Stoneware Furniture

A rare antique French faience blue and white hand painted floral ironstone footed jardiniere or cachepot with lion head handles, circa 1880. Made by famous French pottery maker Creil...

Danish ceramic wall mirror decorated by hand and designed by Marianne Starck for Michael Andersen & Son in the 1960s. Solid, thick ceramic frame with navy blue and light grey per...

This French ceramic pitcher was produced by Accolay in Burgundy, France, during the 1960s and belongs to the Gauloise series. The piece measures 10.4 inches (26.5 cm) high and 5.3 i...

Elegant Swedish Art Deco serving bowl designed by Arthur Percy (1886–1976) for Gefle Porslinsfabrik, from the Gyllen series. The organically scalloped, undulating form gives the bowl...

This is a very old Japanese jar of Sue ware (Sueki), fired using a technique believed to have originally come from the Silla kingdom of the Korean peninsula. Similar vessel forms can...

This is a pair of pottery Komainu (guardian lion-dogs) believed to have been made during the Edo period, in the area around present-day Aichi Prefecture, Japan. Komainu are mythical...

Beautifully glazed handmade stoneware candle sconce manufactured by Danish Knabstrup in the 1950s. Raw rectangular ceramic piece with a shiny crackle glaze front in pastel mint, turq...

A lively display of hand-painted turquoise, cobalt blue, pink, iron red, and green animates this set of five antique English ironstone plates. Each plate features a Chinoiserie garde...

The rounded form of the Taiko gives the Oxidized Jade glaze room to unfold across the surface. Layers of green and mineral tones shift subtly from piece to piece, creating depth that...

Hashira's architectural form is paired with an Oxidized Jade glaze inspired by naturally aged metals. The fluted surface catches light from every angle, revealing depth and movement ...

Shino Vessel by Jason Fox. A Southern Californian for over half his life, Contemporary Ceramic Artist Jason Fox draws upon his classical education in Architecture and Art History as...

Inspired by traditional drum forms, the Taiko features a rounded silhouette softened by a richly textured Oxide Bloom glaze. Layers of rust, charcoal, and mineral tones create a surf...

A striking Swedish Argenta vase designed by Wilhelm Kåge for Gustavsberg, dating to the 1940s. This sculptural stoneware vessel is distinguished by its rich turquoise-green glazed su...

A beautiful cobalt blue and white Jasperware pitcher, with Greek-Key boarders, in the Neoclassical design style, by Wedgwood, circa early-20th century, 1930s - 1940s, England. Pitch...

Untitled VI (2026) by Begüm Alkan is a unique ceramic artwork in glazed stoneware. This one-of-a-kind ceramic object measures W 45 x D 45 x H 32 cm. Begüm Alkan reinterprets traditi...

Here is a beautiful stoneware planter by David Cressey for the Architectural Pottery Pro/Artisan line. The circular, bowl-shaped vessel features Cressey's signature "flame-glaze" de...

Art Deco Period Gres Stoneware Vase by Belgian ceramist Roger Guérin from the 1930s. The creation is of a bulbous form terminating in a short neck finishing with a flaring rim. Beau...

Large Stoneware Vase by Richard Le Corrone, Ciboure, France, Early 1950s. Important French stoneware vase created in the early 1950s by Richard Le Corrone for the renowned Ciboure p...

Black art nouveau ceramic vase manufactured by Bo Fajans in the 1940-50s and attributed to designer Berit Ternell. Soft shaped bowl with a mother of pearl like black shine and sculpt...

A complete table set steeped in history, this Spode Chinese Rose dinner service is a rare and valuable find for collectors and hosts alike. Produced by Copeland Spode, one of England...

This red Mason’s Vista dinner service is a striking example of 19th-century English transferware at its most romantic and collectible. What makes it truly unique is the completeness ...

This versatile ceramic stool serves equally well as extra seating, a sculptural accent, or a functional side table. Its drum-like silhouette evokes timeless ceramic traditions while ...

A beautiful and sculptural ceramic table lamp by Danish ceramicist Arne Bang. Made at hes own studio in Fensmark, Denmark, circa 1940s. Model nr 172. The substantial stoneware base...

A beautifully understated stoneware vase by Danish ceramicist Myre Vasegaard (1911–2001), made in her own studio in the 1960s. The organically rounded form is characteristically rest...

Japanese Kutani Porcelain Sleeping Cat Okimono, “Nemuri-Neko” Style, Taishō–Early Shōwa Period A refined Japanese Kutani porcelain okimono depicting a peacefully sleeping cat, datin...

From the same Danish/Japanese company that made a lot of IHQ 's - Jens Harald Quistgaard designs during the 1970s and 80s comes this stylish vase, pencil or toothbrush holder in glaz...

This versatile ceramic stool serves equally well as extra seating, a sculptural accent, or a functional side table. Its drum-like silhouette evokes timeless ceramic traditions while ...

Handmade Ceramic Side Table by DEBARRO in Portugal Dimensions: H 45 x Ø 35 cm Materials: Glazed Stoneware Also available in different colors, textures and sizes. Custom options ava...

A beautiful stoneware table lamp with amazing glaze. Handmade by Katarina Gustafsson in Sireköpinge, Sweden, 1990s. Great original condition. No chips, cracks or crazing. Signed by ...

A beautiful, stoneware art deco globe vase, with amazing green hares fur glaze. Designed by Nils Emil Lundström for Rörstrand, Sweden, 1920s. Great original condition. Some slight s...

Extremely Rare floor lamp from Ingrid Atterberg for Upsala Ekeby . Glazed stoneware from the 'Papyrus' series . Base measure 14 in. high by 4 in. wide. Solid teak structure. ...

This is a pottery water basin (mizu-tarai) believed to have been fired in Kyushu, Japan, during the Edo period. The wooden storage box bears the ink inscription "Takatori ware water ...

Every mushroom lamp is hand-made and hand-painted by Ethan Streicher, the founder and designer behind the Streicher Goods brand in Brooklyn, NY. The lamp's silhouette is simple and c...

This distinctive French Mid-Century ceramic vase was created in Vallauris, France, during the 1950s, one of the most important periods in the history of modern French pottery. Crafte...

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

This versatile ceramic stool serves equally well as extra seating, a sculptural accent, or a functional side table. Its drum-like silhouette evokes timeless ceramic traditions while ...

Every mushroom lamp is hand-made and hand-painted by Ethan Streicher, the founder and designer behind the Streicher Goods brand in Brooklyn, NY. The lamp's silhouette is simple and c...

Ceramic coffee table designed by Tue Poulsen, Denmark 1960s. Created in collaboration with Danish furniture designer Erik Wørts for Willy Beck, Tue Poulsen pairs a wenge frame with ...

Ceramic midcentury hand-turned vase with horisontal lines. Griege glaze with a minty tint over the terracotta colored clay. Artist unknown. Great vintage condition consistent with a...

An English Wedgwood Jasperware oval tray in sage green and white, Neoclassical design style, circa early to mid-20th century, England. This English Wedgwood oval dish/tray, with Neoc...

Chains echo different emotions in us, some see them as a symbol of imprisonment, and vulnerability and some see as an emotion of inter connectivity and strong bond between the people. The truth is ,chains as we see them in the moment will either resonate the first or the latter symbolism depending on the emotions we feel at the moment. This eye-catching wall hanging adds a nomadic and mystical feel to any room. Created through a hand-intensive process of linking hand built stoneware rings of different sizes, this wall hanging is a dynamic decoration for an eclectic bedroom...

A pair of beautiful mid-century stoneware table lamps with amazing glaze. Handmade by Rolf Palm, in the artist's studio, Mölle, Sweden, 1960s. Great original condition. No chips, cr...

A pair of blue-glazed stoneware and white fabric table lamps produced by Søholm Stentøj, Bornholm, Denmark, 1960s. Wear consistent with age and use. Dimensions of Lamp with Shade (...

This special object is a punch bowl made of stoneware in the 1930s by the well-known German manufacturer Marzi & Remy. This stoneware object boasts an exceptionally rich design, typ...

A rare and unusual tall blue glazed art pottery vase by Robert Wallace Martin for the Martin Brothers and dating from around dated 1880. The stoneware vase is of tall square form rai...

Five antique brass patina arms curve up from a ceramic cluster dish to five tall stoneware ceramic shades in a glossy glaze with a subtle off-white hue. ...

This Dutch Gouda vase by Zuid, produced in Holland in 1922, features the Corona pattern with richly hand-painted floral decoration inspired by the flowing organic forms of the Art No...

This richly detailed blue and white platter by Ashworth Brothers features the striking Yedo pattern—an evocative design inspired by Japanese prints and chinoiserie landscapes. What s...

Three antique brass patina arms curve up from a ceramic cluster dish to three tall stoneware ceramic shades in a glossy glaze with a subtle off-white hue...

A large stunning blue stoneware vase by Berndt Friberg at Gustavsberg designed in 1966, the vase has a lovely blue har-fur glaze. The vase is 24 cm (9.6") tall and about 21 cm (´8.4"...

This Scandinavian modern "Tarina" Decanter by Eira Käär and Leena Vuorinen for Arabia Finland 1950s is adorned with a unique design. "Tarina" translates to "story" or "fable" in Finnish, likely alluding to the design of the decanter. In the form of a figure adorned in a jacket, with the stopper ingeniously serving as its hat, this decanter is stimulating to the imagination. Crafted from white stoneware and finished with a lustrous brown glaze, and delicate white accents, this petite decanter boasts a delightful and straightforward design, accented with intricate sgraffito detailing. The "Tarina" decanter was designed by Eira Käär and Leena Vuorinen, and was produced during the period spanning 1954 to 1963. Stamped with the Arabia crown marking and "ARABIA" and "MADE IN FINLAND" on its base, this decanter embodies the unparalleled craftsmanship and heritage synonymous with Arabia Finland pottery.

Knud Basse, Bornholm, Denmark. Stoneware Bird Figure, 1960s. Rare stoneware bird figure with the characteristic organic form and deep, nuanced glaze typical of Basse’s work. The soft...

Vintage Low Table with Italian-Style Mosaic Top (circa 1950s). Discovered in the South of France, this is a delightfully engaging side or end table with a mosaic top reminiscent of t...

Stoneware table light decorated in earthy speckled dark brown glazes upon a creme white background. It has no signature or markings but it was probably made in Denmark or Sweden duri...

A classic decorative bust statue. Some wear with a nice patina, but this is old-age. Made of metal on a Marble base. Very decorative and nice to display in your library or any room.

A fantastic rare early footed stoneware Japanese style California studio pottery Chawan tea bowl (circa early 1950s) by Master Greek-American potter/artist Peter Voulkos featuring ha...

Five antique brass patina arms curve up from a ceramic cluster dish to three tall stoneware ceramic shades in Robin's Egg, a matte glaze with a tinge of blue. With a fixed black walnut orb and tan harness leather accents, this graceful chandelier has the capability of being installed on a flat or sloped ceiling. With a 42.5” diameter, the five-arm Lola Chandelier...

Swedish midcentury modernist stoneware table lamp by lighting designer Nils H. Ledung from Jönköping in Sweden. Hand-carved graphic decor on matte light golden brown glaze. Label on ...

Maria Vessel in Brick Designed by Project 213A in 2020 Handmade Stoneware This vase is inspired by the Greco-Roman period, having a timeless appearance and finished with a contempor...

Antique emerald green art nouveau vase by Upsala Ekeby. Soft shaped shiny green and black organically glazed ceramic vase with two handles. Stamped and numbered under base. Beautif...