Metal Clocks

A Fine Napoléon III Gilt-Bronze Three Piece Clock Garniture Comprising a mantel clock and a pair of seven-light figural candelabra. Designed as a celebration of music and lyric poe...

AN EMPIRE ORMOLU BUST OF HOMER After the Antique The bearded bust of Homer on a rectangular clock decorate with lyres and gryphon heads on the side

- Clock made by Pragotron in former Czechoslovakia during the 1970s - Was used in factories, schools and railway stations - Black metal body - Aluminium dial and hands - Clear gl...

A very impressive and stylish early 19th Century gilded ormolu and green marble mantle clock, having two classical maidens either side feeding Rams, an Eagle above the circular white...

Fine quality antique Victorian mantle clock, having a fine quality antique Victorian mantle clock with a black case with gilt metal columns to the side of the black dial with gold Ro...

Antique Lefèvre DeBelle French Empire Ebonized & Gilt Bronze Mantle Clock Signed C1820 Measures - 15" x 8" x 4 3/4" A French Empire mantle clock by Lefèvre DeBelle, dating to circa...

FACTORY / HOUSE: Tiffany & Co. by Concord STYLE / REFERENCE: Alarm METAL / MATERIAL: Nickle CIRCA / YEAR: 1950's DIMENSIONS / SIZE: Length X Diameter MOVEMENT / CALIBER: Manual Wind...

Victorian Gorge case carriage clock. Victorian carriage clock in a finely gilded gorge case, standing on a raised base with pad feet. Bevelled g...

Amazing clock depicting the tale of Amor and Psyche which Is about the god of love in Greek mythology. Large bronze Dore figures adorn the pediment standing on a rectangular Marble b...

French Louis XV-style (19th Century) bronze miniature grandfather clock with lattice design and scroll pediment top (Not working)

Modern grandfather clock by Howard Miller, chrome and Lucite.

An extraordinary example of Empire period craftsmanship, this grand French mantel clock was created circa 1815 by the esteemed sculptor and clockmaker Albert Ernest. It exemplifies t...

MANTEL CLOCK "Au bon sauvage" or "PORTEFAIX", late Empire, after a design by J.A. REICHE (Jean-Andre Reiche, 1752-1817), Paris, 19th century. Gilt ...

Stunning sunburst wall clock made of brass, metal and glass. One of the most beautiful models I have seen to date. An eye catcher par excellence. Made in Germany. Electric, batt...

Beautiful Parisian table clock in the shape of a lyre in ebonized wood with gilt bronze applications. Silk thread suspension, weekly winding, strikes t...

French Empire Mantel Clock Bergmiller Circa 1810 A radiant expression of French Empire luxury, this exceptional mantel clock by Bergmiller combines the artistry of mercury-gilt bron...

Stunning and completely original, antique oak grandfather or lantern clock, circa 1750. This very old grandfather clock is one of the tallest w...

Rather stylish wooden 8 day mantle clock dating to the 1930's and French in origin. The white enamel dial is set within a brass chapter ring which in turn is frame in a two tone of Mahogany and ebonised casing. The protruding stepped fins to the side of the case gives the edge to the overall appearance. It's a wind up mechanism so not concerns for pendulums...

Triptych clock in gilded and chiseled bronze with carved and gilded wooden bases. The clock with a large rectangular base features finely worked burin d...

Mid-Century Modern Howard Miller floor clock. Black lacquer with half round chrome trim. Wood paneled front. Chimes need adjustment does not ...

Fantastic quality antique Victorian carved walnut Vienna wall clock having a quality carved walnut case with reeded turned columns, having all the original finales, fantastic shaped ...

An original antique 19th C French Renaissance revival cathedral architectural theme mantle clock in solid gilt ormolu bronze (or brass) by S. Marti (stamped H & F Paris). Clock ...

Industrial wall clock was produced by Pragotron in former Czechoslovakia during the 1980s. It features a white aluminium dial and a curved plastic glass cover. The piece has been con...

An outstanding quality antique gilded bronze & Sevres porcelain French 3 piece, 8 day clock garniture with candelabra, by Brocot & Delettrez, Paris, circa 1870. The clock with an 'egg' shaped urn made of cobalt blue Sevres porcelain with a hand-painted panel with a neo-classical beauty and a cupid, the rear is painted with gilt birds & floral decoration. The urn with gilt bronze handles to the sides held in the mouths of lion's masks, the clock below also with sumptuously decorated with gilded cobalt porcelain panels, the clock dial with black Roman numerals & is finely painted with two horses and a chariot with a putti falling out of the chariot. The clock has two winding arbors one for the 8 day time wind the other for a chime, the clock chimes the hours on a soft delicate sounding bell, the clock is in full working order and was recently professionally cleaned. The clock is complemented with a pair of gilt bronze & cobalt blue Sevres porcelain four branch vasiform candelabras, decorated with oval panels to the front with putti & Neoclassical maidens, the back panels finely painted with birds, each candelabra is in two sections and raised on gilt bronze bases with corbel brackets & acanthus leaf feet. The bronze casting is very likely by the Barbedienne Foundry in Paris, as the quality is outstanding, the clock is stamped "BD" for Achille Brocot (1817-1878) and Jean-Baptiste Delettrez (1816-1887), they were two of the most important French clock makers of the mid to late 19th century, please see some biography below. The clock is mechanically & cosmetically in excellent condition, and was recently overhauled by a clock-smith, the porcelain & ormolu are also in excellent condition, one of the very best investment quality gilt-bronze & Sevres porcelain clock garnitures by the top French makers of the period, circa 1870. This garniture will be professionally crated for shipping. Delettrez and Achille Brocot, son of the respected clockmaker Louis-Gabriel Brocot, established the clockmaking company "Brocot et Delettrez" in Paris on 20 October 1851, with premises at 62 Rue Charlot Paris. Jean-Baptiste Delettrez worked alongside Achille Brocot for several years and their clock movements are considered to be the most effective made during the late 19th century. Their specialty was a range of clocks based on the innovations of Brocot père and his other son Antoine, but generally of Achille's greatly advanced original design, some having a unique single-arm double-wheel escapement, some having a temperature-compensated pendulum, some having two dials, one of which showed the time and the other which showed a calendar and often other information such as phases of the moon, times of sunrise & sunset in Paris, etc. The firm was awarded a 1st class prize at the Paris World Exposition of 1857 for a commercial clock...

Grand scale boulle Cartel clock and matching plinth, the ebonized wood case is embellished all-over with gilded bronze mounts (re-gilt). The medall...

A very good quality 19th century French gilded ormolu Louis XVI style mantel clock, having wonderful scrolling foliate decoration in the Rococo style, garlands of flowers draped eith...

A Monumental and Exceptional French Ormolu and Turquoise Sevres Porcelain Clock, circa 1875 Immerse yourself in the splendor of 19th-century French artistry with this monumental and...

A handsome Tiffany & Co. Swiss made atlas travel clock. Silver plated inside with a black alligator leather patterned finish on the outside. Slides ...

No Screw No Glue is an iconic range of furniture and objects designed by Joost Van Bleiswijk in which the components are laser cut and assembled by slotting the pieces together. As t...

FACTORY / HOUSE: Tiffany & Co. by Charles Hour STYLE / REFERENCE: Art Deco Desk or Mantle Clock METAL / MATERIAL: CIRCA / YEAR: DIMENSIONS: Length 10 inch (25cm) X Width 10 inch (25...

Antique neoclassical style three-piece gilt bronze clock set French, late 19th century Measures: Clock: Height 57cm, width 74cm, depth 23cm. Candelabra: Height 83cm, width 27cm, d...

A superb sub miniature silver and light blue guilloche enamel carriage or boudoir clock by Juvenia, in leather carry case. The superb engine turned enamel, which is even applied to both sides of the handle. White enamel dial with arabic numerals and cut gilt hands. The inside of the back door marked 'Sterling silver Swiss, silver content 0.935, Aristo Import Co., argent dore...

Brocot type suspension very rare early 30 day perpetual slander clock with moon phase, barometer and Fahrenheit and Centigrade thermometers. Stri...

An exquisite Swedish tall case clock boasting a rounded crown and clean lines, complemented by a dry-scraped finish. The clock retains its original blue-green and alabaster paint wit...

A FINE LATE GEORGE III RED LACQUERED CHINOISERIE DECORATED SIX-BELL WALL CLOCK Stroud, England, circa 1830 dial engraved "Rich'd Camm / Stroud" with a chiming six-bell movement Ite...

This enameled silver desk clock is unsigned, so a specific maker cannot be identified, but the case was made in France, and the movement in Switzerland in the period and style of Art Deco. The silver content of the case has not been tested, but is believed to be Continental or .800 or just under .925 sterling, The front of the clock is ornately enameled with raised bright red flowers on each corner with contrasting black and red geometric panels with green accents, which are duplicated on the sides. The hinged back opens to gain access to the winding mechanism and the high grade Swiss movement has been professionally serviced and works well. Although barely visible, the clock is stamped on the bottom with a French...

Amazing and rare 19th century French gilt bronze clock surmounted by two finely crafted cherubs riding a chariot drawn by a pair of wonderfully detailed goats. Clock is in working condition. The blue clock...

This is a magnificent example of a George II brass face red walnut longcase clock. The hood having and elegant broken swan-neck pediment and bras...

21st century Hand carved clear glass and golden bronze clock. This clock is in hand-carved glass and the metal part are in golden bronze . On request to customer can modificate th...

A fine French 19th-20th century Régence style gilt bronze mounted kingwood and tulipwood parquetry regulator longcase clock, after the 18th century model by Julien Le Roy (French, 16...

French Art Deco Marble Onyx Mantel Clock with Gazelles Signed Ucra 1930s Offered for sale is a French Art Deco marble and onyx mantel clock with French white metal gazelles on eithe...

No Screw No Glue is an iconic range of furniture and objects designed by Joost Van Bleiswijk in which the components are laser cut and assembled by slotting the pieces together. As t...

A 21st Century German Franz Hermle Mantel Clock in DeArt Italian Fine Marquetry and Ormolu Case in new open box condition. Clock made in Germany by the historic, very famous Franz Hermle clock...

Vintage Pendulum Wall Clock manufactured by Howard Miller, circa 1970's. This stand out piece features stunning zebra wood grains and a polished chrome pendulum. Keeps time with an 8...

A sensational and extremely high quality French 18th century Louis XV Period Kingwood and Ormolu mounted clock, signed Lacan À Paris, Circa. 1770. This stunning tall case clock displ...

Early 20th Century Gents Station Clock from London St. Pancras Station A One-off example of an early 20th Century four-sided Gents of Leicester station clock. A true monster of a...

The movement is contained in an unusually large (67 cm!) white marble obelisk which is surmounted by an armillary sphere finial. The front with a panel chased with nymphs supporting ...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Pragotron PPH 413 is a type of indoor secondary clock. Was produced during the 1970s in former Czechoslovakia. Clock face with white plastic numerals is made from aluminum. Diameter ...

A refined, large-scale temple clock. The clock features a white statuary marble frame, decorated with black Belgian marble columns and finely gilded lost-wax cast bronze partitions. ...

Portal clock Vienna around 1825 with integrated musical mechanism Signed: “A.Olbrich in Wien” and number 215719157. Alabaster columns, blackened wood, gilded carving in the form of...

Palace size antique Louis XVI style museum quality Carrara marble, Dore and patinated bronze sculptural mantel clock signed Mannheim a Paris 19th Century Centered enamel dial signed ...

Table lamp clock in full Radical Memphis style, produced in the early 1980s, postmodern, made of lacquered metal, with white lamp-shaped dial on black background. Signature "Missiani...

Arthur Umanoff for The Design Office of George Nelson for Howard Miller Rosewood Desk or Table Clock. In great shape and running flawlessly! Been in use for about 6 months on my de...

Antique mantel clock in the French Empire style with variegated white and charcoal marble case with hand-craved white marble neoclassical appliques...

Large Louis XV style Rococo ormolu three-piece clock set by Barbedienne French, late 19th century Clock: height 58cm, width 51cm, depth 19cm Candelabra: height 75cm, width 35cm, d...

This Fine french four glass mantel clock has a beautifully gilded case with thick bevelled glass panels and doors. the eight day movement with visible jewelled Brocot escapement is m...

Rare postmodern cream, brown, and navy checkerboard table clock by Howard Miller Clock Company. From the 1984 "Tempo 21" collection. Very few signs...

Clock. Palo santo, rosewood, golden bronze. France, 19th century, modeled after Charles Cressent (France, 1685-1768). Wooden box grandfather clock in which palo santo, rosewood an...

Extraordinary Art Deco Clock, Made in Italy, 1940s.  Extraordinary Table Clock by the brand ADREZ - Watch is a true Art Deco piece. With its classic design and top-quality workmanshi...