Stoneware Bowls and Baskets

Lovely “Veckla” bowl by Stig Lindberg, white carrara stoneware. Folded form. Good vintage condition, wear and patina consistent with age and use. Blemishes.

A unique bowl designed by Carl Harry Stålhane for Rörstrand. Bowl features a dramatic dark almost black glaze with speckles. The inside has hues of dark brown transitioning to light ...

This set of 6 miniature bowls was designed by Gunnar Borg for the Swedish manufacture Höganäs Keramik during the 1960s. Handmade by the Master, with the utmost care and attention to ...

A beautiful stoneware bowl with an amazing glaze. Made by Arthur Andersson for Wallakra, Sweden, 1950s Great condition. Impressed with makers mark 'Wallåkra'. Arthur Andersson was...

Unique stoneware bowl with amazing celadon crackle glaze. Made by Carl-Harry Stålhane at Rörstrand Ateljé, Sweden, 1960s. Good condition. Factory second due to dark spots in the bot...

20th century Stoneware Matte dish with ornamentals relief motifs.

394 hand crafted blossoming stoneware bowl by Helen Prior A delicate hand-crafted bowl, organic in shape with a torn clay rim in natural speckled stoneware clay. Part of the Cros...

Carl Halier (1873-1948) for Royal Copenhagen, bowl in stoneware with sung glaze. Model number 21822. Marked. First factory quality. Dimensions: D 15.5 x H 3.5 cm.

French ceramist. Large lidded bowl in glazed stoneware. Beautiful glaze in azure shades. Unique, high-quality ceramics. Mid-20th century. Measures: 26 x 17 cm. In excellent condit...

Height 2 cm Width 4 cm Depth 4 cm Height 2 cm Width 2.5 cm Depth 2.5 cm Height 2 cm Width 2.5 cm Depth 2.5 cm This set of 3 miniature bowls was designed by John Andersson for ...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Ingrid Atterberg for Upsala Ekeby, Sweden. Oblon...

Glazed stoneware ashtray/catch all by Carl-Harry Stålhane. Sweden circa 1950's. Signed.

Three stunning 'Surrea' stoneware bowls with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Excellent condition. Stamped 'Gustavsberg'. This is a ...

A rustic stoneware bowl on a pedestal. Rich oxblood glaze with hand-drawn lines complementing its simple organic form. The base as little cutouts that lighten the overall structure. ...

Carl Halier (1873-1948) for Royal Copenhagen, bowl in stoneware with sung glaze. Model number 21822. Marked. First factory quality. Dimensions: D 15.5 x H 3.5 cm.

Exceptional and beautiful large platter designed by Birger Kaipiainen for Rörstrand in limited edition, number 294/500. Decor with apples, plums and bunches of grapes. Birger Kaipiainen has been called "the master of ceramics" and "the undisputed ruler of decorative art". Highlights of iridescent glaze. The platter is in mint condition. No sign of use. Birger Kaipiainen began his career at the Arabia Art Department in 1937 and quickly found his own way to make art. The soon-to-begin Winter War and several losses in his personal life cast a dark shadow over the beginning of his artistic career, and this manifested as sadness and longing in his early works. They are dominated by ethereal, fairy-tale-like characters depicted in pastel tones, with references to early Italian Renaissance and longing for a more beautiful world. Kaipiainen graduated from the School of Arts & Crafts (later known as the Aalto School of Arts of Helsinki). After graduation he went to work for Finnish ceramics...

Mari Simmulson for Upsala-Ekeby. Dish in glazed stoneware with a portrait of a woman. 1960's. In very good condition. Measures: 27,0 x 18,0 x 4.5 cm. Stamped.

Mari Simmulson (1911-2000) for Upsala-Ekeby. Large bowl in hand-painted glazed stoneware. Mid-20th century. Measures: 29 x 16 cm. In excellent condition. Stamped.

European studio ceramicist. Large unique bowl in glazed stoneware with checkered pattern. Dated 1988. Measures: 37.5 x 8 cm. In excellent condition. Signed.

Keramos Sèvres, France. Large bowl in glazed stoneware. Beautiful turquoise glaze. Clean design, mid 20th century. Measures: 30.5 x 26 x 8.5 cm. In excellent condition. Signed.

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Guido Gambone Vessel Glazed Stoneware Italy, 1955c Tribal diamonds and squares in brown with green outlines Glazed signature with donkey mark to underside: [Gambone Italy] Dimensions...

Lovely “Veckla” bowl by Stig Lindberg, white carrara stoneware. Folded form. Good vintage condition, wear and patina consistent with age and use. Blemishes as seen on the pictures.

Gutte Eriksen (1918-2008), own workshop. Ear bowl with handles in glazed stoneware. Danish design, mid 20th century. Measures: 16.7 x 6 cm. In excellent condition. Signed.

Axel Salto for Royal Copenhagen. Stoneware bowl, modelled in organic form, decorated with glaze in aubergine-coloured tones. Signed Salto. Stamped and dated 1958 In perfect conditio...

Handcrafted Textured Ceramic Bowl — Earth Meets Fire, Beauty Meets Purpose Dimensions: Approx. 18 cm diameter x 8 cm height Origin: Lithuania Materials: Stoneware ceramic, renewable...

A beautiful lidded stoneware bowl. Made by Birger Åström (1931-2020) in his studio in Örnsköldsvik, Sweden, 1960s. Excellent condition. Signed 'BÅM'. T...

A beautiful lidded stoneware bowl with amazing glaze. Made by Birger Åström (1931-2020) in his studio in Örnsköldsvik, Sweden, 1960s. Excellent conditio...

1. Height 1 cm Width 3 cm Depth 3 cm 2. Height 1 cm Width 3 cm Depth 3 cm 3. Height 1 cm Width 2 cm Depth 2 cm 4. Height 1 cm Width 2 cm Depth 2 cm This set of 4 miniature b...

Maxime Fillon (1920-2003), France. Giant freeform bowl in glazed stoneware. Mid-20th century. Measures: 50 x 26 cm. In excellent condition. Signed.

A studio piece unique in fire burnt stoneware. Its features a minty 'soap' glaze and a strict square shape. Designed by Sten Børsting at made at his Studio in Ribe, Denmark.  

Wilhelm Kåge (1889-1960) for Gustavsberg. Large bowl of stoneware, decorated with brown and blueish glaze. Stamped. Gustavsberg Kåge Verkstad. In perfect condition. Measures 20.5...

Jørgen Mogensen for Royal Copenhagen, stoneware dish with motif of beetles. Model 21871. In perfect condition. Marked. First factory quality. Dimensions: L 21.5 x D 15.5 x H 3.5...

Hertha Bengtson (1917-1993) for Rörstrand. Large unique bowl in glazed stoneware. Mid-20th century. Measures: 30 x 9 cm. In excellent condition. Signed.

Modernist design, stepped undulating edge. Bright blue glaze. Shown in natural light and under studio cool lights.

French ceramicist. Large bowl in modernist style. Organic form in glazed stoneware. Beautiful glaze in azure shades. Unique ceramics of high quali...

Jørgen Mogensen for Royal Copenhagen, stoneware dish with motif of beetles. Model 21871. In perfect condition. Marked. First factory quality. Dimensions: L 21.5 x D 15.5 x H 3.5...

Longwy, France. Art Deco bowl in glazed stoneware on a tripod. Crackle design. 1940s. Measures: 31 x 8.5 cm. In excellent condition. Unstamped.

French ceramist. Two round serving dishes in glazed stoneware. Beautiful glaze in azure shades. Unique, high-quality ceramics. Mid-20th century. Measure: diameter: 31 cm. In ex...

Jørgen Mogensen for Royal Copenhagen. Square bowl in glazed stoneware. Beautiful sung glaze. Dated 1969-74. Measures: 15.5 x 15...

Jørgen Mogensen for Royal Copenhagen, stoneware bowl with bird motifs. Sung glaze. Marked. First factory quality. Dimensions: D 25.0 x H 5.5 cm.

Vintage Danish ceramic centerpiece by Søholm, 1960s Large stoneware bowl with signature blue glaze by Danish ceramic workshop Søholm located o...

Stig Lindberg (1916-1982) for Gustavsberg. Carnival dish / bowl in hand-painted stoneware. Swedish design, mid-20th century. Measures: 20 x 20 x 3.5 cm. In excellent condition. ...

Irma Yourstone (1911-1988), Sweden. Bowl on foot in glazed stoneware. Beautiful glaze in deep blue shades. 1960s. Measures: 22 x 18 cm. In excellent...

Catherine McClung for Lenox. "Winter greetings everyday". Large serving dish in glazed stoneware decorated with mistletoe and birds. Approx. 2000. M...

Aase Haugaard, Danish ceramicist. Large dish / wall decoration in glazed stoneware with wavy stripes. 1970s. Diameter: 39 cm. In excellent condition. Stamped.

Lucien Brisdoux (1878-1963), France. Bowl on foot in glazed stoneware. Beautiful glaze in gold and blue shades. 1930s / 40s. Measures: 14 x 9.5 cm. ...

European studio ceramicist. Large unique bowl / dish in glazed stoneware with patterned decoration. 1980s. Measures: 30 x 5.7 cm. In excellent condition. Signed.

Eli Keller (b. 1942), Sweden. Unique bowl in glazed stoneware. Japanese style. 21st Century. Measures: 18.5 x 8.5 cm. In excellent condition. Signed.

Decorative plate by Mette Doller for Andersson & Johansson Höganäs 1950s. Signed with maker's mark.

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Erik Stæhr-Nielsen for Royal Copenhagen. Unique ...

Gutte Eriksen (1918-2008), own workshop. Ear bowl with handles in glazed stoneware. Danish design, mid 20th century. Measures: 16.5 x 5.2 cm. In excellent condition. Signed.

Jørgen Mogensen for Royal Copenhagen, two stoneware dishes with abstract motifs. Model number 21872. First factory quality. Marked. In perfect condition. Dimensions: D 16.0 x H ...

A small studio pottery dish by significant 20th Century ceramicist Otto Heino. This example features the finger ribbing with a blue and red glaze, blending to a purplish haze in some...

Svend Hammershøi for Kähler, Denmark. Large bowl / dish in glazed stoneware. Beautiful yellow uranium glaze. 1930s / 40s. Measures: 32.5 x 4 cm. S...

Handmade antique, rustic French stoneware decorative lidded bowl with two large semicircle handles. Thick umber glaze. Beautiful vintage condition consistent with age. France, early ...

Zsolnay bowl in glazed stoneware modeled with crayfish. Beautiful eozin glaze. Mid-20th century. Measures: 17 x 5 cm. In excellent condition. Stamped.

Catherine McClung for Lenox. "Winter greetings everyday". Two large bowls in glazed stoneware decorated with mistletoe, birds and red ribbon. Approx. 200...

Gunnar Nylund "ARO" medium stoneware bowl by Rorstrand, Sweden, 1960s Measures: Height 3 1/4" (8cm) Width 6 1/4" (16cm) Depth 4 3/4" (12cm) Incised "R (Three Crowns) Sweden GN ARO".

Jules Guérin 'Sang de Boeuf' Unique Studio Pottery Dish. Belgium, 1960s. This is a wonderful unique studio pottery dish by the famous Belgian pottery workshop Guérin, at that time...