Inlay Boxes

French luxury cigar humidor by Elie Bleu Paris from the “Flor de Tabacos” collection, dating to circa 1990. The exterior is veneered in olive-green stained sycamore, traditionally kn...

A beautifully crafted hexagonal jewelry box inlaid with luminous mother‑of‑pearl and abalone seashell, executed in the Moorish design style, circa mid‑20th century. The lid centers a...

Vintage biscuit tin/vanity box (Holland, ca. 1960s). Composed of a pontillism-inspired or micro-mosaic style beaded lid (almost appearing like embroidery) forming a geometric floral ...

This is a small oval shaped antique metal Pill Box with Inlay to the lid and dating to the Edwardian or late Victorian period. The box is made ...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by skilled artisans, ultimately making each piece unique, designed in Paris and produced in the Philippines. The set of 4 pedestal boxes are the perfect home accents to add elegance and functionality to your space. These can be used as a vanity set for your bathroom, in your office to store desk...

Here is a fine quality heavy black lacquer jewelry box with a wonderful line carved mother of pearl inlay geisha girl scene on the top and flower and diamond repeat patterns around t...

One of a kind and all hand-crafted, good size antique box by Alfred Daguet (1875-1942). Alfred Daguet was a French craftsman/metalsmith, active around the early 1900s and who specia...

A small Sinhalese Porcupine Quill Box with a sliding lid. The panels of porcupine quill panels arranged in a chevron pattern, bordered with ebony and bone inlaid banding. Ceylonese ...

Exceptional 19th century Anglo Indian writing box handcrafted in ebony and intricately decorated with porcupine quills and bone dot inlay. The hinged case opens to reveal a geometric...

Little wood box decorated with symetrical marquetry representing a flower. Made circa 1960 in Morocco. Good condition, very few signs of use. Shipping: 11 / 15 / 6 cm 0.5 kg

English Regency Nautical sarcophagus form hinged burl walnut inlaid ship's tea caddy with flanking ringed wood side handles, ebony string inlays, fitted interior lidded tea compartme...

Beautiful white marble jewelry box with floral inlay, made with different semi preciouses stones such as Malachite, Lapis Lazuli and Carnelian. It was made in India in the 1960's.

A rare and exceptional Baroque period Flemish or Dutch red tortoiseshell, bone, horn, ebony, and rosewood lift-top chest with drawer, circa 1725, mounted on a later stand. 17th/18...

Stunning English Regency Sterling Silver & Tortoiseshell Card Case, circa 1815 This exceptional English Regency card case, dating to the early 19th century (circa 1810–1825), exempl...

Stunning and great condition, brass Secessionist box with amazing inlay and the original key. There are -for good reasons- collectors of the Vienne...

Antique 19th Century Mother Of Pearl Inlaid Games Box, the lid inlaid with ornate flower decoration to the edges and a set of aces to the middle. The lid opens to reveal a red interi...

Art Deco Sycamore and Burr Walnut Veneer Inlay Cigar Exchange Box With Felt Base From The Connaught Hotel London Supplied With A Humidity Thermometer, Velvet Pouch, Cigar Cutter Wit...

An Exceptional Italian Grand Tour Pietra Dura and Alabaster Hexagonal Box, Circa 1900. This exquisite hexagonal lidded box is a premier example of turn-of-the-century Italian stone ...

Elegant Mid-Century Modern decorative tea caddy box crafted in carved wood with refined brass details. The piece features a distinctive sarcophagus-inspired shape, with a rectangular...

This rare Art Deco straw marquetry lidded box is attributed to French designer Jean Michel Frank. The piece was meticulously crafted in France circa 1930. The rectangular shape is st...

Mughal style pietra dura marble box - hand made - featuring an over-all floral and vine design with lapis lazuli, mother-of-pearl and black onyx inlay - signed on the base and the li...

Alfred Louis Achille DAGUET (1875 - 1942) was a metalsmith active in Paris during the first part of the 20th century. His metalwork created prior to the outbreak of World War I, note...

Early 19th Century Karl Johan Box with Inlay Ribbon Decorations in Fruitwood, Sweden. Key not included

Middle Eastern Moorish Mother of Pearl Inlaid Marquetry Jewelry Box. Exquisite middle Eastern Moorish Syrian inlay jewelry box covered with fine Moorish micro mosaic marquetry. Beaut...

This is a Moorish-style jewelry box adorned with inlaid marquetry work, featuring a mosaic of geometric and floral patterns. The design is highly detailed, with small pieces of wood ...

An extraordinary 19th century English solid mahogany tea caddy. This shaped box has a carved, angular top outlined with satinwood for subtle contrast, opening to a fitted interior. I...

A finely crafted Japanese tabletop cabinet from the early 20th century, this compact storage piece is richly detailed with traditional decorative techniques and export-era flourishes...

Italian music box table in the Sorrento style, wooden table with floral inlay. The top folds open, and inside are plastic compartments covered ...

Large vintage Moorish wedding jewelry box inlaid with semi-precious agate stones and covered with brass and silvered metal filigree. Large circular Moorish Middle East jewelry...

An English letter box of serpentine knife box form, the sloping hinged lid inlaid with an oval conch shell paterae within crossbanded edges and fine...

PRESENTING A GORGEOUS 19C Anglo Indian Highly Carved Sadeli Mosaic Sarcophagus Sewing Box. Made in Bombay, India circa 1860-80. Box made of sandalwood with highly carved teak wood reliefs and panels on all sides. Edged with bone and ebony veneers and glorious sadeli mosaic, made from tiny pieces of faux ivory, pewter, green semi-precious stone. The box is in a sarcophagus form with domed lid. The original brass carry handles are on the sides. The interior is in great condition and consists of a removeable mirror under the lid portion, with the original red velvet lining behind it. The base is removeable and contains a number of lidded compartments. 6 of the interior lids on the base, are each inlaid with sadeli mosaic banding. The rest are also carved and chased. The interior is fully complete with 7 lidded faux ivory/bone, thread canisters with sadeli domes and the original bone thimble. The box sits on 4 brass ball or bun feet with the original velvet lining on the base. Some minor repairs and losses, but this box is fully complete. This is ‘rare’ as many of these boxes have not survived in such condition! Included in the sale are 2 photos that were in the box (under the base tray). Interestingly, one of them is a view of downtown Nassau, New Providence (Bermuda) from the early 20C and stamped on the rear. What a ‘journey’ this piece has made! Made in India … travelled to Bermuda, probably via Britain … back to Ireland (where we bought it) …. then to Texas! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th Century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! Of it’s type, this one, is one of the very higher quality one’s, than the norm! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

A Stunning Late Grand Tour Collectors Box 19th Century Mahogany & Ebony Pietra Dura Karlsbad, Germany. The Lid Is Decorated with Marble And Agate Geometric Motifs. With Continen...

Moorish Spain Arch Top Intricate detailed wood inlaid Marquetry Jewelry box. An Hispano Moresque Arch Top Wood Inlaid Marquetry Jewelry Box Casket. Moori...

A very attractive Japanese wood table top jewelry or collector's chest with marquetry and lacquer decoration, Meiji period, circa 1900, Japan. Previously in the collection of Asbjorn Lunde (1927 - 2017). The chest is crafted in the form of a Chinese seal...

This exquisite set of round boxes by Kifu Paris, crafted from cream shagreen, embodies understated luxury with its rich, matte texture that highlights the natural beauty of this exot...

19th century marquetry dresser box from England. This box is wonderful and the craftsmanship is stunning. The box is made of satinwood, and has marquetry and inlay made from mahogan...

Handcrafted marquetry Moorish wood inlay micro mosaic with miniature hand painted scene. Handcrafted khatam wooden box with very delicate micro mosaic marquetry from the ancient Pers...

A Handmade Victorian Burr Walnut & Inlay Tea Caddy With Brass Hinges A tea caddy is a box, jar, canister, or other receptacle used to store tea. When first introduced to Europe from Asia, tea was extremely expensive, and kept under lock and key. The containers used were often expensive and decorative, to fit in with the rest of a drawing-room or other reception room. Hot water was carried up from the kitchen, and the tea made...

Impressive antique Anglo Indian lidded box handcrafted in porcupine quills and ebony decorated with bone dots. The interior has nine bone decorated lidded compartments in a removable...

A gleaming maroon straw marquetry box with a gold foiled base. Compact, refined and irresistibly cosmic in its allure. The finishes, colours, size can be customised according to spec...

This antique wood storage or jewelry box features three drawers with a flip up top with mirror. The box has has lots of character, charm and patina including the brass hardware.

For your consideration, a vintage marquetry inlaid wooden jewelry box, often featuring a herringbone or chevron geometric pattern crafted from mixed exotic woods. Various shades of ...

Vintage Rajasthani Pietra Dura White Stone Inlay Taj Mahal India Style coaster plates. Rajasthani inlaid stone marble decorative set of 7 small roun...

19th century Anglo-Indian wooden box fitted with various compartments finely hand carved. The top is finely hand carved with the Taj Mahal. The interior with removable hand carved nine-lidded compartments, the front cover has a mirror, the whole exhibiting very fine workmanship. This fine late Victorian Anglo-Indian box from India is in great condition for it age. A beautiful example of an Anglo-Indian fine art...

Spanish Moorish Marquetry Walnut Trinket Box, Granada, circa 1940 An exquisite and highly decorative Spanish marquetry footed box, handcrafted in Gr...

Stunning mosaic design, this intricate wood box is made from multiple micro pieces of wood with some possible bone inlays. Gorgeous craftsmanship. A true work of art. Would be a g...

This is a very good quality English mid 19th C Victorian period box or document box with fine inlaid detail, having a hinged lid with a brass swan neck handle, dating to the mid/ ear...

Stunning mosaic design, this intricate wood box is made from multiple micro pieces of wood with some possible bone inlays. Gorgeous craftsmanship. A true work of art. Would be a ...

This exquisite set of two boxes by Kifu Paris showcases the luxurious craftsmanship and meticulous attention to detail that the brand is renowned for. Handcrafted in white shagreen, ...

This gorgeous octagonal wooden box with a slightly domed top is decorated in mostly shimmering mother of pearl fine quality inlay with some bone and black lacquer interspersed. The b...

Lapis lazuli hand carved mosaic lidded box, with white marble interior. Natural lapis stone has beautiful golden pyrite inclusions, like a sprinkling of fairy dust. The lapis mosaic...

A beautiful and top condition antique black forest jewelry box, carved on all sides. This rare and large jewelry box makes a beautiful accessory for a lady with an eye for fine arts. It is a very well fine carved gem and highly practical with a good working lock and key. The detailed leafs, branches and flowers on top and the marvelous blue...

PRESENTING a LOVELY 19C Anglo Indian Bombay MOP (Mother of Pearl) Sadeli Mosaic Trinket Box from circa 1875-85. Gorgeously detailed and hand-crafted ‘sadeli mosaic’ inlay, from the Bombay Area, with deep greens with silver, pewter, mother of pearl, bone and ebony in geometric patterns. The box case, is made of sandalwood but completely covered in MOP, bone, faux ivory, ebony and mosaic inlay. Edged with faux ivory and banded with a different pattern of sadeli mosaic. Some minor damage to the top (repair is obvious in pics) and ivorine replacements to some edging, but it still a BEAUTIFUL BOX and of real QUALITY! The mosaic work is FABULOUS! Box opens to reveal its original blue velvet lining. It sits on 4 (recently added) silvered button feet. SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

A fine and unusual Japanese black lacquer and mother of pearl inlaid box, Momoyama Period, 16th century, Japan. The large box and cover featu...

Antique Regency quality mahogany inlaid tea caddy having inlaid satinwood stringing, original ornate brass handles and escutcheon, lift up lid opening to reveal two tea caddies Dim...

Elegant vintage footed wooden music box with top finely hand painted and inlaid with foliages floral decor. Vintage Italian wooden music box with marquetry inlay featuring a lute and flowers. Marquetry is the art of creating decorative designs using different materials, commonly thin pieces of wood. Handcrafted Jewelry music box, made in Italy with lacquered finish, wood Inlay, red felt lined with hinged lid. The music box has a Swiss Reuge music box...

A beautiful oval Italian brass pill box with an inlayed floral glass micro mosaic millefiori design and twisted rope top lid, finished with a brass ...

English Regency Parquetry diamond inlaid hinged ebonized tea caddy with two lidded interior compartments, original ebonized knobs, stylized foliage borders, locking mechanism with ke...

This is a high quality large Tea Caddy from the English Georgian, Thomas Sheraton Period, Circa 1785. The Tea Caddy is rectangular with a hinge...

Antique 19th century Napoleon III era French Marquetry Boulle box. Red and black tortoiseshell with foliate brass inlay. Decoration on top includes the monogram LS. Rectangular form ...