Art 18/21

Compelling set of 7 etchings from an exciting new talent, Indian Artist Sonal Varshneya Ojha. The 7 works come from a series of 25 works, Edition 4/7. The full Edition is available o...

Compelling set of 25 etchings from an exciting new talent, Indian Artist Sonal Varshneya Ojha. The 25 works are Edition 4/7. Editions 1, 2 & 3 have already sold, Edition 2 has been purchased by a Museum Collection in Belgium. Loved by private clients and Interior designers alike, Sonal has exhibited at International art fairs and exhibited with leading Galleries. Vachik, Edition 4/7, 25 Etchings on Archival paper, dated 2022, signed and titled under each piece in pencil 65" x 50" (depending on hanging layout), without framing, comprising 25 etchings. Each etching, sheet size 17" x 14", image size 13" x 10" 2022 Signed, Editioned, dated and titled in pencil Provenance: From the artist's studio Sonal is a storyteller. Her primary medium of choice is printmaking, exquisite etchings whose protagonists jump off the page to tell their stories. Like all good narratives that lucidly roll from one tale to the other the artist works in series. Be it her Kissa Goi or her new Vachik stories, each work comprises of many parts, all fitting together as one large work, or, equally as pleasing, as individual works that may or may not speak to each other in any combination of pattern. Sonal lives and works in Lucknow, in India, the City famous for its tradition of Ghazal poetry. In past times the poems were displayed in Diwan's (illustrated books) a calligrapher and artist would be commissioned to illustrate the poems. Sonal references these traditions and we can see traces of this in her contemporary images. Ghazal's delight and employ elements of playfulness, anecdote and surprise. They take their audience on a bitter-sweet journey and Sonal invites us to do the same. The artist explains that in the evenings the women gather on the roof terraces of her town to tell the tales that are passed from the older generations to the younger women. These are stories that primarily revolve around the woman and their everyday role in a patriarchal society. These tales become mixed with the contemporary, both local and global events that effect the lives of the women. At first glance there is an anecdotal quality to the visual narratives but look a little longer and you will be rewarded by layer upon layer of meaning. Through the clever use of text and images of objects which may at first appear to be dislocated, each part of the image pulls together the narrative, expanding it into many different levels. In Sonal's own words, 'This work is very close to my heart, a lot of emotions are attached to this work. Some such feelings that awakened for the first time and they were priceless. I have lived that time, felt it very closely, whatever happened to me at that time, I have tried my best to make it work. Kajal has a very important role, when there are children and grandmothers complete it, it is said that by applying Kajal in the eyes of the children, the eyes become bigger. Which we call Nazarota which is a small iron vessel. Kashmiri shawls...

Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper 44" x 65" unframed (112cm x 165cm) 2017 Edition 3/8 *Should you wish the photographs to be printed ...

Aditya Dicky Singh, Untitled, Photograph on fine-art Hahnemuhle archival paper 40" x 60" unframed 2023 Edition 1/8 *Should you wish the photograph to be printed at a different ...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you, that that you decide to follow. Artwork Details: Call of the Sea, 122 x 152cm, Collaged woodblock print, acrylic inks on Somerset satin paper, 2023 Artwork Provenance: from the Artist Studio photo credits, Isabel working, black and white shots, James Brown In Isabel's own words: Call of the Sea: The sea was calling, calling its sirens song. It threw tempting little waves flirtatiously on the shore. 'Come,' it said, 'come.' The sea glittered with promise, it whispered sweet nothings as it rolled the tiny gem pebbles on the beach. 'Come to me,' it said, 'I will show you the world, the true meaning of life.' The people felt the pull, the blood pumping in their veins, like a magnet they were drawn towards the sea. Mesmerised, bewitched, they stripped of their clothes, leaving them in molehills on the beach. The breeze caressed bare bottoms, free from the constraints of life. They stepped cautiously at first but as excitement overwhelmed them they broke into a run as they neared the water. The sea tickled their toes and beckoned them in, making sweet promises of delightful pleasures. *Please note we are happy to ship this work rolled in an art tube. Whilst the work is on heavy duty art paper and mixed media, the artist is happy that the painting will be rolled. This is a more cost effective and environmentally sound method of shipping. Shipping via this method is free. About Isabel Rock and her work: Taking inspiration from Japanese woodblock prints and Indian miniature painting Rock has developed a unique collage technique that combines bold structures with large-scale woodblock prints and intricate detailing. The subject is a grand mixture of humour, drama, hidden morals, fanciful characters, modern culture, mythical beings and fantastical situations. Rock creates a world that pulls you in and demands your attention. Quality of line is paramount, the drawings are created using a dipping pen and acrylic ink. An essential tool is a squirrel...

From emerging Indian artist Sonal Varshneya Ojha are the last available works from her Limited Edition of 7 series Kissa Goi. Art 1821 is selling the last 14, different works, of th...

From emerging Indian artist Sonal Varshneya Ojha are the last available works from her Limited Edition of 7 series Kissa Goi. Art 1821 is selling the last 14, different works, of th...

From emerging Indian artist Sonal Varshneya Ojha are the last available works from her Limited Edition of 7 series Kissa Goi. Art 1821 is selling the last 14, different works, of th...

From emerging Indian artist Sonal Varshneya Ojha are the last available works from her Limited Edition of 7 series Kissa Goi. Art 1821 is selling the last 14, different works, of th...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Untitled, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 1999 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed 'This work reminds me of my childhood and early youth, growing up in a village that was full of nature, surrounded by lush green. The towering Aravalli hills left a strong impression on me.' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 2, Lino-cut on German Ivory paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me.' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration B, Lino-cut on Drawing paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Voted Dyas II, Lino-cut/ chine colle, on German Ivory paper Edition: 5 of 8, 1999 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'We belong where love finds us' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 1, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed ''What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me." Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Twin Showcase, Lino-cut on German Ivory paper Edition: AP, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'We belong where love finds us' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Frenzy M1, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 45 x 33 cm / Sheet size: 79 x 55 cm Unframed 'In this work in particular I feel that a true work of art is the creation of an experience from the interaction between the human self and the outside world' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Frenzy M3, Lino-cut chin-coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed 'In this work in particular I feel that a true work of art is the creation of an experience from the interaction between the human self and the outside world' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration “O”, Lino-cut chin-coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed "In this piece I use multiple layering of image, repetition of shape, layered shapes to inform my life celebration and my investigation into Indian culture" Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Eco of Passion X, Lino-cut chin-coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'This is life liberated, sometimes ordinary, with small gestures and everyday objects transformed by colour, context and composition and sometimes adorned, wreathed in pomp, pageantry, and glory' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

There is something compelling about drawings and sketches made by architects. Loose and full of life this delicious little study, made on the spot, beautifully captures the essence of place. Made during one of Patterson's early tours to India it shows the gloriously majestic Palace Museum in Udaipur, Rajasthan, which sits on the highest point overlooking Lake Pichola and the City. The delicate wash of terracottas, pinks and reds offers us the feel of sun on the old stones. India Palace Museum (Udaipur), watercolour & pencil on paper, image 9.5cm x 14cm, framed 21.5cm x 24.5cm, Artist Stamp, signed in pencil bottom left, 1990 Doug Patterson...

Lotus Lake, acrylic on canvas, 71cm x 61cm, 2022 Even in his most realistic images, there is a beautiful exaggeration in the paintings of Peter Rodulfo....

The Birthday, acrylic on canvas, 77cm x 77cm, 2021 Even in his most realistic images, there is a beautiful exaggeration in the paintings of Peter Rodulfo...

The Klagenfurt Organ, oil on canvas, 100cm x 80cm, 2014 Even in his most realistic images, there is a beautiful exaggeration in the paintings of Peter Rodulfo...

Waking on the Night Train, acrylic on canvas, 66cm x 76cm, 2021 Even in his most realistic images, there is a beautiful exaggeration in the paintings of Peter Rodulfo...

Visiting the Snakeman, acrylic on canvas, 60cm x 76cm Even in his most realistic images, there is a beautiful exaggeration in the paintings of Peter Rodulfo...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you, that that you decide to follow. Artwork Details: (D), 50x40cm, acrylic ink and acrylic paint on paper, 2011 Artwork Provenance: from the Artist Studio A certificate of authentication comes from Gallery Art 1821...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edi...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

A fabulous pair of early, coloured oleographs, originating from India. Oleographs are chromo lithographs that have been coloured to look like oil paintings. In the case of these two...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

This beautifully compelling still life, oil on canvas board work was made by renown artist Margaret Thomas, a Modern British painter who trained in the...

A fabulous and rare large 19th century Bombay Pottery Charger from the J J School of Art, depicting scenes of Buddha from the Ajanta caves. Bombay Scho...

From emerging Indian artist Sonal Varshneya Ojha are the last available works from her Limited Edition of 7 series Kissa Goi. Art 1821 is selling the last 14, different works, of th...

From emerging Indian artist Sonal Varshneya Ojha are the last available works from her Limited Edition of 7 series Kissa Goi. Art 1821 is selling the last 14, different works, of th...

A fabulous and rare 19th century Indian Bombay Pottery School of Art turquoise pot with the iconic floral motif, still in use in Indian design to...