French Decorative Objects

Provenance : - Kunsthaus Heinrich Hahn, Frankfurt am Main, sale 16, June 17, 1930, lot 16. - Sotheby's, Amsterdam, Feb. 26, 2006, lot 201. HISTORIC Located between Moselle valley and Meuse valley, framed by the Vosges Mountains on the south side and the duchy of Luxembourg on the north side, the duchy of Lorraine is the result of several partitions. It starts with the 9th century when the Carolingian empire is divided, with Lothar 1st inheriting Lotharingia. In 959 this territory was in turn divided in two; Lower and Upper Lotharingia, the latter being the forebear of the duchy of Lorraine. This duchy was under the rule of the Holy Roman Germanic Empire until 1736 when it was absorbed by the kingdom of France. All along its history the duchy of Lorraine has found itself in the midst of many conflicts. Alliances and feuds marking European history were always particularly sensible in Lorraine where instability was frequent. Because of its geographic position the duchy of Lorraine was also an artistic crossroad. Hence the duchy of Lorraine becomes from the 13th century onwards an important artistic centre where a particular type of Virgin and Child appears. According to professor J. A. Schmoll the characteristics of Lorraine sculpture burgeon around 1280-1300 in the Aube region. It presents “vigorous volumes, restrained movements, rare but solemn gestures and a strong interiorised and stern expression”. Those Virgins look similar with a wide forehead, a shield- or oval-shaped face, large neck, small lips and a cleft chin. This model is particularly in favour during the 13th century because of the revival for Marial worship and for the theme of the Virgin and Child. It bears witness to a new religious sensibility with a more intimate vision of religious practice. DESCRIPTION The important 14th century Virgin we present to you is one of the most beautiful examples of sculptural art from Eastern France, with her fascinating distant gaze. Her contrapposto posture is induced by the weight of the child she carries high on her left side. The child has a chubby face framed by blond hair with well defined curls and he wears a long red V-collared tunic from which emerge his feet. The fabric is animated by long folds. The position of the right foot turned to the back is a detail we can notice on several Virgins from Lorraine. He holds a bird that seems to be pecking his thumb. “The bird /held by the child in his hands/ has been read as a reference to an episode from Christ’s childhood when he has moulded sparrows with clay before giving them life. It appears in the apocryphal gospel of Pseudo-Matthew (ch. 27) and later in the Quran (III, 43, v. 110). However the iconography seems to be more influenced by the concept of Redemption or of Eucharist, the bird symbolising the soul of the Christian about to be redeemed or revitalised.” Mary wears a long dress with two rock crystal cabochons remaining from the original five. She is covered by a red cloak enriched with old-gold motifs draped as an apron falling in long pleats along her left hip. The relief treatment and the volume of the cloak developing a network of concentric pleats contrast with the the flat pleating of her dress. They nevertheless suggest the curve of her bent right leg. She wears a floret crown securing a short thin veil carved in very low relief. From it emerges her blond curled hair characteristic of the 13th century. The large face with almond-shaped eyes, straight nose, small lips and cleft chin casts its gaze afar in a fashion typical of 13th century Virgins. In her right hand she holds a lily flower. In a very refined manner the artist has carved a band on her right ring-finger. In the back, carefully sculpted, spreads the minutely detailed short veil. COMPARATIVE STUDIES This sculpture of great quality presents obvious similarities with Virgins from Lorraine, designated by William Forsythe...

Elegant antique vase, not too large, dating from the late 19th century, presumably French. With this vase you see a collaboration of different techniques coming together. The base is...

Brilliant handmade hand glazed Art Nouveau planter jardinière, 1930s Wonderful Art Nouveau period/ monumental ceramic planter jardinière, handmade and hand-glazed in brilliant blue ...

Authentic Hermès money clip in the shape of an "H". "Hermès Made in France" embossed on the bottom. Signs of wear to metal. Sleek and refined. Only one available. Attractive piece of...

Unique four-leather-books-design liquor tantalus with hidden decanters. If you are looking for the most interesting and worldly gift for yourself, a friend or a loved one then this cool antique...

Charming Majolica vase with a rooster and hen against a trunk signed Delphin Massier, circa 1890. Reference / A similar example of this piece page 83 "Barbotines de la Cote d 'Azur"...

We kindly invite you to read the entire description, as we strive to provide you with detailed technical and historical information to ensure the authenticity of our items. This eleg...

Fine original early 1900s cast bronze Rabbit with a Gold Ormolu finish by Edouard-Marcel Sandoz. Sandoz is well known for his animal sculptures. He apprenticed under the sculptor Ant...

Vase "Douze Figurines avec Bouchon Figurine" made in molded frosted glass with sepia patina by René Lalique in 1920. Molded signature on side and engraved signature on bottom. Per...

Large stoneware vase by Richard Le Corrone at Ciboure, France, early 1950s. High technical quality rotating Greek decor. The stylized rotating scenery depicts Artemis and Apollo hunting with their dogs. Jarraila technique. Height : 11"(28cm), Diameter : 9.45"(24cm). Signed "R. Le Corrone" and stamped "RF Ciboure" under the base. CIBOURE pottery was founded in 1919 on the Basque coast by Etienne Vilotte (1881-1957), Louis Benjamin Victor Floutier (1882-1936) and a man named LUKAS. In 1922, the date of the formal establishment of the company, Vilotte is the manager. From its inception, the style is clearly defined. A classical orientation, strongly imbued with the antique style and taking advantage of the neo-Greek wave. The characteristics of Art Deco are a source of inspiration as well as the regional style is an influence. The goal is clear: to offer high quality and decorative items whose forms are inherited from the ancient or traditional Basque containers. The sandstone reflects this enthusiasm for this growing area since the late 19th century. In 1945, Rudolf Fischer bought the pottery on which it imposes its trademark in 1951 - RF CIBOURE - to replace the old - VE CIBOURE -. It will be replaced later by that of his son Max Fischer - MF CIBOURE -. He brings technical and artistic changes such as molding, baking more oxidizing and parts production utilities. This pottery owes its success, in addition to the decorative qualities and originality of its production, to an excellent marketing, particularly among Parisian department stores. Finally we note the names of its principal designers, the first and until 1922: Louis Floutier...

Washed in stunning cobalt blue glaze, this vintage pair of French Gres d’Alsace ceramic vases comes from the Alsatian town of Betschdorf which has maintained a unique tradition of ce...

French Demijohn / Carboy originally used for transporting wine (early 20th Century, France). Composed of attractive teal green (more green than blue) free-blown glass exhibiting trap...

French Art Deco ceramic woman sculpture, designed by Charles Lemanceau for the ceramic manufacture Saint-Clément in the 1930's. Perfect condition.

Émile Gallé (1846-1904) French Art Nouveau Caméo Glass Vase «Pavots » circa 1910 Multi-layered glass Triple overlay, green, red and yellow glass Acid-etched cameo decoration of poppi...

A large silver compact case with gilt surface and inset rubies by Boucheron Paris circa 1930s-1940s, of Art Deco period and style. The silver case is quote large compared to similar ...

Rene Lalique Topaz Glass Bacchantes Vase. This pattern features ten dancing nude women in relief. The women represent Bacchantes from Greek mythology, who were a group of women who f...

Art Deco sculpture bronze panther signed by Charles Conrad. Foundry seal of Deroyaume fondeur. Model designed ca. 1935. Cast in 2008. Bronze with black patina. Literature: Dictio...

Vase "Jeunesse" (Youth) made in white, yellow and brown glass pate de verre by Gabriel Argy-Rousseau in 1932. Molded signature. Perfect condition. Very beautiful colors. Rare ...

Mid-Century French Ceramic Bowl signed Robert Picault Vallauris.

This equisential detailed Art Deco Émile Gallé Cameo Glass Vase in Amber and Yellow W/Naturalist Detailing originates from France, Circa 1900. Features a golden base color with amber...

Large crystal sailboat sculpture by Daum, France, circa 1970s. The piece is invery good vintage condition with no chips or cracks and measures 8"W x 4.5"D x 16.5"H. The sculpture is...

French Rustic Olive Wood Salt Box – Wall-Mounted – 1970s Artisan Craft Description: This is a beautiful rustic salt box, handcrafted in solid olive wood, made in France in the 1970s...

A beautiful French leather and animal hide vanity jewelry tray by designer Gilles Caffier, Paris, France. This monochromatic tray has a leather wrapped frame with a plush animal hide base. A great piece for any vanity, nightstand table, dresser, desk, walk-in-closet, etc. With maker's mark on underside. Very good condition as shown in images. Dimensions: 4.75" Depth x 9.32" Width. Agate dish...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

French Art Deco sculpture by Enrique MOLINS-BALLESTE, France, ca.1920. Spelter and marble. Marble base. "Young lady and fans". Width: 17.6"(44.8cm), Height: 8.1"(20.5cm), Depth: 5.2"...

The now iconic bronze duck neck vase from the Rick Owens bronze relic collection. This is shown in the nitrate patina. Each bronze is handcrafted in Franc...

A rare and important French "Japonsime" Emile Galle Ormolu-Mounted Double Carp Fish Pink-Glass vase, circa 1879, retailed by L'Escalier De Cristal, Paris ...

Zinc and copper Basque water holder very decorative Herrade France 19th century In Basque country, women were using this jar to bring water from the public fountain to their house. They were holding the herrade on their head with a wicker ring...

Lalique France Crystal “Le Faune” Dancing Nude Lovers Pan & Diana Figurine, from the 1960s. This Crystal Figurine features two nude lovers, Pan and Diana, dancing in a romantic pose....

A French Provincial green glazed pottery jug from the 19th century, with two handles, front spout and distressed patina. Created in Southern France during the 19th century, this jug ...

A very attractive French Art Nouveau ceramic pot, with dimpled globular form vase, marked by Rambervillers, with a partly iridescent medallic glaze in turquoise and purple tones, typical of Alphonse Cytere...

A beautiful pair of French Art Deco period perfume glass bottles with etched design, gold gilt accent, and bronze tops, from luxury fashion Maison Carven, circa early-20th century, 1...

Made circa 1785, this plate features a deep cobalt blue border that is beautifully gilded with a dramatic geometric pattern. The burnished gilt is a hallmark of Dagoty porcelains. I...

Box "Rambouillet" made in frosted glass with grey green patina by Rene Lalique in 1924. Molded signature on lid. Perfect condition. height : 4,5 cm diameter : 7,5 cm Félix Marc...

A refined antique inkwell, with two inkwells made of bronze, including glass cups. The base is made of veneered marquetry wood with a diamond pattern, framed in a bronze rim, resting...

This is a super rare opportunity to acquire a pair of these beautifully reduced versions of the facade bas-relief of the Folies-Bergères cabaret. One time designer, Pico who created ...

La Coupe Sculpturale Daum, emblématique de l'art du cristal français, incarne à la fois l'élégance et le savoir-faire de la prestigieuse maison Daum, fondée à Nancy. Cette pièce uniq...

Very large (40 inch tall) ormolu bronze mantel clock from the Louis XV period with Boulle style inlaid brass and enamel decorations with original pendulum. By the Paris maker, Denis ...

A fine quality therapeutic musical automaton clown toy in wonderful vintage condition. Features porcelain head, hands and feet. Made in France during the ...

Beautiful Limoges handcrafted and hand painted gold trimmed trinket, jewelry box or candy dish, circa 1930. Signed, Jammet Seignolles Limoges (history of this maker below). Glazed. Measures: 4 3/8" Diameter x 2 1/4" high. Very good antique condition, no cracks or chips. In 1825, François BAIGNOL moved to LA FABRIQUE, on the edge of the Brigueuil forest and founded...

Art Deco squirrel bookends by Max Le Verrier. The sculptures are in Art metal with green patina with brown shades They stand on Belgina Black marble bases. France 1930. This size is...

Very interesting set of shells collected by an amateur between the end of the 19th century and the beginning of the 20th century. The shells are classified by size and age either in ...

A stunning and very rare cameo glass vase etched and enameled with a fabulous landscape of silver birch trees blown in the wind and the rain, exhibiting excellent colors of deep pink...

Ashtray Pintray "Rapace" made in molded glass with grey patina by Rene Lalique in 1931. Stamped signature on bottom. Perfect condition. height : 6 cm diameter : 12 cm Félix Ma...

French Silver Gilt Plated Art Deco Handkerchief Fazzoletto Bowl, Circa 1920's

A stunning French picture or photograph frame made from solid cast bronze (it's a hefty piece) and smothered in gold. Beautifully refurbished, restoring it to it's former glory, rea...

Beautiful romantic Art Deco spelter sculpture by Louis Albert Carvin (1875-1951) of two lovebirds standing atop some grapes and a quiver filled wit...

Circa 1870 Napoleon III French Tea Caddy. Fine quality with Old Paris Porcelain fittings - 2 tea caddies & a sugar caddy. The box is inlaid with engraved brass. Each porcelain caddy ...

LALIQUE - 'Dampierre' - Vintage Art Deco style luxury crystal vase designed in 1948 by Marc Lalique (son of Rene Lalique) - striking frosted finish to the central band featuring bird...

Emile Antoine Bourdelle (French, 1861-1929) Bronze Sculpture L' Arlequin. Conceived in 1905 and cast around 1954 A rare museum quality impressionist - Brutalist interpretation of a harlequin swordsman in bronze with black/brown patina. Bears the cast signature E. A. BOURDELLE top of the base, © by Bourdelle along one side. Foundry seal of A. VALSUANI CIRE PERDUE. On corner. Measures 16 x 16.5 x 5 inches. Very good condition throughout, no damage, repair or heavy wear. Scratches and wear to patina throughout commensurate of material age and use. Provenance: The estate of Morton and Estelle Sosland.In Kansas City, the Sosland family name is synonymous with both giving, and the arts. Of their many contributions to the community, 'The Soslands gave one of the nation's finest private collections of American Indian art to the Nelson-Atkins' museum. The content of this auction bears testament to their keen eye and varied interests. In September 1893 Bourdelle joined the studio of Auguste Rodin. His collaboration with Rodin lasted fifteen years. In 1895, he received his first official commission, a war monument for the city of Montauban. His proposed plans, different from traditional monuments, created a scandal. Rodin intervened on his behalf, and the monument was finally erected in 1902. In 1900, Bourdelle demonstrated his independence from Rodin's style with a bust of Apollo. In the same year, Bourdelle, Rodin and the sculptor Desbois opened a free school of sculpture, the Institut Rodin-Debois-Bourdelle. One of the students was Henri Matisse, who later produced some remarkable sculpture, but the school did not last long. Bourdelle in his studio sketching Grace Christie In 1905, Bourdelle had his first personal exhibition, in the gallery of the foundry-owner Hébrand. With the support of Hébrand and the material assistance of his foundry, Bourdelle was able to make larger works and earn greater recognition. His father died in 1906, and Bourdelle changed his first name to simply Antoine, after his father. He married his second wife, Cléopatre Sevastos (1892-1972), who was of Greek origin. She and their daughter, Rhodia, became a frequent inspiration for his works.[6] In 1908, Bourdelle left the studio of Rodin and set out on his own. In 1909 he exhibited a new work, Hercules the Archer at the annual Salon of the Societé Nationale des Beaux-Arts. He began to teach at the Académie de la Grande Chaumière, where his students included Giacometti, Isaac Frenkel and Adaline Kent...

An attractive early 20th-century cameo glass vase acid cut and hand etched with birds, floral and foliage decor in a deep brown against a pink background, exhibiting excellent hand-f...

Cup-shaped vase, colourless glass with air bubbles (bubbling) and flaky light green powder inclusions in the lower section and rust-coloured inclusions in the upper section, light bl...

Rene Lalique Opalescent Glass 'Moissac' Vase. This pattern features deeply embossed leaves around the sides. Wheel cut makers mark, 'R LALIQUE FRANCE' to the underside. Book referenc...

Beautiful French ceramic vide poche with glossy cream glaze and gold painted spiral detail. Perfect as a decorative piece or catch-all. Stamped on underside.

Superb pair of plaster sconces by Serge Roche. 1 light, 60 watts Max bulb. US rewired and in working condition.  

Louis XV style photo frame, Napoleon III period, in gilt bronze, late 19th century. With its classic style and its luminous gilding, it will go perfectly with a current decoration...

Middle age Gothic European Renaissance style for the jewelry box in steel with golden parts. We recognize middle age figures all around and on the top of the box and the renaissance architectural...

Lalique caviar covered bowl "Igor" Made of clear and frosted crystal. Signed in script "Lalique France" Measures: Height 9.85", diameter 7.85".

Beautiful perforated white metal tray with metal band around edge and wavy loop metal handles in the style of Mathieu Mategot from France. Perfect vide poche for keys or jewelry.

Set of ten French Porcelain apothecary jars, 19th century. The set consists of five smaller cover jars and five larger covered jars. Each ...