Asian Snuff Boxes and Tobacco Boxes

19th century Chinese cloisonné enamel brass trinket box.

Chinese, Qing Dynasty (1644-1911), 19th century. A grouping or instant collection of antique porcelain enameled salt boxes. Each box is decorated with immortal being riding the fabl...

This intriguing Chinese zhadou is intricately carved of fine cinnabar lacquer. A work of exceptional artistry, this covered bowl is adorned with an intricately carved floral motif on all surfaces, including the cover and the wide rim. Also known as a cuspidor or spittoon, this rare container would have been used by members of the imperial family and scholar- officials at the court. Carved during the Kangxi period (1662-1722), this charming piece exhibits the high detail and charm associated with items from that period, making it a true treasure, Early 18th century (Kangxi dynasty) Measures: 6 ¼” wide x 3 ¼” high Cinnabar has been revered for its color all over the world. It has been found in the royal burial chambers of the Mayas, in the rituals of India, and in the ruins of ancient Greece and Rome. In China, cinnabar and gold were the two most important elements in alchemy. Mined since the Neolithic Age, cinnabar is the ore of mercury, and as such, it can be incredibly toxic, especially when mining. In fact, during the Roman Empire, miners at Spain’s Almadén mine in Spain were frequently exposed to mercury fumes, and the subsequent, often fatal, sickness was considered an occupational hazard. The most popular known use of cinnabar is in Chinese carved lacquer-ware, a technique that is believed to have originated in the Song Dynasty, in which cinnabar is ground to a powder and added to clear lacquer. As with mining, there was inherent danger of mercury poisoning for those who carved the lacquer, as mercury was also released into the air when artisans ground the pigments. Most antique cinnabar...

1970s Indian bronze box with character on the lid.

19th Century Japanese inro with 3 lacquered wooden compartments, 63 x 70 x 22 mm in size. Weight 39.1 g. Additional information: Material: Lacquered ...

19th Century Japanese inro with 5 lacquered wooden compartments, 93 x 50 x 30 mm in size. Weight 59.2 g. Additional information: Material: Lacquered ...

Japanese inro with 4 XIXth century boxes in gold lacquer with matt kinji background decorated in gold taka makiyé of different tones. Lacquered wood measuring 65 x 70 x 22 mm. Weight...

A ruyi-shaped Shakudo-style erotic tobacco or snuff box, relief-decorated with silvered applied figures Possibly Jakarta (Batavia), first half 18th century Measures: H. 2.2 x L. 12.1 x W. 8 cm This box is very much in the Dutch taste, for the illustration is after a print with a legend reading “L’oiseau sans cage. Prenez, belle, mon oiseau. C’est le plus doux présent que je puisse vous faire. Pour les autres oiseaux, la cage d’ordinaire est une espèce de tombeau. Mais le mien semble prendre une nouvelle vie, Lorsqu’il sera dans la cage de mon aimable Silvie.” The erotic message is as clear as can be. In Dutch culture the verb ‘vogelen’ (catching a bird) is another word for having sex and a bird escaping from his cage indicates loss of chastity. The lady with the bare breasts, while making the sign of sealed lips to the lady behind her, who is pointing towards heaven, seems to be caressing the bird held in the sleeping man’s groin. 17th century Dutch pictures...

18th century Georgian hand-carved walnut wood tobacco box on its original stand. This is an extremely fine and rare piece and one of its kind.