Located in Ciudad Autónoma Buenos Aires, C
Technique Lattimo
This is a milky white glass whose opacity is due to the presence of microcrystals dispersed in the matrix, which separate when the molten glass cools. These crystals modify the refractive index, thus giving the glass mass a milky appearance.
The microcrystals do not absorb light beams, but rather reflect them, thus determining both the opacity and the white color. In the Murano area, they are composed of calcium and sodium fluorides, and are obtained by adding fluorine compounds, such as cryolite or fluorite, as well as zinc oxide and alumina, to the glass mixture.
The lattimo was introduced in the 16th century for objects decorated with multicolored enamels, especially refined and rare.
Later, it was used as a complement to other types of processes, such as reticello. It fell out of use in the early 20th century, but resurfaced in the late 1920s thanks to the most important and famous glass factories in Murano, such as Barovier & Toso, Venini & C.and MVM Cappellin & Co. The latter was the first to use it without the addition of other colors for a series of geometric vases displayed at the 1927 International Decorative Arts Exhibition in Monza.
Later, during the 1950s, lattimo glass was adopted by almost all the glass furnaces on the island and achieved excellent results in figures.
Sommerso technique
The sommerso technique was originally developed in the 1930s by Carlo Scarpa at Venini & Co. Sommerso (Italian for "submerged") is the Murano glassmaking technique that creates two or more contrasting layers of glass without mixing the colors. It is formed by submerging colored glass in molten glass of a different color, before blowing the glass into the required shape. The outer layer is usually clear. During the 1950s, the sommerso style became world-famous thanks to the work of Flavio Poli, artistic director of Seguso Vetri d'Arte.
Technique Hand-modeled
Without the use of rigid molds, the master glassmaker manipulates the thick, incandescent glass mass using pincers (pincette) and hot stretching/bending movements, creating dynamic organic lobes, folds, and waves.
Logistics and International Shipping
We provide a comprehensive export service so that your only concern is enjoying your acquisition.
• Door-to-Door Service: Pieces located in our Argentina galleries are shipped directly to your address via air freight.
• Simplified Customs Management: We handle the processing of export permits and the payment of customs duties. You will receive your purchase without additional paperwork or surprise costs.
• High-Security Packaging: Following FedEx international standards, each piece is protected in custom-made wooden crates, designed to withstand 1-meter impacts and ensure the integrity of the object during transit.
• Note for shipments to the USA: To comply with shipping company regulations and ensure delivery at the destination, a valid tax ID (EIN, SSN, or ITIN) is required.
• Domestic US Shipping: For those pieces available in our United States storage, logistics are managed through 1stdibs.
Murano
We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal.
Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale.
Why are there so many antiques in Argentina?
In the 1880 – 1940 there was a grate wave of immigration encouraged by the periods of war that were taking place.
1st World War took place between 1914 and 1918
2nd World War took place between 1939 and 1945
The immigrants options were New York or Buenos Aires. Tickets were cheap and in Buenos Aires they were welcomed with open arms, as it was a country where everything was still to be done.
Argentina was the country of new opportunities, labour was needed and religious freedom was assured, in many cases the of the family travel first until they were settled and then the rest of the family members join them.
In the immigrant museum “Ellis Island Immigrant Building” in New York you can se the promotional posters of the boats that would take them to a new life.
Between the years 1895 and 1896, Argentina had the highest DGP (gross domestic product) per capita in the world according to the Maddison Historical Statistics index, this situation arose due to the large amount of food being exported to European countries, which were at war.
The Argentinean ships left the port of Buenos Aires with food, but they returned with furniture, clothes and construction elements, (it´s common to see this the old buildings of the historic neighbourhood of San Telmo, the beams with the inscription “Made in England)”, as well as many markets that were built in Buenos Aires, such us the San Telmo Market, whose structure was brought by ship and afterwards assembled in 900 Defensa Street.
With the great influence of European immigrants living in the country, the children of the upper classes travelled to study in France, resulting in the inauguration of “La Maison Argentinienne”, on 27th of June 1928, in the international city of Paris, which hosted many Argentinians that were studying in Frace.
It´s the fourth house to be built after France, Canada and Belgium, being the first Spanish-speaking one. Still in place today (17 Bd Jourdan, 75014, Paris, France). Many of the children of these wealthy families who attended international art exhibitions, museums and art courses abroad, took a keen interest in the European style. This is why Buenos Aires was at the time referred as “The Paris of South America”.
Between the years 1890 and 1920 more than a hundred Palaces were built on Alvear Avenue the most exclusive avenue in Buenos Aires. Today some of these palaces have been transformed into museums, hotels and embassies.
In the year 1936, the Kavanagh building was inaugurated, it was the tallest reinforced concrete building in South America.
During 1994 the American Society of Civil Engineers distinguished it as an “international engineering milestone”, and it´s now considered a World Heritage of Modern Architecture.
At the time was common to hire foreign architects such as Le Corbusier, who visited Buenos Aires/Argentina in 1929 and in 1948 he drew up the blueprints for a house built in La Plata City (which was declared a World Heritage Site).
In 1947, the Hungarian architect Marcelo Breuer designed “Parador Ariston” in the seaside city of Mar del Plata. After an Argentinean student at Harvard University convinced him to come to Argentina. He worked on an urban development project in the Casa Amarilla, area of La Boca.
The Ukrainian architect, Vladimiro Acosta, arrives in Argentina in 1928 and worked as an architect until que moved to Brazil.
Antonio Bonet, a Spanish architect who worked with Le Corbusier in Paris, arrives in Argentina in 1937, where he carried out several architectural works and in 1938 designs the well-known BFK chair.
Andres Kálnay, of Hungarian origin, made around 120 architectural masterpieces, among which the former Munich brewery stands out, he even made the furniture’s design.
The German architect, Walter Gropius, director of the Bauhaus, lived in Argentina, where he wrote articles for “Sur” magazine and founded in Buenos Aires, an architectural firm with Franz Möller, who was also an architect, where he built two houses.
At the same time several famous designers decided to immigrate to Argentina, among them we can find the well-known French designer, Jean-Michel Frank, who arrived in the country in 1940 and also worked for the Rockefeller family.
Special pieces were made, which were sold exclusively in the country, such as the well-known German company “WMF”, who sold their products by catalogue, which were chosen by the ladies of high society in the list of wedding gifts, as well as the pieces designed by Christofle.
The Swiss sculptor Alberto Giacometti, made special pieces for Argentinean mansions.
In 1904 the first Jansen branch outside Paris was established in Buenos Aires, as the Argentinean clientele demanded a large amount of furniture, from the end of the 19th century to the mid-20th century.
In 1970, the brand Rigolleau Argentina made pieces authorised by Lalique.
The brands Maple and Thompson also set up shop in the country.
The French plastic artist, Marcel Duchamp moved to Argentina in 1918-1919.
Glass signed Gallé, Charder, Leverre, Schneider, Muller and other French firms. They were bought in flower shops and were given to ladies with beautiful floral arrangements.
Some furniture manufacturers travelled to international fairs and bough the patterns to produce the furniture in Argentina, such as the furniture firm Englander and Bonta, who bought the patterns ins Italy.
It is worth mentioning that in Argentina we have the largest community of Italians outside...
Category
Italian Mid-Century Modern Vintage 1950s Decorative Objects
