Revival Mantel Clocks

A rare and highly desirable antique French Gothic Revival three-piece clock garniture in gilt and patinated bronze, circa 1850. The set comprises a cathedral-form mantel clock in fin...

Rare and great folk-art workmanship mantel clock for the collectors and enthousiasts. Over the years we have had the pleasure of owning and selling a number of beautiful Black Forest antiques, but never did we come accross a 19th century Black Forest, Folk Art table clock of this design and subject matter and with such amazing natural organic details. This small church or chapel-like 'clockhouse' is entirely handcrafted out of all kinds of wood, but the most eye-catching is ofcourse the organic root wood. Each piece is like an abstract sculpture and depending on how you see things, they may look like one thing to you, but like something completely different to the next person. Because of all the natural materials that were used this small church has a stunning organic look and feel, but what really takes it to another level is the bell striking mechanism. Every six hours the church bell will ring many times, the door on the left will open at every 'strike', revealing the original monk sculpture inside (as shown in the attached video in this listing). With the hand carved crucifix on the right side being made of the same color and materials, it totally blends in with the entire organic design of this Christian antique. Over the many decades this good size and rare antique clock has also grown the most amazing patina and with the natural beauty and unique artisanship that it radiates people will want to stop and study its uniqueness. This work-of-art-table-clock comes with a single day clock mechanism, protected from dust by the original 'back door'. It runs and strikes perfectly and comes with an antique key for winding it. Apart from a few minor imperfections, this rare antique is in excellent condition, which makes it perfect for lovers of unique and rare clocks in general and for Black Forest and Christian Folk Art collectors in particular. Mind you, our fair price for this sizable antique cuckoo clock...

PRESENTING A STUNNING Mid 19th Century French Slate & Bronze Mantel Clock by Marti with pair of slate and bronze candelabra’s as garnitures. This ‘large’ mantle clock, was made circ...

Large antique (late 19th century) French figurative clock from the Greek Revival period depicting the goddess, Selene, after the original sculpture by Auguste Moreau (French, 1834-19...

Very fine English early to mid-19th century Gothic clock of important scale having carved and gilt pediment and polychrome decorated case with trefoil tr...

Morris and Co, In the style of, An Aesthetic Movement noir belge and red Marble gilded mantle or bracket clock with an important Gay Vicarino & Co French...

Wonderful clock for the collectors of truly stylish Gothic antiques, by W.H.Tooke, Paris. Finding this unique (Germany made) Gothic table clock again felt like a blessing. The overall design is remarkable, but the combination of the craftsmanship of the bronze components and the hand crafted and hand painted Gothic porcelain plaques is what takes this clock to the next level. Whenever you find a piece that is this good then you can rest assure that there is a maker's mark. This late 1800s work of beauty was made and marked by the prolific Parisian clock...

A mid 19 century French Gilt Bronze Gothic style mantel clock and garniture which the French call " A la Cathedrale". The three pieces are of finely chased and gilded bronze; the cl...

There are clocks that politely tick in the corner… and then there are clocks that look as though they were appointed by decree of the Empire itself. This superb 19th-century French ...

Gilded and Patinated Bronze Mounted Renaissance Revival Mantel Clock with blue enamel detail This highly ornamented clock from the renowned E.F. Caldwell company is an incredible ex...

This wonderful 1920s Egyptian Revival clock is surmounted with an Assyrian style lamassau (human headed winged lion) and flanked by a pair of re...

~ French - Circa 1890 ~ ~~ Excellent condition, fully overhauled ~~ A superb antique French mantel clock, finely cast and patinated, depicting the iconic embrace of Psyche Revived ...

Egyptian Revival Grande Sonnerie clock from the Biedermeier period. It features animated workmen that swing an anvil, pump bellows while making a 'clac...

The clock having domed trapezoidal case, dome with bronze relief to front depicting a partial gilt Egyptian goddess, Isis, flanked by cobras and lotus scrolls, red marble ribbed columns to sides, clock face with gilt egg-and-dart border, gilt hands and mounts, clock face engraved BIGELOW KENNARD & CO. BOSTON, double-barrel clock movement by Achille Brocot, down to chained sphinx protruding from lower case, raised on stepped plinth. This vintage mantle clock...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Rare & fabulous Antique Napoleon lll clock garniture with incredible quality bronze sculptures. You will rarely see a clock garniture with bronzes of this quality and detail. The bearded thinker/philosopher on top of the marble clock is simply astonishing. His natural poisture, his hair, face and hands, but also his clothes, it is all of a quality and detail that only a master sculptor can achieve. And the patina also is just perfect. The philosopher is marked on the back and it reads 'BE x'. The two bronze female (classical maiden) sculptures are in fact two stunning candle holders and they too stand on beautifully shaped black marble bases with cartouches. These majestic candle holders are marked on the sides 'L.V.E. ROBERT' (Louis Valentin Elias Robert) and on the back they read 'AD x'. The black marble clock comes with a circular dial face with gilt Roman numerals and this clock has a well working movement. The movement is stamped 'DENIERE / A PARIS' and '2165'. On the bottom it reads A.Blacher and there also is a cachet with 'MEDAILLE D'OR / Paris / 1827'. If you like this one of a kind, clock set as much as we do then you will love our price. Especially, since perfect packing (in a custom made crate) and worldwide delivery from our store to your door in just 4 days are complimentary. Maximum clock height x width x depth: 22 x 17 x 8.5 inches. The large figure candle holders...

A fine Egyptian Revival mantel clock retailed by D. Munsey of Cambridge, circa 1880s, black marble and slate clock case with elaborate bronze mounts. The architectural case is surmo...

A very striking twin fusee bracket clock in an Egyptian revival style case by Paul Philip Barraud. The eight day movement with unusual round plates of thick brass engraved on the bac...

This impressive and finely cast gilt-bronze mantel clock is a superb example of the 19th-century French Rococo revival, after the celebrated designs of the bronzier Robert Osmond. Bo...

Rare and wonderful antique clock from the early 1800s. Marked: S. Devaulx, Paris. Having an impressive, stylish and sizable antique clock like this gracing your mantel piece or sid...

Gilt bronze eagle and marble ball clock. France, circa 1900.

A TIFFANY & CO. EGYPTIAN REVIVAL MANTLE CLOCK, AMERICAN, 1880s, a bronze ormolu and marble clock made by L. Marti et Cie for Tiffany & Company, marked on clock face, "Tiffany & Co." ...

A magnificent Renaissance style clock by the renown Parisian clockmaking firm of Le Roy &Fils. Beautifully modelled in finely gilded bronze and finely decorated with exquisite polychrome champlevé enamel. The case is formed with an arched swan neck pediment surmounted by a turret with elaborate finial. To the sides are charming figures of cherubs clutching the baluster turned pillars. A third cherub is seated above the dial. The dial is also gilded bronze with champlevé enamel and is complete with original finely blued steel hands. The clock is decorated in the round with a frosted glass rear door. Please note that this type of clock does not have a glazed bezel to cover the dial. The French movement is of high quality and is by Vincenti et Cie. It is in excellent clean and running condition having been fully overhauled by our clockmaker. Pendulum is original. It runs for 8 days and strikes the hours and halves on a bell. We have a video of the clock, please ask and we will send you a link. Condition of the case is excellent, the original gilding is particularly good with only minor wear where the clock has been handled and some light marks and discolouration. The rear most bun feet are missing however the clock sits very well without them. Rear frosted glass has some marks. Enamel is very good. Established by Basile Charles Le Roy in 1785, the firm of Le Roy et Fils became a well-established and renowned clockmaker. Basile had been Napoleon's master clockmaker, and along with his son Charles-Louis, he worked for Princess Pauline and the Duke de Bourbon as well. Examples of the firm's work are included in all of the major world collections. The firm was located at the Palais Royale from 1785, the year of its founding, through the death of Charles-Louis at Versailles in 1865. A shop was opened in London, in 1854 at 296 Regent Street under the name of Le Roy and Son. The name was later changed to Le Roy and Fils...

A small, svelte French portico clock from the Directory Era, 1795-99. In the "Retour d’Egypte” style that became quite the hot thing following Napoleon’s - ahem! - incursion into Egy...

A black and red marble clock in the shape of an Egyptian temple attributed to G. Servant, flanked by double columns inscribed with hieroglyphs and ornated with a winged uraeus, all made in two patina bronze. The clock is surmounted by a patinated bronze sphinx. Resting on four bronze faces wearing the nemes and terminating in lion paw feet. Georges Emile Henri Servant (circa 1828-1890) who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his sphinx clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York (A similar clock is now exposed at the Metropolitan Museum of Art, New York). But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

A very fine English twin fusee mantel clock in the Rococo Revival taste. The eight-day movement strikes on a bell and features a heavy pendulum bob with top adjustment, suspended fro...

Spectacular & pure Gothic design clock for the collectors of truly unique and stylish antiques. A particularly striking example of the Gothic Revival, this French skeleton clock by ...

A gothic revival bronze and brass bracket clock with a 5-inch silvered convex Roman dial. The twin fusee movement strikes on a bell, with a heavy high quality pendulum and hold fast...

English Gothic Revival style (19th Cent) gilt mantle clock with silver plate decoration and supported by 2 gnome figures with a pediment having a fi...

Clock and candelabra trim. Blued and gilded bronze, marble. Raingo Frères, Aaria, Clodion. Paris, France, second half of the 19th century. Working. The two candelabras follow a model highly appreciated in the 19th century of a bronze figure of a bacchante (a common figure in the procession of the classical god...

This magnificent three-piece mantel clock garniture exemplifies the height of French Empire Revival design in the 19th century—where classical grandeur, refined materials, and superb craftsmanship converge to create a work of both artistry and precision. The Clock (Centerpiece) The clock stands as a figural masterpiece rooted in the Empire aesthetic. Its rectilinear case is crafted from deeply polished black Belgian marble (or slate), the dark surface setting a dramatic stage for the richly gilded bronze ornamentation. Above, a patinated bronze figure of a seated muse—likely Clio, the Muse of History, or Urania, the Muse of Astronomy—rests elegantly beside a lyre, symbolizing art, knowledge, and harmony. The frieze features remarkable ormolu embellishments, including medallions depicting the Arethusa head type, inspired by ancient Greek coinage from Syracuse, Sicily (circa 400 BC). The base is finished with bold scrolled tiger feet...

An elegant neoclassical bronze portico clock. The patinated bronze with gilt bronze accents with round white porcelain dial. The four columns on each side with a plinth base at the...

Large clock in the style of Egyptomania, in marble of different colors, decorated with stylized hieroglyphs, falcons and scarabs. It is topped with a sphinx in patinated bronze. Eg...

This fine French Verdi marble and bronze mantel clock, circa late 19th century, is a remarkable example of neoclassical artistry and precision timekeeping. The piece features a beaut...

This clock set is designed in the Egyptian Revival style, which was in vogue in Europe and America in the 19th century. The fashion was kick-started by Emperor Napoleon I’s campaign in Egypt in 1798-1799. This led to the publication of ‘Le Description de l’Égypte’ (The Description of Egypt) in 1809 (and a second edition in 1830), which documented various aspects of Egyptian culture, including the pyramids, antiquities, ancient and modern buildings, Egyptian clothing...

Antique Gothic Revival porcelain clock by Dagoty & Honoré French, c. 1830 Measures: Height 51cm, width 25.5cm, depth 17cm This beautiful Gothic Revival style porcelain clock was made by the prestigious French firm Dagoty and Honoré, founded by the esteemed porcelain makers Pierre-Louis Dagoty and Edouard Honoré...

Lenzkirch Mantel Clock from the Early 20th Century in Walnut Case Lenzkirch Mantel Clock, dated around 1903-1905. The piece features a wooden c...

A very good quality Regency period Mahogany Gothic influenced mantel clock, having delicate carved finials, cluster columns to the sides, the silvered dial with Roman numerals, a thr...

A 19th century Neo-Egyptian style mantelpiece in green onyx, black marble and bronze. It consists of a clock topped with a sphinx bearing Egyptian writing and symbols. On either side...

A true museum piece, this beautifully sculptural clock could easily find its home in a traditional environment, or be a functional and explosive counterpoint to a minimalist interior...

This beautiful clock set, which comprises of a mantel clock and a pair of vases, was designed in France in circa 1870 in a wonderful Renaissance Revival style. The set has been craft...

Renaissance Revival enamel and gilt bronze mantel clock French, late 19th century Size: Height 53cm, width 29cm, depth 22cm The mantel clock i...

Le Roy & Fils (French 1785), Baroque Revival parcel gilt bronze mounted and mixed marble mantel clock, mid-19th century, having a foliate finial, domed hood with plaque reading "1640...

Small table clock in gilt brass richly decorated with openwork scrollwork, acanthus leaves, flowers, and masks in multicolored enamel. The main faces...

A good quality late 19th Century French Pink marble and gilded ormolu mounts, of a sun burst and swags above the Lyre. A white enamel clock face wit...

Carl Ranch's eff. small antique mantel clock is a beautiful and unique timepiece crafted in France in the 1850s. The case of this exquisite clock is designed in the Rococo Revival st...

This rare Renaissance Revival garniture, consisting of a clock and pair of boxes in form of chalices with hinged bonnets, is richly decorated with numerous hand-painted medallions with portraits of medieval French...

Renaissance style gilt bronze and enamel mantel clock French, late 19th century Measures: Height 53cm, width 28cm, depth 23cm This exquisite mantel clock is crafted in the idios...

Attributed to Emile Herbert, French, 1828-1893. Comprising a central clock and a pair of flanking lidded vases, the clock on a red and black marble base with Pharaoh busts...

An early 19th century French eight day silk-suspension, striking clock, contained in ormolu case mounted with vases and urns of flowers with well-cast b...

PRESENTING A STUNNING mid to late 19C French Japy Freres & Red/Magenta Sevres Porcelain Mantle Clock with Garniture Candlestick Ewers. The clock movement is by the famous Parisienne Clockmaker … ‘Japy Freres’ and the clock dial has the marks for “JAY” (short for Japy Freres) & “Paris” on the dial face. The clock mechanism and clock face/dial have matching serial numbers of “7225”. The movement also has the numbers: “5 – 2”. The clock face/dial also has the initials: “D.H.”. The gilt ormolu clock case is gilt spelter and is signed on the rear base, for having been made by “P.H. Mourey” of Paris, who worked with and for ‘Japy Freres’, towards the end of the 19th Century. The signature of ‘Mourey’ also bears the numbers “85” … probably for 1885, but could also be the serial number. Taking into account Mourey’s historical association with Japy, being late 19th Century, we are leaning heavily towards this being the date of manufacture i.e. 1885. The Clock has RARE red/magenta Sevres hand-painted porcelain paintings/additions, to include:- (i) a 2 handled and lidded urn on the crown with pointed flame finial, (ii) a pair of bulbous urns either side of the main body and clock face, (iii) the clock face and dial itself and (iv) a flat rectangular medallion on the front base. The crown urn and the base medallion both have similar themes, but different painted scenes, depicting French rural countryside scenes with cottages, rivers and bridges. The porcelain urns on the sides, likewise have hand-painted images of a young boy, in rustic period attire on the right and a young girl on the left. None of these paintings appear to be signed. The clock case has GLORIOUS detail to it, with scrolls, ribbons, vines, grapes and Corinthian columns. The clock sits on a custom made gilt wood and burgundy velvet plinth, that is original to the piece and was a common accent with ‘Japy Freres Clocks’, when originally retailed in their Paris shop. The rear of the clock is plain and the perspex/clear resin plate insert, is a new addition, but a nice addition, in that it allows one, to view the movement and pendulum works. The clock is an 8 day movement with a strike on the hour and half hour. The clock face has 2 winding holes … one for the pendulum movement and the other for the striking chime/ring. Unlike British clocks this clock does not have a long musical chime … it is a simple ‘single strike’ on the half hour. The red/magenta Sevres porcelain clock face/dial is in SUPERB condition. Roman numerals with gilt accents and a hand-painted circular wreath/bouquet of spring flowers on the center section. To complete the set, we have a matching pair of gilt ormolu spelter and hand-painted red/magenta Sevres porcelain Ewers … which can hold a single candle each. The porcelain urns on the central section, have hand-painted images of a young lady in rustic period attire … fishing on the riverbank on the right and a young man playing the flute in the countryside on the left. The front base medallions on each ewer have hand-painted wreaths/bouquets of spring flowers. The clock facing side of the porcelain urn on each Ewer, has a brass ormolu applique head, of the Greek god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre, namely, Dionysus. The plinths are signed on the rear top left corner, and we think they read: “R.P. Unfaut”. They also bear the numbers “61” and “69”, Again, possibly for 1861 and 1869, but here we think it is more likely they are serial numbers, as it is highly unlikely that a matching pair were made 8 years apart! Whilst we cannot find any information on ‘R.P. Unfaut’, we can only guess that he/she/they worked with, or for, ‘Japy Freres’, as these ewers are unmistakably, a ‘superb’ match for the clock! The style, subject matter, gold banding and edging, around the paintings, are virtually ‘identical’ to the same decorations on the clock’s porcelain paintings. The Ewer on the left (with the boy playing the flute) appears to have a faded signature on the gold border of the painting towards the base and we think it is the signature of ‘Alexandre Evariste Fragonard’ …. one of the best known artists attached to Sevres in the mid 19th Century … meaning, that these Ewers were probably made circa 1845-50. The quality and detail to these 2 paintings is classic Fragonard! We are of the opinion, therefore that these garnitures, were made circa 35/40 years before the clock, as Mourey was prevalent with Japy around 1880 – 1900. The clock paintings are of a very similar, rustic ‘Fragonard Style’ subject matter and although unsigned, could possibly have been painted by a Sevres artist, to replicate the Fragonard paintings...

A Garniture de Cheminée in The Egyptian Manner Constructed in Algerian onyx and ormolu, comprising a large clock and two side pieces; rising f...

This fine clock has much to recommend it. The bronze mounts are gilt ; the green marble is Verde Antico ; the glass panels are bevelled ; the pendulum is gilt and engine-turned. It i...

A large and exceptional antique French ormolu clock, designed in the style of the sculptor Léon Messagé and bearing the foundry mark of Jollet et Cie. Executed in finely gilded bronz...

A superb gilt bronze and Sienna marble clock depicting Urania (muse of astronomy).

An elegant French mantel clock/pendule, made of gilt bronze. The whole in Louis XV style. The clock is made in France 1880-1890. Fine bronze case with typical asymmetric floral motifs in Rococo style. The dial is enameled, at the Roman number VI is a small damage on the enamel. The clock is in good condition and workin order, it have the original gilding. The clockwork have a 8-day movement and strikes every half our on a bronze silver plated bell.

Unique French-Style Mantel Clock With Candelabras, Early 20th Century A unique French-style set with a mantel clock and two four-arm bras...

A highly decorative and beautifully modelled French gilt-bronze mantel clock, of elegant Louis XV Rococo revival design, surmounted by an exceptionally charming putto. Set within the...

Mantel clock softwood decorated mahogany inlaid in light wood with flowers and foliage. White enameled clock face with Roman and Arabic numerals. Empire style, circa 1900. Measures...

A late 19th century French gilded bronze clock on a gilded wood base. On the left side of the Rococo-style base which resembles rolling wave...