892) was an Italia...

A Regence Style Gilt-Bronze and Boulle Marquetry Inlaid Grand Cartel de Applique, In the Manner of André-Charles Boulle. The eight-day twin-train movement, striking on a bell. The dial with a porcelain cartouche inscribed ‘Thuret a Paris’. The movement stamped Etienne Maxant and ‘12775: 8.1 EM’. This impressive and large cartel clock has a circular, arabesque chased, brass dial with Roman numerals on enamelled cartouches, with engraved Arabic seconds and polished steel hands. The dial sits within a waisted case, with large acanthus mounted gilt-bronze volutes...

A Large Pair of Parcel-Gilt and Grey Painted Pedestals. Each pedestal is of square tapering section inset with an Escalette Alpha rose marble top and carved overall with scrollwork,...

A Louis XV Style Gilt-Bronze Mounted Vernis Martin Vitrine Cabinet. The spreading pediment centred by a rocaille clasp and flanked by exotic busts. The central three-quarter glazed ...

A Fine Louis XVI Style Gilt-Bronze Mounted Marble Top Mahogany Three-Tier Console Desserte. The moulded ‘D’ – shaped veined white marble top above a gilt-bronze viruvian scroll and acanthus mounted frieze with a central fitted drawer, on fluted columns headed...