Century Design Ltd.

A rare and exceptional pair of mid-century modern single-curved arm occasional chairs from Baker Furniture's landmark 1954 Continental Collection, co-designed by master designers Win...

A rare and impressive pair of Mid-Century Modern tazza-form ceramic candle holders by influential California artist Sasha Brastoff (1918–1993), dating to 1950 from his celebrated "Or...

A vibrant 1950s Italian studio ceramic round catchall dish by renowned Florentine ceramicist Marcello Fantoni (1915–2011), created for Raymor, the premier American importer of mid-century European design led by Irving Richards. Featuring a straight-walled cylindrical rim with three integrated rest notches, the piece showcases Fantoni's mastery of raw, volcanic surface textures and warm, earth-toned glazes. The exterior and interior basin transition through banded gradient layers of mustard yellow, terracotta orange, ochre, and deep slate brown with a pitted, lava-like texture. Dimensions: Diameter: 7 5/16" D (7.32 inches / ~18.6 cm) Height: 1 5/8" H (1.63 inches / ~4.1 cm) Condition Report :Excellent vintage condition. The heavy, tactile lava glaze remains intact with vibrant original color. Free of major chips, hairline cracks, or structural repairs. Normal age-appropriate wear and rough texture along the unglazed base edge, consistent with authentic 1950s Fantoni production. Creator: Marcello Fantoni Distributor: Raymor (Irving Richards) Origin: Florence, Italy Period: 1950–1959 Styles: Mid-Century Modern, Italian Modernism, Studio Craft Materials: Ceramic, Stoneware, Polychrome Sgraffito / Lava Glazes Markings: Incised on base "Fantoni / Italy / for / Raymor" Item Type: Ashtrays / Catchalls / Decorative Bowls Marcello Fantoni pottery, Fantoni for Raymor, Italian mid century ceramic ashtray, Fantoni catchall dish, 1950s Italian studio pottery, Raymor Italy ceramics...

An impressive ovoid studio art pottery vessel by Japanese-American ceramicist Masuo Ojima (b. 1949). Born in Japan to a family of traditional craftsmen (his grandfather was a roof t...

A striking 1970s vintage modern architectural, brass and glass hurricane candle lantern made in Spain, designed in the bold architectural style of Chapman Manufacturing and Guild Master. Featuring a substantial cylindrical profile, the lantern consists of a thick, mouth-blown clear glass shade set within a heavy solid brass 3" h basin base and finished with a matching polished brass top rim trim 0.57" h. The mouth-blown glass displays desirable period characteristics, including light seed bubbles throughout the structure. Its clean geometric lines and warm metallic patina make it a versatile statement accent for mid-century modern, modern luxury, or Hollywood Regency interiors. See my other listings for similar signed Chapman hurricane...

A spectacular pair of vintage French natural ostrich egg, bronze, and faux tortoise shell table lamps, originating from the private estate of former White House Executive Chef Pierre Chambrin (1947–2024). Exuding classic 20th-century French Neoclassical and Hollywood Regency elegance, each lamp features a genuine natural ostrich egg cradled within sculpted, cast-bronze acanthus palm leaves. The organic, ivory-toned central egg column rests on a heavy, multi-tiered faux tortoise shell plinth...

An authentic, hand-signed limited edition embossed serigraph titled "Florida (Pearl Dress)" by master Art Deco designer Erté (Romain de Tirtoff, 1892–1990), published in 1989 by Chalk & Vermilion / Seven Arts. Hard to photo, please excuse reflections. Part of Erté’s celebrated American Millionairesses Revisited series, this work is based on an original 1917 costume design created for the American Millionairess Revue at the Théâtre Fémina in Paris. The print features intricate blind embossing, shimmering gold foil stamping, and subtle pearlized texturing. Housed in its original custom Wentworth Gallery Art Deco frame featuring textured gold-leaf corner accents and multi-tiered matting that echoes the work's geometric backdrop. The artwork is safely preserved beneath plexiglass glazing that does not touch the paper, keeping the foil and blind embossing in pristine, untouched condition (minor internal friction rubs present on the brown matting from the glazing edge). Retains its original Wentworth Gallery inventory label on the reverse with matching pencil-numbered edition stock details." Edition & Markings: Edition Number: #298 / 300 (Arabic Edition) Signature: Hand-signed in pencil lower right by Erté Publisher: Seven Arts Ltd. / Chalk & Vermilion (1989) Provenance: Wentworth Gallery (retains original verso inventory label) Dimensions: Frame Size: 48 11/16" H × 41 1/8" W (123.7 cm × 104.5 cm) Visible Sight / Mat Opening: 36 5/16" H × 27 7/8" W (92.2 cm × 70.8 cm) Excellent vintage condition overall. The serigraph itself is crisp, clean, and untouched—the plexiglass glazing is set away from the paper surface with proper clearance, preserving the gold foil stamping, blind embossing, and pearl texturing in original, pristine shape. The brown matting shows minor internal rub marks along the edge from contact with the plexiglass interior, which is common for larger gallery frames of this age and does not affect the artwork itself. The custom Wentworth frame shows minor, normal age-appropriate surface wear along the outer edges, remaining sturdy, structurally sound, and display-ready. Erte Florida serigraph, Erte signed print, Erte pearl...

A rare, monumental signed desk or oversized console table by master American designer Karl Springer (1931–1991), executed and incised/signed in his final year of production, 1991. This piece showcases Springer's celebrated mastery of high-end surface textures and structural minimalism. A thick, inset "floating" top wrapped in rich, leather embossed with a fine shagreen skin pattern rests above a custom architectural base crafted in lacquered steel. The base features an open-frame perimeter with offset inner supports, creating a weightless visual effect. Functioning seamlessly as a executive desk, library table, or grand entryway console, this late-period work represents the culmination of Springer's career. Signed and dated Karl Springer 1991. Dimensions: Width: 72 1/4" (183.5 cm) Depth: 30" (76.2 cm) Height: 32 1/4" (81.9 cm) Karl Springer (1931–1991) was an influential German-born American furniture designer who helped define the aesthetic of late 20th-century luxury design. After emigrating from Berlin to New York City in 1957, Springer initially worked as a window dresser at Lord & Taylor, using his off-hours to craft leather-bound accessories that were picked up by Bergdorf Goodman. His career skyrocketed in the 1960s after gaining the patronage of the Duchess of Windsor, which established his standing among elite interior designers and high-society clients. Springer became celebrated for reintroducing rare, exotic materials into modern furniture forms—most notably shagreen (stingray skin), lacquered parchment, python, goatskin, Lucite, and heavy polished metalwork. Drawing aesthetic cues from Art Deco, classical Chinese furniture, and the Bauhaus movement, he distilled intricate historical shapes into bold, modern silhouettes. His studio produced handcrafted, made-to-order pieces until his death in 1991, leaving behind a legacy as one of the defining voices of American modernism and luxury craft. Designer / Studio: Karl Springer Ltd. Period: 1991 (Dated) Style: Postmodern / Maximalist Minimalism / Modernist Luxe Materials: Lacquered Steel, Leather Embossed Faux Shagreen, Wood Frame Markings: Incised / Stamped "Karl Springer 1991" Condition Report: Excellent vintage condition overall. The lacquered steel base retains its original luster with light, age-appropriate surface wear. The leather embossed faux shagreen top displays rich tone and texture with minimal minor scuffs consistent with careful light use. Structurally sound and solid. Creator: Karl Springer Period: 1990–1999 Styles: Postmodern, Mid-Century Modern Revival, Contemporary Luxe Materials: Steel, Leather, Lacquer Item Type: Desks / Console Tables / Library Tables Keywords: Karl Springer desk, signed Karl Springer 1991, Karl Springer console table, embossed leather shagreen desk, floating top console table...

A striking, monumental 8-foot original acrylic painting on board by regional Alton, Illinois fine artist Monica Mason, executed in 2016. Rendered on an impressive scale (96 inches t...

Designed by architect Richard Hannum for McGuire Furniture, this iconic "Huxley Series" martini table exemplifies high-end California organic modernism. The design features a floati...

A rare and matching pair of mid-century modern solid maple bookcases designed by Paul McCobb for his seminal Planner Group series (Model #1516), manufactured by Winchendon Furniture ...

An authentic vintage 1970s gold anodized aluminum sculpture after the famous LOVE image by American Pop Art master Robert Indiana. Robert Indiana's original LOVE artwork, created in the 1960s, instantly became an international Pop Art touchstone and solidified his place in modern art history. Authorized miniature versions such as this piece were produced during the 1970s and sold in leading museum design shops, including the Museum of Modern Art (MoMA) in New York. Cast in solid aluminum with a gleaming gold anodized finish, this rare gold edition functions as a bold desktop sculpture or paperweight. Dimensions: Height: 3.0" (7.6 cm) Width: 3.0" (7.6 cm) Depth: 1.5" (3.8 cm) Details: Artist / Style: After Robert Indiana (American, 1928–2018) Period: Circa 1970s Style: Pop Art / Modernist Desk Accessory Materials: Cast Aluminum, Gold Anodized Finish Provenance / Context: Vintage Museum Shop Authorized Production (MoMA Design Store) Condition: Good vintage condition overall. Displays light surface wear and minor loss to the gold finish consistent with age and desktop use, revealing the polished aluminum underneath in small areas as shown in the photographs. The structure remains solid and heavy. Keywords: Robert Indiana LOVE sculpture...

An iconic piece of American Streamline Moderne industrial design, this Singer Ribbonaire Model 6-1 electric desk fan is executed in rich brown molded Bakelite with its classic silk ribbon blades with 2- speed motor. Adjustable Bakelite body is in great condition, works beautifully. Patented in 1931 by W.O. Langille for the Singer Sewing Machine Company, the Ribbonaire revolutionized table fan technology by replacing hazardous metal blades with flexible fabric ribbons, creating a safe, whisper-quiet breeze. Its sleek, aerodynamic housing and teardrop base reflect the height of 1930s Art Deco aesthetics. Recognized for its historic contribution to industrial design, the model is held in the permanent collection of the Museum of Modern Art (MoMA) in New York. Dimensions Height: 10" – 11" (25.4 – 27.9 cm), Width: 4.5" (11.4 cm), Depth: 7" (17.8 cm) Details: Model: Ribbonaire Model 6-1 Designer: W.O. Langille Manufacturer: Singer Sewing Machine Co. / Diehl Manufacturing Co. Period: Circa 1930s Style: Art Deco / Streamline Moderne / Industrial Modernism Materials: Molded Bakelite, Fabric Ribbons, Electrical Wiring Adjustability: Features a pivot mechanism allowing the head to tilt backwards and forwards to direct airflow. Condition: Fine working vintage condition. The dark brown Bakelite body retains a glossy, rich sheen with no major chips, cracks, or structural damage. Motor runs smoothly and functions as intended. The power cord and fabric ribbons are intact and in fine condition, displaying light age-appropriate wear consistent with gentle use. Period: 1930–1939 Styles: Art Deco, Streamline Moderne, Machine Age, Industrial Place of Origin: United States Materials: Bakelite, Plastic, Silk Fabric Keywords: Singer Ribbonaire fan...

An expressive pair of Art Deco figural bookends depicting the legendary modern dance pioneer Loïe Fuller in a sweeping, draped pose, attributed to American foundry Penco Rendered in...

Female depictions played a crucial role in the oeuvre of both Hagenauer brothers from the very beginning of their careers. Throughout the years, Karl and Franz Hagenauer created an incredible variety of sculptures centered around the fluid beauty of the female form—ranging from athletic poses to sophisticated character depictions. Expressive modern dance served as an essential source of inspiration for the workshop, yielding iconic modernist designs including their celebrated tribute to Josephine Baker. This patinated brass figure captures a snapshot of dynamic, expressive dance. Supported entirely by one long, elegant standing leg, the form conveys effortless lightness as if floating mid-performance. Her head is turned slightly downwards over the shoulder in semi-profile, radiating quiet tranquility against her energetic pose. Reduced overall and yet rich in subtle detail, the sculpture features clearly discernible elements—including delicate eyelids, fingers, and an indented navel. Mounted on its original turned, dark-stained wooden base bearing authentic stamped marks. Dimensions: Overall Size: 11 1/8" H × 7 1/16" W × 2 7/8" D Maker: Werkstätte Hagenauer Wien Designers: Attributed to Karl Hagenauer (Austrian, 1898–1956) / Franz Hagenauer (1906–1986) Period: Circa 1930s–1950s Style: Austrian Art Deco / Wiener Werkstätte School / Modernist Expressive Dance Materials: Patinated Cast & Hand-Finished Brass, Turned Hardwood Base Markings: Underside of wooden base stamped: HANDMADE, HAGENAUER WIEN, wHw circular monogram stamp, and MADE IN VIENNA AUSTRIA Excellent vintage condition overall. The brass figure retains a deep, original dark patinated finish displaying minor, age-appropriate wear and light patina consistent with gentle handling. The turned wooden base is solid with tight hardware; all stamped maker marks on the underside remain crisp and clearly legible. Period: 1930–1939 / 1950–1959 Styles: Art Deco, Modernist, Wiener Werkstätte, Mid-Century Modern Place of Origin: Austria (Vienna / Wien) Materials: Patinated Brass, Wood Keywords: Werkstatte Hagenauer Wien, Karl Hagenauer dancer, Franz Hagenauer sculpture, wHw monogram mark, Austrian Art Deco bronze figure, patinated brass dancer sculpture...

A rare and exceptionally stylish pair of mid-century 14k yellow gold and aquamarine cufflinks featuring a crisp cocktail glass motif framed within an open circular bezel. Each cufflink showcases a stylized martini glass formed in polished gold, centered with a custom triangular-cut aquamarine simulating the drink itself. Designed during the golden age of American cocktail attire, this exact design reflects the ultimate mid-century luxury aesthetic—allowing you to live like a Rockefeller. A virtually identical pair of 14k gold and aquamarine martini glass cufflinks from the legendary collection of David Rockefeller was sold at Christie’s New York (The Collection of Peggy and David Rockefeller) on May 9, 2018, realizing $13,750. These cufflinks are the ultimate artifact of post-war American luxury and mid-century lounge culture. During the 1950s and 1960s, the martini glass emerged as the defining symbol of sophisticated bachelor style—popularized by Frank Sinatra, the Sands Hotel Rat Pack, and the mid-century "Cocktail Hour" movement. Whether worn with a tailored tuxedo at a swing dance club or displayed as barware art, this design captures the suave, effortless cool of early Playboy era style. The open gold circle framing the aquamarine glass mirrors the bold, geometric design language of 1950s fine jewelry, making it a definitive statement piece for collectors of mid-century Americana. During the post-war era, high-end fine jewelry houses in New York and Providence (such as Larter & Sons, Marchal Jewelers, Crescent Jewelry...

A bold and collectible vintage statement cuff bracelet by French designer Edouard Rambaud Paris. Executed with Rambaud’s signature sculptural drama, the cuff features sweeping, flui...

An evocative mid-to-late 20th-century original surrealist painting by Italian master Pier Enrico Guzzi (1938–2018). Signed Lower left, PE Guzzi. The composition combines Guzzi’s ba...

An exceptional original oil on canvas geometric abstract painting titled "Section I" by listed artist Marko Spalatin (b. 1945). Executed with crisp precision, the composition highlights Spalatin’s iconic hard-edge Op Art technique, featuring interlocking faceted geometric modules in rich hues of cobalt, crimson, and maroon suspended over a smoothly airbrushed neutral gradient field. Presented in its substantial original white gallery wrap structure measuring 2 5/8 inches deep. Signed and titled on the verso by the artist. Provenance: Sourced directly from the estate of Robert J. "Bob" Gamm (1920-2012)—noted St. Louis architect, runner, and legendary entrepreneur who invented KangaROOS athletic footwear with the iconic zippered pocket. Dimensions: Overall Dimensions: 40" W x 36" H x 2 5/8" D Details: Artist: Marko Spalatin (American/Croatian, b. 1945) Title: Section I Medium: Oil on Canvas Period: Circa 1970s–1980s Movement: Op Art / Hard-Edge Abstraction / Geometric Abstraction Markings: Signed, titled, and inscribed on verso PERMANENT COLLECTIONS Musée d'Art Moderne — Paris, France Museum of Modern Art — New York, New York Condition: Very good vintage condition overall. The painted surface remains bright, crisp, and vivid with flat color fields and sharp lines. The reverse of the canvas displays minor, age-appropriate, stable foxing spots that are confined strictly to the verso and have not bled through, transferred, or compromised the front canvas face. Keywords: Marko Spalatin painting, Marko Spalatin original oil, Section I Spalatin, hard edge geometric abstract, Op Art oil painting, Victor Vasarely style, mid century geometric art...

An impressive and large-scale mid-20th-century oil on canvas still life by William Skilling (1862–1964), presented in its original, hand-painted artist's frame featuring faux-marble graining created by Skilling himself. This can ship, UPS, but extra cost for wood crate or custom cardboard box. Executed in the dramatic pronkstilleven (ostentatious still life) style of the 17th-century Dutch Masters, the rich composition features a vibrant boiled lobster on a platter, fresh fish spilling from a heavy copper fish poacher pan, a bowl of lemons, cabbages, and a woven basket of mussels set alongside an ornate silver-gilt ewer and Kraak-style blue-and-white porcelain. Measuring nearly 5 feet wide in its custom 2 1/8-inch deep frame, the work demonstrates Skilling's masterly control of light, shadow, texture, and grand scale. Signed lower right Skilling. Artist Biography: William Skilling (1862–1964) William E. Skilling was a British-born American painter who became one of mid-century California’s most sought-after decorative artists. Following his service in World War I, Skilling established his residence and primary studio in San Francisco, actively exhibiting in regional venues such as the Oakland Art League. He executed his grand decorative series (including his animalier works, Old Master homages, and trompe-l'œil still lifes), until his death in 1964. While Skilling initially built a reputation executing fine portraits and landscapes, he achieved lasting renown during the mid-20th century for his grand-scale, highly technical compositions. His repertoire was defined by monumental animalier subjects alongside masterful homage paintings in the manner of historical masters—most notably 17th-century Dutch still-life painters, Giuseppe Arcimboldo, and American folk artists like Edward Hicks. A complete artisan, Skilling was known not only for his meticulous brushwork and dramatic control of light, but also for personally hand-crafting and hand-painting bespoke frames—such as faux-marble, burl, and tortoiseshell moldings—designed specifically to complement the Old Master illusion of each canvas. Today, his large-scale canvases are highly prized by interior designers and fine art collectors for their decorative authority and exceptional scale. Dimensions: Framed Size: 59" W x 37 7/8" H x 2 1/8" D Canvas Sight Size: 53 1/2" W x 32 1/2" H Details: Artist: William Skilling (American/British, 1862–1964) Medium: Oil on Canvas in Custom Hand-Painted Frame Period: Mid-20th Century (Circa 1950s–1960s) Subject: Dutch / Flemish Master Banquet Still Life (Lobster, Copper Fish Poacher, Fruit, Ewer) Signature: Signed Skilling lower right Condition: Excellent vintage condition overall. Crisp colors, rich impasto, and strong canvas tension. The original hand-painted faux-marble frame shows light age-appropriate wear and minor scuffing to edges, preserving its authentic vintage character. These artists worked in a similar grand-scale, decorative, or trompe-l'œil homage style during the mid-20th century: Giuseppe Arcimboldo (Skilling famously painted direct homage works after Arcimboldo) Edward Hicks (Another artist Skilling frequently referenced in his decorative period works) Piero Fornasetti ( Dramatic, classical-inspired mid-century decorative statements) Claude Venard or Bernard Buffet (Cross-appeals to mid-century art collectors looking for grand dining room wall statement pieces) Keywords: William Skilling still life, large William Skilling painting, Willem Kalf style, Abraham van Beyeren manner, Jan Davidsz de Heem inspired, Dutch Master style still life, lobster still life oil painting, oversized still life painting, 17th century style banquet painting...

An exceptional and rare vintage 1970s Italian luxury desk accessory by Gucci, designed in a striking two-tone finish with a classic equestrian motif. The heavy handle is cast in the ...

An exceptional, large-scale turn-of-the-century Austrian bronze equestrian desk box, expertly cast in the lifelike form of a horse’s head with detailed harness, bridle, and bit. Stamped AUSTRIA along the lower base rim, this piece originates from the peak of the Viennese bronze foundry tradition (circa 1890s–1910s). During the turn of the century, Viennese foundries—including those associated with master sculptors like Franz Bergmann and Carl Kauba—specialized in highly realistic, tactile equestrian and animalier table accessories crafted for elite European and export markets. The upper portion of the head lifts on a smooth rear hinge to reveal a contoured interior cavity fitted with a soft blue velvet cushion pad. Designed as a gentleman’s desktop valet or pocket watch holder, the plush velvet protected fine timepieces and jewelry from surface scratches when resting on a library desk or dressing table. Standing a commanding 11 inches high with an 11.25-inch depth, the sculpture showcases magnificent modeling throughout—from the defined muscle structure and flowing mane to the textured leather-like graining on the harness straps. Dimensions: Height: 11" H Width: 8 1/8" W (8.125") Depth: 11 1/4" D (11.25") Details: Origin: Austria (Viennese Bronze Workshop) Period: Circa 1890s–1910s Style: Victorian / Edwardian Equestrian / Vienna Bronze Materials: Cast Bronze, Blue Velvet Lining, Brass Hardware Markings: Stamped AUSTRIA on lower base rim Excellent antique condition. The cast bronze features a rich, multi-tonal brown patina with light, age-appropriate surface wear and soft highlight rubbing along raised edges. The internal hinge opens and closes securely. The interior blue velvet pad shows light historic wear but remains soft, intact, and clean. Keywords: Austrian bronze horse head, large Vienna bronze equestrian, Franz Bergmann style bronze, Carl Kauba manner horse, Karl Hagenauer bronze, Werkstätte Hagenauer Wien, Wiener Werkstätte style bronze, Viennese Secessionism, Vienna Secession horse sculpture, Wiener Werkstätte valet box, Hagenauer style equestrian, Rena Rosenthal, Hagenauer Austria bronze, antique horse head desk box, bronze pocket watch holder...

An exceptional, documented 1896 Victorian equestrian taxidermy inkwell, commissioned to commemorate a cherished horse named "Dandy." Mounted by the prestigious Army & Navy Co-Operative Society Ltd. (A. & N.C.S. Ld.), this piece exemplifies late-19th-century British memorial taxidermy and campaign-era luxury craftsmanship. The real preserved hoof is accented with silver-toned square nails around the wall and fitted with a heavy brass hinged lid stamped "DANDY" across the top. The front toe of the fitted brass shoe is hand-engraved with the date "AUG. 24TH 1896." The brass shoe base is stamped on the underside with the maker's hallmark: "MOUNTED BY THE A & N.C.S. Ld". Opening the hinged lid reveals the internal cavity designed to hold a glass ink reservoir (insert missing). Victorian horse hoof inkwells mounted by tier-one London stores like Army & Navy or Rowland Ward hold significant appeal among militaria, equestrian, and oddities collectors. An exceptional, documented 1896 Victorian equestrian taxidermy inkwell, commissioned to commemorate a cherished horse named "Dandy." Mounted by the prestigious Army & Navy Co-Operative Society Ltd. (A. & N.C.S. Ld.), this piece exemplifies late-19th-century British memorial taxidermy and campaign-era luxury craftsmanship. The real preserved hoof is accented with silver-toned square nails around the wall and fitted with a heavy brass hinged lid stamped "DANDY" across the top. The front toe of the fitted brass shoe is hand-engraved with the date "AUG. 24TH 1896." The brass shoe base is stamped on the underside with the maker's hallmark: "MOUNTED BY THE A & N.C.S. Ld". Opening the hinged lid reveals the internal cavity designed to hold a glass ink reservoir (insert missing). Victorian horse hoof inkwells mounted by tier-one London stores like Army & Navy or Rowland Ward hold significant appeal among militaria, equestrian, and oddities collectors. Good, age-appropriate antique condition. The horse hoof wall is solid and stable with natural wear and graining. The brass displays a rich, untouched historic patina with minor surface scratches, small dents, and light oxidation expected on late-19th-century brassware. The hinge opens smoothly. Missing the removable interior glass well insert. Keywords: Victorian horse hoof inkwell, 1896 horse hoof inkwell, Army Navy Co-Op Society inkwell, ANCS Ltd taxidermy, Dandy horse inkwell...

A rare and highly collectible 1970s Italian silver-plated figural bottle opener by Gucci, skillfully cast in the solid form of a detailed hare's head. Celebrated for their whimsical ...

An iconic piece of 1980s Pop Art Americana, this oversized plaster Life Saver candy sculpture was produced in 1983 by the famous New York City novelty firm Think Big! NYC. Founded by Phyllis Prinz and Bob Eisemann, Think Big! specialized in scaling up everyday household items into whimsical, oversized Pop Art sculptures. Coming soon , also have a ruler and note pad by them too. Cast in solid white plaster, the piece replicates the classic ring candy with crisp embossed lettering reading "LIFE SAVERS" across the concave top face. It features its original copyright imprint along the outer edge reading © 1983 THINK BIG! NYC. Adding remarkable historical provenance, the underside retains its original felt lining bearing labels for David Berman Films / Houston (2431 Bartlett, Houston, TX), indicating its past life as a film production studio prop or decorative desk accessory. Diameter: 6.75" Height: 2" Details: Maker: Think Big! NYC Period: Dated 1983 Style: Pop Art / Novelty Sculpture / Desktop Object Materials: Cast Plaster, Felt Base Provenance: David Berman Films / Houston (Original studio labels intact) Markings: Stamped © 1983 THINK BIG! NYC on edge; labeled on verso Very good vintage condition. Plaster body remains solid with clean, raised lettering. Exhibits minor age-appropriate surface wear, light scuffs, and small fleabites/nicks consistent with vintage plaster desk objects. Bottom felt and production studio provenance labels are well-preserved. Pricing & Market Context for 1stdibs Think Big! NYC objects have a strong cult following among Pop Art collectors and interior designers looking for playful desk and bookshelf accents. Smaller desktop plaster pieces from the firm command solid prices, particularly with film provenance attached. Keywords: Think Big NYC Life Saver, 1983 Think Big plaster, giant Life Saver sculpture, Pop Art desk sculpture, oversized Life Saver candy, vintage film prop...

An elegant, imposing 28.5-inch architectural obelisk sculpture masterfully crafted from warm, fine-grained blond wood, featuring characteristics consistent with satinwood or light ma...

A striking, late 20th-century classical Etruscan metal console table by Christopher Chodoff (American, 20th c.), the celebrated New York designer and antiques dealer renowned for his masterful furniture executed in the sculptural, zoomorphic manner of Diego Giacometti and Ilana Goor. The architectural frame features ring-turned, node-accented legs braced by side X-stretchers centered with gilt-bronze rosettes, alongside a dynamic cross-stretcher base secured with Chodoff's signature interlocking hook-and-loop ring joinery. Adding a captivating zoomorphic detail, a finely detailed gilt-bronze snake appears to crawl along the lower cross-stretcher. The frame is finished in a rich, multi-tonal hand-painted verdigris green patina with polished gilt-bronze accents at the snake, rosettes, and leg rings. The table is crowned with a heavy, polished black granite slab top, creating a sophisticated contrast against the textured, sculptural base. Combining classical proportions with Neoclassical, Brutalist, and surrealist influences, this documented work makes a compelling statement piece for an entryway, gallery, or high-end living interior. Christopher Chodoff (American, 1909–1990) was a prominent New York antiques dealer, designer, and key tastemaker who gained widespread acclaim beginning in the 1950s. Renowned for his impeccable eye, Chodoff is credited with playing a pivotal role in introducing European modernist design icons—most notably Diego Giacometti and Jean-Michel Frank—to the American luxury market and high-society art collectors. His exceptional talent for blending sculptural art with functional forms made him a favorite among an elite clientele, designing custom interiors and bespoke furniture commissions for global figures such as fashion designer Valentino and actress Jane Fonda. Beyond his curatorial work, Chodoff developed an acclaimed body of his own sculptural metal furniture, heavily influenced by classical Etruscan forms, Neoclassical proportions, and the organic, textured approach of the Giacometti brothers. Executed primarily in patinated cast bronze and wrought iron, his signature pieces frequently incorporated expressive, hand-worked surfaces alongside delicate zoomorphic accents—such as coiled gilt-bronze serpents, birds, and animals—making his designs highly coveted statement pieces among top interior designers and fine art collectors today. Details: Designer/Maker: Christopher Chodoff Period: Late 20th Century Style: In the manner of Diego Giacometti / Ilana Goor / Neoclassical Modern / Zoomorphic Materials: Painted Metal/Bronze, Gilt Bronze Details, Polished Black Granite Features: Sculptural gilt-bronze snake accent on stretcher, ring-turned legs, side X-stretchers with gilt rosettes, painted verdigris finish, polished black granite slab top Excellent vintage condition. The frame retains its rich, hand-painted verdigris patina with light, age-appropriate character wear. The gilt-bronze snake and accent rings retain strong luster, and the black granite top is clean, intact, and sits level on the frame. Keywords: Christopher Chodoff console table, documented Christopher Chodoff, Chodoff snake console, Ilana Goor style table, Ilana Goor bronze furniture, Diego Giacometti style snake table, bronze snake console table, painted verdigris console...

A distinctive pair of 1970s California Modernist lounge chairs, attributed to influential West Coast designer Lou Hodges. Known for his organic, architectural approach to wood joiner...

A magnificent pair of 1971 mid-century modern Brutalist nightstands—an exceptional example of Canadian design by the renowned Tabago Furniture company of Montreal, Quebec. Presenting...

A matched pair of luxury English leather-wrapped glass spirit flasks by James Dixon & Sons, Sheffield, England. Crafted with contoured glass bodies, each flask is encased in fine...

An ultra-thin, Swiss-made quartz ladies dress watch by the prestigious house Bucherer, illustrating an elegant Art Deco Revival approach where the play of light and refined materials...

An exceptional Art Deco period silver-plated desktop stash box, cigarette dispenser or humidor cabinet retail-stamped by the prestigious luxury house Mark Cross London. Featuring a sleek semi-circular architectural silhouette resting on subtle bun feet, this piece opens via a smooth revolving/swivel mechanism controlled by a front pull knob. The front panel displays a custom, period-correct engraved geometric Art Deco diamond monogram with the initials "ED". When swiveled open, it reveals a segmented internal compartment designed to organize cigarettes or small cigars vertically. The interior curved back wall retains a clear, crisp maker's stamp reading "CROSS LONDON" beneath the Mark Cross crest. Functions beautifully on an executive desk, bar cart, or vanity for contemporary use as a trinket or jewelry box. Maker / Retailer: Mark Cross London Period: Art Deco (Circa 1920s–1930s) Origin: London, England Style: Art Deco / Modernist Executive Materials: Silver-plated metal Object Type: Desktop cigarette dispenser / Mechanical humidor box Keywords: Mark Cross London, Mark Cross cigarette box, Art Deco cigarette dispenser...

An extraordinary Neoclassical / Renaissance Revival style wrought iron and cast bronze 5-piece fireplace companion set brimming with mythological iconography. Each of the three hand-...

A documented mid-century modern expanding walnut dining table designed by Jens Risom (model T-181). Crafted with expressive, bookmatched walnut wood grain across the top, the table s...

A striking 1960s Mid-Century Modern artisan studio belt buckle handcrafted in solid cast brass. The piece features a bold Brutalist design with a heavily cratered, organic textured face reminiscent of molten lava or raw topography. Heavyweight construction with an integrated back loop and prong, making it a functional piece of vintage wearable art. Fits 1.5" belt. Dimensions: Width: 2.1875" (2 3/16") Height: 1.6875" (1 11/16") Depth: 0.75" (3/4") Details: Period: Circa 1960s–1970s Style: Brutalist / Mid-Century Modern Studio Craft Materials: Cast brass Object Type: Belt buckle / Wearable art Condition: Presents in excellent vintage condition with a desirable warm aged patina, rich verdigris highlights in the recessed crevices, and minor surface wear consistent with age and use. Keywords: Brutalist belt buckle...

A post-modern Hollywood Regency decorative duck sculpture handcrafted by Maitland-Smith. Executed in rich, iridescent tessellated dark pen shell with a polished brass beak, eye inlay, and collar accent. Designed with a functional swivel head that rotates into various poses. Bears the original Maitland-Smith manufacturer's label on the base. Dimensions: Width: 14.25" Depth: 5.5" Height: 8.625" (8 5/8") Details: Maker: Maitland-Smith Period: Circa 1980s–1990s Origin: Philippines Style: Hollywood Regency / Postmodern Materials: Tessellated pen shell / mother-of-pearl, brass Condition: Presents in excellent vintage condition with rich shell iridescence and minor polish wear/patina to the brass accents consistent with age. Head swivels smoothly. Keywords: Maitland Smith duck...

An authentic mid-century Italian studio bronze sculpture of a snail by sculptor Mario Ferrari (1925–1990). Hand-cast in 1951, the piece features exceptional lifelike rendering, with realistic texturing across the spiral shell and extended body. Finished in a rich dark brown bronze patina with subtle warm undertones. Inscribed on the underside with the artist's characteristic hand-incised signature and date: "> M. FERRARI – 1951 <". Dimensions: Dimensions: (12.25" w x 2.62" h x 3.38"d) Details: Creator: Mario Ferrari (1925–1990, Italian) Date of Manufacture: 1951 Place of Origin: Italy Materials: Cast bronze Style: Mid-Century Modern / Italian Realist Animalier Sculpture Condition: Excellent vintage condition with original dark patina and minor age-appropriate surface wear. Keywords: Mario Ferrari bronze, Italian artist bronze, 1951 bronze, Italian animalier sculpture, bronze snail, realistic animal sculpture, mid-century Italian art, signed Italian bronze, paperweight sculpture, studio bronze art, 1950s Italian metalwork. Detailed biographical details on mid-century Italian sculptor Mario Ferrari (1925–1990) are quite sparse in published reference literature. He operated primarily as a studio sculptor and artisan in mid-20th-century Italy, working in cast iron (ferro fuso) and bronze. His body of work focused heavily on hand-incised animalier sculptures—such as snakes, snails, and other wildlife—often produced in small studio batches or custom commissions. Because he worked largely outside the institutional academy system, most documentation of his work exists through Italian auction records and private mid-century art collections rather than published monographs. Aligi Sassu Lucio Fontana Giuseppe Napoli Arnaldo Pomodoro Gio Ponti (frequently incorporated small bronze animal objects into interiors) Egidio Casagrande Kurt Delbanco...

A charming turn-of-the-century Austrian cold-painted bronze figurine depicting a Miniature Dachshund standing attentively with detailed facial expression, floppy ears, and an integrated collar with a pendant tag. Executed in the celebrated style of Franz Xaver Bergmann, this unmarked piece features naturalistic casting and an authentic, aged polychrome finish showing desirable surface wear consistent with period age. Sourced directly from an Austrian family who immigrated to the United States in the 1940s. Dimensions: Dimensions: (3.3/16" h x 6"w x 2"d) Details: Period: Circa 1900–1910 (Turn of the Century) Origin: Vienna, Austria Style: Manner of Franz Xaver Bergmann / Austrian Cold-Painted Bronze Subject: Miniature Dachshund / Wiener Dog Materials: Cold-painted cast bronze Condition: Presents in original antique condition. Shows authentic patina, surface oxidation, and age-appropriate loss/rubbing to the cold-painted enamel finish as expected on genuine early 20th-century Viennese bronzes. Unmarked. Keywords: Viennese bronze, antique dog figurine...

A sophisticated mid-century Italian Murano blown art glass tabletop torchiere shade, attributed to Cenedese. The piece features a dramatically flared conical rim that transitions down to a cylindrical base accented with vertical opaque white cane ribbons (filigrana) set against clear and subtle opaline glass. Designed for ambient indirect lighting, it casts a warm, soft glow when illuminated from within. An exceptional statement piece that integrates seamlessly into Mid-Century Modern, Hollywood Regency, or contemporary Italian design interiors. Details: Period: Circa 1960s–1970s Attribution: Attributed to Cenedese, Murano, Italy Style: Mid-Century Modern / Venetian Art Glass Technique: Hand-blown Murano glass with vertical filigrana/latticino cane work Condition: Presents in excellent vintage condition with no chips, cracks, or repairs. Minor, age-appropriate wear to the underside base ring. Keywords: Gino Cenedese, Venini style, Barovier & Toso, Italian lighting, uplight shade, diffuser, trumpet vase light, filigree glass, latticino, white stripe, Venetian glass, blown glass diffuser, MCM lighting...

A striking vintage Abstract Expressionist drip painting executed in the iconic style of Jackson Pollock, dating from circa the late 1960s. Featuring dynamic, energetic splatters and ...

Nice vintage 5-piece patio or garden dining set from Brown Jordan, designed by the renowned Richard Frinier in the late 1980s. The "Florentine" collection is among the most sought-af...

A rare and masterful Mid-Century Modern walnut buffet / sideboard designed by Gerry Zanck for Gregori Furniture (circa 1960s). Featuring an inset travertine marble top and Zanck’s si...

Set of six (6) mid-century lowball / double old fashioned glasses in the coveted "Cane Roan" pattern (Model #943) by legendary American designer Georges Briard (1917–2005). Complete ...

A striking mid-century Mexican modernist sculptural lidded dish in the form of a grasshopper, executed in solid brass with vibrant tessellated abalone shell inlay. Designed in the ic...

An exceptional out-of-production 21.75-inch cast bronze architectural wind bell designed by visionary Italian-born architect and artist Paolo Soleri (1919–2013). Hand-cast at his ren...

A striking 1970s architectural Mid-Century Modern X-form étagère / bookcase featuring bold industrial construction infused with classic Neoclassical and Directoire details. Note this...

An extraordinary early 20th-century French Art Nouveau hand-hammered repoussé pewter round lidded jar / trinket box by the renowned collaborative studio of Alice (1872–1951) & Eu...

An impressive and substantial 22.5-inch patinated bronze sculpture depicting an athletic male sporting dog / hunting hound (resembling a Labrador Retriever or Pointer) in a classic play-bow stretch. Rendered after Auguste Moreau and bearing the artist's signature dogs front side leg. At nearly two feet long, this dynamic bronze captures the eager, playful posture of a gun dog with its front legs extended, chest lowered, tail curled upward, and floppy ears framing an alert, expressive face. The smooth, short coat highlights its muscular anatomy, finished in a warm, dark chocolate-brown patina. Sporting / Hunting Dog (Labrador, Pointer, or Hound style) in a playful stretch. A 20th-century bronze casting executed after the original 19th-century French Animalier models by Auguste Moreau. Bears the cast signature MOREAU on the lower base. Bronze Labrador, Bronze Pointer, Bronze Hunting Dog, Moreau Bronze Dog, French Animalier Bronze, Stretching Dog Statue, Sporting Dog Sculpture, Labrador Retriever Bronze, Gun Dog Bronze, Large Bronze Dog Sculpture

An exceptionally rare Mid-Century Modern cantilevered chrome desk lamp designed by Milo Baughman for George Kovacs (Model 3085, circa 1976s). Sourced directly from a single-owner est...

Rarely seen..... A striking and playful 4-piece stacked Murano glass sculpture by Seguso (Italy, circa 1960s). Executed in thick / heavy, monumental hand-blown glass, all of the pie...

A striking Norwegian Mid-Century style art glass figural sculpture of a Viking warrior with a shield, designed by artist Lena Hansson for Hadeland Glassverk (Norway). Unsigned. Standing 7 7/8 inches high, this substantial glass figure features a heavy solid glass body in deep, dark glass with rich purple and amethyst undertones that catch the light. The front is accented with an applied round glass shield medallion with raised stud details, and the piece is completed with a clear glass head topped with a horned helmet. A fantastic piece of Scandinavian art glass craftsmanship. Lena Hansson, Hadeland Glassverk, Norwegian Art Glass, Hadeland Viking, Scandinavian Glass Figurine, Solid Purple Glass, Amethyst Art Glass, Viking Statue...

An outstanding Danish Mid-Century Modern nutcracker designed by Poul Knudsen during the 1950s. Beautifully balanced in form and function, the piece features sculpted, tapered solid t...

A playful pair of mid-century Italian barware jiggers / spirit measures crafted in solid polished brass to resemble vintage shotgun shells. The taller 2 oz jigger is stamped "BIG SH...

A striking Swedish Grace / Art Deco heavy crystal vase produced in the 1930s by renowned Swedish glassworks Strömbergshyttan and mounted with solid sterling silver grape cluster ring...

A unique, one-of-a-kind 1963 studio-cast bronze sculpture depicting a kneeling or reaching female figure by celebrated Pennsylvania sculptor and PAFA faculty member Pritchett Allen H...

An original / uniquel 1963 studio-cast bronze sculpture of a female figure by celebrated Pennsylvania sculptor and Pennsylvania Academy of the Fine Arts (PAFA) instructor Pritchett A...

Girl Soaring (1964) is a rare, unique studio-cast bronze sculpture by celebrated Pennsylvania artist and Pennsylvania Academy of the Fine Arts (PAFA) faculty member Pritchett Allen H...

A striking 1992 Postmodern kinetic mantel clock designed by Jon Gilmore for Accessory Art Products, Inc. (Orange, CA). Embodying the iconic Memphis Design Movement aesthetic of the e...

A striking piece of modern Scandinavian design, this "Weight Here" three-arm candelabra was created by the acclaimed Danish design collective KiBiSi (Bjarke Ingels, Lars Larsen, and ...

A vibrant set of four 11.25-inch dinner plates from the Gramercy Park Collection (Irving Place pattern), designed by Kate Spade New York for Lenox. Drawing inspiration from Piet Mond...