Todd Merrill Studio Contemporary

Markus Haase's monumental hand-carved and hand cast bronze Cloud III chandelier will debut at NOMAD St Moritz along with a handcarved blackened console with bronze feet. Haase’s wor...

Haase continues to push the boundaries of his oeuvre with his latest work of functional art, Medusa. This striking LED light sculpture epitomizes Haase’s inherent understanding of cl...

Composed of a series of tiered, interconnected bronze and onyx ribbons, Markus Haase’s new series of lighting, the Algae Series, creates a sweeping landscape of radiant, sculpted lig...

Composed of a series of interconnected bronze and onyx rings, Markus Haase’s expansive Circlet Series Chandelier creates a sweeping landscape of radiant, sculpted light. Combining a ...

Composed of a series of tiered, interconnected bronze and onyx ribbons, Markus Haase’s new series of lighting, the Algae Series, creates a sweeping landscape of radiant, sculpted lig...

One of the earliest forms of human craft, textile is a universal language, both essential and accessory. For the past eight years nomadic artist Erik Speer has been creating experime...

One of the earliest forms of human craft, textile is a universal language, both essential and accessory. For the past eight years nomadic artist Erik Speer has been creating experime...

In a career spanning over 30 years, New York City artist Christopher Russell has devoted himself to creating unique works of art, functional design, custom architectural elements, and large-scale commissions in an ever-expanding exploration of clay, his principal medium. Originally focused on painting and drawing, Russell was attracted to the malleable properties and endless possibilities of clay, which can traverse the divide between functional and purely aesthetic. Initially translating his draftsmanship to decorative graphic tiles, his work eventually progressed into hand-built sculpture, and most recently decorative vessels. His latest works are dynamic in structure and decoration. With a concentration on hand-building, something the artist attributes to a familial connection to architecture, engineering, and contracting, Russell eschews throwing pots “on the wheel”. While his geometrically rigid vessels look meticulously planned, the process is generally spontaneous. Process dictates the abstracted forms, but the ultimate goal is largely towards harmony, balance, and symmetry. Most notable in the recent works is Russell’s energetic surface ornamentation. Patchworks of simple shapes, in hues ranging from natural to artificial, jostle and hug to create cubist patterns akin to pictographs. A combination of black and white underglazes acts as a ground for his precise application of colored glazes, each individually developed by the artist. Employing stencil resists and decorative sgraffito results in work with an unexpected sense of depth. Equally varied are the competing textures that converge across each surface. Russell affirms that “Texture is the most visceral element in ceramics. It’s the thing that makes you want to touch. There’s design, color and form, but it’s texture that gives a piece its physical life.” Conclusively the agony and joy in his ceramic practice comes from what is left to chance. Best laid plans are at the mercy of the kiln, making each work a risky venture and each success a treasurable object. Russell has been the subject of solo shows at the Everson Museum of Art in Syracuse NY, and the Daum Museum of Contemporary Art in Sedalie WI. His work has also been exhibited widely in group exhibitions, including at The Bernardaud Foundation in Limoges, France, the Royal West Academy in Bristol, England, the Paul Robeson Gallery at Rutgers University, and WaveHill, the prestigious public gardens in The Bronx, New York. Among numerous private collections his work is also in the collection of Longhouse Reserve: The Jack Lenor Larsen Estate. Notable commissions include a large-scale ceramic wall mural...

In a career spanning over 30 years, New York City artist Christopher Russell has devoted himself to creating unique works of art, functional design, custom architectural elements, an...

Today in addition to his fine art glass sculptures, Jamie Harris is creating unique, hand-made sculptural lighting. Drawing on the contrast between rigid, geometric metal structures ...

Today in addition to his fine art glass sculptures, Jamie Harris is creating unique, hand-made sculptural lighting. His Nested Disc series plays on layered geometries to create sophisticated lighting structures built from tiered levels of blown glass roundel forms. Ranging in sizes up to 36 inches, each organically shaped roundel is meticulously sized, its color chosen to interact with the neighboring level. As you walk around the piece, light bounces and cascades down, blending each shade while also responding to the surrounding light environment. By altering the opacity, hue, employing metallic finishes, or creating opalescent and iridescent surfaces, the works can sit at either ends of the spectrum from minimal to extravagant. Available by commission, each work is unique and fully customizable, from layout, sizing, coloration and finish. Harris has studied at some of the most prestigious glass schools in the country: The Pilchuck Glass School, the Rhode Island School of Design, the Penland School of Crafts, the Haystack School and the Corning Museum of Glass. He also studied with some of the most renowned glass artists in the world, including Dante Marioni, Josiah McElheny...

Today in addition to his fine art glass sculptures, Jamie Harris is creating unique, hand-made sculptural lighting. Drawing on the contrast between rigid, geometric metal structures ...