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Diane Englander, Black on Blue, 2017, Mixed Media
By Diane Englander
Located in Darien, CT
A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...
Category
2010s Arte Povera Mixed Media
Materials
Mixed Media, Acrylic, Cardboard
Silk Road 450, 2019, encaustic on panel, 12 x 12 x 2 inches
By Joanne Mattera
Located in Darien, CT
Lush Minimalism
Silk Road is chromatically juicy and compositionally reductive. Each painting in this ongoing series is a small, luminous color field composed with layers of translu...
Category
2010s Color-Field Abstract Paintings
Materials
Encaustic, Panel
Silk Road 447, 2019, encaustic on panel, 12 x 12 x 2 inches
By Joanne Mattera
Located in Darien, CT
Lush Minimalism
Silk Road is chromatically juicy and compositionally reductive. Each painting in this ongoing series is a small, luminous color field composed with layers of translu...
Category
2010s Color-Field Abstract Paintings
Materials
Encaustic, Panel
Silk Road 445, 2019, encaustic on panel, 12 x 12 x 2 inches
By Joanne Mattera
Located in Darien, CT
Lush Minimalism
Silk Road is chromatically juicy and compositionally reductive. Each painting in this ongoing series is a small, luminous color field composed with layers of translu...
Category
2010s Color-Field Abstract Paintings
Materials
Encaustic, Panel
Silk Road 375, 2017, encaustic on panel, 12 x 12 x 2 inches
By Joanne Mattera
Located in Darien, CT
Lush Minimalism
Silk Road is chromatically juicy and compositionally reductive. Each painting in this ongoing series is a small, luminous color field composed with layers of translu...
Category
2010s Color-Field Abstract Paintings
Materials
Encaustic, Panel
Meg Atkinson, Sunset at Waverly Park, 2016, oil on canvas, 30 x 40 inches
By Meg Atkinson
Located in Darien, CT
It was Picasso who said, "Every child is an artist. The problem is how to remain an artist once we grow up."
While her work in the exhibition Child's Play is not meant specifically...
Category
2010s Abstract Abstract Paintings
Materials
Oil
Ellen Hackl Fagan, Doremi_Musicians-L, 2012, ink, gouache, rag paper
By Ellen Hackl Fagan
Located in Darien, CT
ColorSoundGrammar
Ellen Hackl Fagan
There is a long history of sound/color synaesthesia work, from Isaac Newton’s color organ to Alexander Scriabin’s “Prometheus,” but not much wor...
Category
2010s Conceptual Abstract Drawings and Watercolors
Materials
Ink, Gouache, Rag Paper
Bob Seng, Exit 350, 2002, scraped, collaged, EXIT signs, 8" x 12"
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture.
In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...
Category
Early 2000s Conceptual Abstract Paintings
Materials
Plastic
Bob Seng, Exit 326, 2000, scraped, collaged, EXIT signs, 8" x 12"
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture.
In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...
Category
Early 2000s Conceptual Abstract Paintings
Materials
Plastic
Bob Seng, Exit 323, 2000, scraped, collaged, EXIT signs, 8" x 12"
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture.
In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...
Category
Early 2000s Conceptual Abstract Paintings
Materials
Plastic
Bob Seng, Exit 442, 2002, scraped, collaged, EXIT signs, 8" x 12"
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture.
In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...
Category
Early 2000s Conceptual Abstract Paintings
Materials
Plastic
Bob Seng, Exit 397, 2002, scraped, collaged, EXIT signs, 8" x 12"
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture.
In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...
Category
Early 2000s Conceptual Abstract Paintings
Materials
Plastic
Liz Sweibel, Untitled (Scrapings #2), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint.
Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect.
Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives.
Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...
Category
2010s Abstract Expressionist Abstract Sculptures
Materials
Wood, Paint, Found Objects
Andra Samelson, Microcosm 2, 2016, Canvas, Wood, Found Objects, Acrylic Paint
By Andra Samelson
Located in Darien, CT
Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Canvas, Wood, Found Objects, Acrylic
Emily Berger, Small Blue Swag , 2016, oil on synthetic paper, Abstraction
By Emily Berger
Located in Darien, CT
These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes,...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Synthetic Paper, Oil
Emily Berger_Adagio_2019_oil on wood_ 40 x 30 inches_Minimalism
By Emily Berger
Located in Darien, CT
Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...
Category
2010s Color-Field Abstract Paintings
Materials
Oil, Wood Panel
Bob Seng, Exit 973RR, 2019, scraped, collaged, EXIT signs, 33” x 31”
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Plastic
Bob Seng, Exit 915RR, 2018, scraped, collaged, EXIT signs, 25” x 30”
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Plastic
Bob Seng, Exit 908R, 2018, scraped, collaged EXIT signs, 20” x 26”
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Plastic
Bob Seng, Exit 902R, 2018, scraped, collaged, EXIT signs, 29” x 28”
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Plastic
Bob Seng, Exit 884, 2018, scraped, collaged, EXIT signs, 35” x 29”
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Plastic
Bob Seng, Exit 966R, 2019, 23" x 23" scraped, collaged, readymade Exit sign
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Plastic
Emily Berger_Begin Again_2018_oil on wood_ 40 x 30 inches_Minimalism
By Emily Berger
Located in Darien, CT
Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...
Category
2010s Color-Field Abstract Paintings
Materials
Oil, Wood Panel
Emily Berger_Not a Day Goes By_oil on wood_48 x 36 inches_2018_Minimalism
By Emily Berger
Located in Darien, CT
Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...
Category
2010s Color-Field Abstract Paintings
Materials
Oil, Wood Panel
Emily Berger_Red Ghost_2018_oil on wood_30x24 inches_Minimalism
By Emily Berger
Located in Darien, CT
Emily Berger’s paintings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. She brushes, wipes, rubs, and scrapes, incorporatin...
Category
2010s Color-Field Abstract Paintings
Materials
Oil, Wood Panel
Ann Chernow, Noir II, 2016, Rag Paper, Etching, ink, 11 x 14 inches per print
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Portrait Prints
Materials
Rag Paper, Etching
Ann Chernow, Bad Girls Folio of Eight Etchings, 2015, Rag Paper, Etching
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Portrait Prints
Materials
Rag Paper, Etching
Ann Chernow, Trouble, 2016, pencil, whiteout, sandpaper on rag paper, framed
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Portrait Prints
Materials
Vinyl, Rag Paper, Pencil
Ann Chernow, Shadow of a Doubt, Triptych, 2019, pencil, whiteout, sandpaper
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Portrait Prints
Materials
Rag Paper, Vinyl, Pencil
Ann Chernow, Sweet Dreams Baby, 2017, Lithograph, Rag paper, Ink, 28 x 33
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Portrait Prints
Materials
Rag Paper, Lithograph
Ann Chernow, Red Gloves....A Sailor's Warning, 2018, silkscreen, oil, canvas
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Portrait Prints
Materials
Canvas, Oil, Pencil, Screen
Ann Chernow, I Want to Report a Murder...My Own, 2018, silkscreen, oil, canvas
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Portrait Prints
Materials
Canvas, Oil, Pencil, Screen
Ann Chernow, I'm Velma, I Did Some Warbling, 2018, silkscreen, oil, canvas
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Portrait Prints
Materials
Canvas, Oil, Pencil, Screen
Ann Chernow, Pearl, A Dancer With A Bit of Class, 2018, silkscreen, oil, canvas
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Portrait Prints
Materials
Canvas, Oil, Pencil, Screen
Ann Chernow, Pulp...Fact or Fiction, 2019, silkscreen, oil, canvas, 50 x 40 in
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Portrait Prints
Materials
Canvas, Oil, Pencil, Screen
David Borawski, The First Act of Violence, 2019, Gaffers tape, dimensions vary
By David Borawski
Located in Darien, CT
David Borawski lives and works in Hartford, Connecticut, and received his BFA from the Hartford Art School of the University of Hartford.
A multi-media installation artist, his work...
Category
2010s Conceptual More Art
Materials
Tape
Ann Chernow, 1940s De Soto, 2018, silkscreen, oil, canvas, 50 x 40 inches
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Portrait Prints
Materials
Canvas, Oil, Pencil, Screen
Ann Chernow, Noir I, 2015, 15 Lithographs with printed captions, Rag paper, Ink
By Ann Chernow
Located in Darien, CT
Ann Chernow’s work is based on impressions related to images from movies from the l930s and l940s. She uses film clips, studio publicity material, fan magazines and other memorabilia...
Category
2010s Feminist Portrait Prints
Materials
Rag Paper, Lithograph
Richard Bottwin, 'Blue Beam', 2016, Wood, Acrylic Paint
By Richard Bottwin
Located in Darien, CT
Architecture and functional objects inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces, laminated with wood veneers or painted with acrylic colors, are confi...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Wood, Acrylic
Richard Bottwin, Mike's Arm, 2018, poplar, plywood, acrylic paint
By Richard Bottwin
Located in Darien, CT
Architecture, functional objects and the human gestures that occur when interacting with these structures inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces,...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Poplar, Plywood, Acrylic
Liz Sweibel, Untitled (Scrapings #1), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint.
Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect.
Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives.
Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...
Category
2010s Abstract Expressionist Abstract Sculptures
Materials
Wood, Paint, Found Objects
Nancy Baker, Moss, 2017, paint, paper, wood panel, digital print
By Nancy Baker
Located in Darien, CT
Nancy Baker creates paper constructions by combining digitally printed, hand and laser cut geometric forms loosely based on machine parts. Over time, the hardware imagery has evolved...
Category
2010s Abstract Geometric Mixed Media
Materials
Paint, Paper, Wood Panel, Digital
Nancy Baker, Registration 1, 2017, paper, acrylic, digital pigment print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Paper, Acrylic, Digital Pigment
Nancy Baker, Registrating Green, 2017, paper, acrylic, archival digital print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Paper, Acrylic, Digital Pigment
Nancy Baker, Fewer Answers 2, 2017, paper, acrylic, digital pigment print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Paper, Acrylic, Digital Pigment
Nancy Baker, Fewer Answers, 2017, paper, acrylic, digital pigment print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Paper, Acrylic, Digital Pigment
Norma Márquez Orozco, Purple Shapes, 2018, Translucent Paper, Minimalist, 31x31
By Norma Marquez Orozco
Located in Darien, CT
Norma Marquez Orozco explores concepts of impermanence, perception, form and balance through physical movement of the work itself in a lucid, game-like context, like puzzles. All the elements are made of paper, molded into three-dimensional forms. The repetitive geometric shapes are assembled inside boxes built out of translucent paper. The arrangement is random and unfixed to allow movement and unpredictable composition.
The harmonies and tensions in the work arise from different exchanges between the colors, the patterns, and the geometric and organic shapes, as well as the sense that change is constantly occurring as the elements shift and move.
When one looks at these compositions, you see them for the first time, every time, because what is creating and completing the artwork is always changing; such as light, weather and forms merge and interact. As a result of these dynamic relationships, the work extends beyond her personal hand, sustaining an appearance and composition entirely of its own.
Norma Márquez Orozco was
born
in
Chicago,
Illinois,
and
raised
in
Guadalajara,
Jalisco,
Mexico.
Her work can be seen as an investigation into the way relationships emerge and evolve when elements like color, form, shape, lines, angle and pattern are blended, shifted and layered.
She currently lives and works in New York City. Marquez Orozco
has
curated
exhibitions throughout
New
York
and
has hosted
lectures
and
artist
talks
for
the
public. In
2001
she founded
Floor4Art, an
alternative
space
in
West
Harlem
that
houses
artist’s
studios
and
exhibition
space
aimed
at
producing,
promoting
and
connecting
artists.
Exhibition venues include: ODETTA, Brooklyn, NY, Longwood Art Gallery, Queens Museum, The (S)Files 007/ El Barrio...
Category
2010s Minimalist Abstract Sculptures
Materials
Archival Paper
Norma Márquez Orozco, The Sun, 2016, Translucent Paper, 30 x 30, Minimalist
By Norma Marquez Orozco
Located in Darien, CT
Norma Marquez Orozco explores concepts of impermanence, perception, form and balance through physical movement of the work itself in a lucid, game-like context, like puzzles. All the elements are made of paper, molded into three-dimensional forms. The repetitive geometric shapes are assembled inside boxes built out of translucent paper. The arrangement is random and unfixed to allow movement and unpredictable composition.
The harmonies and tensions in the work arise from different exchanges between the colors, the patterns, and the geometric and organic shapes, as well as the sense that change is constantly occurring as the elements shift and move.
When one looks at these compositions, you see them for the first time, every time, because what is creating and completing the artwork is always changing; such as light, weather and forms merge and interact. As a result of these dynamic relationships, the work extends beyond her personal hand, sustaining an appearance and composition entirely of its own.
Norma Márquez Orozco was
born
in
Chicago,
Illinois,
and
raised
in
Guadalajara,
Jalisco,
Mexico.
Her work can be seen as an investigation into the way relationships emerge and evolve when elements like color, form, shape, lines, angle and pattern are blended, shifted and layered.
She currently lives and works in New York City. Marquez Orozco
has
curated
exhibitions throughout
New
York
and
has hosted
lectures
and
artist
talks
for
the
public. In
2001
she founded
Floor4Art, an
alternative
space
in
West
Harlem
that
houses
artist’s
studios
and
exhibition
space
aimed
at
producing,
promoting
and
connecting
artists.
Exhibition venues include: ODETTA, Brooklyn, NY, Longwood Art Gallery, Queens Museum, The (S)Files 007/ El Barrio...
Category
2010s Minimalist Abstract Sculptures
Materials
Archival Paper
Yvette Cohen, Ara Pacis - Zen Corner, 2009, Minimalist sculpture
By Yvette Cohen
Located in Darien, CT
My work bridges the divide between
sculpture and painting and drawing.
Paintings are geometric masses
of color in oil paint and wood dowels,
on shaped canvas. Often grouped in
d...
Category
2010s Minimalist Abstract Sculptures
Materials
Acrylic, Canvas, Wood
David Borawski, Untitled (analog 13, 2016, Digital Image on aluminum
By David Borawski
Located in Darien, CT
David Borawski's works are responses to specific spaces, virtual, found, and political.
Disturbances on a television screen became a minimal poem to the artist.
These series of...
Category
2010s Minimalist Abstract Prints
Materials
Metal
David Borawski, Untitled (analog 45), 2016, Digital image on aluminum
By David Borawski
Located in Darien, CT
David Borawski's works are responses to specific spaces, virtual, found, and political.
Disturbances on a television screen became a minimal poem to the artist. These series of d...
Category
2010s Minimalist Abstract Prints
Materials
Metal
David Borawski, Untitled (Analog 22), 2016, Digital image on aluminum
By David Borawski
Located in Darien, CT
David Borawski's works are responses to specific spaces, virtual, found, and political. Disturbances on a television screen became a minimal poem to the artist. These series of dig...
Category
2010s Minimalist Abstract Prints
Materials
Aluminum
Diane Englander, White and Wood 13 2015, scrapwood and acrylic , 7.25 x 12 x 1.25
By Diane Englander
Located in Darien, CT
Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Wood, Acrylic
Diane Englander, White and Yellow Wood 2018, scrapwood and acrylic, 7 x 11.25 in
By Diane Englander
Located in Darien, CT
Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires that the prettiness of an initial surface is made ugly, or there’s a conscious choice to avoid balance in the composition.
Hers is a largely intuitive process, the materials entice her. Inspiration from the world that we don't call “art” is where she finds her muse: a wall, a landscape, a window shade transfused with light, a stretch of sand and shadow. Most influential are predecessors like Burri, Vicente, Tapies, Motherwell, Rauschenberg, medieval cloisonné, Vermeer, Breughel, and many, many more.
A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC government; and several years as a lawyer at a large NYC law firm.
“I was brought up going to galleries and museums, a sometimes reluctant attendant to my parents’ passion for looking and for collecting. My own expressive energy must have simmered internally for years, occasionally emerging in photography, in quilt-making, in other tentative explorations, and certainly in providing opportunity and materials for my children to create. Not until those children were nearly grown did I come unequivocally to the need to make art myself.”
In late 2006 Diane began making collages that started her on her current path; in late 2007 she left her consulting job to focus on her artwork full-time.
She has studied with Bruce Dorfman at the Art Students League in New York, and has had solo exhibits at the Alexey von Schlippe...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Acrylic, Wood
Diane Englander, White Form on Red Wood, 2018, scrapwood and acrylic, 12 x 13 in
By Diane Englander
Located in Darien, CT
Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires that the prettiness of an initial surface is made ugly, or there’s a conscious choice to avoid balance in the composition.
Hers is a largely intuitive process, the materials entice her. Inspiration from the world that we don't call “art” is where she finds her muse: a wall, a landscape, a window shade transfused with light, a stretch of sand and shadow. Most influential are predecessors like Burri, Vicente, Tapies, Motherwell, Rauschenberg, medieval cloisonné, Vermeer, Breughel, and many, many more.
A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC government; and several years as a lawyer at a large NYC law firm.
“I was brought up going to galleries and museums, a sometimes reluctant attendant to my parents’ passion for looking and for collecting. My own expressive energy must have simmered internally for years, occasionally emerging in photography, in quilt-making, in other tentative explorations, and certainly in providing opportunity and materials for my children to create. Not until those children were nearly grown did I come unequivocally to the need to make art myself.”
In late 2006 Diane began making collages that started her on her current path; in late 2007 she left her consulting job to focus on her artwork full-time.
She has studied with Bruce Dorfman at the Art Students League in New York, and has had solo exhibits at the Alexey von Schlippe...
Category
2010s Abstract Geometric Abstract Sculptures
Materials
Acrylic, Wood
Diane Englander, Pale Form on Blue Wood, 2018 acrylic on scrap wood, 6 x 8 in
By Diane Englander
Located in Darien, CT
Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Acrylic, Cardboard
Diane Englander, Peeling White and Wood, 2018, scrap wood, 9 x 7 inches
By Diane Englander
Located in Darien, CT
Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...
Category
2010s Abstract Abstract Paintings
Materials
Acrylic, Cardboard
Black on Buff, Rust and Blue 1 2017, 33 x 32 inches, acrylic, reused cardboard
By Diane Englander
Located in Darien, CT
Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Acrylic, Cardboard
Black on Rust, Buff and Blue 2, 2017, acrylic, found cardboard, 39 x 19 inches
By Diane Englander
Located in Darien, CT
Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Acrylic, Cardboard
Sylvia Schwartz 8, 2018, wood, fabric, plastic, 11" x 11.5" x 2"
By Sylvia Schwartz
Located in Darien, CT
Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Fabric, Plastic, Wood, Found Objects, Acrylic
