Stephanie Odegard Co. Ltd.

Rainbow Teakwood Stone and geometric jali carving define this compact side table, the interlocking pierced openings creating visual transparency through the solid stone body. The sto...

Hand-pierced from Rainbow Teakwood Stone with a geometric jali pattern, this compact side table translates the architectural tradition of carved stone screens into furniture scale. The precision of the pierced lattice demonstrates the sustained concentration the process requires. Suitable as a side table, accent table, drink table, end table, sculptural table, or architectural furniture object. The form integrates naturally into Art Deco, Hollywood Regency, and Contemporary interiors. The piece begins as a solid block of stone from which the interior volume is hollowed before carving begins. Artisans transfer the geometric jali pattern onto the exterior surfaces and then hand-cut hundreds of interlocking openings through the stone walls. Each opening must be positioned carefully to maintain structural integrity while preserving the continuity of the overall pattern. The carving process requires sustained precision because every cut influences the strength and visual balance of the final form. Measuring 12"×12"×16"H, the piece functions as a side table, accent table, drink table, end table, architectural object, decorative pedestal, or sculptural furniture element. The compact footprint allows the table to be used beside seating, between chairs, or as a standalone accent. Made entirely to order. Designed by Paul Mathieu for the Jour collection. The design draws from the tradition of Mughal jali...

A hand-carved Rainbow Teakwood Stone side table with a continuous geometric jali lattice pierced through all walls. Light and shadow animate the carved pattern throughout the day, the table appearing different depending on the position and direction of the light source. Works as a side table, accent table, drink table, end table, sculptural table, or architectural furniture object. The form integrates naturally into Art Deco, Hollywood Regency, and Contemporary interiors. The piece begins as a solid block of stone from which the interior volume is hollowed before carving begins. Artisans transfer the geometric jali pattern onto the exterior surfaces and then hand-cut hundreds of interlocking openings through the stone walls. Each opening must be positioned carefully to maintain structural integrity while preserving the continuity of the overall pattern. The carving process requires sustained precision because every cut influences the strength and visual balance of the final form. Measuring 12"×12"×16"H, the piece functions as a side table, accent table, drink table, end table, architectural object, decorative pedestal, or sculptural furniture element. The compact footprint allows the table to be used beside seating, between chairs, or as a standalone accent. Made entirely to order. Designed by Paul Mathieu for the Jour collection. The design draws from the tradition of Mughal jali...

Worked from Rainbow Teakwood Stone with a geometric jali lattice pierced through all sides, this side table combines structural stonework with maximum visual openness. The stone retains its strength while appearing visually lighter through the pierced construction. Serves as a side table, accent table, drink table, end table, sculptural table, or architectural furniture object. The form integrates naturally into Art Deco, Hollywood Regency, and Contemporary interiors. The piece begins as a solid block of stone from which the interior volume is hollowed before carving begins. Artisans transfer the geometric jali pattern onto the exterior surfaces and then hand-cut hundreds of interlocking openings through the stone walls. Each opening must be positioned carefully to maintain structural integrity while preserving the continuity of the overall pattern. The carving process requires sustained precision because every cut influences the strength and visual balance of the final form. Measuring 12"×12"×16"H, the piece functions as a side table, accent table, drink table, end table, architectural object, decorative pedestal, or sculptural furniture element. The compact footprint allows the table to be used beside seating, between chairs, or as a standalone accent. Made entirely to order. Designed by Paul Mathieu for the Jour collection. The design draws from the tradition of Mughal jali...

Rainbow Teakwood Stone, individually pierced with a geometric jali lattice through all visible walls. The interlocking pattern draws from the tradition of architectural stone screens found throughout Mughal architecture. Functions as a side table, accent table, drink table, end table, sculptural table, or architectural furniture object. The form integrates naturally into Art Deco, Hollywood Regency, and Contemporary interiors. The piece begins as a solid block of stone from which the interior volume is hollowed before carving begins. Artisans transfer the geometric jali pattern onto the exterior surfaces and then hand-cut hundreds of interlocking openings through the stone walls. Each opening must be positioned carefully to maintain structural integrity while preserving the continuity of the overall pattern. The carving process requires sustained precision because every cut influences the strength and visual balance of the final form. Measuring 12"×12"×16"H, the piece functions as a side table, accent table, drink table, end table, architectural object, decorative pedestal, or sculptural furniture element. The compact footprint allows the table to be used beside seating, between chairs, or as a standalone accent. Made entirely to order. Designed by Paul Mathieu for the Jour collection. The design draws from the tradition of Mughal jali...

Conceived as a furniture translation of Mughal jali architecture, this Rainbow Teakwood Stone table is hand-pierced with a geometric lattice derived from t...

A Rainbow Teakwood Stone side table hand-pierced with a geometric jali pattern across all visible surfaces. Shadow and light become part of the design — the pierced lattice casting a geometric pattern on surrounding surfaces in directional light. Works as a side table, accent table, drink table, end table, sculptural table, or architectural furniture object. The form integrates naturally into Art Deco, Hollywood Regency, and Contemporary interiors. The piece begins as a solid block of stone from which the interior volume is hollowed before carving begins. Artisans transfer the geometric jali pattern onto the exterior surfaces and then hand-cut hundreds of interlocking openings through the stone walls. Each opening must be positioned carefully to maintain structural integrity while preserving the continuity of the overall pattern. The carving process requires sustained precision because every cut influences the strength and visual balance of the final form. Measuring 12"×12"×16"H, the piece functions as a side table, accent table, drink table, end table, architectural object, decorative pedestal, or sculptural furniture element. The compact footprint allows the table to be used beside seating, between chairs, or as a standalone accent. Made entirely to order. Designed by Paul Mathieu for the Jour collection. The design draws from the tradition of Mughal jali...

A Rainbow Teakwood Stone side table are hand-pierced with a geometric jali pattern, each opening positioned to maintain structural integrity while preserving the continuity of the lattice. The stone's warm layered veining creates visual complexity beyond the geometry. Suitable as a side table, accent table, drink table, end table, sculptural table, or architectural furniture object. The form integrates naturally into Art Deco, Hollywood Regency, and Contemporary interiors. The piece begins as a solid block of stone from which the interior volume is hollowed before carving begins. Artisans transfer the geometric jali pattern onto the exterior surfaces and then hand-cut hundreds of interlocking openings through the stone walls. Each opening must be positioned carefully to maintain structural integrity while preserving the continuity of the overall pattern. The carving process requires sustained precision because every cut influences the strength and visual balance of the final form. Measuring 12"×12"×16"H, the piece functions as a side table, accent table, drink table, end table, architectural object, decorative pedestal, or sculptural furniture element. The compact footprint allows the table to be used beside seating, between chairs, or as a standalone accent. Made entirely to order. Designed by Paul Mathieu for the Jour collection. The design draws from the tradition of Mughal jali...

Formed from Rainbow Teakwood Stone with a geometric jali lattice pierced through all sides, this compact side table applies architectural openwork carving to a functional furniture form. The relationship between solid material and open space is the primary visual subject of the design. Functions as a side table, accent table, drink table, end table, sculptural table, or architectural furniture object. The form integrates naturally into Art Deco, Hollywood Regency, and Contemporary interiors. The piece begins as a solid block of stone from which the interior volume is hollowed before carving begins. Artisans transfer the geometric jali pattern onto the exterior surfaces and then hand-cut hundreds of interlocking openings through the stone walls. Each opening must be positioned carefully to maintain structural integrity while preserving the continuity of the overall pattern. The carving process requires sustained precision because every cut influences the strength and visual balance of the final form. Measuring 12"×12"×16"H, the piece functions as a side table, accent table, drink table, end table, architectural object, decorative pedestal, or sculptural furniture element. The compact footprint allows the table to be used beside seating, between chairs, or as a standalone accent. Made entirely to order. Designed by Paul Mathieu for the Jour collection. The design draws from the tradition of Mughal jali...

Carved from Rainbow Teakwood Stone with a geometric jali pattern pierced through all visible sides, this compact side table draws directly from the tradition of Mughal stone screens....

Antiqued White Bronze metal-clad panels embossed with floral motifs cover the full exterior of this nightstand, the raised relief creating shadow and depth that shifts with the light...

Clad in Brass metal-clad with hand-embossed floral panels across the exterior, this nightstand brings Rajasthani embossed metalwork to a bedside form. The floral motifs read in clear...

An Antiqued White Bronze metal-clad nightstand is covered in hand-embossed floral panels, the motifs worked into the metal before application over a teak and engineered wood frame. T...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Antiqued White Bronze sheet metal, its surface worked in a...

Worked in Brass metal-clad with hand-embossed floral panels across all exterior surfaces, this nightstand combines traditional Rajasthani metalwork with a bedside cabinet form. The f...

A hand-crafted Brass metal-clad nightstand with floral motifs embossed into the metal panels before application over a wood substrate. The floral motifs read in clear relief against ...

Worked in Antiqued White Bronze metal-clad with hand-embossed floral panels across all exterior surfaces, this nightstand combines traditional Rajasthani metalwork with a bedside cab...

Hand-embossed floral panels in Antiqued White Bronze metal-clad cover the full exterior of this nightstand, the relief worked into the metal sheets before assembly. The floral motifs...

Antiqued White Bronze metal-clad sheet metal, individually embossed with floral motifs before being applied over a wood substrate to create this nightstand. The floral motifs read in...

A nightstand hand-clad in Antiqued White Bronze metal-clad with floral motifs worked in relief across every panel of the exterior. The floral motifs read in clear relief against the ...

A hand-crafted Antiqued White Bronze metal-clad nightstand with floral motifs embossed into the metal panels before application over a wood substrate. The floral motifs read in clear...

Formed with Antiqued White Bronze metal-clad sheet metal applied over a wood substrate, this nightstand presents hand-embossed floral panels across the full exterior. The floral moti...

Conceived as a nightstand and a demonstration of Rajasthani embossed metalwork, this piece is clad in Antiqued White Bronze metal-clad with floral panels individually worked before a...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Antiqued White Bronze sheet metal, its surface worked in a...

Brass metal-clad sheet metal, individually embossed with floral motifs before being applied over a wood substrate to create this nightstand. The floral motifs read in clear relief ag...

A nightstand hand-clad in Brass metal-clad with floral motifs worked in relief across every panel of the exterior. The floral motifs read in clear relief against the metal ground, de...

Hand-embossed floral panels in Brass metal-clad cover the full exterior of this nightstand, the relief worked into the metal sheets before assembly. The floral motifs read in clear r...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Antiqued White Bronze sheet metal, its surface worked in a...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Antiqued White Bronze sheet metal, its surface worked in a...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Antiqued White Bronze sheet metal, its surface worked in a...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Antiqued White Bronze sheet metal, its surface worked in a...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Antiqued White Bronze sheet metal, its surface worked in a...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in White Bronze sheet metal, its surface worked in a distinct...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in White Bronze sheet metal, its surface worked in a distinct...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Brass sheet metal, its surface worked in a distinctive mix...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in White Bronze sheet metal, its surface worked in a distinct...

Worked in Copper metal-clad with hand-embossed floral panels across all exterior surfaces, this nightstand combines traditional Rajasthani metalwork with a bedside cabinet form. The ...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Copper sheet metal, its surface worked in a distinctive mi...

Formed with Copper metal-clad sheet metal applied over a wood substrate, this nightstand presents hand-embossed floral panels across the full exterior. The floral motifs read in clea...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Brass sheet metal, its surface worked in a distinctive mix...

Copper metal-clad panels embossed with floral motifs cover the full exterior of this nightstand, the raised relief creating shadow and depth that shifts with the light direction. The...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Brass sheet metal, its surface worked in a distinctive mix...

Hand-embossed floral panels in Copper metal-clad cover the full exterior of this nightstand, the relief worked into the metal sheets before assembly. The floral motifs read in clear ...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in White Bronze sheet metal, its surface worked in a distinct...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in White Bronze sheet metal, its surface worked in a distinct...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Brass sheet metal, its surface worked in a distinctive mix...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Brass sheet metal, its surface worked in a distinctive mix...

Conceived as a nightstand and a demonstration of Rajasthani embossed metalwork, this piece is clad in Copper metal-clad with floral panels individually worked before assembly. The fl...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Brass sheet metal, its surface worked in a distinctive mix...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in White Bronze sheet metal, its surface worked in a distinct...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in White Bronze sheet metal, its surface worked in a distinct...

A nightstand hand-clad in Copper metal-clad with floral motifs worked in relief across every panel of the exterior. The floral motifs read in clear relief against the metal ground, d...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Copper sheet metal, its surface worked in a distinctive mi...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in White Bronze sheet metal, its surface worked in a distinct...

A hand-crafted Copper metal-clad nightstand with floral motifs embossed into the metal panels before application over a wood substrate. The floral motifs read in clear relief against...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Brass sheet metal, its surface worked in a distinctive mix...

Clad in Copper metal-clad with hand-embossed floral panels across the exterior, this nightstand brings Rajasthani embossed metalwork to a bedside form. The floral motifs read in clea...

Conceived as a nightstand and a demonstration of Rajasthani embossed metalwork, this piece is clad in Brass metal-clad with floral panels individually worked before assembly. The flo...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Copper sheet metal, its surface worked in a distinctive mi...

A ten-foot credenza in metal. The Carre Credenza's longest form is built on a hardwood carcass and clad entirely by hand in Copper sheet metal, its surface worked in a distinctive mi...