Hand-Carved Decorative Boxes

Mounted with Silver From our Sewing Box collection, we are pleased to offer this Solid Coromandel Anglo Indian and Silver Sewing Box. The Sewing Box of...

Rare Engine Turned Design The Sewing Box of slight sarcophagus shape stood upon four turned ribbed feet. The Sewing Box tapers up to the convex raised lid and features scrolling fl...

A Moroccan Decorative Lidded Box, 20th Century Provenance: Private Australian Collection. Dimensions: Height: 27cm. Width: 31cm. Depth: 18cm.

Whimsical carved wooden box with radiating acanthus-leaf motif, circa 1930s-40s. The lid blossoms outward in a dynamic sunburst pattern, resting on exuberantly scrolled acanthus feet...

English Georgian Chinroserie bow front tortoise shell tea caddy with a hinged tiered lid, Chinese landscape mother of pearl inlays with flanking pagodas, fences, & foliage trees, central paktong plaque and escutcheon, bone fitted interior border with two lidded tortoiseshell foil lined compartments, and resting on the original four bone ball...

Louis XVI style carved wooden jewelry treasure box. The wood is carved in relief with foliage decoration all around, and the profile of Beethoven is very nicely and finely carved on the lid, This profile in a circle and the play of colors and textures of the wood gives a medallion in the taste of the bronze work of Jean Bertrand Andrieu. The interior is in green silky fabric. La Boite is also in the style of T. Hingre's bronze work. Louis-Théophile Hingre (sometimes known as Théophile Hingre) is a sculptor, modeler and medal engraver. The wood of this pretty round box is beautifully and finely carved. Beethoven's profile like the scrolls are sculpted with great precision and delicacy. Ludwig von Beethoven is a German composer, pianist and conductor, born in Bonn on December 15 or 16, 1770 and died in Vienna on March 26, 1827 at the age of 56. The last great representative of Viennese classicism (after Gluck, Haydn and Mozart), Beethoven prepared the evolution towards romanticism in music and influenced Western...

On offer is a vintage Chinese hand-carved camphor wood box with detailed courtyard, pavilion, willow, and pine scenes. Likely mid-20th century, with a simplified front shield that ma...

A coffret, such as this studded leather one, would have been used in France during the mid-1800s to store small, but invaluable items. Our small table trunk features a dome top that ...

Mid 18th century Swedish pine chest decorated with labyrinth circa 1730. Rare and beautiful Swedish pine chest.   Traces of original paint to the outside with decorative metal strap...

Chaucer Pots, Lusitanus Home Collection, Handcrafted in Portugal - Europe by Lusitanus Home. This beautiful set includes two waterproof ceramic pots with lid, perfect to be displayed together and enrich your room decor. Each piece has its own elegant silhouette in mint-green glazed ceramic with gloss finish plus hand turned beech wood base and lid lacquered in bronze gold-powder. Set of 2 Ceramic Pots Chaucer...

Octagonal wedge box in 925/1000 sterling silver with black and white colors fire enameled in Art Deco style. Measures 7.8 x 7.8 x 6 cm. Weight gr. 281. Designed by Giorgio Salimbeni ...

Spectacular table box with inward corners in gold-plated 925/1000 sterling silver with translucent enamel fired on guilloche, in Art Nouveau style, and in the center a fine rectangul...

A Large Rosso Antico Marble Model of the Sarcophagus from the Tomb of the Scipios. Attributed To The Workshop Of Benedetto Boschetti. The lid with palm-scrolled ends, is inscribed ...

Oval rounded "soap" shaped snuff box in 925/1000 sterling silver with fired enamels above and below and hand-painted miniature of a horse's head, English "Art Nouveau" style, early 1900s. Measurements cm. 4.7 x 6.7 x 2. Weight gr. 96. Designed by Franco Salimbeni in 1980 and manufactured in Florence in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous enamelled firings at high heat at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

These unique Tilcara bottles are made with silver alpaca, giving them a sophisticated and elegant look. The lids are adorned with beautiful onyx stones, adding a touch of luxury to t...

Rounded rectangular snuffbox in 925/1000 sterling silver gold plated with fine hand-painted fire-enamelled miniature depicting a female face wearing Art Nouveau style clothing, hand-...

This is a well relief carved Jewelry box. It was probably made on the west coast of Africa. It looks to depict the heads of 3 Jaguars in relief.

Domed oval pillbox in 925/1000 sterling silver gold plated with translucent fired enamels on guillochè, top and bottom, with fine hand-engravings. Viennese Art Nouveau style second h...

Rectangular box with rounded corners in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè with hand-engraved and enamelled Arab-style ornament. Dimensio...

Rectangular table snuffbox in 925/1000 sterling silver gold plated with translucent enamels fired on guilloche and hand-painted floral miniature; external blue staff. Art Nouveau sty...

RARE IBERIAN SAFE from the first half of the 17th Century in painted and gilded carved wood decorated with plant motifs. Small defects. Dim.: 34 x 43 x 35 cm

Pill Box Yellow floral miniature in Art Nouveau style Sterling Silver Salimbeni.Round pillbox in 925/1000 sterling silver gold plated with translucent...

This rectangular table box is a masterpiece of craftsmanship. Crafted from 925/1000 sterling silver and gold-plated, it features a hand-painted fire-enameled miniature by Beatrice Me...

We are delighted to offer for sale this lovely one of a kind Winsor & Newton 1977 Queen Elizabeth Jubilee presentation with sterling silver ...

Elegant Mid-Century Modern vanity set comprising a silver-plated perfume bottle and a glass bowl with silver plated powder box. The handcrafted Lucite Knob decorate the two pieces. M...

Betel Nut is consumed on a daily basis in a large portion of the Indonesian Archipelago. In Java, betel nut was offered as a sign of respect and hospitality when people would visit o...

These unique Tilcara bottles are made with silver alpaca, giving them a sophisticated and elegant look. The lids are adorned with beautiful onyx stones, adding a touch of luxury to t...

English Gothic Revival-style (1st Quarter 20th Century) oak letter box with tracery carved sides and top

Great decorative Moroccan Berber Tuareg metal brass powder flask. African decorative brass with front richly decorated with Moorish embossed brass ocverlay. Moroccan tribal powder fl...

An 18th century French fariniere, made of walnut with nicely detailed hand carved sunflower relief on front panel. Good craftsmanship with dovetailed construction. Waxed patina. From...

Charming hand carved box with metal detail.

Decorative natural light brown and blue alabaster stone trinket, jewelry or cigarette box. Tree trunk design - form. Hand-made/tooled in Italy during the 1960s or 70s by Romano Bianc...

A beautifully handcrafted mid-century Italian jewelry box carved from richly banded green onyx and accented with elegant brass trim and decorative brass feet. Dating to the 1960s, th...

Early 18th century Italian carved and dovetailed walnut alms box, circa 1725 Large dovetails and old handwrought nails give this small scale box a hea...

English Burl walnut and figural cherub wedge-wood hinged letter box with compartmentalized fitted interior, locking mechanism with key, decorative circular rope motif, and original e...

A Dutch colonial box from Batavia in the former Dutch East Indies. Hand-carved with floral motives in ebony, used for jewelry or letters, ca. 1800. Origi...

An 18th Century Silver Mounted Mogul Hand-Carved and Beveled Rectangular Jade Box. The jade is the finest quality with a natural even green tone. It is beautifully hand-carved and ...

English octagonal black lacquered and gilt stenciled figural pagoda hinged one drawer sewing box with exterior gilt stenciled dragon motif, interior gilt stenciled floral motif, orig...

Place this elegant, antique Napoleon III copper box in your master bath to keep your jewelry safe and organized. Crafted in France circa 1880, the ornate ...

The circular box and conforming cover carved in realistic detail, with grainy texture and undulating bark-like sides, overall glazed or stained in a dark molasses color, the interior...

Scottish Regency mahogany hinged cellarette with foliage cartouche, gadrooned molded edge, original brass circular side handles, lead lined interior with stopper, and resting on carved foliage scrolled triangular feet...

This exquisite flame mahogany veneered casket, originating from Central Europe mid 19th century, is a stunning example of Neoclassical applied arts. Its original shape and high quali...

English Regency Mahogany monumental wine cellarette with a gadrooned step back hinged lid, canted gadrooned exterior sides, interior locking mechanism, flanking figural dolphin feet...

An 18th century French Provencal fariniere beautifully carved and constructed. A sliding front panel features two carved fish. The box is dovetailed with a false bottom drawer. Lovel...

A fine example of an early 17th century Italian wooden casket or box, possibly pine, with slightly vaulted lid covered with red silk and adorned with appliqued foliate velvet with em...

Rounded rectangular snuffbox in 925/1000 sterling silver gold plated with beautiful fire enamelled miniature hand painted by the painter Simone Dainelli inspired by the paintings of Boris Vallejo, in fantastic contemporary style, with hand-engraved frame. Designed by Franco Salimbeni in 1967 and manufactured in Florence in numerous specimens with various subjects and different colors, in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous high-fire enamelled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. hand painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Italian Marquetry Inlaid Wooden Jewelry Box, Geometric Sorrento Style, Mid-20th Century A finely crafted Italian wooden jewelry box showcasing intricate marquetry inlay in the tradi...

Great condition for its age. No major losses or damage. Has original sewing pieces inside.

Exceptional Octagonal Butter Box, ca 1850, Jämtland, Sweden Hand-carved stone box in octagonal form. The modernistic shape is simple and striking, with a patina formed through age a...

FREE WORLDWIDE SHIPPING The Watch Box of slender rectangular form made from solid Mahogany with brass corner brackets and screw details decorating the exterior with a central oval s...

An extraordinary Anglo-Indian box from Vizagapatam in fully carved solid ebony, late 19th century. Filigree ornate and sculpted floral decoration...

Antique Rajasthani Shekhawati Merchant's Footed Chest Box India 1900's. Early 20th Century Indian carved wood storage cash footed box used by merchants in ...

PRESENTING A LOVELY 19C Anglo Indian Highly Carved Sadeli Mosaic Inlaid Sewing Box. Made in Bombay, India, circa 1880. The box is made of sandalwood with highly carved raised teak wood panels on all sides, depicting temple scenes, animals and foliage. The box is in a sarcophagus form. It is edged in bone (and we can tell it is bone and not ivory, from the color and evidence of capillaries, which are not found in ivory), and banded with Bombay Sadeli mosaic and ebony veneer. The lid opens to reveal a removable tray with various open compartments and lidded compartments. 5 lidded compartments, 1 unlidded compartment and 8 holders for thimbles, etc The tray lifts to reveal a blue velvet (original) lined section, for storing jewelry etc, with sections for collars etc. The inside of the lid has a removable mirror (the mirror is missing on this one but can easily be replaced). Behind the mirror is the original green velvet lining. It has its original brass carry handles on the sides and sits on 4 silvered button feet (of recent origin). Some repairs to the exterior and condition issues (priced accordingly), but still a LOVELY COLLECTIBLE box! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and Horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, Horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

It is a carved wooden box, brown and black. One part is hand carved, the other Painted lacquered. It was made in China during the 1930s and 1940s, so it is from the Republic period.

Intriguing antique Anglo Indian lidded box handcrafted in indigenous hardwood clad in organic tortoise shell decorated with engraved bone set on carved bone paw feet. The interior is...

Bible box hand-crafted in Italy in the mid 1600s using walnut. The box is still in fantastic shape and has a gorgeous patina. On three sides it is decorated with beautiful hand-carve...

Decorative lidded box by Chris and Pat Shatsby c.1990's, USA. The diamond shaped box is made of textured bronze with a hand carved wood lid. The lid is finished with a sculptural bro...

According to motto "Perseverantia et Amicis" (Perseverance and Friends) with Bird (dove) holding olive-branch, this amazing, luxurious "necessaire" comes from family ofacknowledged L...

A Fantastic 19th Century French Louis XVI Style Dore Bronze Mounted Black Crystal Box. The box is composed of two sections of French black crystal wh...

Rectangular shape mahogany veneered casket made in first half of 19th century presumably in Europe. Cast glass vessels are intact at their original place. Candy sugar bowl along with...