Inlay Boxes

Exquisite handcrafted Middle Eastern mosaic marquetry inlaid walnut wood box. Small box intricately decorated with Moorish motif designs which h...

Antique handcrafted Moroccan jewelry wooden box with camel bone inlay trunk. A large early 20th century decorative Moroccan camel bone casket with bra...

Chinese Round Black Lacquer Box with Mother of Pearl Inlay, likely 20th Century Beautiful and useful 20th century. Chinese lacquer box of circular shape, the domed cover with flora...

Unique low cabinet with intarsia designed by the architect, artist and craftsman Viktor Lurje (1883-1944) and manufactured by Wiener Werkstätte GmbH, circa 1926. Together with Oskar ...

Felt-lined lidded box all handcrafted from natural stones Indigenous to the Philippines.

A beautiful modern style or Postmodern period marble and brass box with Jewish Star of David design, circa late-20th century, 1980s, 90s. Box, att...

Kingwood Inlay From our Tea Caddy collection, we are delighted to offer this Elongated Hexagonal Satinwood Tea Caddy. The Tea Caddy of stretched hexagonal shape with six matching pa...

FREE WORLDWIDE SHIPPING Opposing Pair of Boulle Boxes From our Boxes collection, we are delighted to bring to market this pair of opposing French Boulle B...

Fine antique Regency inlaid brass rosewood tea caddy having a spectacular inlaid brass top and carved moulded rosewood edge, lift up lid opening to reveal a fitted interior with the ...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by skilled artisans, ultimately making each piece unique, designed in Paris and produced in the Philippines. The Dandy Box is a chic accent piece for your home. The piece is lined with a removable velvet tray...

Mid-20th century Moorish Spain Inlaid Marquetry Mosaic Box. Handcrafted great geometric one of a kind Moorish design. Middle Eastern Syrian style, Moor...

A brilliant Kazaribako "Ornamented Box" made of glass by Japanese artist Kyohei Fujita (1921-2004) circa 1990s. The hand-blown green glass box featur...

Exquisite handcrafted box decorated with intricate traditional Middle Eastern marquetry. Made of dark wood with geometric inlays , it features a refined design of stars and repeating...

A handsome piece of early Tunbridge Ware dating to around 1835, William IV in era. Made from wood this small stationery box is decorated with intricate Tunbridge Stickware inlay. The interior has been professionally re-lined in a handsome hand-marbled paper; the size of the interior would suit...

Fitted Tunbridge Ware Sewing Box Interior From our Tunbridge Ware collection, we are delighted to offer this Tunbridge Ware Sewing Box. The Rosewood box of rectangular form extensiv...

In our workshop we apply eggshell lacquer to many things mostly using the inside of the eggshell. The mosaic pattern is achieved with a cracking motion using the ends of pointed tool...

This Tunbridge box still bank is indigenous to the Tunbridge ware cottage industries of the town of Tunbridge Wells, Kent, England in the 18th and 19th c...

An important early antique Italian Renaissance table box, handcrafted in Northern Italy in the 17th/18th century, cassone chest form, richly inlaid, the top and front panel with fruitwood banding framing...

With Tuscan Columns & Fan Inlay. From our Tea Caddy collection, we are pleased to offer this Georgian Harewood Tea Caddy. The Tea Caddy of octagonal shape with a Harewood veneer...

Early 19th Century walnut commode, the inlaid top with cookie corners over turned and fluted legs flanking three inlaid drawers and standing on turned turnip feet, French or Italian ...

This box is a jewelry box or a decorative box. It was made in the 1970s, in France. Its lid is made of a checkerboard rectangle in wood. It is brown in color.

Maitland Smith 1980s large tessellated stone and brass inlay decorative box. Light pink stone with light pink detailing. Brass banding retains unpolished patina.

Fabulous Anglo-Indian decorative box inlaid. Made in Vizagapatam, situated on the south east coast of India, near Madras. Great decorative inlaid pen box or jewelry box. Inside dimen...

A beautiful Tile Mosaic and Brass box with wooden interior - the box is made in Taxco by Salvador Teran, who started the famed Los Castillo shop. The maker of the box is likely Salv...

Elegant and finely crafted rosewood and ivory inlay traveller's writing desk from the late Mughal period of British India (circa 1825), on low bun feet. In excellent condition, with ...

A fine quality Regency Era / Georgian Period tea caddy set in sumptuous plum-pudding mahogany. Exquisitely hand-crafted in England at the turn of the late 18th / early 19th century,...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by skilled artisans, ultimately making each piece unique, designed in Paris and produced in the Philippines. The Wave jewelry...

1940s Marquetry Mosaic Wood Box Moorish Islamic Art Granada Spain Khatam Decor. Moorish Inlaid Marquetry Jewelry Box Spain. Dimensions Height: 2.5 in. ...

This box is a jewelry box or a decorative box. It was made in the 1970s, in France. Its lid is made of a checkerboard rectangle in Brass, and wood. It is gold and brown in color.

Large box built in spring wood with ebony veneer and geometric inlays in bronze and spring wood. The influence for this piece came from Marion Dorn's design of the black and cream g...

A 19th Century French Napoleon III marquetry box made of rosewood veneer with fine mother-of-pearl and brass inlay. The interior is lined in paper and the inside of the lid has a mir...

FREE WORLDWIDE SHIPPING Georgian harewood tea caddy of elongated oval form, veneered in harewood with inlaid decoration and fitted interior. The exterior is finished in harewood, f...

Regency Sarcophagus Shaped Box with Fan Inlaid Front, a Fitted Interior and Mirrored Lid, c1810. The top has an oval inlaid burl insert. The interior fitted with lift out, divided tr...

A decorative tabletop box crafted from wood and embellished with fine marquetry featuring floral and geometric motifs. The lid, front, and base display contrasting borders, symmetric...

Fabulous and large rosewood and teak fitted letter writing box with brass inlay. Numerous cubbies with lids for various items. Slotted back panel fo...

Antique Art Nouveau box or jewelry box with beautiful marquetry. The curved box is decorated all around with a so-called cube marquetry. By cleverly arranging different colored wood...

Raised on Four Legs with a Domed Top From our Jewellery Box collection, we are delighted to introduce into the market this stunning Tortoiseshell and Silver Jewellery Box by William...

English Georgian Chinroserie bow front tortoise shell tea caddy with a hinged tiered lid, Chinese landscape mother of pearl inlays with flanking pagodas, fences, & foliage trees, central paktong plaque and escutcheon, bone fitted interior border with two lidded tortoiseshell foil lined compartments, and resting on the original four bone ball...

A rare French marqueterie de paille (colored straw marquetry) sewing work box. Delicately hand-crafted in Provincial Burgundy, France, late 18th / ...

FREE WORLDWIDE SHIPPING Boulle stationery box by Leuchars & Sons, dating to the late nineteenth century during the Victorian period, circa 1880. The box is of rectangular form with...

Antique silver mounted hardstone snuff box with micromosaic view of St. Peter's Cathedral, Rome. Italy, early 19th century. Dimension: 2.4" W x 1.2" D x .75" H.

A Handmade Victorian Burr Walnut & Inlay Tea Caddy With Brass Hinges A tea caddy is a box, jar, canister, or other receptacle used to store tea. When first introduced to Europe from Asia, tea was extremely expensive, and kept under lock and key. The containers used were often expensive and decorative, to fit in with the rest of a drawing-room or other reception room. Hot water was carried up from the kitchen, and the tea made...

Late 19th c. early 20th c. Persian Footed Wooden Round Jewelry Box. Antique rare in round shape large Persian wooden box with marquetry called "Sadeli" or "Khatam Kari" with exquisit...

Luxurious red coral box from Maitland-Smith. This beautiful box crafted of authentic red coral tiles is luxurious and glamorous. Each of the pieces that ...

Middle Eastern Sadeli micro mosaic inlaid jewelry footed box with lid. Intricate inlaid box with floral and geometric Moorish design. Sadeli micro mosaic designs in mosaic marquetry, very fine artwork. Lined with red velvet and glass, top final and feet are brass. A highly collectible example in superb condition complete Circa 1900. Museum piece like the ones in Doris Duke Islamic Art Museum. Middle Eastern Arabian Micro Mosaic Moorish...

Late 19th-century English-imported tea box from China. Decorated with beautiful red and black hand-painted flora and fauna, and equipped with rectangular iron handles, the box is mou...

Lines of shagreen cover elegant tissue box, allowing subtle differences in the natural tone and texture of each panel.

Moorish style micro mosaic marquetry inlaid jewelry box with lid. Intricate inlaid Anglo Indian box with floral and geometric Islamic Moorish mosaic Sadeli design in a square shape form with mosaic inlay and marquetry, very fine artwork, lined in red velvet. Museum collector piece like the one in Doris Duke Islamic Art Museum. The repeating geometric patterns of Sadeli Mosaic are what give it beauty and richness. This decorative technique is a type of micro mosaic featuring repeating geometric patterns. A highly skilled craft, it has had a long history in India and the Middle East with early examples dating back to the 16th century. In the 1800s, it became popular as a decoration on a variety of boxes, card cases, and chess boards imported from India. Since Bombay became a center of making them, they became known as Bombay boxes...

Italian Modern Architectural Brass Inlaid Travertine Box, Circa 1970s Italy, Circa 1970s A sleek and sophisticated Italian modern architectural travertine box with brass inlay, mad...

19th century Anglo-Indian Mughal wood box, inlaid and hand carved with the Taj Mahal and some flowers all around. Jewelry box, Anglo-Raj box from India in great condition. Nice Mughal Bombay Box...

Fine George III octagonal tea caddy inlaid with various woods on a harewood ground, the central panels veneered with coucous wood and banded by holly stringing around a kingwood band, vines and berried...

A stunning Japanese Edo period lacquer tanzakubako, box for poem cards, late 18th-early 19th century, Edo Period, Japan. Attributed to the Igarashi School, this box is masterfully ...

A 19th-century Regency period rosewood and brass inlaid jewelry box, likely dating from around 1830. The box with a sarcophagus shape and featuring intricate brass inlay work, often ...

An exceptionally finely worked Persian Khatam-kari micro-mosaic jewelry box, handcrafted with thousands of minute inlaid elements arranged into intricate geometric star and rosette p...

Jewelry box in Marquetry of the 19th century Jewelry box in wood Marquetry, Napoleon III period, 19th century Contact us before ordering to confirm product availability. Dimensions...

Long ago, this elegant rosewood box was used by a Qing-dynasty lady to store her favorite pieces of jewelry, each drawer filled with jades, pearls, coral necklaces, and hair pins. Th...

19th century Anglo-Indian sandal wood box, Sadeli mosaic box fitted with various compartments finely hand-carved with the Taj Mahal. Of sarcophagus form ...

Antique Persian Khatam Marquetry Qalamdan Pen Box with Hand-Painted Equestrian Miniature, Circa 1940s An exceptional Persian Khatamkari Qalamdan (pen box), handcrafted in the celebrated tradition of Khatam-kari, one of the most prestigious decorative arts of Persia. Dating to the 1940s, this elegant rectangular sliding-lid pen case is meticulously decorated with intricate geometric micro-mosaic marquetry and crowned with a finely executed hand-painted miniature depicting a royal equestrian polo match. Traditionally used by Middle Eastern Persian scribes, scholars, and government officials to store reed pens, writing instruments, and inks, the Qalamdan became an important symbol of education, refinement, and artistic patronage. This example beautifully illustrates the marriage of functionality and exceptional craftsmanship that defines Persian decorative arts. The top lid features a richly detailed miniature painting portraying mounted horsemen pursuing deer across a stylized landscape, rendered in vibrant colors with remarkable attention to detail. The sides are decorated with exquisite Khatam marquetry, an ancient Persian micro-mosaic technique composed of thousands of tiny pieces of wood, bone, and metal meticulously assembled into intricate geometric star patterns. The interior is finished in black lacquer, while the sliding cover operates smoothly, preserving the elegant proportions characteristic of traditional Persian Qalamdans. Khatamkari has been practiced in Persia for over four centuries and remains one of the country's most labor-intensive and highly respected crafts. Similar geometric inlay traditions later spread throughout India, where they became known as Sadeli mosaic, influencing Indo-Persian and Anglo-Indian decorative arts. The extraordinary precision of the geometric patterns reflects the Islamic artistic ideals of harmony, symmetry, and infinite design. Originally intended as a writing case, this versatile piece also serves beautifully today as a jewelry box, keepsake box, pencil case, or luxury desk accessory. It is equally suited for display in a library, study, or curated collection of Islamic and Middle Eastern decorative arts. Origin: Asia Date: Circa 1940s Materials: Wood, papier-mâché, hand-painted lacquer, Khatam marquetry (micro-mosaic inlay) Style: Persian / Islamic / Indo-Persian Dimensions: Length: 8 in. Width: 1.75 in. Height: 1.25 in. Condition: Very good vintage condition with light wear consistent with age and use. Beautiful original patina with finely preserved miniature painting and Khatam inlay. An outstanding example of traditional Persian craftsmanship, this museum-quality Qalamdan is highly desirable for collectors of Islamic art, Persian antiques, miniature paintings, and Khatam marquetry. Keywords: Persian Khatam box...

Embriachi workshop marquetry casket Northern Italy, 15th century Alla certosina inlays (bone, stained bone, pewter and wood) H 28.2 x W 18 x D 14 cm This beautiful casket of rectangular form is richly decorated with the characteristic geometric patterns of the Embriachi style. The intricate geometric patterns are fashioned by juxtaposing lighter and darker pieces of wood, (colored) bone, horn and pewter. The lid and base are framed by a broad band of horn. When ivory became scarce in Europe due to disrupted trade routes, bone was substituted. The attention to Symmetry and balance created an harmonious visual effect Enhancing the overall aesthetic appeal of the casket. The application of geometrical motifs is in Italy known as marquetry ‘alla Certosina’, named after the Certosina Church in Pavia with its famous altarpiece decorated in this way. This is ‘intarsia technique’, a term derived from the Arabic 'tarsi', which means ‘incrustation' recalling ancient mosaics made from various materials. These geometric elements not only enhance the aesthetic appeal of the caskets but also demonstrate the versatility and skill of the artisans in creating multifaceted works of art. ‘Alla Certosina’ became famous through the Northern Italian Embriachi family who achieved a particularly high standard in working in this technique. Venice in particular was known for the production of these luxurious boxes. The caskets, hexagonal or rectangular, surmounted by a lid decorated in several registers constitute the secular, albeit equally renowned component of the workshop’s production, in addition to mirror frames and various everyday objects. The method of fabrication of those objects was based on two concepts that underlay pre-industrial production: standardization and modularity, thanks to a distribution of skills according to the different phases of fabrication. even the realization of the marquetry motifs (in the form of ingots from which portions of the desired size were cut) were therefore entrusted to various specialized craftsmen, as were the assembly phase. Today better known thanks to the extensive research work recently carried out by Michele Tomasi, this workshop owes its name to its founder and owner, the Florentine Baldassare Ubriachi (or degli Embriachi), a merchant and banker established in the Tuscan capital before he settled in Venice in 1395. Together with sculptor Giovanni di Jacopo, who directed the workshop, from the last years of the fourteenth century, Baldassare oversaw a production that was truly original, and still easily recognizable today, comprising monumental altarpieces and various objects, primarily triptychs and caskets. The precise location of the workshop is unknown, except that it originated in Florence and in ca. 1431 there was apparently a workshop in Venice, in the area of S Luca. They employed local workers specializing in 'certosina' (inlay of stained woods, bone and horn), and the workshop produced items carved in bone (usually horse or ox) with wood and bone marquetry. The geometric decoration of Embriachi caskets reflects the artistic complexity and attention to detail that characterized their work. this inlaid casket is a testament to the skill and artistry of the Embriachi family and serves as a stunning example of the decorative arts of the late Middle Ages. Related Literature : E. Berger, Prunk-Kassetten: Europäischen Meisterwerke aus acht Jahrhunderten / Ornamental Caskets...

PRESENTING an ABSOLUTELY GORGEOUS and EXTREMELY UNIQUE and RARE 19C British Tunbridgeware Micromosaic Lap Desk. This lap desk is unlike any of it’s kind we have seen before. From c...