William Turner Gallery

For more than three decades, Miller has developed a distinctive visual language from the fragments of American culture —advertisements, comic books, magazine clippings, Hollywood ima...

For more than three decades, Miller has developed a distinctive visual language from the fragments of American culture —advertisements, comic books, magazine clippings, Hollywood ima...

For more than three decades, Miller has developed a distinctive visual language from the fragments of American culture —advertisements, comic books, magazine clippings, Hollywood ima...

For more than three decades, Miller has developed a distinctive visual language from the fragments of American culture —advertisements, comic books, magazine clippings, Hollywood ima...

For more than three decades, Miller has developed a distinctive visual language from the fragments of American culture —advertisements, comic books, magazine clippings, Hollywood ima...

For more than three decades, Miller has developed a distinctive visual language from the fragments of American culture —advertisements, comic books, magazine clippings, Hollywood ima...

For more than three decades, Miller has developed a distinctive visual language from the fragments of American culture —advertisements, comic books, magazine clippings, Hollywood ima...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

In a career that spanned 7 decades, Ed Moses received national and international recognition for his practice, known for its restless intensity and ever-evolving style. Considered on...

In a career that spanned 7 decades, Ed Moses received national and international recognition for his practice, known for its restless intensity and ever-evolving style. Considered on...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Curtis Ripley’s practice occupies a space between the gestural immediacy of Abstract Expressionism and the immersive chromatic sensibility of Color Field painting. Ripley’s work synt...

Curtis Ripley’s practice occupies a space between the gestural immediacy of Abstract Expressionism and the immersive chromatic sensibility of Color Field painting. Ripley’s work synt...

Curtis Ripley’s practice occupies a space between the gestural immediacy of Abstract Expressionism and the immersive chromatic sensibility of Color Field painting. Ripley’s work synt...

Curtis Ripley’s practice occupies a space between the gestural immediacy of Abstract Expressionism and the immersive chromatic sensibility of Color Field painting. Ripley’s work synt...

Curtis Ripley’s practice occupies a space between the gestural immediacy of Abstract Expressionism and the immersive chromatic sensibility of Color Field painting. Ripley’s work synt...

Curtis Ripley’s practice occupies a space between the gestural immediacy of Abstract Expressionism and the immersive chromatic sensibility of Color Field painting. Ripley’s work synt...

Curtis Ripley’s practice occupies a space between the gestural immediacy of Abstract Expressionism and the immersive chromatic sensibility of Color Field painting. Ripley’s work synt...

Curtis Ripley’s practice occupies a space between the gestural immediacy of Abstract Expressionism and the immersive chromatic sensibility of Color Field painting. Ripley’s work synt...

Curtis Ripley’s practice occupies a space between the gestural immediacy of Abstract Expressionism and the immersive chromatic sensibility of Color Field painting. Ripley’s work synt...

Curtis Ripley’s practice occupies a space between the gestural immediacy of Abstract Expressionism and the immersive chromatic sensibility of Color Field painting. Ripley’s work synt...

Curtis Ripley’s practice occupies a space between the gestural immediacy of Abstract Expressionism and the immersive chromatic sensibility of Color Field painting. Ripley’s work synt...

Curtis Ripley’s practice occupies a space between the gestural immediacy of Abstract Expressionism and the immersive chromatic sensibility of Color Field painting. Ripley’s work synt...

Curtis Ripley’s practice occupies a space between the gestural immediacy of Abstract Expressionism and the immersive chromatic sensibility of Color Field painting. Ripley’s work synt...

Curtis Ripley’s practice occupies a space between the gestural immediacy of Abstract Expressionism and the immersive chromatic sensibility of Color Field painting. Ripley’s work synt...

Curtis Ripley’s practice occupies a space between the gestural immediacy of Abstract Expressionism and the immersive chromatic sensibility of Color Field painting. Ripley’s work synt...

Ripley’s practice occupies a space between the gestural immediacy of Abstract Expressionism and the immersive chromatic sensibility of Color Field painting. His work synthesizes thes...

In Ripley’s paintings, glimmers of paint flicker and flare across darkened grounds, activating the surface with a sense of movement and light. Gestural curls and swirls interact with...

About these paintings Reiss stated, “Flowers are the vehicle for putting everything I have learned about painting into my work.” The resulting paintings move fluidly between abstract...

About these paintings Reiss stated, “Flowers are the vehicle for putting everything I have learned about painting into my work.” The resulting paintings move fluidly between abstract...

About these paintings Reiss stated, “Flowers are the vehicle for putting everything I have learned about painting into my work.” The resulting paintings move fluidly between abstract...

About these paintings Reiss stated, “Flowers are the vehicle for putting everything I have learned about painting into my work.” The resulting paintings move fluidly between abstract...

About these paintings Reiss stated, “Flowers are the vehicle for putting everything I have learned about painting into my work.” The resulting paintings move fluidly between abstract...

About these paintings Reiss stated, “Flowers are the vehicle for putting everything I have learned about painting into my work.” The resulting paintings move fluidly between abstract...

About these paintings Reiss stated, “Flowers are the vehicle for putting everything I have learned about painting into my work.” The resulting paintings move fluidly between abstract...

About these paintings Reiss stated, “Flowers are the vehicle for putting everything I have learned about painting into my work.” The resulting paintings move fluidly between abstract...

About these paintings Reiss stated, “Flowers are the vehicle for putting everything I have learned about painting into my work.” The resulting paintings move fluidly between abstract...

About these paintings Reiss stated, “Flowers are the vehicle for putting everything I have learned about painting into my work.” The resulting paintings move fluidly between abstract...

About these paintings Reiss stated, “Flowers are the vehicle for putting everything I have learned about painting into my work.” The resulting paintings move fluidly between abstract...

About these paintings Reiss stated, “Flowers are the vehicle for putting everything I have learned about painting into my work.” The resulting paintings move fluidly between abstract...

Through a process of layering the paint, repeatedly wiping out and repainting, Ripley achieves a sense of moody visual jazz, where depth, movement and color create an ever-evolving v...

Through a process of layering the paint, repeatedly wiping out and repainting, Ripley achieves a sense of moody visual jazz, where depth, movement and color create an ever-evolving v...

Through a process of layering the paint, repeatedly wiping out and repainting, Ripley achieves a sense of moody visual jazz, where depth, movement and color create an ever-evolving v...

Through a process of layering the paint, repeatedly wiping out and repainting, Ripley achieves a sense of moody visual jazz, where depth, movement and color create an ever-evolving v...