Asian Decorative Boxes

Antique Persian Islamic Brass Jewelry Footed Box in Mamluk Revival Damascene style. A Middle Eastern Moorish Damascene Brass Box circa 1910-1920s. A fine antique handcrafted etched hammered Syrian Damascene brass jewelry box. Octagonal shape lidded antique Moorish Persian footed trinket brass box, handcrafted and chased with calligraphy Islamic Arabic design writing. The Box decorated with etched Arabic inscription and lotus flowers with a very fine Arabesque design. Middle Eastern jewelry brass box with eight small feet, hinged lid, lined in a Moroccan red velvet. Great Moorish Mamluke Revival brass decorative Islamic metal art object. Dimensions 6.75" W × 5" D × 5.25" H. In the Mamluk Style (Mamluk Revival). Origin: Middle East. Date: Circa 1900-1920s. Hand-hammered and engraved, this beautifully incised brass box Islamic...

A Japanese lacquered drum-shaped box, with red details over black ground, the top decorated with images of actors wearing masks in a landscape. Measures...

A small bone box in shades of grey with a faint hint of blue. This box is hand assembled and hand dyed by artisans. The half round bone segments have been hand pieced to reveal a cha...

Vintage Middle Eastern Khatam Art Painting Miniature on hexagonal shape trinket box. Hand painted, lacquered wooden Moorish micro mosaic marquetry inlaid tobacco or trinket Box. Handcrafted vintage marquetry Indo Persian wood inlay micro mosaic with miniature hand painted scene. Finely handcrafted khatam Persian hand painted micro mosaic inlaid wooden box...

A large antique Japanese Meiji Era covered enamel over brass trinket or jewelry box. The ware is adorned with polychrome floral, and foliage patterns made in the Cloisonne technique....

A long rectangular ceramic box in a Southwest or Geometric motif. We've never seen a box like this before. The sides are painted in a deep blue with geometric patterns in bright gree...

This is an antique cleric's swing-out case. A Chinese, hardwood travelling box, dating to the late Victorian period, circa 1890. Charmingly provincial box, presented in original tim...

Teak and Brass nautical chest with inlaid brass corners, inlaid keyhole brass, carry handles, corners. etc., Weight: 36 lbs. Overall Dimensions: 17"H x 23"W x 16"D Made: India Mater...

PRESENTING A VERY NICE 19C Anglo Indian Highly Carved Padouk and Sandalwood Sarcophagus Sewing Box. Made in Bombay, India circa 1890-1900. The box case/body is made of sandalwo...

1950's Anglo Indian, Indo Persian style micro mosaic inlaid jewelry box with lid. Large vintage intricate inlaid middle Eastern Persian style box with floral and geometric Islamic Mo...

A small Meiji period mixed metal box by Tadakazu, of rectangular form, showing a figure carrying a long pole and a gold sack in a landscape with a torii gate...

An exceptional and rare Chinese mother of pearl mounted games box with four matching interior boxes containing gaming counters and dating from the 18th century. The rectangular shape...

Vietnamese silver box, late 19th century. Rectangular with straight sides. Cover flat and hinged. Box sides have embossed blossoming branches, bamboo...

A word, writing and sometimes a drawing... Just like words that leave a trace in our soul and resist with us against the abrasion of time, the artifacts carrying the same traces are ...

Stunning mosaic, geometric design, and gorgeous craftsmanship. This work is made of beautiful dark wood and shell and/or bone inlay. The iron handles are also a nice touch. A genuine...

A large bone box in shades of grey with a faint hint of blue. This box is hand assembled and hand dyed by artisans. The half round bone segments have been hand pieced to reveal a cha...

Japan, late Edo, two big octagonal covered shell game boxes resting on footed stands, with makie-e decorations depicting flowering vines on a black lacquer ground, They are still in ...

A charming Chinese yellow cloisonne small trinket box with dragons, Republic Period, circa 1920, China. The small box sets on four bun feet and designed ...

Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely stunning original circa 1880 Burmese hand carved sewing box with the original contents Ple...

This treasure chest shaped box is luxuriously decorated and dates from the final decades Of the Imperial period. The box was produced by the workshop of Maria Semonova and Is formed of 875 grade silver with silver-gilt utilised throughout. the box is of traditional Shape, having two hinged handles and a clasp, boxes like this were used in treasurys Around the globe in the early days to keep valuables inside, this small box can be used To hold tobacco or just sit on your table as a statement piece, a great addition to any Silver and especially Russian silver collection. The exterior surface of the box is profusely decorated with polychrome cloisonné Enamel, the cloisons set into a variety of shapes, such as scrolling arabesques, and Infilled with shaded enamel in tones of red, blue, and Semenova’s idiosyncratic violet. The cloisons are bounded by silver-gilt rope twist cloison wire. The underside of the box Is marked with ‘MC’ for Semonova’s workshop, ‘84’ for 87.5% silver with a Kokoshnik mark (Kokoshnik is a traditional Russian head...

A Chinese Antique Lidded Carrying Box from the early 20th century with lid and carved handle. Unveil a world of timeless elegance with this Chinese late Qi...

circa 1870s Chinese wedding ceremonial hat box, Zhijang Province. Woven rattan & bamboo with brass hardware. The pedestal base has lost some of the molded floral decoration. Note the...

A late Qing Dynasty Chinese wooden box from the early 20th century with brass hardware and lateral handles. Immerse yourself in the rich cultural hi...

Chinese hand-painted pillow box with copper latch and handles on the sides Width 10.5 inches / height 6 inches / depth 6 inches 1 available in stock in Italy Order reference #: FABIO...

A lovely Chinese turquoise cloisonne trinket box with images of the Hundred Antiques, Republic Period, circa 1920, China. The rectangular box de...

19th Century Indian Chest with Wooden Frame Covered in Embossed Brass with Handles

A diminutive Antique Chinese Cloisonné box with jade medallion line with wood. The enameled outside in shades of blue with gold color wir...

Exquisite Maitland Smith Tessellated Lidded Pink Marble Apple Box with Brass and Malachite Stem and beautiful wood interior. Measures 7" diameter and 8" height. Label on bottom of b...

1950's Agra Indian Mother of Pearl and Black Marble Box with The Taj Mahal Inlays.Onyx Black Marble Box with Pietra Dura Intricate Mother of Pearl Inlay of the Taj Mahal.Fine Quality Mother of Pearl Inlaid Taj Mahal Box.Black marble trinket box with an inlaid image of the Taj Mahal in mother of pearl. This unusual piece has the details drawn on the mother of pearl in black ink, giving it the appearance of a micro mosaic. The surface catches the light and shows some iridescence at different angles.The Anglo Indian style box is lined with black velvet.A Very fine intricate work of Islamic Art.From Agra, India. Circa 1950's.Great gift to express your Love.DIMENSIONS: Height: 1.75 in.Width: 3.75 in.Depth: 2.75 in.About the Taj Mahal: The Taj Mahal is a world-renowned monument located in Agra, India. It is considered one of the most iconic examples of Mughal architecture and is recognized as a UNESCO World Heritage Site. Here's some information about the Taj Mahal: 1) History: The Taj Mahal was built by Emperor Shah Jahan in the 17th century as a mauseum for his beloved wife, Mumtaz Mahal. Construction of the Taj Mahal began in 1632 and was completed in 1653. 2) Architecture: The Taj Mahal combines elements of Islamic, Persian, Ottoman Turkish, and Indian architectural styles. It is primarily made of white marble, with intricate inlay work using semi-precious stones. The central structure is a large dome surrounded by four minarets at each corner. 3) Symbism: The Taj Mahal is often regarded as a symb of love. It was built as a testament to Emperor Shah Jahan's eternal love for his wife, Mumtaz Mahal. The gardens and reflecting po in front of the Taj Mahal add to its romantic ambiance. 4) Location: The Taj Mahal is situated on the right bank of the Yamuna River in Agra, Uttar Pradesh, India. Agra is located approximately 200 kilometers (125 miles) southeast of India's capital, New Delhi. 5) Visitors: The Taj Mahal attracts millions of visitors from around the world each year. It is open to the public, except on Fridays when it is reserved for Islamic prayers...

Tessellated horn and pen shell jewelry box attributed to Maitland Smith

19th Century Indian Chest with Wooden Frame Covered in Embossed Brass with Handles

Vintage hand painted and gold gilded papier-mâché box with removeable lid - featuring three gilded lotus flowers to the lid and an intricate double band of decoration to the edge - u...

A large Indian Colonial ‘Vizagapatam’ pen-engraved bone inlaid ebony box Masulipatnam or Vizagapatam, 2nd half 18th century H. 10.8 x W. 47 x D. 34 cm ...

Maitland Smith Unusual Pink Tessellated Marble Box, ca 1990s. This rectangular box is clad in a beautiful tessellated pink marble and accented with a brass inlay along all the face ...

A fine vintage match-strike box. The box, likely of Japanese origin features a cylindrical body heavily decorated with a black lacquer paint and embellished with gilt a clawed dragon...

PRESENTING A RARE AND DESIRABLE 19C Anglo Indian Highly Carved Padouk and Mosaic Folio Cover. This is a VERY RARE piece of Anglo-Indian and British Victorian Colonial history! ...

PRESENTING A LOVELY 19C Anglo Indian Vizagapatam Bone and Shell Domed Stationery Box – ‘Alice’s Box’. Made in Vizagapatam, India, circa 1860-80. We call this one: “Alice’s Box”! It has lived ‘a hard, well used and traveled life’, as is evident from the number of losses and repairs, as is obvious from the photos, especially to the faux ivory panels and bands to the top. The bonus to the loss of the frieze panels to the dome has a ‘bonus’, however, as their loss has revealed the most GORGEOUS faux blonde tortoiseshell underneath! The box is dome/casket shaped. The top has 3 bands, with the center one being the original. The 2 side bands are later ivorine. The faux ivory and hand-painted medallions on the domed lid, have been saved and they depict Hindu Gods, Vishnu and Shiva. The front and side panels are still in pretty good shape and are decorated with lac ink (indelible ink made from crushed beetles) depicting lovely floral designs. The domed lid open to reveal a series of open compartments for envelopes, writing paper etc. and one lidded panel for stamps. Inside the box are 2 paper labels: one probably being the original item ticket and the other with: ” Alice’s address is 272 Ashworth Ave, Toronto 4, Ontario”. Probably, the original owner? Hence, we call it ‘Alice’s Box’. What a journey/life this box has had! Made in India, made its way to Canada, back to Ireland and then to Texas! This is why, WE LOVE ANTIQUES...

Vintage bronze cloisonne lacquer powder box featuring Prunus blossoms - removeable lid - unsigned - China - mid 20th century. Excellent vintage condition - no loss - no damage - n...

Offered is a lovely sculptural split reed storage chest/trunk designed by Betty Cobonpue for her "Scultura" line produced in the 1980s. Cobonpues' design philosophy was simple: no...

Chinese famille jaune porcelain covered jar with floral designs and foo dog wooden finial Height 29.5 inches / Diameter 16 inches 1 available in...

Exquisite Maitland Smith Tessellated Rosso Levanto Marble Box, ca 1990s. This octagonal slope sided box is clad in a beautiful tessellated rosso levanto marble and accented with a ...

XXL Box is a limited edition functional object d'art carved from a single cube of Travertine. Hand-finished by a growing artisan atelier in Rajasthan, India it is produced exclusively by Anastasio Home...

A limited production, functional object d'art exclusively produced by Anastasio Home. The 50/50 is a perfectly imperfect four inch cube box, cut from a single piece of solid stone...

Bud Box is a limited edition functional object d'art carved from a single cube of Italian Greige Marble. Hand-finished by a growing artisan atelier in Rajasthan, India it is produced exclusively by Anastasio Home...

A rare Japanese bark tree large cloisonné box on metal from the Meiji period. Usually bark tree cloisonné was on porcelain (totai Shippo) A very attracti...

A large Turkish mother-of-pearl inlaid chest inlaid throughout to show foliate scrolls and geometric forms, raised on four legs. From the 16th century onwards the dominant influence...

PRESENTING A GORGEOUS 19C Anglo Indian Highly Carved Padouk and Sandalwood Sadeli Mosaic Sarcophagus Sewing Box. Made in Bombay, India circa 1860-80. Box made of sandalwood with highly carved padouk wood reliefs and panels on all sides. Edged with bone and ebony veneers and glorious sadeli mosiac, made from tiny pieces of faux ivory, pewter, green semi-precious stone. The box is in a sarcophagus form with domed lid. The original brass carry handles are on the sides. The interior is in great condition and consists of a removeable mirror under the lid portion, with the original red velvet lining behind it. The base is removeable and contains a number of lidded compartments. 6 of the interior lids on the base, are each inlaid with sadeli mosaic banding. The rest are also carved and chased. The interior is fully complete with 7 lidded faux ivory/bone, thread canisters with sadeli domes and the original bone thimble. The box sits on 4 brass ball or bun feet with the original velvet lining on the base. Some minor repairs and losses, but this box is fully complete. This is ‘rare’ as many of these boxes have not survived in such condition! Included in the sale are 2 photos that were in the box (under the base tray). Interestingly, one of them is a view of downtown Nassau, New Providence (Bermuda) from the early 20C and stamped on the rear. What a ‘journey’ this piece has made! Made in India … travelled to Bermuda, probably via Britain … back to Ireland (where we bought it) …. then to Texas! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th Century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! Of it’s type, this one, is one of the very higher quality one’s, than the norm! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Ando Signed Japanese flowering tree box Cloisonne with amazing design In multi color with geometric detail.

PRESENTING A LOVELY 19C Anglo Indian Highly Carved Padouk Wood with Sadeli Mosaic Inlay Sewing Box. Made in Bombay, India, circa 1880. The box is made of sandalwood with highly carved raised padouk wood panels on all sides, depicting temple scenes, animals and foliage. The box is in a sarcophagus form. It is edged in bone (and we can tell it is bone and not ivory, from the color and evidence of capillaries, which are not found in ivory), and banded with Bombay Sadeli mosaic and ebony veneer. The lid opens to reveal a removable tray with various open compartments and lidded compartments. 5 lidded compartments, 1 unlidded compartment and 8 holders for thimbles, etc The tray lifts to reveal a blue velvet (original) lined section, for storing jewelry etc, with sections for collars etc. The inside of the lid has a removable mirror (the mirror is missing on this one but can easily be replaced). Behind the mirror is the original green velvet lining. It has its original brass carry handles on the sides and sits on 4 silvered button feet (of recent origin). Some repairs to the exterior and condition issues (priced accordingly), but still a LOVELY COLLECTIBLE box! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and Horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, Horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Silver box, in filigree motif, probably Russian or Chinese, showcasing intricate floral and geometric designs, from the early 20th century, measuring 3 1/4'' in length by 2 1/4'' in ...

mall Bell Jar, is a 4 inch vessel cut from single pieces of solid stone and hand-finished by artisans in a growing stone atelier in Rajasthan, India. Dimensions: 4”Dia. x 3"H Sub...

Chinese silver box, with an intricate design showcasing birds, floral, and other natural motifs, measuring 2 7/8'' by 2 7/8'' by 1 7/8'' in height. Please feel free to ask us any q...

19th Century Burmese (Myanmar) solid silver betel box on stand, of traditional shape, highly-decorative, each part is chased in very high-relief with various scenes from Burmese folk...

This is a vintage carved keepsake case. A Chinese, satinwood decorative box, dating to the mid 20th century, circa 1950. Profusely carved throughout with an abundance of Oriental cr...

This simple lacquered box is a 19th century snack box, presented as a gift during holidays and special occasions. To the delight of the recipients, the unassuming box would have open...

A fine and unusual Japanese black lacquer and mother of pearl inlaid box, Momoyama Period, 16th century, Japan. The large box and cover featu...

This is a small antique apprentice-piece chest. An Anglo-Indian, carved teak Colonial keepsake box, dating to the late Victorian period, circa 1880....

A fine and elegant Korean black lacquer and abalone mother of pearl inlay "longevity" box, circa 1930s, Korea. The box, most likely used to sto...