Engraved Boxes

Porcelain box with cut engravings embellished with brass detail made with the artisan lost wax technique with patinated golden finish. Each object is handcrafted and the care for eve...

Handmade George III style oblong box in sterling silver. On the body of the box typical lines with fluted. The lid has the same design but embossed. The han...

Oval curved snuff-box in 925/1000 sterling silver gold-plated with translucent fired enamels on guilloché, above and below. Modern contemporary style. Size cm. 4.5 x 6.5 x 2.3. Weigh...

Jewelry box completely handmade in gold-plated sterling silver and brown fire enamel in the shape of a trunk. The shape is rectangular with a convex hinged lid. The frame of the jewe...

Round snuff box in 925/1000 sterling silver gold plated with translucent fired enamels on guillochè and hand-painted floral miniature, surrounded by a frame with leaves on a blue bac...

Leather trunk Spanish, 17th century Boiled Leather, wood and iron Measures: 22 x 53 x 32 cm. Provenance : - collection Metz-Noblat, Château de Clevant, France Rectangular trunk of the form and size of a small suitcase with wrought iron hinges and lock-plate. Wood, covered with leather, cut and embossed with every surface of the thick cow hide covered in interlace, zoomorphic features. The construction method is boiled leather, often referred to by its French translation cuir-bouilli: a process used to change flexible, vegetable-tanned leather into rigid, moulded objects. For shaping of the vegetable-tanned leather, heat and moisture were used, as indicated by the term boiled leather. No written medieval sources describing the production of decorated cuir bouilli objects survive, so knowledge of the process relies on the important studies of the Scottish leather historian John William Waterer. A large range of methods, materials and techniques could be used in various combinations. The vegetable-tanned leather, made supple with moisture and heat, was stuffed, shaped and nailed to the rigid wooden coffer support. The stuffing material was probably modeled beeswax or stearin wax. To shape the leather, to create its topography, « Cushions » were made by lacing a thread through an awl hole and attaching the flexible leather and stuffing to the rigid wooden support on the bottom. Then the decoration was done: lines were incised through the upper layer of the leather (epidermis) with different thicknesses of knives or needles. Contours were created with deep v-shaped cuts, decoration with thin incision and final details with a needle point. For the incision and pouncing stage, the leather was probably kept heated and moistened for suppleness. Once dry, the leather would be hard and rigid. the saturated leather is worked over a form, possibly even damp sand, with the pattern shaped using bone or wooden tools. Compare to metal, leather was lighter and it offered protection from cuts and punctures. Cuir bouilli objects were produced by specialist leather workers and needed skillful craftsmanship. The surface is filled with roundels shaped foliages enclosing animals, lions and peacocks. The foliate arabesques creating a vegetal connection tweet the animals create the impression of a lush verdant space . The vegetal pattern here employed in combination with geometrical pattern came from the pre-islamic artistic traditions of the Byzantine and Sasanian empires. An aspect of Islamic geometry Is the basic symmetrical repetition and mirroring of the shapes that create a sense of harmony. The decoration of this truck is inspired by the islamic « arabesque » a form of vegetal ornament composed of spirals, intertwining plants and abstract curvilinear motifs. An arabesque character is given to the birds of the decorations through extreme stylisation. This arabesque maintained the classical tradition of median symmetry, freedom in Detail and heterogeneity of ornament. The presence of the peacocks is a paradisiacal allusion: in popular Islamic literature they were among the original inhabitants of the garden of Paradise expelled with Adam and Eve. Peacock as a decorative motif may have originated in the West, despite their eastern provenance. There was an ancient belief that the flesh and feathers of peacock do not decay. This led to the peacock becoming a christian symbol for Christ’s resurrection. Renowned for their decorative wall hangings, seventeenth-century Spanish leatherworkers also produced utilitarian objects, such as this trunk. A similar trunk is on display at the Metropolitan museum of art ( 09.158.1). Related literature : Davies L. 2006. Cuir bouilli. Conservation of leather and related materials, 94-102, Oxford: elsevier Butterworth-Heinemann Grabar, Oleg. The Mediation of Ornament. Princeton: Princeton University Press, 1992 Gabriela Germana Roquez, "El mueble en el Peru en el siglo XVIII...

Rounded rectangular snuffbox in 925/1000 sterling silver gold plated with fine hand-painted fire-enamelled miniature depicting a female face wearing Art Nouveau style clothing, hand-...

Round snuff box in 925/1000 sterling silver gold plated with translucent fire enamel on guilloche and hand-painted miniature of stylized blue bird, late 19th-century Viennese Art Nou...

Round French Silver Deep Blue Guilloché Enamel and Crystal Table Box  Hallmarked with French Minerva on the silver rim  This exquisite round French ...

Enameled etui necessaire designed by Georg Adam Scheid (1837-1921). This is an extraordinary etui necessaire oval box created in Vienna Austria at the workshops of Georg Adam Scheid...

This mother-of-pearl inlay perfume box is a rare and complete treasure from the famed Palais-Royal of France’s Second Empire. The box is a work of art, meticulously fashioned to deli...

Decorative silver 800 mushroom shape box. The body is embossed and cheased completely by hand.

Persian/Iranian solid silver box carved/engraved repoussé with birds and flowers. Very intricate details throughout this special piece. Distinct byzantine r...

An Italian enamelled snuff box. Colorful box, created in Italy, back in the 1920. It was crafted in an octagonal shape with neoclassical and renaissance Revival motifs in solid .8...

18th-Century Dutch Pieter Holm Zee-Meeter Brass & Copper Navigator's Tobacco Box Large 18th-century Dutch brass and copper seaman’s tobacco box, also known as a “Dutchman’s Log” or ...

A refined German Jugendstil silver-plated box by the renowned manufacturer Carl Deffner, dating to around 1910. Elegant in its restraint, the piece exemplifies the transition from la...

Early 20th century small tooled leather box from Argentina This small box has lovely tooled workmanship and its clearly handmade with care Measure:...

This antique box would make an elegant addition to a side table or collection of small boxes. In the form of a small tea caddy, the silver plate box is of an interesting lozenge form...

Gorham Aesthetic Movement Sterling Mixed-Metal Box with Lizard and Mice, 1883 Dimensions: 3.5" W × 2.5" D × 1.5" H Materials: Copper with applied silver decoration Marks: Gorham, date letter “P” for 1883 A finely crafted American Aesthetic Movement mixed-metal box by Gorham, executed in copper with sculptural silver appliqué. The domed lid features a dynamic lizard in high relief, accompanied by two playful mice in motion, all arranged above a silvered ground with grasses and textured earth. The decoration is set asymmetrically against the warm copper body, leaving generous areas of polished surface that highlight the contrast between metals. The interior is left plain, showing use consistent with age. The imagery reflects the strong influence of Japanese Meiji-era design on Gorham in the late 19th century. Themes of small animals and naturalistic vignettes were drawn directly from Japanese art, where lizards were regarded as symbols of protection and renewal, and mice were associated with quickness, fertility, and in some contexts, good fortune. Together, they create a whimsical narrative of pursuit, rendered with wit and naturalistic detail. This work exemplifies the Aesthetic Movement credo of “Art for Art’s Sake,” emphasizing beauty, asymmetry, and nature study over traditional allegory. Gorham’s mixed-metal line, developed in the wake of the 1876 Centennial Exposition, sought to rival Tiffany & Co. in innovation and design, producing decorative objects that were both functional and avant-garde. Comparable Gorham copper...

French round decorative box dating from the 1950s, crafted from wood with a warm honey-brown finish. The lid is adorned with a finely detailed engraved landscape scene, depicting tre...

18th century Dutch brass tobacco box with hinged lid engraved with five circular medallions containing the busts of male noblemen figures with inscriptions and dates, the most recent...

Elegant Art Deco Sterling Silver Engraved Cigarette Case By Renowned British SilverSmiths Harman Bros. Birmingham 1931. Weight 129grams Hallma...

Cast Brass Engraved Brazier Box with Pierced Charcoal Tray, North India, Late 19th Century Dimensions: Consisting of Two Pieces: the Box and the Removable Tray Box: 10.5” W to handl...

Ovalized evening bag in 925/1000 sterling silver with stylised floral motif designs enamelled in Art Deco style. Taken from an original drawing by Louis Cartier from the early 1900s ...

Carole Stupell Silvered & Gilt Bronze Foxhound Box, Signed & Italian-Made Italy, Late 20th Century Dimensions: 5" H x 5" W x 6.5" D Interior: 2.5" Diameter x 3.25" High Weigh...

Victorian heavy brass jewel or collar box, English, 4th quarter 19th century. Top with Jasperware plaque set into a rope twisted border with conforming base with delicate, subtle bel...

This finely engraved and inscribed tortoiseshell music box is a precious piece of French Revolution and Napoleonic history: given as a gift by the Duchess of Gdansk in 1837 to a neph...

A small hand-engraved container for tea, tobacco, betel nut, pills etc. Intricate details depicting a hunting-scene all around its outside. The lid features a soldier on an head-dres...

Antique French Silver Plated Brass Stamp Box Case Figural Cherry B. Wicker France Silver plate, brass Late 19th Century Dimensions: H x W x D: 2cm x 6.5cm x 3.5cm This antique wa...

Antique oak engraved chest English, late 19th Century Height 34cm, width 67cm, depth 37cm This charming oak chest serves two functions: when horizontal, the piece is a chest, bu...

American Brilliant Period Cut Glass and Gorham Sterling Silver Yacht Humidor, Dated July 4th, 1906 – “Issaquena” A rare and evocative example of American decorative arts, this super...

A very good 19th century Victorian sterling silver snuff box of oblong form, showing a hinged lid engraved with machined undulating wavy motifs, centred by a monogrammed shield-shaped cartouche, opening to a richly gilded interior with both the lid & base bearing Birmingham hallmarks...

Octagonal pill box in gold-plated 925/100 sterling silver with translucent enamels fired on guilloché also on all sides and with a line on the lid. English Art Nouveau style, early 1...

A fine antique sterling silver-gilt early 19th century Vinaigrette, Birmingham, by Gervase Wheeler, 1839. This beautiful vinaigrette having f...

An unusual mid 19th century Victorian horses hoof & pewter snuff box, circa 1860. The snuff box having a hinged lid with engraved floral decoration an...

Pure gold decoration porcelain box with Frog in brass made with the artisan lost wax technique with patinated gold finish. Each object is handcrafted and the care for every detail makes each item unique in its kind. The style of this box is a modern reinterpretation of an object from the second half of the 18th century in France. Also Oggetti d'Arte will follow with the same passion the request of the most qualified studies of interio architecture from around the world, helping them in achievement of their most ambitious projects. This box, at the customer's request, can be made with different metal finishes and with different crystal colors so that it can be inserted in the best possible way within your furniture. This box is included in Animal Box...

Italian antique gilded Florentine box, octagonal shape realized in white walnut, engraved on each side and the top and with bulin scrolling decor...

A fine quality antique Russian Imperial silver tea caddy, engraved in the Chinoiserie style, by Gustav Klingert, Moscow, dated 1894. Gu...

A fine antique Imperial Russian engraved silver and niello tobacco box/case, 1886, Moscow, Alexander Fuld. The case is finely engraved with engraved niello designs, the hinged lid ha...

Italian antique silvered Florentine box, polylobed box from the end of the 1700s made of bent and curved wood to obtain a four-pointed polylobe. The ori...

Fine French Sterling Art Deco Ram Motif Square Table Box, Circa 1925 French Silver hallmark Minervas Head with #3 and Silversmith mark of KISS F An Extraordinary example of signed ...

Four-leaf clover shaped table box in 925/1000 sterling silver gold plated with translucent fired enamel on a radial guilloché. Modern contemporary style. Dimensions cm. 17 x 17 x 3.5...

Four-leaf clover-shaped table box in gold-plated 925/1000 sterling silver with petals in lapis lazuli and red jasper. Dimensions: 8.3 x 8.3 x 2 cm. Silver weight: 175 g. Designed by ...

Rectangular table cigarette box in 925/1000 sterling silver gold plated with translucent fired enamels on guillochè and fine miniature hand painted...

This wall boxes set, is in wood and Copper engraved plates. The colors are brown, and it has been made in France circa 1960.

Completely handmade sterling silver candy box. The box is round and pot-bellied. Embossments and chisels of flowers were made all over the body. The box is divided into three sect...

Shaped snuffbox in 925/1000 sterling silver gold plated with fired enamel inserted in a fine hand engraving and with round miniature diameter cm. 3.3 hand painted always with fire enamels depicting a sailing ship. Early 19th century Viennese Baroque style. Fine hand engraving on all sides and bottom. Measurements cm. 7.5 x 7.5 x 2. Weight gr. 151. Designed by Franco Salimbeni in 1976 on inspiration of ancient original artifacts and manufactured in Florence at the Salimbeni company headquarters in several specimens, also with different colors and miniatures, with completely manual execution by artisan artists with thick slabs and large reinforcements suitable for supporting numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Snuff box "savonette" shape in 925/1000 sterling silver with fire enamel and hand painted miniature on white background depicting a heads of running horse . English "Art Nouveau" st...

Hand carved crystal box with Flamingo in brass made with the artisan lost wax technique with dark burnished finish. Each object is handcrafted and the care for every detail makes each item unique in its kind. The style of this box is a modern reinterpretation of an object from the second half of the 18th century in France. Also Oggetti d'Arte will follow with the same passion the request of the most qualified studies of interio architecture from around the world, helping them in achievement of their most ambitious projects. This box, at the customer's request, can be made with different metal finishes and with different crystal colors so that it can be inserted in the best possible way within your furniture. This box is included in Animal Box...

Clear crystal box with opaque cut engravings embellished with brass detail made with the artisan lost wax technique with patinated gold finish. Each object is handcrafted and the car...

Clear crystal box with cut engravings embellished with brass detail made with the artisan lost wax technique with patinated gold finish. Each object is handcrafted and the care for e...

Repoussé Silver Box with Mythical Guardian Figure, Tibet or South India Late 19th–Early 20th Century Two pieces, the top and bottom, fit securely for a total weight of 58 grams. A...

Amethyst crystal box with cut engravings embellished with brass detail made with the artisan lost wax technique with patinated gold finish. Each object is handcrafted and the care fo...

Originale scatola Italiana in legno laccato ed inciso a bulino di forma ottagonale di epoca Settecentesca, in discreto stato conservativo. Questo tipo di scatole solitamente apparten...

Designed to ensure your most valued trinkets are kept organized and safe, our Fedora box makes the perfect home for all your treasures and keepsakes. Fashioned from glossy ebony, the box is distinguished by an exquisite lid boasting gorgeous hand-shaped diamonds in Corno Italiano and a hand engraved...

Porcelain box with cut engravings embellished with brass detail made with the artisan lost wax technique with silver finish. Each object is handcrafted and the care for every detail ...

Round snuffbox in gold-plated 925/1000 sterling silver with fired enamel on the enamelled edge with vertical stripes and a fine floral miniature hand-painted by the painter M. Grumet...

Handcarved clear crystal box with Crocodrile made with the artisan lost wax technique with patinated gold finish. This box has got a oval shape. Each object is handcrafted and the ca...

Hand-carved crystal box with Frog in brass made with the artisan lost wax technique with patinated gold finish. Each object is handcrafted and the care for every detail makes each item unique in its kind. The style of this box is a modern reinterpretation of an object from the second half of the 18th century in France. Also Oggetti d'Arte will follow with the same passion the request of the most qualified studies of interio architecture from around the world, helping them in achievement of their most ambitious projects. This box, at the customer's request, can be made with different metal finishes and with different crystal colors so that it can be inserted in the best possible way within your furniture. This box is included in Animal Box...

Large biscuit box in solid 800 silver. The cup is round, smooth and has been raised with a round stepped base with an English border. A striped border has also been soldered on the u...