Revival Candle Holders

Pair of George V sterling silver candlesticks. Made by Lionel Alfred Crichton in London in 1917. Each: Tapering and fluted pillar supporting urn...

Antique Pair of Solid Cast Brass Candlesticks Originel Patina The solid brass is sharply cast and well defined, and are an identical pair. They each stand solidly on large foot. Wei...

Elegant pair of single-light candlesticks, crafted from statuary marble and gilded mercury bronze. The candlesticks feature a tall pedestal base and a marble amphora-shaped body, enr...

A set of four very heavy tall cast Brass Church style candlesticks, a stunning addition to any festive table setting or mantle piece These sturdy and solid candlesticks are in Antiqued Brass finish, 13cm Wide x 42cm High and each weighs 2.83Kg and the neck is suitable for standard diameter dinner candles Made by Bella Figura Lighting...

A pair of cast iron candlesticks by "CJ Vombach Frankfurt A. Main Sachsenhausen" in neo-Gothic style Signed in de base inside Circa 1880 Height 19 cm

Pair of Silver-Plated Neoclassical Candlesticks, Antique English Table Décor An elegant pair of silver-plated candlesticks in the neoclassical style, finely crafted with fluted colum...

A pair of Swedish Girandoles Candelabra in cobalt blue glass, glass tears and gilded bronze. The base is made of white marble, from which a column emerges in cobalt blue glass that supports the gilded bronze balustrade...

A striking pair of antique wrought iron five-light candelabra floor stands, showcasing a beautifully aged blackened finish. These stately candleholders feature twisted iron detailing...

Pair of iron candlesticks in Italian neo-Gothic style with four-foot metal bases. Good overall condition, with excellent patina, wear commensurate with age and use.

Pair of English Gothic Revival-style (19th Century) bronze dore 3 arm candelabras with center arms. (PRICED AS Pair) 6.5" base diameter

This is a Neoclassical Style Pair of Gilt Bronze Candelabras. It depicts a pair of heavy bronze candelabras with four arms and fours sconces engraved with swags. The sconces have rou...

Stunning Pair of 7-candle Gothic Revival Brass Candelabra Anonymous Europe; 19th century Brass or bronze Approximate size: 13 (h) x 21 (w) x 4 (d) in. This pair of European bras...

Pair of tiered gilt brass European Gothic Revival pricket candlesticks with Solomonic spiraling stems Anonymous Europe; probably ca. 1900 Gilt Brass Approximate size: 23 (h) x 6 (...

Single 1920s Gothic Revival brass candelabra featuring a six-light branch configuration and an ornate tri-form footed base.

This piece is an antique French Louis XV Rococo–style wall sconce crafted in gilt brass designed as a decorative wall-mounted candle holder. Description Type: Single-arm wall-mounte...

A fine pair of gilt bronze candlesticks as standing female Egyptian caryatid figures surmounted with gilt bronze handled nozzles with lion masks, the candlesticks of tapering form, t...

Decorate a dining table or mantel with this elegant pair of antique silver-plated candelabras, crafted in France circa 1910. Each piece features two scrolling arms issuing from a cen...

Vintage Italian Florentine polychrome wood with gold leaf pricket. candlestick.

Ornate cast iron chandelier featuring a three-arm configuration with elaborate Gothic Revival detailing throughout. The fixture is built around a central column with layered scrollwork, branching into three arms that terminate in pierced basket-form bobeches. Each arm is reinforced with intricate foliate and scroll motifs, giving the piece a dense, architectural presence. The openwork cups retain their original drip pans, and the entire surface carries a dry, oxidized finish that emphasizes the casting texture and age. Suspended from a simple rod, the fixture reads as both decorative and structural-more akin to architectural ironwork than typical residential lighting. Unmarked example typical of early 20th century American foundry work, when cast iron lighting...

Large antique Meissen candlestick in hand-painted porcelain decorated with flowers, insects and birds. Man and girl. 19th century. Measures: 31.0 x 17.0 cm. In excellent condition...

A superb and intricately crafted pair of French gilt bronze candelabras, dating to the 19th century, exemplifying the grandeur and sophistication of the Egyptian Revival aesthetic. T...

Pair of finely modeled and cast 19th century bronze candelabra in the neo-Grecian, Greek Revival style, attributed to the Barbedienne foundry of Paris. Each 12 inches across and 38 i...

Refined pair of three-light girandoles lamps, crafted from hand-turned bronze and decorated with crystals. These pyramid-shaped lamps, each with three tips, are adorned with chains o...

Antique Meissen autumn figural candlestick in hand painted porcelain. Model number 1190. 19th century. Measures: 28.5 x 13 cm. In excellent condition...

This Louis XV style gilt bronze lamp resume the taste of Rococo period decoration. As this, vegetal motifs are all-over this piece and it features great elegance and opulence in the ...

Antique French Brass Candelabra Baroque Revival Lion Sculptural Large c1890. Direct from France, a superb and highly sculptural antique brass candelabra in the Baroque Revival style...

Beautiful and elegant palm tree holder made of painted and gilded wood, in the shape of a pod vase. The vase has a two-handed finish and recalls the classic style of the ancient "kan...

19th Century Bronze Full Body Greek Revival Caryatid Candlestick pair. These candlesticks exude timeless elegance, inspired by the Greek Revival period. Meticulously crafted from hig...

Monumental Gothic-style (possible English Aesthetic Movement) (19th Century) painted and decorated carved altar style candlestick.

This elegant three-arm candelabrum is crafted from polished stainless steel and dates from the 1990s. Its balanced proportions, reflective finish, and timeless silhouette make it a s...

A striking pair of French Gothic Revival altar prickets dating from the late 19th century, crafted in gilt metal with elegant architectural lines inspired by medieval ecclesiastical ...

Empire style candlestick, with a cylindrical porphyry base that rests on three bronze claws, the base is the support of the bronze figure of a sphinx or Egyptian character.

Imagine how amazing these Neo Gothic torchiere floor standing candle holders will look as the blood red candles cascade and dry over the chain links. No med...

A fine pair of French 19th century Gothic-Revival neoclassical style five-light gilt-bronze candelabra. The finely chased gilt-bronze tripod-leaf base, surmounted with floral rosette...

Solid brass seven-light adjustable candelabrum featuring a central standard with pivoting candle arms that expand into an arched display or fold inward into a compact horizontal conf...

This pair of antique converted candelabra lamps are unsigned, but presumed to have originated from France and date to approximately 1880 and done in a Renaissance Revival style. The ...

A pair of Tall Ebonised Tri Leg Torcheres. Perfect for adding a touch of vintage charm to any room. These stands feature a beautiful patina that enhances their timeless appeal. Ideal...

Hallmarked in London in 1901 by C. C. Pilling, this attractive pair of late Victorian, Antique, Sterling Silver Candelabra are in th...

Pair of large silvered bronze candelabra by Christofle, 19th century French, c. 1890 Height 71cm, diameter 42cm This extraordinary decorative pair were made by the renowned Parisian...

A pair of fine quality Egyptian Revival bronze candelabra with Egyptian masks around the centre candle cup and five arms with the additional candle cups. Th...

Pair of Early 20th century bronze, ormolu and wooden candelabra. Patinated Bronze Pharaoh Figures. Ormolu Candle arms. Wooden bases painted to resemb...

A pair of patinated massive bronze candelabra, by Sune Bäckström. Sweden, 1920s-1930s.

A Pair of 19th century, antiquarian, baroque-revival, brass, repousse, pricket candlesticks upcycled into a pair of table lamps, 27“ high Finely chased with characteristic Baroque...

Bronze, dark-brown patina, unmarked. Measures: Height: 23” Width: 14” The notion of an “American Rococo” seems a contradiction in terms. The very word rococo is as French as Camembert. It connotes a style that reigned along with Louis XV in the aristocratic decadence of the 18th Century. It was garlanded, nonchalant, associated with erotic marshmallow nudes by Francois Boucher and foppish courtiers costumed as shepherds pretending they understood Jean-Jacques Rousseau when all they really wanted was romantic dalliance in the formal gardens of Versailles. In the history of painting it produced but one great artist, Antoine Watteau. By contrast, Americans of the period are remembered as the flinty inheritors of New England Puritans, full of rectitude and having not a moment for furbelow or frippery. Such few painters as were around included hard-nosed realists like John Singleton Copley and Charles Willson Peale. Well, as it turns out, life once again acts according to the principle of paradox. There was an American rococo. It came to us indirectly via England disguised under the name Chippendale. Now for the first time the style receives comprehensive survey in the exhibition “American Rococo, 1750-1775: Elegance in Ornament.” Jointly organized by New York’s Metropolitan Museum and the Los Angeles County Museum of Art, it opens here Sundaywith a spread of some 170 works of decorative art and a conscientious catalogue with essays by Met and LACMA curators Morrison H. Heckscher and Leslie Greene Bowman. There are at least two ways of looking at the decorative arts. Connoisseurs appreciate their design and craftsmanship. Those of sociological bent examine objects of material culture for their revelations of history and the temper of the times. Actually neither view is complete without the other. Stylistically the rococo reveals a longing for intimacy in its small scale and an urge to organic nature in its love of stylized vines, tendrils, tiny flowers and seashells. If it were a new manner being promoted by Madison Avenue today it would probably be called “Baroque Lite.” There is an ease about the style that makes it airy, but it has an underlying formality that bespeaks lives of gentrified cultivation rather than beer-bellied sloth. It’s fascinating to examine the flintlock firearms on view and find these weapons of death shaped and decorated with the most exquisite care by wood carvers and metal engravers. All of this is completely consistent with the main currents of 18th-Century European thought. In France, Rousseau sang the virtues of nature and the noble savage like a present-day ecologist. In England, John Locke...

A stunning & superbly cast 19th century parcel gilt candelabrum in the Rococo taste, showing a sculptural central column of entwined bronze & parcel gilt bronze, rising from a pierce...

NEWPORT - Vintage pair of sterling silver candelabra - pattern number 16218 - weighted - classic traditional design - signed on the base - United States - mid 20th century. Good vin...

Great pair of carved wooden candleholders in neoclassical style with traces of old color Italy, circa 1850 Weathered, small losses and old repairs. Measurements are individual.

Designed in a classic French Rococo-influenced style, the piece showcases a flared top and base with elegant scrollwork and decorative detailing. The ornate painted surface reflects ...

Re-purposed as a holder for large candle or delicacies. Conceived as a Gothic Revival architectural ornament probably a finial. Shaped t...

Rare pair of 19th century, antiquarian, dutch sconces in the baroque-style each holding a small 4-arm chandelier -Versatile can be used as a wall sco...

Hallmarked in London in 1934 by Albert John Wilkins, this very handsome pair of Sterling Silver Candlesticks, are a wonderful Arts & Crafts & Gothic Revival mix of styles, and would fit a large candle, similar to an alter...

An exceptionally fine pair of 19th century patinated & parcel gilt bronze figural candelabra, executed in the Rococo manner closely associated with works by Claude Michel (Clodio...

A pair of Princely candelabra. Exceptionally fine engraved and moulded bronze. Fully moulded Designed figurines (Victoria). Overhead and hand held torch formed shaft with 12 fully...

A pair of bronze and gilt bronze candlesticks of well-cast classical women holding a torch which holds the candle. They stand on a triangular plinth base and are supported with tripa...

Vintage pair of bronze or brass candelabras in continental or traditional style feature 3 figurative arms and heavy, stable round bases. The candle holders are displayed lined up at ...

Handcrafted Egyptian Anubis Candle Holder Statue Ancient Egyptian God Sculpture Hand-Painted Stone Resin Ornament Home Décor 25 cm Bring the mystery an...

This magnificent clock set is signed ‘Le Roy’, most likely for Le Roy et fils. Founded in 1785, Le Roy et fils was an acclaimed French clock-making firm...

An antique Neo-Gothic brass church altar candlestick, dating to circa 1880. Executed in solid brass, the candlestick features a tall, architectural stem with finely turned baluster e...

An impressive and exceptionally well-executed pair of vintage multi-light figural candelabras by the celebrated United Wilson Porcelain Factory, produced in the late 20th century as part of the company’s sought-after Ormolu Collection. Inspired by the opulence of 18th-century French decorative arts, these monumental candelabras capture the theatrical elegance of Louis XVI Revival and Belle Époque design while offering the scale, craftsmanship, and visual impact prized by today’s luxury interiors market. Each candelabra is centered by a finely cast putto rendered in a deep chocolate-brown patinated bronze finish, seated dynamically upon an elaborate Rococo Revival base. The figures form a true mirrored pair — a hallmark of superior foundry production — with each cherub balancing an expansive gilt botanical branch that sweeps upward into a dramatic bouquet of open lily blossoms, curling stems, and sculptural buds. Every fully opened lily functions as an individual candleholder, creating a layered canopy of light and movement reminiscent of grand European palace interiors. The contrast between the dark patinated figures and the luminous gilt-metal floral elements creates the distinctive two-tone aesthetic associated with traditional French ormolu. The richly ornamented bases feature scrolling acanthus leaf feet, beaded borders, diaper-pattern latticework, and oversized cartouches, all executed with remarkable casting precision. The detailing throughout — from the putti’s expressive features and musculature to the ribbed petals and winding foliage — reflects the uncompromising craftsmanship that made United Wilson’s luxury revival pieces highly desirable among collectors, designers, and international clientele during the 1990s. Stamped to the underside with the authentic crowned “JUWC 1897...

A fine pair of neoclassical style gilt and patinated bronze nine-light candelabra by Ferdinand Barbedienne, French, Circa 1870.