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St. Moritz – Swiss Original Winter Poster, Ski Race
St. Moritz – Swiss Original Winter Poster, Ski Race

St. Moritz – Swiss Original Winter Poster, Ski Race

Located in Zurich, CH

Original Vintage Swiss Avantgarde Poster created in 1933 by Walter Herdeg (1908 – 1995) and printed in 1934 by the Art. Institut Orell Füssli in Zurich as an intaglio to promote the ...

Category

1930s Modern Landscape Prints

Materials

Paper

Norwich  – The Cathedral Route  Original Vintage British Travel Poster
Norwich  – The Cathedral Route  Original Vintage British Travel Poster

Norwich – The Cathedral Route Original Vintage British Travel Poster

By Frank Newbould

Located in Zurich, CH

Original Vintage Travel Poster by Frank Newbould, commissioned by LNER (The London & North Eastern Railway of England & Scotland) to promote its connection to Norwich; beautifully pr...

Category

Early 20th Century English School Landscape Prints

Materials

Paper

Rolex Submariner – Swiss Original Vintage Poster
Rolex Submariner – Swiss Original Vintage Poster

Rolex Submariner – Swiss Original Vintage Poster

Located in Zurich, CH

Original Poster promoting Rolex' Submariner, reference 1680, created by Celestino Piatti, a very productive Swiss Graphic Designer (1922-2007) known for his charm and subtle humor, p...

Category

Mid-20th Century Post-Modern Figurative Prints

Materials

Paper

Œuvre Plastique,  Kunsthaus Zürich 1938 – lithograph, hand-signed and denoted
Œuvre Plastique,  Kunsthaus Zürich 1938 – lithograph, hand-signed and denoted

Œuvre Plastique,  Kunsthaus Zürich 1938 – lithograph, hand-signed and denoted

By Le Corbusier

Located in Zurich, CH

Le Corbusier's first (and largest) original lithograph in color. He created the poster on the occasion of his (first) solo exhibition. Print run was 100 ex. only – whereby the largest part was destroyed when used in the streets of Zurich, what makes it LCs most rare lithograph in color. Moreover: This exemplar is even hand-signed by LC and dated, as it was (meant to be) sold at the entrance of the Kunsthaus Zürich...

Category

1930s Modern Figurative Prints

Materials

Paper

Bouteilles – lithograph, hand-signed and numbered
Bouteilles – lithograph, hand-signed and numbered

Bouteilles – lithograph, hand-signed and numbered

By Le Corbusier

Located in Zurich, CH

Together with "Les Musiciennes" one of the largest and most sought after lithographs by Le Corbusier – a purist still-life –, printed by Mourlot on Arches after a collage by LC. Pr...

Category

Mid-20th Century Modern Figurative Prints

Materials

Paper

St. Moritz – Original Swiss Winter Poster
St. Moritz – Original Swiss Winter Poster

St. Moritz – Original Swiss Winter Poster

Located in Zurich, CH

Original Swiss Travel Poster promoting St. Moritz as winter destination, featuring Germaine Aussey, then a famous French actress. Created by Walter Herdeg who – together with Herber...

Category

1930s Modern Landscape Prints

Materials

Paper

Trans Europ Express – Original Poster promoting the service from Zurich to Milan
Trans Europ Express – Original Poster promoting the service from Zurich to Milan

Trans Europ Express – Original Poster promoting the service from Zurich to Milan

By Kurt Wirth

Located in Zurich, CH

Original Swiss Vintage Travel Poster promoting the TEE service linking Zurich and Milano (operated 1961 to 1988) by Kurt Wirth, a notable Swiss graphic designer and co-founder of the Swiss Graphic Designers Association. A great modernist design evoking speed and reliability. The international first-class railway service of Trans Europ Express...

Category

Mid-20th Century Modern Landscape Prints

Materials

Paper

General Dynamics, Exploring the Universe, Sub-Atomic Worlds – Original Poster
General Dynamics, Exploring the Universe, Sub-Atomic Worlds – Original Poster

General Dynamics, Exploring the Universe, Sub-Atomic Worlds – Original Poster

By Erik Nitsche

Located in Zurich, CH

A poster belonging to Erik Nitsche's second series for General Dynamics, promoting its nuclear research. Founded 1952, General Dynamics hired Nitsche as Art Director – a Swiss (1908 – 1998) educated at the Collège Classique in his birth town Lausanne and at the Kunstgewerbeschule in Munich. 1934 he emigrated to the United States and became an incredibly versatile graphic designer whose work became exemplary modernist. General Dynamics for its part focused on – amongst others – aerodynamics, aerospace, electronics and nuclear power. So here the company had a problem: Only a few years after Hiroshima and Nagasaki it wasn’t exactly the simplest thing to explore nuclear energy and not to be suspected of developing weapons of mass destruction. The International Conference on the Peaceful Uses of Atomic Energy 1955 in Geneva was a great opportunity to be seen as a provider of peaceful technology. The guys in charge chose Erik Nitsche to communicate this message. He created four poster series. Atoms for Peace was the first consisting of eleven posters. The second was made for the Conference 1958; these posters are titled Exploring the Universe and represent different aspects of technological research. The third series promoted General Dynamics’ departments. The last series of six smaller posters...

Category

Mid-20th Century Modern Landscape Prints

Materials

Paper

Original Exhibition Poster – Le Corbusier's difficult relation to Switzerland
Original Exhibition Poster – Le Corbusier's difficult relation to Switzerland

Original Exhibition Poster – Le Corbusier's difficult relation to Switzerland

Located in Zurich, CH

Original Vintage Poster, issued 1987 by the ETH in Zurich on the occasion of its exhibition on Le Corbusier's difficult relation with his native country, using a photograph taken 193...

Category

1930s Modern Portrait Prints

Materials

Paper

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Category

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Category

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Untitled Composition (Cuban Modernism, Afro-Caribbean Art)
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Located in Kansas City, MO

Wifredo Lam Untitled Composition from "Ediciones Poligrafa, Barcelona at Redfern Gallery, London" Original Color Lithograph Year: 1979 Edition: 100 Size: 10 x 7.325 inches (25.4 × ...

Category

1970s Modern Figurative Prints

Materials

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"Cheveaux Et Cavalier (Horse & Rider) VI, " Lithograph signed by Marino Marini
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Located in Milwaukee, WI

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Category

1970s Post-Modern Animal Prints

Materials

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1939 Pictorial Map of Chinatown San Francisco World’s Fair Golden Gate Bridge
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Located in Yardley, PA

A vibrant pictorial map of San Francisco’s Chinatown, created by Ethel Chun in 1939. It is rendered in striking tones of traditional Chinese red and yellow. Oriented with west at the...

Category

1930s American Modern Figurative Prints

Materials

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Modern Pair of Oriental Numbered and Signed Etching
Modern Pair of Oriental Numbered and Signed Etching

Modern Pair of Oriental Numbered and Signed Etching

Located in Roma, IT

1970s Pair of black and white important numbered and signed etching. Japan 1973. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by S...

Category

1970s Modern More Prints

Materials

Paper, Lithograph

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Berggruen abstract lithographic poster by Wassily Kandinsky, 1972

By Wassily Kandinsky

Located in New York, NY

This colorful modern lithographic poster by Wassily Kandinsky was printed in 1972 at the Atelier Mourlot in Paris to promote an exhibition of his watercolors and drawings at the Gale...

Category

1970s Modern Abstract Prints

Materials

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Category

1980s Abstract Geometric Abstract Prints

Materials

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Scarce Art Card - Marisol - Women and Dog 1964 (Hand Signed and Dated), Framed
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Located in New York, NY

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Category

1960s Pop Art Figurative Prints

Materials

Postcard

Low Country (South Carolina)
Low Country (South Carolina)

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By Elizabeth Verner

Located in Middletown, NY

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

Category

Early 20th Century American Modern Landscape Prints

Materials

Archival Paper, Drypoint, Etching