Stoneware Furniture

New at Shine Studios for Fall 2026.. dark bronze Moon is the Artifact Series of hand-sculpted vases. Each piece, crafted in our Los Angeles studio, is unique, presenting a distinct b...

First firing of 2026 is out of the Kiln!! starting 2026 with some vessels of Spiritual Natural. All hand etched, painted with oxides and reminiscent of artists hands from earlier tim...

First firing of 2026 is out of the Kiln!! starting 2026 with some vessels of Spiritual Natural. All hand etched, painted with oxides and reminiscent of artists hands from earlier tim...

A brown-glazed stoneware table lamp designed and produced by Rolf Palm, Mölle, Sweden, 1960s. Wear consistent with age and use. Dimensions of Lamp (inches): 10.0"H x 4.4"D Dimensi...

Large Stoneware Vase by Richard Le Corrone, Ciboure Pottery, France, Early 1950s. Striking large stoneware vase by Richard Le Corrone, produced at the renowned Ciboure pottery on th...

Do you ever see a color you want to dive into, surrounding yourself with its luscious tone? That happened with this piece. The color came out so perfectly I am hoping I will be abl...

Contemporary Heidi Fournier vase with hand-painted floral decorations on shiny cream colored base. Signed by the artist. Denmark, 2010s.

Antique emerald green art nouveau vase by Upsala Ekeby. Soft shaped shiny green and black organically glazed ceramic vase with two handles. Stamped and numbered under base. Beautif...

wonderful ceramic light No.5002, designed and handcrafted by Los Angeles based ceramicist Heather Levine. High fired stoneware with multi colored drip glaze on a cork colored clay bo...

This is a very good early Mason's Ironstone pottery dinner plate, well hand painted in the very decorative Mandarin pattern, produced by the Mason's factory at Lane Delph, Staffordsh...

New at Shine Studios for Fall 2025.. a step back to brush stroke vessels from 2020.. this is the Artifact Series of hand-sculpted vases. Each piece, crafted in our Los Angeles studi...

This beautiful pierced salt-glazed stoneware dish was made in England circa 1760. The dish was molded with basketweave panels and raised rococo scrolls. It has eight lobes, each with...

Charming blue and gray vintage studio pottery crock made by noted American folk potter David Eldreth in Nottingham, Pennsylvania, dated 1996. This wheel-thrown stoneware vessel features a classic salt-glazed exterior and a hand-decorated cobalt blue...

a mix of traditional with organic modern large vessel is a true one of a kind Statement centerpiece unique hand shaped vase with sculpted edges full of levels of white and crea...

A beautiful stoneware Art Deco / Swedish Grace vase of the highest quality. Amazing glaze with hand-painted details in gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfab...

A blue-glazed stoneware wall mirror designed by Sven Jonson and produced by Gustavsberg, Sweden, c. 1960s. Mirror has clouding imperfection; wear consistent with age and use. Overa...

Stunning tall cylindrical ceramic wall light No.52, designed and handcrafted by Los Angeles based ceramicist Heather Levine. High fired stoneware with olive/salmon colored gradient g...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

Found like an ancient relic.. with deep Autumn colors. reminds us of cooler weather, warm fires and toasty nights at home . created from found clay slabs throughout the studio. Glaz...

French Provincial 20th century off-white glazed stoneware double handled crock or storage jar. This charming vessel would bring farmhouse authenticity to the modern kitchen by its ru...

French Provincial 20th century off-white glazed stoneware double handled crock or storage jar, also called a “salt pot” by Digoin. This charming vessel would bring farmhouse authenti...

wonderful ceramic light No.5009, designed and handcrafted by Los Angeles based ceramicist Heather Levine. High fired stoneware with matte white glaze on a cork colored clay body with...

A lovely white vase with a stunning egg shell speckled glaze designed by Gunnar Nylund at Rörstrand, the vase is 16 cm tall. It is in excellent condition and marked as 1st quality. ...

A large collection of 27 vessels, most of them designed by John Andersson and all of them produced at Höganäs about 1950s. The tallest one is 9 cm (3.6") and the smallest one is 1.5 ...

A green vase with a lovely crystalline glaze designed by Isak Isaksson in Sweden. The vase is 9 cm (3.55") tall and about 12.5 cm (5") wide and it is in excellent condition. This is ...

Organic Vessel V, where the exploration of handprinted Oxides and custom glazes "collide" to create captivating art. At The Shine Studios,Organic modern vessels are reminiscent of br...

An extremely rare and probably unique, tall grotesque figural ewer or spoon/ladle warmer by Robert Wallace Martin for the Martin Brothers dated 1880. The stoneware ewer is of tall cy...

Warm marbled yellow modern art nouveau vase by Upsala Ekeby in the 1940s. Soft shaped glazed ceramic vase with two small spouts and fluted wavey coral red handles. Stamped and number...

This rare and highly decorative Scandinavian Modern wall-hung mirror was designed by Mogens Lund and retailed by the prestigious Illums Bolighus in Copenhagen during the 1960s. The p...

An exceptional large-scale hand-painted ceramic platter by Gunvor Olin-Grönqvist, created at Arabia Studio during the artist’s most expressive period. Measuring an impressive 60 cm, ...

Danish Art Nouveau ceramic vase with rose, burgundy and green asian inspired floral and animal decor on light sage gray marble glazed base. Displaying hand-painted spotted deer among...

This special object is a punch bowl made of stoneware in the 1930s by the well-known German manufacturer Marzi & Remy. This stoneware object boasts an exceptionally rich design, typ...

Modernist ceramic table lamp with hand-carved lined relief decor in warm white and gray colored glaze. Smooth unglazed neck and original fitting with switch. Limited edition handmade...

French Art Deco stoneware bowl on pedestal by REVERNAY (Digoin), France, 1920s. Height : 12.5cm - 5 inches, Diameter : 21.2cm - 8.3 inches. Marked "Revernay 160 3" under the base (se...

Unique mid-century Organic Modern Danish stoneware lamp by Søholm Keramik, circa 1960s. The lamp has been fitted with a new socket and rewired with a jute-wrapped cord; it’s ready fo...

A truly exceptional and monumentally scaled Argenta vase/floorvase, hand-thrown by Wilhelm Kåge for Gustavsberg, Sweden, circa 1930s. Measuring 35 cm (13.8 in) in height and 27 cm (1...

A gorgeous antique French white ironstone lidded soup tureen, circa 1900. No maker's mark. This fine soup tureen has a decorative finial and lovely ornate handles. It displays beauti...

Chains echo different emotions in us, some see them as a symbol of imprisonment, and vulnerability and some see as an emotion of inter connectivity and strong bond between the people. The truth is ,chains as we see them in the moment will either resonate the first or the latter symbolism depending on the emotions we feel at the moment. This eye-catching wall hanging adds a nomadic and mystical feel to any room. Created through a hand-intensive process of linking hand built stoneware rings of different sizes, this wall hanging is a dynamic decoration for an eclectic bedroom...

A generously scaled English ironstone serving platter featuring the classic blue and white willow pattern. The transferware design depicts an idyllic chinoiserie landscape, bordered ...

Calacatta Viola marble sinks are crafted from high-quality, Italy-sourced natural stone. Due to the natural formation process of the marble, each piece features a unique veining patt...

Chains echo different emotions in us, some see them as a symbol of imprisonment, and vulnerability and some see as an emotion of inter connectivity and strong bond between the people. The truth is ,chains as we see them in the moment will either resonate the first or the latter symbolism depending on the emotions we feel at the moment. This eye-catching wall hanging adds a nomadic and mystical feel to any room. Created through a hand-intensive process of linking hand built stoneware rings of different sizes, this wall hanging is a dynamic decoration for an eclectic bedroom...

Every mushroom lamp is hand-made and hand-painted by Ethan Streicher, the founder and designer behind the Streicher Goods brand in Brooklyn, NY. The lamp's silhouette is simple and c...

A classic decorative bust statue. Some wear with a nice patina, but this is old-age. Made of metal on a Marble base. Very decorative and nice to display in your library or any room.

Five antique brass patina arms curve up from a ceramic cluster dish to five tall stoneware ceramic shades in a glossy glaze with a subtle off-white hue. ...

Three antique brass patina arms curve up from a ceramic cluster dish to three tall stoneware ceramic shades in a glossy glaze with a subtle off-white hue...

French Art Deco stoneware table lamp by Louis DAGE (Antony, Paris), France, 1920s. Stoneware, brass & fabric. Important enamel applications. Height: 15.75"(40cm), Width: 9.85"(25cm)....

Found like an ancient relic.. created from found clay slabs throughout the studio. Glazed and finished in old world bronze and mocha mix of color and texture on dark chocolate clay....

Chains echo different emotions in us , some see them as a symbol of imprisonment, and vulnerability and some see as an emotion of inter connectivity and strong bond between the peopl...

This is a very decorative, Imperial Stone China (ironstone), large Dinner Plate by John Ridgway, dating to the William IVth period of the 19th cen...

This is a small size antique Hydra jug or Pitcher made by the Davenport Company of Longport, Staffordshire, England in the late Georgian period, circa 1805-1820, made of Ironstone po...

Every mushroom lamp is hand-made and hand-painted by Ethan Streicher, the founder and designer behind the Streicher Goods brand in Brooklyn, NY. The lamp's silhouette is simple and c...

A beautifully crafted statue of an ancient Egyptian pharaoh, I believe it is Ramses the 2nd however I am not completely sure. The statue appears to be made of copper or white metal. ...

This listing is for one vase, this is for the vase on the right side of main photo see other listings for second vase Elevate your interior design project with The Shine Studios' ...

A table lamp by an unknown Swedish designer, crafted by Bjerkås Armatur in the 1940s. Ceramic base with a relief depicting a man and a woman, characteristic of the Swedish Grace peri...

Sculptural stoneware “Argenta” vase by Wilhelm Kåge with soft fluted body and elegant slender neck. From top to bottom silver inlay lines and floral decor on matte deep ocean green g...

Danish midcentury stoneware vase by Kähler Keramik in the 1960s. Cylinder shape with stunning speckled dusty green glaze. Signed under base. Beautiful condition. Denmark, 1960s.

This is a very beautiful hand painted dinner plate, produced by the Spode factory in the late Georgian period, Circa 1820. This is pattern number 2283, the chinoiserie decoration ...

Our stoneware Juliette Lamp is handcrafted using slab-construction techniques. The lamp’s pattern is created by rolling the surface with textured rolling pins and rods. FINISH - Ca...

A beautiful 'sage' green and white English Wedgwood Jasperware matte stoneware vase in the Neoclassical style, England, 1973. Vase has Renaissance/Neoc...

Pair of Scandinavian midcentury modern folk art style unique stoneware table lamps handmade by Jette Hellerøe in her private studio in the 1970s. Hand-carved South American inspired ...