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Poppit Sands #19, Wales
Located in London, GB
"I went there one evening and just by chance there was a low tide. I took a batch of photos and once I developed them at home I saw a certain light and a certain type of picture that...
Category
2010s Tonalist Black and White Photography
Materials
Archival Paper, Black and White, Silver Gelatin
The Flow of Light under Water
Located in London, GB
THE FLOW OF LIGHT UNDERWATER 2019 Being fascinated with light and water led me to explore how light travels in the sea - often caught on the backs of fish as they dart and swerve int...
Category
2010s Abstract Abstract Photography
Materials
Archival Paper, Photographic Paper, Black and White, Photogram
The Self Representation of Light #412, 2 x Luminograms as one work
Located in London, GB
It's really majestic piece. It's grand in size and its got a very beautiful and impressive contrast in shades.
This piece is something very special... two Luminograms in one work of...
Category
2010s Abstract Expressionist Abstract Photography
Materials
Black and White, Photogram, Silver Gelatin, Glass, Oak, Archival Paper
Fire Study 1 - flames
Located in London, GB
Inspired by East Asian Sumi ink drawings, George McLeod wanted to find a photographic way of producing intricately detailed images. As with Sumi ink drawing, fire is both controllabl...
Category
2010s Contemporary Abstract Photography
Materials
Photographic Paper, Black and White, Color, Silver Gelatin
Dark Flora: Fly Argaric - mounted print and framed in oak
Located in London, GB
Inspired by Victorian era taxidermy dioramas, 'Dark Flora' is a series of photographs using wild plants and flowers in a curated yet naturalistic arrangement. The plants are foraged ...
Category
2010s Victorian Still-life Photography
Materials
Photographic Paper, Color, Archival Pigment, Glass, Oak
Dar Flora: Fly Argaric, May Foxgloves & Autumn Weald - 3 x Framed Prints Set
Located in London, GB
Inspired by Victorian era taxidermy dioramas, 'Dark Flora' is a series of photographs using wild plants and flowers in a curated yet naturalistic arrangement. The plants are foraged ...
Category
2010s Contemporary Still-life Photography
Materials
Glass, Oak, Photographic Paper, Color, Archival Pigment
Near the Church - abstract black and white landscape depicted in the Luminogram
Located in London, GB
NEAR THE CHURCH, 2016
Unique Luminogram Silver Gelatin Print, Framed; Framing options available, also can be shipped unframed if preferable
Framed; museum mount board, white metal fr...
Category
2010s Abstract Geometric Abstract Prints
Materials
Photographic Paper, Black and White, Photogram, Silver Gelatin
Joe Jackson - Look Sharp, 1979 - Vintage gelatin silver print - album cover
Located in London, GB
Brian Griffin
Joe Jackson - Look Sharp, 1979
Vintage Gelatin Silver Print, Framed; museum mount board, antireflective art glass, oak frame
Image size; 11 4/5 × 15 7/10 in 30 × 40 cm...
Category
1970s Symbolist Black and White Photography
Materials
Glass, Oak, Photographic Film, Photographic Paper, Black and White, Brom...
Rocket Man, Dungeness, Kent, 1979 / Howard Jones - Crossed That Line 1989
Located in London, GB
“It was shot on a grey misty day on Dungeness Beach in Sussex. Charlie Wood lit the sky rocket and stood to attention, and I fired the flashgun that was stuffed into his trousers to ...
Category
1970s Symbolist Figurative Photography
Materials
Glass, Wood, Oak, Photographic Film, Photographic Paper, Black and White...
IGGY POP - FROM THE ALBUM COVER SOLDIER 1980, STUDIO PORTRAIT (1979)
Located in London, GB
IGGY POP - FROM THE ALBUM COVER SOLDIER 1980, STUDIO PORTRAIT (1979), 1979
Archival Pigment Print, Framed
Image size 30 x 30 cm
Frame: 55 x 45.5 cm
© Brian Griffin
"I remember this...
Category
1970s Performance Portrait Photography
Materials
Glass, Wood, Photographic Film, Photographic Paper, Color, Archival Pigment
In Between the Shadows #7, Sepia Colour Print, Framed
Located in London, GB
The series ‘In Between the Shadows’ consists of structural and geometric photographs that take their inspiration from the cubist movement.
The works aim to challenge the conventional perception of depth within the medium of photography by showing different viewpoints at the same time and within the same space. The chiaroscuro lighting embraces shadows and light as juxta- positional tools to deconstruct familiar objects and transform them into surreal compositions.
Sander Vos...
Category
2010s Cubist Abstract Photography
Materials
Photographic Paper, Black and White, Color, Archival Pigment
In Between the Shadows #6, Sepia Colour Print
Located in London, GB
In Between the Shadows 6
Giclee Print on Hahnemuhle Pearl Fine Art Paper, Mounted
65 x 70cm, Edition of 5 + 2 Artist’s Proofs, Custom Framed with antireflective art glass
Signed, comes with Certificate of Authenticity
The series ‘In Between the Shadows’ consists of structural and geometric photographs that take their inspiration from the cubist movement.
The works aim to challenge the conventional perception of depth within the medium of photography by showing different viewpoints at the same time and within the same space. The chiaroscuro lighting embraces shadows and light as juxta- positional tools to deconstruct familiar objects and transform them into surreal compositions.
Sander Vos...
Category
2010s Cubist Abstract Photography
Materials
Photographic Paper, Black and White, Color, Archival Pigment
Jan van Eyck-Portrait of a Man 1433 (2021)
Located in London, GB
His love for painting has a major influence on his work...
After Van Eyck, Portrait of A Man...1433
Series: A Renaissance
About the Artist
George McLeod is a London-based fine art ...
Category
2010s Renaissance Portrait Photography
Materials
Photographic Paper, Color, Archival Pigment
In Between the shadows, Cubist sculpture, female figure abstract prints
Located in London, GB
Artist Name : Sander Vos
Width (cm) x Height (cm): 30 x 21Year : 2021Edition : Edition of 7 + 2 AP
Medium :
Photography, Print
Description:
The series ‘In ...
Category
2010s Cubist Still-life Photography
Materials
Archival Paper, Photographic Paper, Black and White, Color, Archival Pig...
In Between the Shadows
Located in London, GB
The series ‘In Between the Shadows’ consists of structural and geometric photographs that take their inspiration from the cubist movement.
The works aim to challenge the conventional perception of depth within the medium of photography by showing different viewpoints at the same time and within the same space. The chiaroscuro lighting embraces shadows and light as juxta- positional tools to deconstruct familiar objects and transform them into surreal compositions.
Sander Vos...
Category
2010s Cubist Still-life Photography
Materials
Photographic Paper, Black and White, Archival Pigment
In Between the shadows
Located in London, GB
In Between the Shadows 3
Giclee Print on Hahnemuhle Pearl Fine Art Paper
Print Size: 37x 30cm , Framed: 44 x 37 cm
Edition of 7 + 2 AP, Currently available of the edition: 5-7
The series ‘In Between the Shadows’ consists of structural and geometric photographs that take their inspiration from the cubist movement.
The works aim to challenge the conventional perception of depth within the medium of photography by showing different viewpoints at the same time and within the same space. The chiaroscuro lighting embraces shadows and light as juxta- positional tools to deconstruct familiar objects and transform them into surreal compositions.
Sander Vos...
Category
2010s Abstract Geometric Still-life Photography
Materials
Photographic Paper, Black and White, Color, Archival Pigment
The Kitchen Drawer - An overwhelming source of detritus... everyday objects
Located in London, GB
The Kitchen Drawer
Simply an overwhelming source of detritus...
'Detritus' series was born from the twin frustrations of lockdown halting all planned projects, yet litter still some...
Category
2010s Abstract Geometric Abstract Prints
Materials
Photographic Paper, Color, Archival Pigment
Florist, Mandala - collage of dead flowers
Located in London, GB
‘Florist’ originally called ‘dead flowers’, was created using the flowers from my girlfriends ‘Zoom’ backgrounds over the space of several months. Usually scanned the moment she cons...
Category
2010s Abstract Geometric Color Photography
Materials
Archival Ink, Photographic Paper, Color, Archival Pigment
Ancient Woodland, North Norfolk, Mandala and Collage of Woodland Nature
Located in London, GB
Ancient Woodland
All the elements used were collected from the first walk with my Mum and stepdad between lockdowns. All from a small woodland in North Norfolk.
Ancient Woodland, 202...
Category
2010s Tribal Still-life Prints
Materials
Archival Ink, Archival Paper, Color, Giclée, Archival Pigment
Feathers - A selection of birds feathers in colours, Geometric Tribal Mandala
Located in London, GB
“Feathers are more than pretty; they contain a whole host of spiritual and cultural meanings....
It symbolises trust, honour, strength, wisdom, power, and freedom”
Naturally shed fe...
Category
2010s Tribal Abstract Prints
Materials
Glass, Wood, Oak, Paper, Archival Ink, Archival Paper, Photographic Pape...
Flowers, The Self Representation of Light, Unique Luminogram, Drawn by Light
Located in London, GB
#473 FLOWERS, 2016
Luminogram, Silver Gelatin Print
Print size: 30.5 x 40.6 cm
Framed: 49 x 58 cm
Frame with the classic museum style mount board and black frame/ Print can be shipped unframed - options available with more shipping prices available - please message us for more info/
This is a Unique piece
Series: The Self Representation of Light
Signed and dated in pen on verso, Certificate of Authenticity provided
The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting.
"I don't really see photography and pottery or painting or music to really be different to each other. Some are more immediate, some are more subtle. Music seems to be able to control emotions, photography seems to create a satisfying pleasure from just a tonal flat surface. Same with painting. One of the biggest mysteries for me is why all these things manage to control us in some way." - Michael G Jackson...
Category
2010s Abstract Geometric Black and White Photography
Materials
Archival Paper, Photographic Paper, Black and White, Photogram, Silver G...
#396, The Self Representation of Light, Unique Luminogram, Drawn by Light
Located in London, GB
#396, 2016
Silver Gelatin Luminogram Print, Framed (classic museum style white book mount board and black frame)
Image size: 40.6 x 30.5 cm
Framed: 58 x 49 cm
Unique
Series: The Self Representation of Light
Signed and dated in pen on verso
© Michael Jackson
The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting.
After moving to Wales in 2007, Michael Jackson spent the next eight years creating an extensive study of a single local beach - Poppit Sands. After years of examining the beach, he realised that in effect he was studying himself and his reaction to the beach - rather than the physical landscape. He then started looking at the beach as simply a way of dividing up the camera frame - the lines and curves and focal points. It was during the long period of producing Poppit Sands prints in the darkroom that he discovered how to start making luminograms.
"I feel strongly that the luminograms represent a form of moulded light. You use your process to direct and mould the light and the paper receives it in its own magical way and translates that into a form that seems fantastical but also it has one foot in reality. The piece itself so often seems like a photograph of a sculpture, when it fact it is neither. I imagine that I am taking something that you cannot feel and I am making it appear in a seemingly three dimensional form that is balanced and controlled. Just like sculpting clay." Michael G Jackson...
Category
2010s Abstract Black and White Photography
Materials
Photographic Paper, Silver Gelatin, Photogram, Black and White
Under and Above, New York City, "Brooklyn to Manhattan journey on the subway..."
Located in London, GB
UNDER AND ABOVE, NEW YORK CITY, 2021
Unique Silver Gelatin Print, Selenium toned; This is a mixed process print using luminogram, photogram and other darkroom techniques – all cameraless, two unique prints mounted on Aluminium Dibond.
Currently, this piece is mounted only but will be framed further with hardwood black frame and finish with antireflective UV protective art glass - please see further images for referrals regarding the framing.
2 x Prints as One work of Art: 80 x 50 cm
Framed 82 x 52 cm approx./ 32 x 20.5 inches approx.
Unique Work
Series: New York City
Signed by the Artist on verso and provided with signed and stamped Certificate of Authenticity
© Michael G Jackson...
Category
2010s Art Deco Black and White Photography
Materials
Glass, Wood, Photographic Paper, Black and White, Silver Gelatin, Photogram
ATO>MIC #9, Unique Silver Luminogram Print, "Atomic like Explosion or Moonscape"
Located in London, GB
ATO>MIC #9, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed
23 x 18 cm print size
38 x 35.5 cm framed
Unique
Series: ATO>MIC
Signed and dated in pencil on print's verso
© Michael G Jackson...
Category
2010s Abstract Geometric Black and White Photography
Materials
Archival Paper, Black and White, Photogram, Silver Gelatin
ATO>MIC #11, Unique Silver Luminogram Print, Two Spheres; Moon and Sun like...
Located in London, GB
ATO>MIC #11, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed: custom made frame with anti-reflective art glass
Print size: 23 x 18 cm
Framed: 38 x 35.5 cm
Unique
Series: ATO>MIC
Signed and dated in pencil on print's verso
Certificate of Authenticity provided
"At first glance the viewer may only see geometric spherical shapes with added lines and rectangles on tea toned Silver Gelatin paper. "The supremacy of pure artistic feeling" rather than the visual depiction of objects assign to the art movement of Suprematism comes to one's mind. Similarly, like a giant of abstract art Kasimir Malevich, Jackson wants the viewer to look further, deeper than one might usually.
The feeling of 'sensation' of the ATO>MIC prints, the sharpness of the forms, the intensity defying its size to condensed 9 x 7 inches' paper, make it all the more dramatic to look at. It takes the viewer to another level of fantastical world of creation."
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
About the Artist:
Michael G...
Category
2010s Suprematist Still-life Photography
Materials
Archival Paper, Black and White, Photogram, Silver Gelatin
ATO>MIC #13, Unique Silver Luminogram Print, Two spheres and triangle with shade
Located in London, GB
ATO>MIC #13, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed: custom made frame with anti-reflective art glass
Print size: 23 x 18 cm
Framed: 38 x 35.5 cm
Unique
Series: ATO>MIC
Signed and dated in pencil on print's verso
Certificate of Authenticity provided
The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down.
"At first glance the viewer may only see geometric spherical shapes with added lines and rectangles on tea toned Silver Gelatin paper. "The supremacy of pure artistic feeling" rather than the visual depiction of objects assign to the art movement of Suprematism comes to one's mind. Similarly, like a giant of abstract art Kasimir Malevich, Jackson wants the viewer to look further, deeper than one might usually.
The feeling of 'sensation' of the ATO>MIC prints, the sharpness of the forms, the intensity defying its size to condensed 9 x 7 inches' paper, make it all the more dramatic to look at. It takes the viewer to another level of fantastical world of creation."
About the Artist:
Michael G Jackson...
Category
2010s Suprematist Still-life Photography
Materials
Archival Paper, Black and White, Color, Silver Gelatin, Photographic Pap...
ATO>MIC #10, Unique Silver Luminogram Print, Abstract geometry in warm tones
Located in London, GB
ATO>MIC #10, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed: custom made frame with anti-reflective art glass
Print size: 23 x 18 cm
Framed: 38 x 35.5 cm
Unique
Series: ATO>MIC
Signed and dated in pencil on print's verso
Certificate of Authenticity provided
"At first glance the viewer may only see geometric spherical shapes with added lines and rectangles on tea toned Silver Gelatin paper. "The supremacy of pure artistic feeling" rather than the visual depiction of objects assign to the art movement of Suprematism comes to one's mind. Similarly, like a giant of abstract art Kasimir Malevich, Jackson wants the viewer to look further, deeper than one might usually.
The feeling of 'sensation' of the ATO>MIC prints, the sharpness of the forms, the intensity defying its size to condensed 9 x 7 inches' paper, make it all the more dramatic to look at. It takes the viewer to another level of fantastical world of creation."
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
About the Artist:
Michael G...
Category
2010s Abstract Geometric Black and White Photography
Materials
Archival Paper, Black and White, Silver Gelatin, Photogram
ATO>MIC #15, Unique Silver Luminogram Print, Warm toned black and white abstract
Located in London, GB
ATO>MIC #15, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Hand Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/
18 x 23 cm
40.5 x 36 cm (Framed)
Unique
Series: ATO>MIC
Signed and dated in pencil on verso
Provided with the Certificate of Authenticity
Instead of using carving...
Category
2010s Abstract Geometric Abstract Photography
Materials
Archival Paper, Black and White, Silver Gelatin, Tea, Photographic Paper...
ATO>MIC #3, Unique Silver Luminogram Print, Warm toned black and white abstract
Located in London, GB
ATO>MIC #3, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/
23 x 18 cm (image print)
40.5 x 36 cm (Framed)
Unique
Series: ATO>MIC
Signed and dated in pencil on verso
Provided with the Certificate of Authenticity
“The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions.
That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike G Jackson
The images (from the ATO>MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.”
The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down.
Or maybe the thin line is just the horizon, where the enormous atomic blast took place…?
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
About the Artist:
Michael G Jackson...
Category
2010s Abstract Abstract Prints
Materials
Glass, Wood, Archival Paper, Black and White, Bromoil, Silver Gelatin, T...
ATO>MIC #8, unique warmed toned, Silver Gelatin Abstract Luminogram Print
Located in London, GB
ATO>MIC #8, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed: Custom made frame with antireflective UV protective art glass
23 x 18 cm approx. image size
38 x 35.5 cm (Framed)
Unique
Series: ATO>MIC
Signed on verso
Provided with the Certificate of Authenticity
“The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions.
That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike Jackson
The images may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.”
The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down.
Or maybe the thin line is just the horizon, where the enormous atomic blast took place…?
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
About the Artist:
Michael G Jackson...
Category
2010s Abstract Abstract Photography
Materials
Glass, Wood, Archival Paper, Black and White, Bromoil, Silver Gelatin, T...
Black and white landscape print of The Isle of Harris in the Hebrides Scotland
By ALEX BOYD
Located in London, GB
Toe Head, The Isle of Harris, The Hebrides, Scotland by Alex Boyd
Series: No Innocent Land
This image, made on the Isle of Harris in the Outer Hebrides shows the hill of Ceapabhal on the Toe Head peninsula.
Print details: © Alex Boyd, Courtesy MMX Gallery
Archival Pigment Print from the Wet Plate Collodion, Artist Proof, Hand Signed by the Artist
Image: 82 x 58 cm
Frame: 116 x 91 cm
Frame; Original Frame, slightly distressed from being vintage out of the Scottish castle; the print accompanied with the mount board and finished with antireflective UV protective AR art glass
Shipping worldwide; the framed print would be crated and shipped by professional shipping company, Free delivery in London postcodes and in a selected areas in the UK. Free pick up from the gallery.
About the Artist: ALEX BOYD
Alex Boyd's images represent a major addition to the tradition of modern landscape photography" – Robert Macfarlane, Author
Alex Boyd is a landscape and documentary photographer, printmaker and writer. His work is primarily concerned with the Scottish landscape. As a photographer his work examines the role of early Scottish landscape photographers, often using antique processes such as the Victorian wet-plate collodion process using antique cameras in mountain environments.
He is best known for his conceptual and figurative landscape photography which explores concepts of Scottish identity through historical and contemporary romanticism, neo-romanticism, Romantic nationalism and Spirit of Place. His work is largely concerned with depictions of the Celtic landscape, conservation and remote places, and is often characterised by its stark, poetic and introspective qualities. In 2019 he was awarded a Daiwa Foundation Scholarship to work and photograph the mountains of the Japan Alps centred on Mount Yari as well as shortlisted for the Hariban Award. He was the Mountain Photographer of the Year at the Kendal Mountain Festival in 2013, the UK’s largest mountain festival. His work on the Cuillin mountains on the Isle of Skye as the Royal Scottish Academy’s artist in Residence is in several National Collections. His work has been widely exhibited internationally with solo exhibitions at the Scottish Parliament, as well as group exhibitions at the Royal Academy, Royal Ulster Academy and the Royal Scottish Academy.
His work is held in the collections of the National Galleries of Scotland, The Royal Photographic Society, the Royal Scottish Academy, the V&A in London and the Yale Centre for British Arts in the USA. His first book St Kilda – The Silent Islands was recently shortlisted for a Saltire Award. His second book The Isle of Rust, a collaboration with writer Jonathan Meades was, like his first book, named as a photography book of the year by The Scotsman.
He is a Fellow of the National Library of Scotland, The Winston Churchill Memorial Trust, The Ballinglen Arts Foundation, and the Royal Society of Art. He is currently working on a PhD on Scottish Photography at Northumbria University, a selection of new books on The Faroe Islands, The Outer Hebrides. A collection of his Scottish and Irish collodion work is due out in 2021 as well as a solo exhibition ‘Hesperus’ at Stills, Scotland’s Centre of Photography, in June 2020.
A contributing Arts Editor for The Island Review, Boyd has also written for Art North, The Modernist, Earthlines and many other publications.
WORK REPRESENTED IN THE FOLLOWING COLLECTIONS:
The National Galleries of Scotland, The Royal Scottish Academy, The Royal Photographic Society, The National Media Museum, The University of Glasgow, St Andrews University, North Ayrshire Council, Dumfries & Galloway Council, The Ballinglen Arts Foundation, Sabhal Mor Ostaig, The University of the Highlands & Islands, Highland Print Studio, Cape Farewell, The Scottish Maritime Museum, NHS Greater Glasgow & New South Glasgow Hospitals, BC Partners, Cigna, The Yale Center for British Art, The V&A
***
NO INNOCENT LAND
The series 'No Innocent Land' is a journey across the islands of Scotland using an antique process to document the dramatic landscapes of Scotland.
Using a 100 year old camera...
Category
2010s Romantic Black and White Photography
Materials
Glass, Wood, Archival Pigment, Black and White, Archival Paper, Giclée
Manduro - World Champion Thoroughbred racehorse - Studio Portrait Print
Located in London, GB
Manduro (March 9, 2002 – June 27, 2020) was a World Champion Thoroughbred racehorse. He was a multiple Group One winner in Germany.
'Manduro' by John Reardon...
Category
Early 2000s Contemporary Color Photography
Materials
Photographic Film, Photographic Paper, Color, Archival Pigment
Holly Bull - The Portrait of Champion Thoroughbred Racehorse, Pigment Print
Located in London, GB
Holy Bull (January 24, 1991 – June 7, 2017) was a champion Thoroughbred racehorse.Holy Bull (January 24, 1991 – June 7, 2017) was a champion Thoroughbred racehorse. Holy Bull was ran...
Category
Early 2000s Contemporary Color Photography
Materials
Photographic Film, Archival Ink, Photographic Paper, Color, Archival Pig...
Medaglia D Oro - Whiskers, Stallion Studio Portrait
Located in London, GB
Medaglia d'Oro (foaled April 11, 1999) is an American Thoroughbred racehorse who won several major stakes races including the 2002 Travers Stakes and the 2003 Whitney Handicap. He also finished second in the 2002 Belmont Stakes, the Breeders' Cup Classic in both 2002 and 2003, and the 2004 Dubai World Cup. Since retiring to stud, he has become an excellent stallion whose progeny include 2009 Horse of the Year Rachel Alexandra, two-time champion filly Songbird and two-time Hong Kong Horse of the Year Golden Sixty.
Medaglia d'Oro - 'Whiskers' by John Reardon...
Category
Early 2000s Conceptual Color Photography
Materials
Photographic Film, Archival Paper, Photographic Paper, Color, Archival P...
Medaglia d’Oro, Horse head and eye - Stallion Portrait unframed Print on Paper
Located in London, GB
Medaglia d'Oro (foaled April 11, 1999) is an American Thoroughbred racehorse who won several major stakes races including the 2002 Travers Stakes and the 2003 Whitney Handicap. He al...
Category
Early 2000s Contemporary Color Photography
Materials
Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Col...
Stallion Portrait: Slickly - Mane - Champion Horse's hair portrait print
Located in London, GB
Slickly was a world champion miler and leading French sire.
Series: Studio Portraits, Slickly - 'Mane', 2009 by John Reardon
Archival Pigment Print on Ha...
Category
Early 2000s Conceptual Portrait Photography
Materials
Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Col...
Stallion Studio Portrait: Bernardini - Pigment Print on Hahnemühle Paper
Located in London, GB
'Bernardini' (March 23, 2003 – July 30, 2021) was a champion American Thoroughbred racehorse who won the 2006 Preakness Stakes and Travers Stakes.
Series: Studio Portraits, 'Bernardini', 2009 by John Reardon...
Category
Early 2000s Contemporary Color Photography
Materials
Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Col...
Cape Cross - Studio Portrait, Stallion, Champion, Equine Art Print Unframed
Located in London, GB
Cape Cross (13 March 1994 – 21 April 2017) was an Irish-bred Thoroughbred racehorse. He is a son of the July Cup winner Green Desert and Cheveley Park Stakes, winner Park Appeal who ...
Category
Early 2000s Contemporary Portrait Photography
Materials
Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Bla...
Stallion Studio Portrait: Dubawi - Pigment Print on Hahnemühle Paper - unframed
Located in London, GB
'Dubawi' (foaled 7 February 2002) is a retired Thoroughbred racehorse and active sire.
Dubawi is a bay horse with no white markings bred in Ireland by Sheikh Mohammed's Darley Stud. He was one of the only crop of foals sired by Dubai Millennium, an outstanding racehorse. His dam, Zomaradah was a top class racemare who won the Oaks d'Italia, E. P. Taylor Stakes, Premio Lydia Tesio and the Royal Whip Stakes.[2] As a descendant of the broodmare Sunbittern, Zomaradah, who also produced the Lancashire Oaks winner Emirates Queen, was closely related to In the Wings, High-Rise and Virginia Waters.[3] The colt raced in the blue colours of Godolphin and was trained by Saeed bin Suroor. He was ridden in all but one of his races by Frankie Dettori...
Category
Early 2000s Contemporary Portrait Photography
Materials
Photographic Film, Archival Paper, Photographic Paper, Color, Archival P...
Noverre - Horse Landscape 2, Sky and Mane, Panoramic Print, Australia 2003
Located in London, GB
Noverre - Horse Landscape 2, 'Mane', 2003
C-type Hand Print, Mounted on Aluminium, Custom framed, Museum low glare, UV protective art glass
36.5 x 94 cm / 14.5 x 37 inches approx.
Ed...
Category
Early 2000s Surrealist Landscape Photography
Materials
Glass, Wood, Photographic Film, Archival Paper, Photographic Paper, C Pr...
Noverre - Horse Landscape I, Blue Sky and Clouds, Panoramic Print, Australia
Located in London, GB
Noverre - Horse Landscape I, 2003
C-type Hand Print, Mounted on Aluminium, Custom framed, Museum low glare, UV protective art glass
36.5 x 94 cm / 14....
Category
Early 2000s Contemporary Color Photography
Materials
Glass, Wood, Photographic Film, Archival Ink, Wax, Panel, Archival Paper...
Stallion Studio Portrait: 'Dubawi' - Pigment Print Mounted and Custom Framed
Located in London, GB
Dubawi, 2009 by John Reardon
Archival Pigment Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass
This piece is part of: "(after) W...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Pigment, Photographic Film, Archival Paper, Photographic Paper,...
Cape Cross - Studio Portrait, Stallions, Champion Horse, Equine Art Print
Located in London, GB
Cape Cross, 2009 by John Reardon
Archival Pigment Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass
This piece is part of (after) Whistlejacket - Contemporar...
Category
Early 2000s Contemporary Color Photography
Materials
Archival Pigment, Photographic Film, Archival Ink, Archival Paper, Photo...
Studio Portrait: Medaglia d’Oro, Horse head and eye - Stallion Portrait
Located in London, GB
Studio Portrait: Medaglia d’Oro, 2009
Archival Pigment Print on Hahenmühle Fine Art Paper, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass 76x76cm/30x30in
Edition ...
Category
Early 2000s Contemporary Portrait Photography
Materials
Archival Pigment, Photographic Film, Archival Ink, Archival Paper, Photo...
Kabool, ‘Avenue of Trees’, Horse Exit, Black and White landscape and a stallion
Located in London, GB
Kabool, 'Avenue of Trees’, 2001 by John Reardon
Edition of 15
Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass
This piece is part of (after) ...
Category
Early 2000s Contemporary Black and White Photography
Materials
Silver Gelatin, Photographic Film, Archival Paper, Photographic Paper, B...
Dubawi, ‘Striped/ shadows', Abstract Black and white horse portrait photograph
Located in London, GB
Dubawi, 'Stripped’, 2001 by John Reardon
Edition of 15
Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass
This piec...
Category
Early 2000s Contemporary Abstract Photography
Materials
Silver Gelatin, Photographic Film, Archival Paper, Photographic Paper, B...
Singspiel, Running Stallion, Champion Equine Black and White Photograph
Located in London, GB
Singspiel, Stallion Portrait 2001 by John Reardon
76 x 51 cm
Edition of 5 only
Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Mu...
Category
Early 2000s Contemporary Black and White Photography
Materials
Silver Gelatin, Photographic Film, Archival Paper, Photographic Paper, G...
Cape Cross - Hoof, Horseshoe, Stallion - Equine detail, Silver Gelatin Print
Located in London, GB
Cape Cross, ‘Hoof’, 2001 by John Reardon
Edition of 2/7
Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass
This pie...
Category
Early 2000s Contemporary Black and White Photography
Materials
Silver Gelatin, Photographic Film, Archival Paper, Photographic Paper, G...
Xaar - Tail, Stallion Detail horse abstract, Silver Gelatin Print on Aluminium
Located in London, GB
Xaar, ‘Tail', 2001 by John Reardon
Edition of 7 (2/7)
Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass
This piece...
Category
Early 2000s Contemporary Black and White Photography
Materials
Silver Gelatin, Photographic Film, Archival Paper, Photographic Paper, B...
King's Best - Neck, Stallion detail / abstract horse portrait
Located in London, GB
King's Best, ‘Neck’, 2001 by John Reardon
Edition of 7
Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass
This piece is part of : (after) Whist...
Category
Early 2000s Contemporary Abstract Photography
Materials
Silver Gelatin, Glass, Wood, Photographic Film, Archival Paper, Photogra...
Mark of Esteem, Silhouette - Portrait of Stallion, Silver Gelatin Print
Located in London, GB
Mark of Esteem, ‘Silhouette’, 2001 by John Reardon
This Print is part of the Hermès Collection of Contemporary Photographs since November 2023
A few mor...
Category
Early 2000s Contemporary Black and White Photography
Materials
Silver Gelatin, Photographic Paper, Archival Paper, Photographic Film
Siren immobilised in marble locked in embrace and galleon ship in the background
Located in London, GB
Handcoloured portrait of a conjoined siren, immobilised in marble, locked in a sisterly embrace. Inspired by 19th-century cabinet cards, medical illustration, sweet singing Scottish Selkies, Lyra and her sister defend each other's isolation.
Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls).
Original title: 'Lyra’s Lips are as White as Mine’, 2019
Hand-coloured Archival Pigment Print on Hahnemuhle Photorag Fine Art Paper (100% cotton)
40.5 x 30.5 cm
Unique
Series: The Sialia Marbles
Signed and dated on verso
"I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...
Category
2010s Romantic Portrait Prints
Materials
Photographic Film, Watercolor, Photographic Paper, Archival Pigment
Lady Macbeth as Regal monarch immobilised in Marble with her reigning in Blooms
Located in London, GB
Katie Eleanor, ‘Your Hand, Your Tongue III’, 2017
Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry.
Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls).
Original title: 'Your Hand, Your Tongue’, 2017
Hand-coloured Archival Pigment Print on Hahnemuhle Photorag
40.5 x 30.5 cm
Unique
Series: The Sialia Marbles
Signed and dated on verso
"I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...
Category
2010s Romantic Color Photography
Materials
Photographic Film, Watercolor, Photographic Paper, Archival Pigment
Regal monarch immobilised in marble with her reigning celebrated the blooms
Located in London, GB
Katie Eleanor, ‘Your Hand, Your Tongue’, 2017
Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry.
Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls).
Original title: 'Your Hand, Your Tongue’, 2017
Hand-coloured Archival Pigment Print on Hahnemuhle Photorag
40.5 x 30.5 cm
Unique
Series: The Sialia Marbles
Signed and dated on verso
"I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...
Category
2010s Romantic Color Photography
Materials
Watercolor, Photographic Paper, Archival Pigment
Otherworldly lovers, immobilised in marble, Dancing in blooming Garden
Located in London, GB
Handcoloured portrait of otherworldly lovers, immobilised in marble, dancing in blooming meadows. A whimsical tale of adoration, Ursa and her spiritual partner take visual cues from Titania and Bottom in Dieterle and Reinhartd’s 1936 interpretation of A Midsummer Nights Dream.
Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls).
Original title: URSA LOVES YOU, 2017
Hand-coloured Archival Pigment Print on Hahnemuhle Photorag
40.5 x 30.5 cm
Unique
Series: The Sialia Marbles
Signed and dated on verso
"I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...
Category
2010s Romantic Figurative Prints
Materials
Photographic Film, Watercolor, Photographic Paper, Archival Pigment
Watercolour Photo Print of Male as Daphne with Flowers as Marble Sculpture
Located in London, GB
Handcoloured portrait of nymph Daphne, immobilised in marble, as she is transformed into a laurel tree. Birthed in Greek Mythology, Daphne is associated with bodies of freshwater and is an unwilling object of the god Apollo’s desire.
Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls).
Original title: Daphne II...
Category
2010s Romantic Figurative Prints
Materials
Spray Paint, Watercolor, Archival Pigment
Blue grey watercolour Print of Male as Daphne with Flowers as Marble Sculpture
Located in London, GB
Hand-coloured portrait of nymph Daphne, immobilised in marble, as she is transformed into a laurel tree. Birthed in Greek Mythology, Daphne is associated with bodies of freshwater and is an unwilling object of the god Apollo...
Category
2010s Romantic Figurative Prints
Materials
Watercolor, Archival Pigment, Photographic Film, Photographic Paper
Hand coloured print Portrait detail of a devil creature immobilised in marble
Located in London, GB
Katie Eleanor, St Medard and the Devil II, 2019
Handcoloured portrait of a devil creature, immobilised in marble, inspired by the tale of St Medard. Purchasing on his rock, he lovin...
Category
21st Century and Contemporary Gothic Figurative Prints
Materials
Watercolor, Photographic Paper, Archival Pigment, Photographic Film
Hand coloured print in blue Portrait of a devil creature immobilised in marble
Located in London, GB
Katie Eleanor, St Medard and the Devil, 2019
Handcoloured portrait of a devil creature, immobilised in marble, inspired by the tale of St Medard. Purchasing on his rock, he lovingly...
Category
2010s Gothic Figurative Prints
Materials
Watercolor, Photographic Paper, Archival Pigment
Hand coloured framed print of semi nude sculpture like marble statue of female
Located in London, GB
Katie Eleanor, "Cleansing a Shrike (Blackbird’s Birdbath)", 2018
Handcoloured portrait of a bird-like spirit, immobilised in marble, cleansing in a sprin...
Category
2010s Romantic Portrait Prints
Materials
Glass, Oak, Paint, Watercolor, Photographic Paper, Archival Pigment
