1950s Decorative Objects

Val Saint Lambert With Label crystal vase cut to clear, Beautiful Val Saint Lambert circular crystal vase, hand-cut-to-clear, the glass is thick, deeply and evenly cut, Origin: Bel...

Very rare Small Majolica rooster Tureen Caugant, circa 1950. Could be a prototype for the manufacture. Miniature tureen H / 3 inches.

Nicely handcrafted art carafes produced by Iittala in 1956-1962 and designed by Timo Sarpaneva. Wonderful worked with a nice deep red and blue color with one smaller in grey / sand c...

Beautiful pair of brass spread-wing eagle bookends by Virginia Metalcrafters, stamped 1952. The eagle is shown with its wings fully spread and a laurel branch and bundle of arrows clutched in its left talon. The eagle clutches a Union shield across its breast. The Union shield has a chief with three stars and six stripes completing the design. The eagle motif in décor and Folk Art has been widely used throughout our nation's history, most notably as part of our Great Seal. The founders of the United States were fond of comparing their new republic with the Roman Republic, in which eagle imagery, usually the golden eagle, was prominent. On June 20, 1782, the Continental Congress adopted the design for the Great Seal of the United States depicting a bald eagle grasping 13 arrows and an olive branch with its talons. When Charles Thomson put together the final design for the Great Seal, he placed a bundle of arrows in the eagle's left (sinister) talon. The official description specifies the bald eagle holding "in his sinister a bundle of thirteen arrows." The thirteen arrows are tightly aligned – a symbol of "strength in unity" that's found in the traditional cultures everywhere, from the Romans to the Iroquois— in this case a nod to the unity of the original 13 colonies. William J. Loth founded Virginia Metalcrafters in 1890, under the name Waynesboro Stove Company. The company, which made ornately cast Cook...

Striking original Rosenthal porcelain hand painted flower vase attributed to Bjorn Wiinblad and made in Germany by Rosenthal. The vase features multi floral blossoms in Gold Leaf. M...

White "Zanfiro" glass Silver stand "Barovier & Toso" signed Perfect condition.

A striking Mid-Century glass object of Polish origin. Crafted from solid, cast amber colored glass. It is rectangular in shape and bears resemblance to a glass brick. Its front showc...

Bjørn Wiinblad (1918-2006), Det Blå Hus (The Blue House), own studio. Large ceramic bowl. Hand-painted in blue. Motif of a bridal couple. Early and rare bowl. Signed and dated 1955. ...

A curvy two-pipe Pewter Vase designed Ellen Schlanbush for Just Andersen in the 1950s. An elegant piece for a beautiful place. * A pewter vase with two pipes * Designer: Ellen Sch...

A stunning Alfredo Barbini Murano glass Conchiglia shell sculpture, crafted in Italy in the 1950s. This elegant shell-shaped piece features a harmonious blend of carmel and white ton...

LARGE ROMAN BRONZE SCULPTURE 80 CM LARGE BRONZE SCULPTURE REPRESENTING A BUST OF A ROMAN EMPEROR. IT HAS A NICE BROWN PATINA. IT MEASURES 80X40X30 CM CM. ...

Pewter Vase made by Just Andersen in the 1950s. A fine piece for a beautiful place. * Round pewter vase with ornaments * Manufacturer: Just Andersen * Style: 2753 * Year: 1956 * Con...

Ceramic vase attributed to Ettore Sottsass for Bitossi. Possible graffiti. Good condition. Thank you.

French Mid-Century Stoneware Cachepot by Accolay, France, 1950s A striking French Mid-Century Modern stoneware cachepot produced by the celebrated Accolay pottery collective in Burg...

Wonderful Tyra Lundgren duck in black Murano glass acid stamped Venini circa 1950.

A brass and black-lacquered candelabra designed and produced in Sweden, 1950s. fits 0.75” diameter candles

Sculptural German ceramic vase from the mid-20th century, finished in an intense glossy red glaze. The piece has a refined architectural silhouette inspired by the traditional form o...

Walter Bosse pencil holder( marked ) around 1950s The pencil is not icluded ( it is only for the photoshooting ) Original condition.

Incredible and large red Murano glass vase with bubbles inside circa 1950.

Group of 3 mortars with single pestle in bronze. Circa 1950 H 10cm x W 11cm x D 11cm

Set of four glass jars with cork stoppers, made in France in the 1950s. This set of vintage storage jars charms with its simple and authentic aesthetic, typical of mid-20th-century French kitchens. Made of thick, clear glass, these jars are complemented by charming cork stoppers topped with turned wooden handles. Their minimalist and functional design adds a warm, retro touch to a kitchen, open shelf, or storage space. Perfect for storing spices, pasta, flour, coffee, or other dry ingredients, they also make beautiful decorative objects in a country chic or family home style. A timeless set combining practicality and French vintage charm. Style : Vintage French Country Chic Mid-Century Retro Kitchen Rustic Minimalist Country House Key Features : Set of 4 Jars Thick, Clear Glass Cork Stoppers Turned Wood Knobs Functional and Decorative Design France, 1950s Ideal for Kitchen or Storage Authentic and Minimalist Style Good Vintage Condition Keywords : vintage french glass jars, cork stopper jars, french kitchen storage, vintage glass jars, 1950s kitchen...

Mexican Modernist Mix Metals Tray Box by Los Castillos Designer: Humberto Castillo Manufacturer: Los Castillos Period Style: Mexican Modern

Leather waste basket in the style of Jacques Adnet, France, 1950s Camel leather with contrast white stitching and wonderful rich patina

Abstract Wooden Wall Art , Women Figure by Cor Dam The Netherlands Delft 1958 About Cor Dam Cor Dam (Delft, April 26, 1935 – July 29, 2019) trained ...

Set of three elegant lidded urns, jars, two of them decorated with a Fragonard courting couple, one with flowers décor, all embellished with gold accents. Marked under the bottom. Ex...

Set of four glass jars with cork stoppers, made in France in the 1950s. This set of vintage storage jars charms with its simple and authentic aesthetic, typical of mid-20th-century French kitchens. Made of thick, clear glass, these jars are complemented by charming cork stoppers topped with turned wooden handles. Their minimalist and functional design adds a warm, retro touch to a kitchen, open shelf, or storage space. Perfect for storing spices, pasta, flour, coffee, or other dry ingredients, they also make beautiful decorative objects in a country chic or family home style. A timeless set combining practicality and French vintage charm. Style : Vintage French Country Chic Mid-Century Retro Kitchen Rustic Minimalist Country House Key Features : Set of 4 Jars Thick, Clear Glass Cork Stoppers Turned Wood Knobs Functional and Decorative Design France, 1950s Ideal for Kitchen or Storage Authentic and Minimalist Style Good Vintage Condition Keywords : vintage french glass jars, cork stopper jars, french kitchen storage, vintage glass jars, 1950s kitchen...

A thermo from circa 1950, Japan. Made of bamboo and brass details. midcentury design.

MONUMENTAL ROMAN BRONZE SCULPTURE 120 CM LARGE BRONZE SCULPTURE REPRESENTING A ROMAN SOLDIER. IT HAS A NICE BROWN AND GREEN PATINA. IT MEASURES 120X80X50 CM. ROMAN WORK FROM THE EARL...

1950’s American Vintage Gas Station Enamel Marquee Letter – Z. We sourced these from an old gas station in America, thought to be from the 50’s and 60’s. We have a number of colours/...

Decorated with a large bouquet of roses with some fallen petals, our vintage piece. Shipping & Location This item is located in Buenos Aires, Argentina. We offer secure, profession...

1950’s Original Large French Metal Shop Signage Letters – Perforated Red. We recently salvaged a signage company on the west coast of France and sourced a large batch of amazing ori...

1950’s Original Large French Metal Shop Signage Letters – Perforated Red. We recently salvaged a signage company on the west coast of France and sourced a large batch of amazing ori...

Unique Friedl Holzer-Kjellberg stoneware bowl, hand-crafted in her workshop for Arabia Finland in the 1950s. Matte dark brown-black glaze on the outside and a vibrant crackle glaze...

“Maquette” (after Pabloe Picasso) Very Old Maquette. Black enamel over different types of metal; steel, copper or brass. Unsigned.

Rustic Primitive Hand Carved goat bell, circa 1950 Manufactured in France. In original condition with minor wear consistent of age and use.

Vintage murano glass in the style of A.V.E.M. This vase is can be categorized as "The end of the day", a style defined by taking the small pieces unused on the making of other models...

Decorative Fish Tray - Bowl by swedish ceramist Stig Lindberg. Manufactured by Gustavsberg in the late 1950s to early 60's. Crisp brown glaze and beautiful detailing. Stamped Gustavs...

This sophisticated and striking Mid-Century Modern vase was handblown by esteemed Swedish glass studio Strombergshyttan, previously known as Lindfors. Created by Edward Stromberg- th...

Rare 1950's Mathieu Mategot pair of tripod plant stands, in white metal, with patina. Total height : 27 cm. Eight of the plant pot : 12 cm.

1950’s American Vintage Gas Station Enamel Marquee Number – 6 Or 9. We sourced these from an old gas station in America, thought to be from the 50’s and 60’s. We have a number of col...

A blown glass vase designed by Tapio Wirkkala and produced by Iittala, Finland, c. 1950s.

Marcello Fantoni Massive Ceramic Vase. Might be the largest piece I have ever seen! Just bought and shipped back from Italy. In very nice shape, signed to bottom inside lip.

This exquisite Steuben vase is a masterful example of mid-20th century American studio glass, dating to circa 1959. Hand-blown and expertly applied, the vase is crafted in a sculptur...

Richard Rohac, Chinese figure, salt and pepper shaker, Austria, 1955.

A great little solid silver handworked "snail" bowl by Tapio Wirkkala for Kultakeskus Oy.

An unusual and highly characterful circa 1950s industrial wooden storage box, constructed in a robust utilitarian manner and retaining its original aged painted finish. The box feat...

Pair of rock crystal skulls on a metal stand. Dimensions on stand: 7 ½"H x 8"W x 5"D Dimensions of single skull: 5 ½"H x 8"W x 5"D  

Torsten Johansson for AB Formträ – Swedish Rosewood Tray, circa 1950s A beautiful Swedish Mid-Century Modern circular tray designed by Torsten Johansson (1917–1996) and produced by ...

Rare and unique european art glass paperweight. Add a little Mid-Century magic to your desk or display with this stunning Fratelli Toso Murano glass paperweight, crafted in Italy in ...

For your consideration, vintage red leather box is a souvenir item, likely from the early to mid-20th century, featuring a scene of the Triberger Wasserfälle (Triberg Waterfalls) in ...

Set of small bronze animal figurines, France, circa 1950. A charming set of several finely stylized animals. Each piece has a natural dark brown patina, highlighting the sculpted for...

An original George Nelson Studio steering wheel clock Original surface, hour markers and second hand Howard Miller Decal present,see detail phot...

Carl-Harry Stålhane is one of Scandinavia’s most characteristic ceramic designers of all time. Stålhane was the Artistic Leader of Rörstrand (Lidköping) starting in the mid 50s. At ...

A beautiful vintage terracotta wall mask depicting a lady made by an unknown maker in Austria. It is marked on the back with a number. It would make a lovely decoration on any wall. ...

Incredible Fratelli Toso Murano glass bicolor vase circa 1950. Big.

Gorgeous and refined mid-century picture frame in thick nile-green crystal glass. This delightful piece was produced in Italy during the 1950s and is attributed to Fontana Arte. In ...

A large and grand silver plated photograph frame with military / Royal Artillary interest dating to c.1910. The top of the frame is mounted with a gilded Royal Artillary cap badge...

"Figure with Instrument" by Joseph J. Greenberg Jr. American, circa 1950. Plaster sculpture with a bronzed green patina on a blackened wood stand by Sculptor Joseph J. Greenberg Jr....

Claude Viseux est un peintre, sculpteur et graveur aquafortiste et lithographe français né le 3 juillet 1927 à Champagne-sur-Oise et mort le 9 novembre 2008 à Anglet. 'est dans les années 1959-1960 que la sculpture de Claude Viseux, qualifiée de « protéiforme, onirique, fantastique » — ami de Max Ernst, Man Ray, Francis Ponge et Henri Michaux, il ne désavoue pas une parenté avec le Surréalisme9 — se substitue à la peinture, ses premières réalisations étant les objets trouvés en bord de mer qu'il pétrifie dans la cire10 d'une part, les empreintes de pierres et d'algues coulées en bronze d'autre part. En 1960, il signe le Manifeste des 121 titré « Déclaration sur le droit à l’insoumission dans la guerre d’Algérie ». En 1961, ses expérimentations s'orientent vers les corps organiques, notamment avec sa série Ostéales constituée d'assemblages d'os fossilisés qu'il patine ou au contraire décape, qu'il visse, scie, assemble et plastifie. Les Concrétudes ou Coulées directes qui suivent en 1961-1962 sont obtenues à partir de coulées de métal en fusion dans le sable, générant des reliefs qu'il soude sur des plaques d'acier. Il va cependant adopter rapidement l'acier inoxydable — qu'il est avec Pol Bury parmi les premiers à employer en sculpture — comme matériau de prédilection. « Il assemble divers rebus industriels — tuyaux, écrous, boulons, cuves… — pour créer des sculptures à mi-chemin du mécanique et du biologique » restitue ainsi Sophie Serra11. Claude Viseux, qui fréquente alors Jean Tinguely, Piotr Kowalski, Michel Guino, Takis et César, confirme : « Ma récupération de l'élément industriel s'élargit vers les aciers spéciaux, avec un essai de vocabulaire formel : des barres, des profilés, des sphères, des rotules, des fonds de cuves, des chambres à combustion de Boeing, des tubulures, des soupapes de navire »9. « L'artiste entre au cœur de la réalité industrielle, prospecte dans les chaînes de montage de Renault et rôde dans les terrains vaques autour des usines », restitue donc l'encyclopédie Les Muses : « il récupère ferrailles, pièces détachées, débris de voitures, vieux châssis, toute une série d'éléments devenus inutiles. Ils les assemblent, tels quels, sans les modifier. Des créatures agressives ou pathétiques vont surgir de ce combat physique et dialectique que l'artiste livre avec la matière et entrer dans le domaine d'une poétique étrange, surnaturelle5 ». Dans les années 1967-1970, Les « structures actives » en acier inoxydable procèdent ainsi de la production industrielle de série. Elles se répartissent en familles de formes combinatoires composées par addition, soustraction, multiplication, division. Il confirme : « le monde industriel est ma nature, mon bouillon de culture, où je cherche des corps, des familles de corps, des genres, des espèces, dans un aller-retour de l'artificiel au naturel pour confondre les règnes, pour en inventer d'autres selon une géométrie organique qui féconde les différents types de structures, qui aménage la forme concernée par la forme à venir »9. En 1968, Claude Viseux s'installe à la villa Baudran à Arcueil, atelier qu'il conservera jusqu'en 1992. Si des corps imaginaires naissent ainsi des pièces mécaniques que Claude Viseux emprunte à l'automobile, à l'avion et au bateau, en 1972, « la symétrie de ces formes pures en inox », constate Lydia Harambourg, « l'amène à s'interroger sur la notion d'équilibre instable »12. Ses Instables sont de la sorte exposés à la Biennale de Venise en 1972 où, rappelle encore Lydia Harambourg, une salle entière est consacrée « aux dessins qui reprennent son vocabulaire mécanique identitaire de sphères, toupies, hélices, anneaux, astrolabes et balanciers »12. Les Instables sont de même, en 1973, présentés à la galerie Le Point cardinal à Paris où Claude Viseux avait déjà exposé en 1968 avec Henri Michaux et Joaquin Ferrer...

This stunning handblown bowl was was realized in Murano, Italy- the island off the coast of Venice- renowned for centuries for its superlative glass production circa 1960. It feature...