Jake Wright Antiques

A good quality Regency mahogany round Dumbwaiter, the tiers with slightly dished centres and moulded edges, separated by ornate brass rods with collars top and bottom. All raised on ...

 A wonderful pair of C19th buff terracotta recumbent lions, of good scale and bold proportions, each with long flowing manes and heads turned to Sinister and Dexter, outstretched pa...

A nicely executed mid C19th British School oil on canvas, depicting a clipper vessel named ‘Jennie’, with other vessels and cliffs of Dover in the background, and realistic seas. Set...

A large pair of neo-classical lamps, with composition hopper style figures of Diane de Gabies, raised on scagliola bases. With adjustable brass light...

An unusual pair of Chinese carved Stone models of lions, each depicted with opposing heads and seated on lotus bases. In good condition and retaining a nicely weathered surface. Circ...

 A rare C18th Chinese export occasional table, of elegant design and constructed of exotic hardwoods including Padouk. The oval tilt top with blonde wood crossbanded edge and repeat...

A smart pair of C18th giltwood open armchairs, well carved throughout, the curved oval backs with gadrooned mouldings and foliate paterai to the tops, leading to shapely arms with ac...

An impressive late 19 century Black Forest carved bear hall stand, of a bear looking up while holding a tree with three branches forming coat/hat hooks, with an inquisitive bear cub ...

 A unusual late 19th Century wood carved antelope, with naive expression on his face and in a spread stance, finished in his original brightly coloured decoration. Circa 1880. H: 9...

A fine pair of 18th century George III Hepplewhite period floral marquetry inlaid demi-lune card tables attributed to John Cobb. The semi-elliptical sabico and floral marquetry top is bordered and framed with a half moon of satin birch and box wood banding and crossbanded with an outer banding of tulipwood. The bouquet of flowers is most striking and displays some of the finest floral marquetry; the quality is exceptional and the detail and use of various exotic woods is exemplary. The sabico frieze is shallow and crossbanded with tulipwood and flanked with inlaid satinwood flutes raised on crossbanded and tapered legs that stand on elegant block feet. In excellent original condition and has achieved a warm and lightly sun kissed colour and patina to the premium grade figured mahogany. Circa 1775 - 1785 John Cobb (c.1710–1778) was an English cabinetmaker and upholsterer. His work was once overshadowed by that of Thomas Chippendale but he is now regarded as being among England’s greatest furniture makers. He is thought to come from Ashby, Norfolk and was the son of John Cobb and Mary Holmes. It is believed that John Cobb was apprenticed in 1729 to Timothy Money (fl 1724–59), a Norwich upholsterer. In 1755 he married Sukey, a daughter of the cabinetmaker Giles Grendey and is said to have acquired a ‘singularly haughty character’, strutting ‘in full dress of the most superb and costly kind...through his workshops giving orders to his men’, and on one occasion earning a rebuke from George III. He worked with William Vile from 1750 until 1765 in premises at 72, the corner house of St Martin’s Lane and Long Acre. In the early 1750s, William Hallett, another cabinetmaker of the time, formed a working syndicate with Vile and Cobb. Vile and Cobb supplied furniture to the leading patrons of the day including George III and Queen Charlotte, the 1st Earl of Leicester at Holkham Hall, the 4th Duke of Devonshire at Chatsworth and the 4th Duke of Bedford at Woburn Abbey. Vile and Cobb held the Royal Warrant from 1761 until April 1764 when Vile retired. While Vile created works in an Anglicised Rococo style, Cobb’s furniture of the 1770s was executed in an elegant Neoclassical style. Cobb was well known for his haughty disposition which did not always endear him to his customers, so it was no surprise that the Royal Warrant was awarded to two of their employees William France and John Bradburne instead of Cobb himself. Some of Cobb's work is in the Royal Collection at Buckingham Palace. Following Vile's retirement in 1764, Cobb carried on in business with the assistance of his foreman, Samuel Reynolds (fl 1751–85). He made furniture to very high standards and earned a reputation for exquisite marquetry: Hester Thrale, the writer and friend of Dr Johnson, compared the inlaid floors at Sceaux, France, to ‘the most high prized Cabinet which Mr Cobb can produce to captivate the Eyes of his Customers’. Inlay in tropical woods, particularly satinwood, was an important element of Neo-classical furniture. In 1772-4 Cobb produced an ‘Extra neat Inlaid Commode’ and two stands en suite for Paul Methuen at Corsham Court, Wilts, which survive in situ. In 1772 he was implicated in the smuggling of furniture from France. His most extensive work was for the 6th Earl of Coventry at Croome Court, Worcs, between 1765 and 1773. This included a large mahogany...

 Early C20th still life oil painting on canvas of a collection of exotic fruits, some partially sliced and watermelon displayed in a bowl, with red printed table...

An excellent example of Regency carved gilt wood convex mirror by Thomas Fentham, with acanthus, foliate and scrolled pediment surmounted with eagle holding balls and chains in his b...

 An early 19th Century black and gilt chinoiserie marble top side/console table. The Greek green marble top above a cushion frame frieze with exaggerated cabriole legs and stylised ...

A highly important Regency mahogany and ebony centre table of superior quality, spectacular scale and featuring and in the style of Thomas Hope`s Neo-Classical influences. The circul...

An early C19th pair of finely detailed gouaches, depicting unusual scenes of the bays of Naples and Sorrento. In charming light colours and excellent condition. Circa 1820. H: 45 cm...

A rare of 6 mid C19th classical Grand Tour gouaches of unusual scenes depicting Naples, Pompéi and Vesuvius, with broad gold slips and ebonised reeded frames. Circa 1860 Largest 4 - ...

An unusual pair of 18th Century Mahogany Side Chairs. The top rails with scroll ears and central carved splats of architectural design, with pad seats below and raised on square tape...

 A well made early Geo III mahogany kneehole desk in the manner of Giles Grendy, of unusual form and features. Slightly oversized it holds a presence of quality craftsmanship, with c...

A very rare larger than life size late C18th/early C19th terracotta figure of a male diety, in the Khmer style, the figure sitting in a relaxed pose, with hair tied up and a serene c...

A Regency black and gilt papier mache tray on stand, highly decorated with chinoiserie scenes of figures playing instruments in a garden setting, with pagoda buildings, arch bridge a...

A superbly carved early C19th `Grand Tour` marble sculpture of the crouching Venus in good scale. The nude goddess half-kneels on an integral naturalistic base, her arms crossed in f...

A spectacular early C19th Russian malachite tazza/urn of good scale and elegant form. The circular shallow dish with silvered-bronze mounted rim of sty...

Early C19th ‘Grand Tour’ statue of ‘Diane de Gabies’, finely carved in Carrara marble. Diane stood next to a tree stump with her hair tied back and her head tilted to the right where...

A rare and well defined mid C19th large bronze coat of arms featuring the family crest flanked by rampant lions, mounted on later oak plinth. Good rich patination. Originally adorni...

A large and rare C19th pair of `Grand Tour` Medici lions in carved wood, at opposing stances with heads turned to sinister and dexter, with one paw on a ball. Circa 1830. In good co...

A pair of late C19th silver and gilt decorated standard lamps in the classical manner. The carved wood columns with egg and dart capitals, stylised acanthus leaves below, leading to ...

A rare set of 4 exquisitely executed gouaches of Naples and surrounding area, showing unusual scenes of the bays of Amalfi, Sorrento, the golf of Baja (Sardinia) and Tempi Di Pesti ...

Substantial 19th Century ‘Country House’ elm hall bench. The arched back with angled panels and flanked with carved finials, above scroll arms with pierced carved trefoils and soli...

An early Georgian solid red walnut drop flap gate leg Kitchen/dining table, with naturally faded warm colour top, above a turned support base with double gates opening to support the...

A stylish early 19th century Italian centre table. The simulated marble top with shaped moulded edge and acanthus carved frieze, raised on a shapely giltwood triform base with exagge...

A fantastic large C19th Athénienne, the pierced gilt bronze rim with removable liner above burnished bronze sphinxes and tapering monopodiums with enchased gilt bronze collars, suppo...

A smart Regency mahogany Stool/Window seat, the raised armrests with elaborate scrolls and S shape supports, the seat with moulded frame and raised on tulip carved tapering legs with...

 A smart pair of Regency mahogany waterfall open bookcases, with low gallery to the top shelf and bow centre section, above 4 further graduating shelves with turned spindles, raised...

A stylish pair of Regency simulated rosewood and gilt open corner cupboards of bowfronted form. The original marble tops above panelled friezes with foliate decoration and carved pat...