AMC - Antique & Modern Collective

Original 1960s circular dining table designed by Richard Young for Merrow Associates. The rosewood top on sculptural chromed steels base. Provenance: From the Estate of Richard You...

Original 1960s Cayley Console by Richard Young for Merrow Associates. Classic mid-century design, high quality console table, having glass top on a chromed steel sculptural base. P...

Mid-Century Modern - The Bradfield - 163U - 1960's Merrow Associates Chaise Longue, Designed by Richard Young. In sand leather with self piping and buttons, on cantilevered mirror c...

Merrow Associates, 'The Haslett' pair of lounge chairs, circa 1965. Freeform Mid-Century Modern Design chairs on mirror chromed steel bases, in newly upholstered in pesto Bute fabri...

The Gresley coffee table designed by Richard Young for Merrow Associates circa 1965. Rosewood base on castors with chrome steel frame and glass top. There are two of these tables a...

Merrow Associates The Fowke - 165U Dining Chair Designed by Richard Young. Original pair of dining chairs circa 1970. Due to their robust quality and aesthetic design, these chairs...

Richard Young for Merrow Associates 'The Ayrton - 375R' Drinks Trolley, circa 1968. Chromed steel frame with rosewood base on castors, glass top and lower tier. This is a versatile...

Richard Young for Merrow Associates chromed steel dining chairs. Mid-Century Modern Design, Circa 1970, three legs with curved back rest. Original fabric. Provenance: From the Estat...

Indus Valley Terracotta Pot dating from 3rd - 2nd Millenium BCE. Hand painted polychrome decoration with animals and geometric patterns. The Indus Valley Civilization (IVC) was one...

Unique interlocking base design without the need for fixtures. High quality thick chromed steel. In the manner of Maria Pergay and Maison Jansen with hints of design by Gabriella C...

1950s Pierre Jeanneret 'Kangourou' 'Kangaroo' Chandigarh Lounge Low Chair model PJ-SI-59-A. This chair is made of Indian rosewood which was used in the earliest productions of Pierr...

Chryssa, 'Electric Sky', 1980, Serigraph, signed and numbered in pencil from an edition of 75. This print is part of a portfolio of 8 original serigraphs, executed under the supervision of the artist at Atelier Arcay in Paris. Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture, known for her neon, steel, aluminium and acrylic glass installations, she always used the mononym Chryssa professionally. After studying at the Académie de la Grande Chaumière in Paris in 1953-1954 (where she met André Breton, Edgar Varèse, and Max Ernst) and at the California School of Fine Arts in San Francisco in 1954-1955, she settled in New York, where she lived and worked until 1992, before returning to Greece. She became a pioneering artist on the New York art scene, alongside Jasper Johns and Robert Rauschenberg, within the “new realist...

This is a great example of a Lucie Rie iconic hand-thrown, footed bowl with manganese glaze. It is thinly potted and slightly pulled into an ovoid shape with an undulating rim. The running glaze is subtle whilst adding an individual element to the decoration of the bowl. The bowl bears the artist's monogram seal mark under. Lucie Rie was an Austrian-born British ceramics artist. Rie’s works, usually consisting of hand-thrown pots, bottles, and bowl forms, are noteworthy for their Modernist forms. Born in 1902 in Vienna, Austria, she studied pottery at the Vienna Kunstgewerbeschule, a school of arts and crafts. In 1937, she won a silver medal at the Paris International Exhibition and by the following year, Rie moved to London to flee Nazi Austria. Once settled in the British capital, she maintained a small studio and continued to produce pottery and small clay objects, including ceramic buttons and jewellery which she sold to support herself. She was later joined by Hans Coper, a young artist who soon became a partner in her studio. She taught at the Camberwell School of Art from 1960...

Chryssa, 'Electric Sky', 1980, Serigraph, signed and numbered in pencil from an edition of 75. This print is part of a portfolio of 8 original serigraphs, executed under the supervision of the artist at Atelier Arcay in Paris. Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture, known for her neon, steel, aluminium and acrylic glass installations, she always used the mononym Chryssa professionally. After studying at the Académie de la Grande Chaumière in Paris in 1953-1954 (where she met André Breton, Edgar Varèse, and Max Ernst) and at the California School of Fine Arts in San Francisco in 1954-1955, she settled in New York, where she lived and worked until 1992, before returning to Greece. She became a pioneering artist on the New York art scene, alongside Jasper Johns and Robert Rauschenberg, within the “new realist...

Chryssa, 'Electric Sky', 1980, Serigraph, signed and numbered in pencil from an edition of 75. This print is part of a portfolio of 8 original serigraphs, executed under the supervision of the artist at Atelier Arcay in Paris. Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture, known for her neon, steel, aluminium and acrylic glass installations, she always used the mononym Chryssa professionally. After studying at the Académie de la Grande Chaumière in Paris in 1953-1954 (where she met André Breton, Edgar Varèse, and Max Ernst) and at the California School of Fine Arts in San Francisco in 1954-1955, she settled in New York, where she lived and worked until 1992, before returning to Greece. She became a pioneering artist on the New York art scene, alongside Jasper Johns and Robert Rauschenberg, within the “new realist...

Bäst, 'Revolucion De Papel', 2003, Urban Art Print Published by P.O.W. (Pictures on Walls), London, who also published works by Banksy during the same period. Numbered in pencil w...

Chryssa, 'Electric Sky', 1980, Serigraph, signed and numbered in pencil from an edition of 75. This print is part of a portfolio of 8 original serigraphs, executed under the supervision of the artist at Atelier Arcay in Paris. Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture, known for her neon, steel, aluminium and acrylic glass installations, she always used the mononym Chryssa professionally. After studying at the Académie de la Grande Chaumière in Paris in 1953-1954 (where she met André Breton, Edgar Varèse, and Max Ernst) and at the California School of Fine Arts in San Francisco in 1954-1955, she settled in New York, where she lived and worked until 1992, before returning to Greece. She became a pioneering artist on the New York art scene, alongside Jasper Johns and Robert Rauschenberg, within the “new realist...

A finely thin potted white glazed bowl, with incised lotus blossom pattern decoration from the Joseon period, Korea, circa 1400. It has an old colle...

An original one-off large format Polaroid photograph of Naomi Campbell for the Vivienne Westwood Active Resistance limited edition book produced by Opus. Signed by Naomi Campbell and photographer Zenon Texeira in marker pen. Large-format polaroids are extremely rare and unique and as the name suggests, they are of a large scale, the visible image dimensions being 52 cm x 67 cm. It is an autographed and one-off, unreproducible photograph, as there is no negative. Large Format Polaroids: The Polaroid 20×24 camera is a very large instant camera made by Polaroid, with film plates that measure a nominal 20 by 24 inches. Throughout its history, it has been used by many famous photographers, including Robert Rauschenberg and Andy Warhol. Ansel Adams also used the camera, notably to make the first official photographic Presidential portrait, of President Jimmy Carter in 1979. To celebrate Lady Gaga's new role as Creative Director of Polaroid, a portrait of her was shot with the 20×24 camera on June 30, 2010, at the Massachusetts Institute of Technology. This is the actual one-off Large Format Polaroid Photo taken on one of three of these cameras in existence which are soon to be obsolete because no more of the photographic paper can be made. The rare Polaroid 20 x 24 camera was brought from Prague to Paris and London for three separate photo shoots for The Official Vivienne Westwood Opus. Featuring Vivienne Westwood’s family and friends wearing clothes from her stunning collections, 97 selected Polaroids, shot by Zenon Texeira in black-and-white, colour and sepia, are displayed in the Opus. The photos were shown in various venues including the Serpentine Gallery in London on a worldwide tour to promote the book. Participants included: Vivienne Westwood, Pier Vittorio Aureli, Hilary Koob-Sassen, Ingo Niermann & Zak Kyes, Rasheed Araeen, Peter Cook, Richard Wentworth, Gilbert & George, Ben Vautier, Jonas Mekas, Jean-Jacques Lebel, Tom Mccarthy, Mark Wallinger, Yoko Ono, Barbara Steveni, Ekaterina Degot, Raqs media collective, Nathaniel Mellors, Lee Scrivner, Andrea Branzi, Henry Flynt, Marina Abramovic, Agnès Varda, Susan Hefuna, Stephen Willats, Falke Pisano, Adam Pendleton, Jimmie Durham...

An original one-off large format Polaroid photograph of Bob Geldoff & Jeanne Marine for the Vivienne Westwood Active Resistance limited edition book produced by Opus. Photographer Zenon Texeira. Signed by Bob Geldoff & Jeanne Marine in marker pen. Large-format polaroids are extremely rare and unique and as the name suggests, they are of a large scale, the visible image dimensions being 52 cm x 67 cm. It is an autographed and one-off, unreproducible photograph, as there is no negative. Large Format Polaroids: The Polaroid 20×24 camera is a very large instant camera made by Polaroid, with film plates that measure a nominal 20 by 24 inches. Throughout its history, it has been used by many famous photographers, including Robert Rauschenberg and Andy Warhol. Ansel Adams also used the camera, notably to make the first official photographic Presidential portrait, of President Jimmy Carter in 1979. To celebrate Lady Gaga's new role as Creative Director of Polaroid, a portrait of her was shot with the 20×24 camera on June 30, 2010, at the Massachusetts Institute of Technology. This is the actual one-off Large Format Polaroid Photo taken on one of three of these cameras in existence which are soon to be obsolete because no more of the photographic paper can be made. The rare Polaroid 20 x 24 camera was brought from Prague to Paris and London for three separate photo shoots for The Official Vivienne Westwood Opus. Featuring Vivienne Westwood’s family and friends wearing clothes from her stunning collections, 97 selected Polaroids, shot by Zenon Texeira in black-and-white, colour and sepia, are displayed in the Opus. The photos were shown in various venues including the Serpentine Gallery in London on a worldwide tour to promote the book. Participants included: Vivienne Westwood, Pier Vittorio Aureli, Hilary Koob-Sassen, Ingo Niermann & Zak Kyes, Rasheed Araeen, Peter Cook, Richard Wentworth, Gilbert & George, Ben Vautier, Jonas Mekas, Jean-Jacques Lebel, Tom Mccarthy, Mark Wallinger, Yoko Ono, Barbara Steveni, Ekaterina Degot, Raqs media collective, Nathaniel Mellors, Lee Scrivner, Andrea Branzi, Henry Flynt, Marina Abramovic, Agnès Varda, Susan Hefuna, Stephen Willats, Falke Pisano, Adam Pendleton, Jimmie Durham...

A Qing Dynasty Chinese baluster porcelain vase with a flaring rim. Hand-painted with a traditional 'boys' pattern, ruyi decoration and a ring of stylised feathers to the neck. Bear...

A large Chinese Ming Dynasty polychrome porcelain dish, circa 1620. Late Ming Dynasty. Painted in turquoise, black and red enamels with a central 'Split Pagoda' pattern scene, the cavetto with four landscape vignettes alternating with stylised seals. Many Mid-Century studio potters were inspired by the shapes and designs of ancient Chinese and Ming pottery. We believe this dish is a good example of this, which is why it will fit with both antique and modern interiors, making it the perfect cross-collecting piece. See Bonhams Lot 168 from Asian Art sale...