Avery & Dash Collections

A quadruple gourd form Stoneware lamp designed by Axel Salto in 1944 and produced by between 1969 and 1974. Signed SALTO and marked Royal Copenhagen and impressed 192.51 and numbered...

A newly upholstered sofa made by Dunbar and designed by Edward Wormley, circa 1965.

Three-panel folding screen with a scarlet macaw, cockatoo and hyacinth macaw. Signed and dated "E.N Clark 1934". Artist is Egbert Norman Clark, New Y...

A pair of silvered metal "Louise" armchairs by Paul Mathieu. 2,500 to 3,000 grams of silver used in each chair.    

A crenalated pricket stick now updated as a floor lamp.

A Murano blown glass chandelier by Barovier & Toso, circa 1965.

A unique bowed and carved commode attributed to Guglielmo Ulrich. The doors are carved laminated Walnut with brass hinges. The interior of the cabinet is burledwood with brass hardwa...

A72 color silkscreen on paper. Published by Pace Editions, Inc., New York 2017. Edition of 50. Signed, numbered and dated by the artist. Newly framed in a 23-karat yellow gold leaf f...

An elegant chest of drawers in parchment, ivory (now replaced with faux ivory) and gold lacquer 1935 Similar model presented at the salon of decorative artists 1935 Examples of th...

A 2016 silkscreen print made on the occasion of the Rio Olympics titled "Road To Rio" by Howard Hodgkin. Numbered 88/350 signed H.H. and dated 2016 in pen...

Wall hanging composed of painted felt flags included in cigar packages in the early 20th century, circa 1900-1915.

Japanese Meiji period (1868-1912) painted screen with gold fleck paint. Remounted during Showa period (1926-1989).

An exquisite Taisho period screen depicting nesting cormorants painted on raw silk with gold fleck by Japanese artist Asami Joujou (b. 1890 in Himeiji, Japan-d. 1974), circa 1912-1926.

A Greek Revival side table designed by T.H. Robsjohn Gibbings for Saridis. Retaining original metal Saridis tags. Bleached Walnut circa 1965.

Musical note wrought iron andirons stamped Nashville TN, circa 1920s.

A T. H. Robsjohn-Gibbings for Hansen brass cylinder floor lamp, mid-20th century.

An elegantly carved stone Kannon elephant. Taisho period Kyoto, Japan.

A bronze sculpture on marble base by Emile Gilioli entitled "La Petite Sphere". This piece will be included in "The Forth Coming" catalog which is being produced by The Gilioli Archive. "Emile Gilioli was born to a family on Italian shoemakers who had settled beside the Canal Saint-Martin. After the first World War, the family moved back towards Italy, settling in Nice. In 1932, Gilioli took courses at the Ecole des Arts Decoratifs de Nice, notably with the future artist Marie Raymond. During the Second World War, Gilioli was mobilized in Grenoble where he passed the remainder of the conflict. He made the acquaintance of Andry Fracy, a conservationist at the Grenoble Musee des baux-arts and led him to discover cubism. After the war, Gilioli settled in Saint-Martin-de-La-Cluze near Grenoble, where he sculpted in his workshop. His art was associated in a certain way with the deeds of the French Renaissance. He became friendly with Thomas Gleb...

This beautiful marble sculpture by Emile Gilioli is made of rose veined marble (white/pink). The sculpture is signed and dated on wooden base. "Emile Gilioli was born to a family on Italian shoemakers who had settled beside the Canal Saint-Martin. After the first World War, the family moved back towards Italy, settling in Nice. In 1932, Gilioli took courses at the Ecole des Arts Decoratifs de Nice, notably with the future artist Marie Raymond. During the Second World War, Gilioli was mobilized in Grenoble where he passed the remainder of the conflict. He made the acquaintance of Andry Fracy, a conservationist at the Grenoble Musee des baux-arts and led him to discover cubism. After the war, Gilioli settled in Saint-Martin-de-La-Cluze near Grenoble, where he sculpted in his workshop. His art was associated in a certain way with the deeds of the French Renaissance. He became friendly with Thomas Gleb...

A large ceramic vessel by Claude Conover (American 1907-1994) titled "Balakmul". Signed on underside.

An early 19th century French faience lidded jar; probably Rouen. Painted with a heraldic crest. Delft style.

"Untitled" by Robert Motherwell was printed as part of "9", a portfolio with works of 9 other abstract expressionist artists including Willem de Kooning, Sam Francis, Ellsworth Kelly...

Mid-Century Sommerso glass vase of clear, ruby and blue colors by Flavio Poli.

Pair of terra cotta console tables in three parts. Probably Italian. neoclassical in Egyptomania era.

A rare near pair of English Regency period secretary or bookcases with rosewood, ebony, mahogany and satinwood inlay. The fitted drawers in the fall front are slightly different in c...

A British Colonial secretary, probably Anglo-Indian, in Campaign form with burl wood and ebony and bone inlay.

A singed Martz white glazed earthenware lamp with walnut mounts. Now with new shade. Martz lamps were made by   Gordon Martz (1924-2015) & Jane Marshall Martz (1929-2007) for Mar...

An etching and aquatint by Victor Pasmore from his portfolio titled "The Dance of Man in Modern Times". Victor Pasmore was one of the leading members of the English school of Abstract Expressionism. Please note this is one print from a larger portfolio. Other prints from this portfolio are available. A bit about Pasmore- Beginning in 1947, he developed a purely abstract style under the influence of Ben Nicholson and other artists associated with Circle, becoming a pioneering figure of the revival of interest in Constructivism in Britain following the War. [6] Pasmore's abstract work, often in collage and construction of reliefs, pioneered the use of new materials and was sometimes on a large architectural scale. Herbert Read described Pasmore's new style as "The most revolutionary event in post-war British art".[7] In 1950, he was commissioned to design an abstract mural for a bus depot in Kingston upon Thames[8] and the following year Pasmore contributed a mural to the Festival of Britain that promoted a number of the British Constructivists. Pasmore was a supporter of fellow artist Richard Hamilton, giving him a teaching job in Newcastle and contributing a constructivist structure to the exhibition "This Is Tomorrow" in collaboration with Erno Goldfinger and Helen Phillips...

A carved and painted wood "Green Man" mask from a facade of a mansion near Seattle, late 19th century. The Green Man is a legendary being primarily interpreted as a symbol of rebir...

A Bust of a young Mexican Man. Unmarked on marble base.

Gilt bronze mounted Empire style mahogany jardinière with metal liner, late 19th century.

A very interesting large pair of French 1950s sconces. Painted handwrought iron. Scaled for outdoor or indoor use.

Late 19th century British Army officer's painted pine campaign chest containing original steel & brass campaign bed. Stand is modern as is bed canva...

A French Pewter vase hand hewn by Georges Capon. Signed and dated " G. Capon 1922".

A desirable, diminutive New England two part flat top highboy, in rare transitional William & Mary to Queen Anne form. Top and bottom are original mat...

A silver plated abstract sculpture by Lucile Driskell (1924-2017) signed and numbered 1/100.

Joe Lincoln scoter decoy, canvas covered with tack eyes, black paint and old gunning repaint. Numerous tears to body. Branded on bottom "H. C. Hunt", circa 192...

A late Regency burl wood and giltwood games table produced by T.G Seddon (cabinet maker for the queen).

A limited edition "La Gondola" Sofa by Edward Wormley for Dunbar, Berne, Indiana, produced in 1957. Model 5719 is part of the Janus Collection, seen by man...

A pair of early 19th century, French ormolu bronze cassolettes. The censers having pierced tops and Candlestick receivers on the revers.

A Japanese Edo-Meiji period Palanquin chair for the childrens festival. The form with sliding and hinged doors, decorated in gold hiramaki-e with peonies ...

A four-tier Japanese Meiji period black lacquer Jubako box with stork and fir tree decoration. Box in four sections with lid.

A set of eleven English Victorian oak dining chairs comprising two armchairs and nine side chairs. Chairs have leather seats with gold tool...

A handsome 19th century French clock set comprising a clock with a matching pair of candelabrum. French Industrial steam Hammer type with brass movement. Signed GLT Paris Japy Freres...

A set of eight ebonized dining chairs attributed to Malatesta & Mason. Italian circa 1950's

Oil on canvas portrait of a setter or golden retriever signed Clarence E. Braley, a Massachusetts artist (1854-1927).

A hand stitched leather wrapped chrome coffee table designed by Jacques Adnet with glass top.

Rare pair of Japanese Nagasaki Export lacquered wood knife boxes with mother-of-pearl inlay of flowers and birds, now converted to letter boxes...

A Richard Schultz redwood Petal Coffee Table with enameled base. This Model 321 with redwood petals was made from 1960-75. Made by Knoll with a canvas Madison Avenue label.

A pair of Louis XIII style French fauteuils a la Reine of carved walnut. Some restoration.

A large aluminum armchair having new cushions and upholstery.

A beautiful glass table lamp by Nils Landberg for Orrefors having a dark blue interior and a clear exterior.

An American credenza in the form of a neoclassically inspired townhouse of two stories, featuring end and center openings for storage.

A silver leaf over wood dining table by James Mont. Includes two leaves measuring 12" each. Measures: 42" diameter when closed.

A vibrant, late 20th century, woven wool rug with design after a Sam Francis (American, 1923-1994) painting.

A late 19th / early 20th century Japanese bronze of a rhinoceros having wonderful patination.

A large unique bronze sculpture by Antonio Kieff (b. 1936) entitled "Motivo Espanol," dated 1985. The sculpture is also numbered 1 of 1.  

Oak armchair with wide paddle form arms and sculpted and inlaid back. Also having a Danish paper cord seat. The chair was designed by Hans J. Wegner and manufactured by Carl Hansen &...

A flat black sideboard with high gloss recessed lines. Italian circa 1965. Case has three doors two housing shelves on either side of 5 drawers.   

A limited edition cast iron bird bath by Joe Andoe. Numbered 19/20 Exhibited: Joe Andoe, October-30 November 1990, University of Oklahoma Museum...