Carrara Marble Candle Holders

A finely bronze fire-gilded ormolu mantel clock set with matching candelabras. Rich ornate with typical Louis XVI mounts, floral garlands, scr...

A play on the concept of pivots and supports, Fulcrum is a sculptural and monolithic candlestick whose cylindrical stem appears to balance on a central sphere. Includes large clear...

Pair of Louis XVI Style Gilt-Metal and White Marble Four-Light Candelabra Each with a 'jeweled' urn-form standard continuing to hoof feet, raised on a circular base, on squat toupie...

A pair sophisticated carrara marble and gilt bronze Candlesticks. Made in France during the 1780s. Louis XVI. Beautiful contrast between the white Carrara marble and the gilded de...

A play on the concept of pivots and supports, Fulcrum is a sculptural and monolithic candlestick whose cylindrical stem appears to balance on a central sphere. Includes large clear...

A pair of French Louis XVI candlesticks from the late 18th century. The stems and bases are made of white Carrara marble, while the fittings are burnished gilded bronze. The base is ...

With its holow carved in stone, Cetus evokes both an imprint left by Mother Nature and a challenge to the laws of gravity. A poetic approach to the material for an organic and benev...

This fine pair of French Louis XV style bronze candelabras with white marble bases embodies elegance, refinement, and timeless craftsmanship. Each candelabra features three gracefull...

With its holow carved in stone, Cetus evokes both an imprint left by Mother Nature and a challenge to the laws of gravity. A poetic approach to the material for an organic and benevo...

This French candleholder, in the style of Clodion, is mounted on white statuary Carrara marble. The patinated putto holds a candle support of flowering acanthus leaves. Circular and rectangular marble shapes...

This amazing pair of Louis XVI / Directoire period candelabra are of the finest quality. The figures are modeled as Roman Vestal Virgins issuing three scrolling acanthus leaf candle ...

With its holow carved in stone, Cetus evokes both an imprint left by Mother Nature and a challenge to the laws of gravity. A poetic approach to the material for an organic and benevo...

Orion opens new perspectives with the use of marble. With mechanical-like harmony , its delicate fins are meticulously set around a central element. Their shape highlights the fragil...

Pair of 18th Century Louis XVI French Ormolu Mounted Carrara Marble Pot-Pourri Vases / Casolettes on Lion’s Paw Feet This pair of Louis XVI casolettes is formed from smooth Carrara ...

An elegant and high quality pair of French 19th century Louis XVI st. white Carrara marble and Ormolu candelabras. This stunning pair of three arm candelabras are raised by a circula...

An Exhibition Quality Garniture de Cheminée By Jules Graux of Paris Of important size and supreme quality, the mantle clock constructed from white Carr...

A beautiful and high quality pair of French 19th century Louis XVI st. ormolu and white Carrara marble four arm candelabras. Each candelabra is raised by fine ormolu topie shaped fee...

A Magnificent, Exceptionally Rare, Museum Quality Pair of 18th Century English Ormolu Mounted, Hand-Carved and Hand-Polished Carrara Marble Cassolettes, By Matthew Boulton. These beautiful ormolu-mounted white marble cassolettes are by Matthew Boulton (1728-1809) and John Fothergill (1730- circa 1782) published in their Pattern Book No. 1 (page 171, figure t) and reproduced in Sir Nicholas Goodison's Ormolu: The Work of Matthew Boulton (New York, 1974, page 383, figure 161). Josiah Wedgwood (1730-1795) was a close friend of Boulton's and his patterns are thought to be the source for the medallions used on the plinths of these. Boulton's medallions of classical figures are almost identical to the cameos and intaglios made by Wedgwood and his partner James Tassie. Molds for these examples can be found in the Wedgwood Collection at the Victoria & Albert Museum. All derive from the same classical source of Renaissance gems. Many gem collections in Europe were widely published at this time and Boulton's library contained A. F. Gori's Museum Florentinum (1731-1766), in which gems from the Medici collection were engraved. The subjects of the medallions on this pair are: Pomona, a Roman goddess of fruit trees, gardens, and orchards, and depicted carrying a basket on her head overloaded with fruit, tumbling to the ground, shown once on each vase. Hygeia, once on each, with an olive branch in her right hand, as seen in Tassie's reproduction of Valerio Belli's gem, and holding a snake in her left hand over an altar. This was produced by Wedgwood both as an intaglio and as a cameo. Venus & Cupid, only on one vase, showing Venus leaning against a column with a pike, and giving a helmet to Cupid. Aesclepius, Greek GD of medicine, only on one vase, depicted with a snake wrapped around his staff .The last medallion subject is either Diomedes or Perseus, shown once on each vase, depicted as a conquering hero. Boulton asked patrons to choose from a limited repertoire of motifs, and therefore each vase or pair of vases is adorned with their own combination. Boulton used nine medallion subjects on recorded vases of this type. PROVENANCE & COMPS Another pair of this model, with slightly less elaborate lids and finials, from a private collection are illustrated in Goodison's Matthew Boulton: ORMOLU, (page 379, figure 153). A further example is in a private New York collection. This pair, which was acquired from Hotspur in 1981, was formerly in the Collection of Marjorie Wiggin Prescott, sold Christie’s, New York, 31 January 1981, lot 76. The Prescott Collection was one of the most important English furniture collections of its time. The sale consisted mostly of late 17th and 18th century English furniture...

Refined pair of carved Carrara marble candelabra. The candelabras have a Doric column shape, with a fluted, truncated-cone shaft, lending a unique and exceptional touch to the entire...

Pair of antique Russian rock crystal, doré bronze and white Carrara marble double light candelabrum in the form of a "waterfall." The candelabrum ...

A quite superb pair of French Louis XVIth transitional ormolu and white marble figural candelabra. Set on a square ormolu base with white marble socle. Each figure beautifully sculpted and hand finished by the Graveur after the fire gilding process. Both boy and girl hold an ormolu flower pot in which are two ormolu candle holders in the form of tulips. While unsigned, the form may be attributed to Prieur . Very fine condition with superb and original fire/mercury gilt ormolu and retaining hand cut screws and threads. Circa 1770. 16 inches tall by 4 inches square at base. JEAN LOUIS PRIER (le vieux) b Paris, 1732–6; d Paris, 6 May 1795). French sculptor, bronze-caster, designer and engraver. He may have been trained by his cousin JEAN-JOSEPH DE SAINT-GERMAIN. Prieur was accepted as a sculptor in the Académie de Saint-Luc, Paris, in 1765 and became a master bronze-caster and chaser in 1769. In 1766 he collaborated with Victor Louis and Philippe Caffiéri.

An elegant and most decorative pair of French mid 19th century Ormolu, Bronze and Carrara marble candlesticks. This stunning pair are each raised on circular white Carrara marble bas...

An elegant and high quality pair of French mid 19th century Louis XVI st. Glass, Ormolu and white Carrara marble candelabras. Each stunning three arm candelabra is raised on a white ...

Pair antique French Carrara marble and bronze D'ore candelabra, Circa 1880.

French Empire Caryatid Candlesticks with Carrara Marble Bases An elegant and finely composed pair of French Empire candlesticks, crafted in the early 19th century and embodying the...

Lyra is a torchbearer, a flaming metaphor, an anthem to the material. A marble piece cut in the mass which reveals a varying figure, sometimes oblong, massive, rounded, full or hollo...

The Vestalia White Bianco Carrara Marble and Brass Details Candleholder is a unique and eye-catching sculptural piece. When it is closed, the candelabrum appears like a monolithic ma...

A very elegant pair of French mid 19th century Louis XVI st. cobalt blue glass, ormolu and white Carrara marble three arm candelabras. Each candelabra is raised on a white Carrara ma...

A charming and most elegant pair of French 19th century Louis XVI st. white Carrara marble and ormolu two arm candelabras. Each candelabra is raised by fine topie shaped feet below t...

A superb pair of French 19th century Louis XVI st. white Carrara marble and ormolu cassolette urns. Each urn is raised by elegant topie shaped ormolu feet below the square white Carr...

These beautiful candelabra have the grace and form sought after by our collectors.

A Fine Pair of Ormolu-Mounted Candelabra in the Louis XVI Manner Constructed from Carrara marble with mercury gilded mounts, the vases are supported on square bases with laurel-wreathed socles; the marble ovoid bodies with ormolu foliate twinned handles and floral festooning; each candelabrum issuing a gilded bouquet of flowers with three candleholders. French, circa 1880 A nearly identical model appears in the daybooks of the famous l'Escalier de Cristal, described as "Candelabres vase marbre...

An exquisite pair of French 19th century neo-classical st. ormolu, patinated bronze and white Carrara marble candlesticks. The pair are each raised by a circular base with a moulded ...

Pair of magnificent quality antique French Louis XVI Gold-Bronze Carrara Marble Candelabras, circa 1850-70.

An elegant and high quality pair of French mid 19th century Louis XVI st. white Carrara marble and Ormolu candelabras. Each stunning candelabras is raised by a square marble base abo...

A very high quality true pair of French 19th century Louis XVI st. ormolu and patinated bronze, three arm candelabras. Each beautiful candelabra is raised by a square white Carrara m...

A stunning and most elegant pair of French 19th century Louis XVI st. Ormolu and white Carrara marble candelabras. Each beautiful three arm candelabra is mounted on a circular marble...

A stunning and most decorative pair of French 19th century Louis XV st. patinated Bronze, white Carrara marble, and Ormolu candelabras. Each three arm candelabra is raised by a circu...

A Pair of Regency Bronze, Gilt-bronze & Marble Candle sticks. Gilt-bronze candle cup above black paginated bronze eagles. The eagles clutching se...

An elegant pair of French early 19th century Louis XVI style with white carrara and black Belgian marble and ormolu two light candelabras. The pair are raised by a square white Carrera marble...

A charming and very high quality true pair of French 19th century Louis XVI st. ormolu and white Carrara marble candelabras. Each two arm candelabra is raised by a circular white Car...

A Large Pair of antique French Louis XV/XVI Patinated & Doré Bronze Putti Form Candelabra on Marble Bases. This Large Pair of 19th Century French Patinated and Doré Bronze Putti For...

These exquisite Italian candleholders, crafted in Florence during the Renaissance period, showcase the refined artistry and naturalistic motifs popular in the 1500s. Each piece is ma...

White Carrara Marble Candle Holder Contemporary Design Mother’s Day Gift Spain. Beautiful candle holder of unique and simple design, it is an inverted pyramid of solid marble. At the...

A great pair of heavy marble and brass candleholders. Brass ball fee support the brass pointed plate which on its turn supports the marble column like base and the brass holder. Eas...

Sculptural Brutalist candlestick by Jonathan Christian.   

Sculptural Brutalist candlestick by Jonathan Christian.   

For his first collaboration with oOumm, french designer Frédéric Saulou signs «Gamma», a marble candle holder evoking both a spinningssilhoutte ... and a flying saucer. Like a ring...

Pair of 19th century doré bronze 7-light marble base candelabras mounted as lamp. Each having bronze sabots leading to a white Carrara marble pedestal...

21st century 7- flame gold bronze and veined white Carrara marble candelabra. The bronze parts are made with the lost wax casting technique and then finely chiselled. This Candelabra...

Lyra is a torchbearer, a flaming metaphor, an anthem to the material. A marble piece cut in the mass which reveals a varying figure, sometimes oblong, massive, rounded, full or holl...

A beautiful union of brass and marble, the ‘Stargazer’ candleholders are inspired by orreries - mechanical models of the solar system used since class...

For his first collaboration with oOumm, french designer Frédéric Saulou signs «Gamma», a marble candle holder evoking both a spinningssilhoutte ... and a flying saucer. Like a ring ...

Toucana is a candle holder talking about dualism and optical illusion. It is also a tribute to architecture and brutalism movement with its offset and sharp cuts. A real statement ...

An exceptional and very high quality pair of French early 19th century Louis XVI st. patinated bronze, ormolu, and white Carrara marble candelabras circa 1805. Each five arm candelab...

A pair of Swedish late Gustavian candleholders in white Carrara marble and fire-gilded bronze.

Orion opens new perspectives with the use of marble. With mechanical-like harmony , its delicate fins are meticulously set around a central element. Their shape highlights the fragil...

Toucana is a candle holder talking about dualism and optical illusion. It is also a tribute to architecture and brutalism movement with its offset and sharp cuts. A real statement pi...

With its holow carved in stone, Cetus evokes both an imprint left by Mother Nature and a challenge to the laws of gravity. A poetic approach to the material for an organic and benev...

1 IN STOCK AVAILABLE NOW of these 21 Century Contemporary black marble Rovinette candleholders handmade in Italy by Ilaria Bianchi. Hand-turned candleholder...