Stoneware Furniture

Elegant Swedish Art Deco serving bowl designed by Arthur Percy (1886–1976) for Gefle Porslinsfabrik, from the Gyllen series. The organically scalloped, undulating form gives the bowl...

This is a highly decorative, Earthenware (ironstone), Dinner Plate by Ridgway, dating to the Aesthetic period in the second half of the 19th Century, Victorian period, Circa 1884. T...

Large Saint-Clément Stoneware Vase, France, 1950s. This impressive and rare stoneware vase from Saint-Clément, France dates to the 1950s and is distinguished by its exceptional size ...

A stunning white flowerpot from the Våga-serie (Wave) designed by Wilhelm Kåge at Gustavsbergs Studio in the 1950s. The pot is 20 cm in diameter and in excellent condition except fro...

Beautifully glazed handmade stoneware candle sconce manufactured by Danish Knabstrup in the 1950s. Raw rectangular ceramic piece with a shiny crackle glaze front in pastel mint, turq...

A signed French studio ceramic table lamp by potter Colette Houtmann, circa 1980. It features a rounded globular shape with a beautiful glossy mottled red and pink glaze. This charm...

Black art nouveau ceramic vase manufactured by Bo Fajans in the 1940-50s and attributed to designer Berit Ternell. Soft shaped bowl with a mother of pearl like black shine and sculpt...

A beautiful cobalt blue and white Jasperware pitcher, with Greek-Key boarders, in the Neoclassical design style, by Wedgwood, circa early-20th century, 1930s - 1940s, England. Pitch...

A beautiful stoneware table lamp with amazing glaze. Handmade by Katarina Gustafsson in Sireköpinge, Sweden, 1990s. Great original condition. No chips, cracks or crazing. Signed by ...

Knud Basse, Bornholm, Denmark. Stoneware Bird Figure, 1960s. Rare stoneware bird figure with the characteristic organic form and deep, nuanced glaze typical of Basse’s work. The soft...

A rare and sculptural stoneware jug from Bode Willumsen's own workshop, dating to the 1930s. The organically modeled form is complemented by a distinctive arched handle adorned with ...

A vase designed by Carl-Harry Stålhane at Rörstrand in 1965, it´s 7.5 cm (3") tall and it´s in excellent condition. This is a unique vase only made in one copy as you can see of the ...

From the same Danish/Japanese company that made a lot of IHQ 's - Jens Harald Quistgaard designs during the 1970s and 80s comes this stylish vase, pencil or toothbrush holder in glaz...

A sculptural ceramic flush mount defined by rhythm, texture, and architectural form. The Canista Ridges 19" Flush Mount by Naaya Studio transforms the traditional drum shade into a ...

Art Deco Period Gres Stoneware Vase by Belgian ceramist Roger Guérin from the 1930s. The creation is of a bulbous form terminating in a short neck finishing with a flaring rim. Beau...

Large Stoneware Vase by Richard Le Corrone, Ciboure, France, Early 1950s. Important French stoneware vase created in the early 1950s by Richard Le Corrone for the renowned Ciboure p...

A simple yet very stylish Doulton Lambeth art pottery vase applied with exquisite floral patterning attributed to renowned artist John Broad and dating from around 1920. The stonewar...

This is a very good Jasperware stoneware Jardiniere or Cache Pot, made by Wedgwood, England and dating to circa 1930s. The jardiniere has a lovely shape, very much like a brush pot...

The bottom is hand painted with Argenta 1042 III and N (year symbol for 1944) Stamped Gustavsberg, Kåge 1 The production technique of Argenta ceramics Throwing or moulding of the ...

Japanese Kutani Porcelain Sleeping Cat Okimono, “Nemuri-Neko” Style, Taishō–Early Shōwa Period A refined Japanese Kutani porcelain okimono depicting a peacefully sleeping cat, datin...

A pair of beautiful mid-century stoneware table lamps with amazing glaze. Handmade by Rolf Palm, in the artist's studio, Mölle, Sweden, 1960s. Great original condition. No chips, cr...

A large stunning blue stoneware vase by Berndt Friberg at Gustavsberg designed in 1966, the vase has a lovely blue har-fur glaze. The vase is 24 cm (9.6") tall and about 21 cm (´8.4"...

A striking Art Deco ceramic bowl designed by Wilhelm Kåge for Gustavsberg, Sweden, circa 1930s. This exceptional example from the celebrated Argenta series features a rich, mottled e...

This versatile ceramic stool serves equally well as extra seating, a sculptural accent, or a functional side table. Its drum-like silhouette evokes timeless ceramic traditions while ...

This Dutch Gouda vase by Zuid, produced in Holland in 1922, features the Corona pattern with richly hand-painted floral decoration inspired by the flowing organic forms of the Art No...

Huge old Zanesville Homespun Stone Age Modern planter, circa mid 20th century. 12" high, 16" diameter. 30 pounds. Excellent condition.

A group of six pieces of stoneware vases & one bowl with stunning white glazes designed by Gunnar Nylund and Carl-Harry Stålhane at Rörstrand in the 1950s. The vases are between ...

Extremely Rare floor lamp from Ingrid Atterberg for Upsala Ekeby . Glazed stoneware from the 'Papyrus' series . Base measure 14 in. high by 4 in. wide. Solid teak structure. ...

Mid-Century Modern French Ceramic mirror by Thiry, 1960s - Era Ruelland A rare mirror by Albert Thiry, featuring a glossy enamel in shades of cream, blue, and brown—colors typical o...

wonderfully sculptural ceramic wall light No.B52, designed and handcrafted by Los Angeles based ceramicist Heather Levine. High fired stoneware with matte turquoise on a dark brown c...

Chains echo different emotions in us, some see them as a symbol of imprisonment, and vulnerability and some see as an emotion of inter connectivity and strong bond between the people. The truth is ,chains as we see them in the moment will either resonate the first or the latter symbolism depending on the emotions we feel at the moment. This eye-catching wall hanging adds a nomadic and mystical feel to any room. Created through a hand-intensive process of linking hand built stoneware rings of different sizes, this wall hanging is a dynamic decoration for an eclectic bedroom...

Every mushroom lamp is hand-made and hand-painted by Ethan Streicher, the founder and designer behind the Streicher Goods brand in Brooklyn, NY. The lamp's silhouette is simple and c...

Wonderful petite ceramic pendant light No.1202, designed and handcrafted by Los Angeles based ceramicist Heather Levine. High fired stoneware with matte Turquoise glaze on cork color...

This handcrafted side table combines a sculptural ceramic base with a solid oak top, balancing artisanal craftsmanship with modern design. Designed for use as a side table or compact...

Ceramic midcentury hand-turned vase with horisontal lines. Griege glaze with a minty tint over the terracotta colored clay. Artist unknown. Great vintage condition consistent with a...

Stoneware table light decorated in earthy speckled dark brown glazes upon a creme white background. It has no signature or markings but it was probably made in Denmark or Sweden duri...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

This versatile ceramic stool serves equally well as extra seating, a sculptural accent, or a functional side table. Its drum-like silhouette evokes timeless ceramic traditions while ...

Handmade stoneware Bench manufactured at the workshop of Apparatu in Barcelona. Different clay bodys are mixed with natural fibers like corn, straw, or heather straw. The pieces are ...

Swedish midcentury modernist stoneware table lamp by lighting designer Nils H. Ledung from Jönköping in Sweden. Hand-carved graphic decor on matte light golden brown glaze. Label on ...

Scandinavian modern handmade ceramic wall sconce by designer Marianne Starck (1931-2007) for Michael Andersen & Son. Manufactured on the island of Bornholm in the 1960s as part of th...

Vintage Low Table with Italian-Style Mosaic Top (circa 1950s). Discovered in the South of France, this is a delightfully engaging side or end table with a mosaic top reminiscent of t...

A beautifully crafted statue of an ancient Egyptian pharaoh, I believe it is Ramses the 2nd however I am not completely sure. The statue appears to be made of copper or white metal. ...

Five antique brass patina arms curve up from a ceramic cluster dish to five tall stoneware ceramic shades in a glossy glaze with a subtle off-white hue. ...

A fantastic rare early footed stoneware Japanese style California studio pottery Chawan tea bowl (circa early 1950s) by Master Greek-American potter/artist Peter Voulkos featuring ha...

Mid-Century Set of 3 French Ceramic plates by Naumovitch Era Vallauris Capron Exceptional set of three plates decorated with women's faces. Emblematic creations of Ljuba Naumovitch in the Atelier Grand Chêne...

A rare and large Art-Deco, Art Nouveau, Modernist, vase, in beige stoneware with superb black, red, pink and dark green floral decoration, signed by stamp on the bottom, Betzy Augero...

A beautiful, small, English Wedgwood Jasperware urn vase in the neoclassical design style, circa 20th century, England. Piece is a matte stonew...

This is a mid size repaired Hydra jug or Pitcher made by the Davenport Company of Longport, Staffordshire, England in the late Georgian period, circa 1805-1820, made of Ironstone pot...

Three antique brass patina arms curve up from a ceramic cluster dish to three tall stoneware ceramic shades in a glossy glaze with a subtle off-white hue...

A complete table set steeped in history, this Spode Chinese Rose dinner service is a rare and valuable find for collectors and hosts alike. Produced by Copeland Spode, one of England...

Every mushroom lamp is hand-made and hand-painted by Ethan Streicher, the founder and designer behind the Streicher Goods brand in Brooklyn, NY. The lamp's silhouette is simple and c...

This is a very good hand painted Mason's ironstone large Platter or Meat Plate, in the Table and Flowerpot gilded pattern, from their earliest George IIIrd period, circa 1818. The p...

This is a Chinese handcrafted Red Clay Yixing teapot and cover, which we date to the 20th century, circa 1950. The Teapot and lid are handcrafted in an ...

Flat vase in Baby blue. Designed by Project 213A in 2021. Handmade Stoneware. Creation demands destruction, taking the old and the typical to conceive the new and particular. The F...

A classic decorative bust statue. Some wear with a nice patina, but this is old-age. Made of metal on a Marble base. Very decorative and nice to display in your library or any room.

Stoneware pot center piece depicting different scenes of a hunt party. Made in Marzy & REmy manufacture in West Germany. You can see deer and does on one part and a hunting scene wit...

A sculptural ceramic flush mount designed to bring warmth, texture, and quiet architectural presence to the ceiling. The Large Dome Wabi-Sabi Flush Mount by Naaya Studio is handcraf...

Exceptional large mid-century modern stoneware vase by Bay Keramik, Germany, circa 1960s. This striking ceramic vessel features a bold sculptural handle and a magnificent continuous ...

Antique emerald green art nouveau vase by Upsala Ekeby. Soft shaped shiny green and black organically glazed ceramic vase with two handles. Stamped and numbered under base. Beautif...