Seattle Art Source

"Claws Out" is Bassett's most architecturally assertive work, its wide horizontal format hosting a series of sharp, shelf-like plaster ledges that thrust outward from the surface on ...

"In This Moment" is luminous and breath-like, its Tadelakt plaster surface rendered in warm white, pale stone, and soft greige that feels open and quietly meditative. Small raised re...

“Flower Study I” by Dawn Bassett presents a delicate, tactile composition. Centered on a square field of softly embedded floral motifs, subtle relief patterns are interspersed with s...

“Flower Study II” by Dawn Bassett is a minimalist circular piece divided into four subtle quadrants, each featuring delicately embossed floral motifs. The palette stays within soft w...

"Behind Me" is a study in monochromatic depth, its surface of Moroccan Tadelakt plaster working entirely within a range of charcoal, graphite, and deep black to create a world of sur...

"Tick Tock" arranges a grid of capsule-shaped forms across a warm blush Tadelakt ground — each one divided precisely between charcoal and white, repeating with the measured regularit...

"Picnic" is a joyful departure in tone, its circular Tadelakt plaster panel — warm white and luminous as a summer afternoon — hosting a cheerful scatter of daisy-like flowers that ra...

"Recognize" is a study in architectural precision and quiet restraint, its square Tadelakt plaster panel framing a clean central void with carefully composed sections of fine vertica...

"Scent" is an exercise in the beauty of near-invisibility, its pale Tadelakt plaster surface carved with large, overlapping floral forms that reveal themselves slowly — petals, fans,...

"Two Women on the Shore No. 2" by Zachary Schomburg is the most architectural work in the series — vertical columns of color in terracotta, green, gold, cream, teal, navy, and red-or...

"Two Women on the Shore No. 4A" by Zachary Schomburg runs six broad diagonal stripes — terracotta, yellow, black, green, blue, and cream — from the upper left to the lower right of t...

"Two Women on the Shore No. 6B" by Zachary Schomburg brings its stripes together in a broad inverted V — two groups of diagonal bands entering from the upper left and upper right, co...

"Two Women on the Shore No. 7A" by Zachary Schomburg is the mirror companion to No. 7B — here the black field occupies the left, a pale circle resting within it near the lower edge, ...

"Two Women on the Shore No. 7B" by Zachary Schomburg is one of the most compositionally dramatic works in the series — alternating stripes of terracotta and pink fill the left half o...

"Two Women on the Shore No. 8A" by Zachary Schomburg draws its stripes downward from the top edge in a loose V-shape — pink, green, terracotta, black, blue, and cream converging towa...

"Two Women on the Shore No. 8B" by Zachary Schomburg sends its stripes diagonally from the upper left, a group of parallel bands in green, terracotta, yellow, black, and blue sweepin...

"Flying High" by Sharon Habib works in a cooler, more restrained palette than much of the series — a pale grey and off-white ground dominates the lower two-thirds, while bold black, ...

"Electric with Anticipation" by Sharon Habib builds its composition in horizontal registers — an airy, pale upper field threaded with loosely drawn circles in white and amber gives w...

"Random Acts" by Sharon Habib is one of her most layered and narratively rich works — a pale upper ground carries a block of handwritten numbers and letters in the upper right, half-...

“Soft Shadows 2” is a meditative work on paper built from rows of small, hand-rendered oval forms in a near-monochromatic palette of white, silver, and soft black. This iteration fee...

“Soft Shadows 1” is a quiet, meditative work on paper that marks a striking departure from Myers' vibrant color fields — here, rows of small hand-rendered oval forms fill the surface...

“New Moons 9” is an intimate work on paper in which collaged strips of painted and repurposed material are layered into a softly glowing circle against a white ground. This iteration...

“New Moons 6” is an intimate work on paper in which Myers arranges collaged strips of painted and repurposed material into a luminous circle against a clean white ground. This iterat...

“New Moons 3” is an intimate work on paper in which Myers gathers her language of layered, horizontal striations into a single glowing circle set against a clean white field. Bands o...

“New Moons 1” is an intimate work on paper in which Myers contains her signature language of layered, striating color fields within a single luminous circle — cool blues and silvers ...

“Soft Shadows 3” is a meditative work on paper composed of rows of small hand-rendered oval forms in white, silver, and soft black. This iteration feels the most tonally varied of th...

“Float 1” by Lydia Bassis is a soft, grounding composition, this piece centers on a gently curved form that feels both familiar and undefined. Rendered in delicate white ink on warm ...

“Float 2” by Lydia Bassis leans into balance, with quiet forms held in subtle conversation. Lydia Bassis’ restrained linework allows each shape to breathe, floating lightly against t...

With a softly rounded form that feels both grounded and in motion, “float 3” by Lydia Bassis carries a gentle sense of rhythm and repetition. The subtle contrast of white ink against...

“Float 4” by Lydia Bassis features a composition with a gently squiggly line that meanders across the page with a relaxed, flowing rhythm. Bassis leaves just enough ambiguity for the...

“Float 5” by Lydia Bassis is a study in openness, this piece uses negative space as much as line. The form floats gently across the surface, never fully landing, giving the work an a...

“Float 6” by Lydia Bassis features forms that feel slightly more dynamic—looping and shifting in a way that introduces a quiet sense of movement. Still, the palette and scale keep th...

“Float 7” by Lydia Bassis carries a sense of symmetry, though never perfectly mirrored. The organic linework resists precision, instead embracing a more intuitive balance. The result...

“Float 8” by Lydia Bassis is a minimal yet expressive work, this composition centers on a series of repetitive, concentric circles that draw the eye inward. The rhythmic pattern of t...

"Archaic Fluxations" by Rya Wu carries a playful yet tentative energy, alive with motion and curiosity. It draws on a sense of whimsy and quiet structure, where intuitive forms feel ...

“Storm Brewing” by Ash Oaksmith is a striking landscape painting. The piece features a dramatic, cloud-filled sky rendered in rich layers of blue, gray, and warm golden tones, creati...

This is a description“In The Distance B” by Ash Oaksmith is an atmospheric landscape painting dominated by a vast, expressive sky. This painting captures the quiet drama of shifting ...

“Jule” by Ash Oaksmith presents a soft, atmospheric abstraction that feels both ethereal and immersive, with billowing, cloud-like forms unfolding across the canvas. The layered brus...

“Passage in Between” by Mark Russell Jones is a moody, atmospheric seascape dominated by a vast, brooding sky; this painting captures a moment of ra...

“In The Open” by Rebecca Stern has a serene, airy presence, defined by negative space and fluid, organic forms. Soft washes of peach and pale blue drift across the surface, contraste...

“Stacked Against” by Rebecca Stern is a mixed-media composition that presents a refined interplay of movement and restraint, layering gestural markings with architectural blocks of c...

“Partially Frozen” by Rebecca Stern is a mixed-media painting that offers a calm yet dynamic composition, where sweeping, curved forms and layered geometric blocks create a sense of ...

“Units of Separation" by Rebecca Stern is a serene, atmospheric diptych that presents a composition defined by soft, sweeping forms and a harmonious palette. Fluid brushstrokes and t...

“Soft Sweep Realized” by Rebecca Stern is a contemporary mixed-media painting that blends soft pastel washes with layered geometric forms and gestural linework, creating a sense of m...

“Wind and Sky” by Teresa Smith is a vibrant, abstract oil painting that captures the sensation of looking up through a dense canopy, where interwoven branches and foliage dissolve in...

“Woodland Portal” by Teresa Smith is a richly textured, abstract landscape painting that evokes a glowing woodland scene, where slender tree trunks and looping branches are rendered ...

In “Valentine”, Christy Hopkins unfolds a luminous field of color with confident, layered brushwork that pulses with energy and emotion. The expansive ...

In “Sugar Mountain”, Christy Hopkins unfolds a rich interplay of gesture and color across a generously scaled canvas. Energetic layers of acrylic build...

“Courtney” is a luminous abstract acrylic on canvas that embodies Christy Hopkins’s intuitive and expressive approach to painting. Through layered brus...

“Kurt” is a dynamic, expressive acrylic on canvas that showcases Christy Hopkins’s signature intuitive approach. Through layered gestures and bold, rhythmic color, the composition fe...

In “Daydreams, and Bach”, Christy Hopkins’ intuitive process unfolds through bold contrast, layered gesture, and an unmistakable sense of rhythm. Working without a fixed roadmap, she...

In “Daydreaming”, Christy Hopkins allows the painting to unfold intuitively—built through layers of gesture, revision, and response. Without a fixed roadmap, the composition evolves ...

White Lily by Jeni Nelson Andries is a floral acrylic painting that feels soft, airy, and quietly luminous. Layered white and cream petals float across a warm, neutral background, wi...

Periwinkle Parade by Jeni Nelson Andries feels serene, airy, and quietly sophisticated. Soft clusters of blue, green, lavender, and sage tones float across a warm, neutral ground, cr...

Starling by Jeni Nelson Andries is a warm, lively, and richly expressive oil painting. Soft, abstract floral forms bloom across a pale, neutral ground in layered strokes of blush, cr...

Petal Parade by Jeni Nelson Andries has a soft, airy elegance with a dreamy, impressionistic feel. Delicate petal-like brushstrokes in blush, coral, peach, and hints of buttery yello...

Marigold by Jeni Nelson Adries has a fresh, romantic charm with a soft, contemporary farmhouse feel. A loose bouquet of blush, ivory, and warm apricot blooms rests in a buttery yello...

Streamer by Jeni Nelson Andries is a refined, contemporary impressionist oil painting with a rich, expressive texture. Layered palette-knife strokes in soft creams, warm ochres, dust...

Coastline by Jeni Nelson Andries is a contemporary abstract acrylic painting with a soothing pastel palette of lavender, cream, blush, and warm beige. Layered brushstrokes and thick ...

Maps No. 2 by Jeni Nelson Andries features a soft, organic abstraction with a tranquil, nature-inspired palette of earth tones. Expressive palette knife strokes create rich texture a...