Bone Decorative Boxes

Contemporary faux bone woven design rectangular box

Round patterned bone tessellated box with lift-off cover.

Contemporary faux bone woven design rectangular lidded box

Dimensions: 12.25W x 8.25D x 7.75H, In great condition.  

3 nice Victorian trinket or snuff boxes. One is oval and made of horn with Silver inlay. The next is a long oval out of some exotic horn and has a hinge on top, and a portion lifts o...

One absolutely gorgeous decorative box by Enrique Garcel 1980s. In two tone tessellated horn and brass bands surrounding it. The brass hinges make this box extremely sturdy with good...

This wonderful example of a 19th century tortoise shell sewing box on stand opens to original fabric lined interior of compartments with a central ...

Tortoise shell decorative box with bun feet. We have other tortoise boxes similar in form that would be a lovely collection. Feel free to call or email with questions. Priced per b...

Circa 1750. Tortoiseshell and mother of pearl box with sliding top from Mexico 18th century. Beautiful designs all over. As is condition.

A high quality and most elegant French 19th century Louis XV st. Ormolu and Tortoiseshell box. This truly stunning rectangular box is raised on four scrolling Ormolu acanthus leaf le...

A Very Impressive example of an Anglo-Indian Raj Period (1857-1947) mellow faded Elk Stag Antler Horn Casket Box of outstanding quality and generous proportions. Made in Vizagapatam,...

An anglo Indian workbox made of ebony. The tray lifts up from the box on the lid which is also inlaid in ivory and ebony and has a bone round disc that is signed New Bedford 1810. Th...

Contemporary Indian black and white stripe bone box. Hinged lid. White with inlaid black strips. Part of a large collection of bone boxes and trays

Enchanting antique large Turkish box crafted with bone, cut and decorated in floral compositions, hammered metalwork and highlighted with semi precious stones. The interior has multi...

Spanish Colonial inlaid bone and faux tortoiseshell domed top box. Original hammered iron hinges. Circa 1680-1740. Excellent condition and very rare.

This striking vintage octagonal box features an exquisite tessellated bone inlay design, exuding a chic bohemian aesthetic with a touch of global influence. The alternating black and...

Veneered in Amboyna Wood From our Sewing Box collection, we are pleased to offer this Amboyna Sewing Box. The Sewing Box of rectangular shape veneered in Amboyna with a circular mo...

English Art Deco green shagreen and bone trimmed box with a wood lining in the interior

Small Selene Box by Arcahorn Dimensions: D 15 x W 22 x H 4 cm Materials: Leather, wood, horn, brass. Rectangular box in horn and wood with lacquered ivory gloss finish. Lid in wood ...

Early 18th century inlaid Italian walnut and tortoiseshell vargueno. 6 drawers with fine inlay, iron hardware.

A spectacular and extremely high quality French 19th century Louis XIV st. Boulle Boîte à Bijoux, signed "Tahan - Fournisseur du Roi" (Royal cabinetmake...

A circa 1930's English engraved bone box with landscapes. Measurements: Height: 6" Width: 12.5" Depth: 8.5"

A strikingly beautiful French dore bronze box is all engraved with an ivory picture of an aristocrat, LeBron. The box is heavily chased with a velvet i...

A Victorian silver plate and tortoiseshell basket. And tortoiseshell glove box. The box measures 1.5 inches H x 10.5 inches W x 2 inches D.

Great condition for its age. No major losses or damage. Has original sewing pieces inside.

An 1894 antique Edward Souter Barnsley & Co. sterling silver and tortoiseshell powder box decorated with a silver laurel leaf and bow inset to...

Discover the allure of these Vintage Boho Tessellated Horn Trinket Boxes, a captivating pair that brings natural elegance and artisanal charm to your decor. Expertly crafted from tes...

A dutch tortoiseshell box with two engraved silver plaques Amsterdam, 1691, with maker's mark of Steven des Rousseaux (1654-1733) H. 5 cm Diam. 12.5 cm Note: Steven des ...

This elegant decorative box showcases a striking geometric mosaic design crafted from natural horn, creating a sophisticated Art Deco meets Modernist aesthetic. The box features a se...

PRESENTING A VERY NICE 19C Anglo Indian Highly Carved Teak and Sandalwood Sarcophagus Sewing Box. Made in Bombay, India circa 1890-1900. The box case/body is made of sandalwood wit...

Nice condition for its age. Does not have key. Has original sewing box utensils inside - spools, etc.

Along with Alfred Klitgaard Knud Albert is regarded as one of the most prolific wood artist of the 1960s. Although KA is mostly known for his strange moder...

A wonderful and most charming Anglo-Indian 19th century black patinated, Bone and Oak box. This lovely rectangular box is supported on four squared feet in each corner. The front sid...

This box is from France. It has been made in 1940, it is an art Deco Item. The box is in wood. It is a cigar box but It can be used as a docorative box...

This exquisite Maitland Smith box showcases a striking bone inlaid design on rich satinwood, with meticulously carved out square patterns that create a visually dynamic effect. Craft...

Small Rectangular Leather Jewelry Box on small brass balls with diamond pattern.

A large Edwardian shaped rectangular silver and tortoiseshell piqué box, the hinged lid with a dainty basket suspended from a bow with long ribbons entwined with flowering tendrils, ...

This is a finely hand-painted West Asian miniature artwork on a ceramic/porcelain box, probably made of leg plates, framed, and painted. The work features an extremely fine painting ...

A Maitland Smith mid century box made of bone with a pearwood interior. American, circa 1970s.

Fabulous Indian box made of bone and pierced brass with a wood bottom.A very nice design. Turn of the century, India.

American Contemporary (1970s) faux bone tesselated decorative rectangular box with a horizontal pattern of silver rods going across top and resting on 4 ball feet

Art Deco shagreen covered rectangular wooden box in pale grey, veneered on all exterior surfaces including the bottom.

Discover the timeless elegance of this large, handcrafted Middle Eastern Lebanese jewelry box, a stunning testament to traditional artistry. Meticul...

19th century English dresser box made from exquisitely grained rosewood. The box has wonderfully inlaid patterns on the top and front in...

A beautiful example of Maitland Smith’s craftsmanship, this vintage box dates to the early 1970s. Made from bone in a soft beige tone, its generous size makes it perfect for display ...

Standout exotic Anglo Indian lidded box handcrafted in mahogany and clad in tortoise shell with applied lacy bone designs inscribed and painted with flowers. The interior has a mirro...

A round wooden box from India. Might be some type of exotic rosewood. Circa 1920s, maybe a little earlier. Box with six ivory dots on lid, ivory feet and finial.

PRESENTING A LOVELY 19C Anglo Indian Highly Carved Sadeli Mosaic Inlaid Sewing Box. Made in Bombay, India, circa 1880. The box is made of sandalwood with highly carved raised teak wood panels on all sides, depicting temple scenes, animals and foliage. The box is in a sarcophagus form. It is edged in bone (and we can tell it is bone and not ivory, from the color and evidence of capillaries, which are not found in ivory), and banded with Bombay Sadeli mosaic and ebony veneer. The lid opens to reveal a removable tray with various open compartments and lidded compartments. 5 lidded compartments, 1 unlidded compartment and 8 holders for thimbles, etc The tray lifts to reveal a blue velvet (original) lined section, for storing jewelry etc, with sections for collars etc. The inside of the lid has a removable mirror (the mirror is missing on this one but can easily be replaced). Behind the mirror is the original green velvet lining. It has its original brass carry handles on the sides and sits on 4 silvered button feet (of recent origin). Some repairs to the exterior and condition issues (priced accordingly), but still a LOVELY COLLECTIBLE box! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and Horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, Horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

19th Century Anglo Indian fall front box with six drawers with metal pulls. The exterior and interior inlaid throughout with bone and various woods. Intricate geometric designs cover...

Vizagapatam box, India, 19th century. This highly decorative and unusual Anglo-Indian table box features rustic workmanship that adds to the character and charm of this unique Sout...

A small oval tortoiseshell piqué patch pot, the hinged lid with a beribboned garland of flowers round a blank escutcheon, raised on four ogee feet....

Presenting an absolutely gorgeous and very rare 19C Anglo Indian Vizigapatam stamp box. Made in Colonial India (the Time of the Raj) circa 1860. Prob...

Handsome authentic horn box with brass inlay and ball feet with coloration like tortoise shell.

Capricia Box IV by Arcahorn Dimensions: D 20 x W 28 x H 14 cm Materials: Leather, wood, horn. Box in Aida pebbled leather, Ice-cream color with handmade dark brown stitching. Lid in...

PRESENTING A GORGEOUS 19C Anglo Indian Highly Carved Sadeli Mosaic Sarcophagus Sewing Box. Made in Bombay, India circa 1860-80. Box made of sandalwood with highly carved teak wood reliefs and panels on all sides. Edged with bone and ebony veneers and glorious sadeli mosaic, made from tiny pieces of faux ivory, pewter, green semi-precious stone. The box is in a sarcophagus form with domed lid. The original brass carry handles are on the sides. The interior is in great condition and consists of a removeable mirror under the lid portion, with the original red velvet lining behind it. The base is removeable and contains a number of lidded compartments. 6 of the interior lids on the base, are each inlaid with sadeli mosaic banding. The rest are also carved and chased. The interior is fully complete with 7 lidded faux ivory/bone, thread canisters with sadeli domes and the original bone thimble. The box sits on 4 brass ball or bun feet with the original velvet lining on the base. Some minor repairs and losses, but this box is fully complete. This is ‘rare’ as many of these boxes have not survived in such condition! Included in the sale are 2 photos that were in the box (under the base tray). Interestingly, one of them is a view of downtown Nassau, New Providence (Bermuda) from the early 20C and stamped on the rear. What a ‘journey’ this piece has made! Made in India … travelled to Bermuda, probably via Britain … back to Ireland (where we bought it) …. then to Texas! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th Century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! Of it’s type, this one, is one of the very higher quality one’s, than the norm! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Natural horn tiled wood box featuring a convex oval center. Tiles are steam and heat pressed and assembled by hand.

A narrow wooden box with a sliding lid and a pair of carved bone chopstick handles with contrasting dark inlay at the ends. The bone handles were likely originally affixed to chopsti...

19th century Georgian box in an octagonal form, featuring delicate penwork decoration on the lid with a central portrait medallion and floral motifs. The interior is fitted with a re...

Contemporary India white camel bone box. Rectangular shaped tiles with slightly raised pyramid shaped top.

Cheveron patterned keepsake, letter box made from dyed orange and natural bone. Box has a wood lining.