Hong Kong Abstract Sculptures

Opiary is a Brooklyn-based biophilic design and production studio. We integrate nature in each of our designs, incorporating live greenery and organic shapes into bespoke furniture, planters, and sculpture. Through the ethos of biophilia, our work reflects the shifting, yet timeless relationship between humans and nature. These modern, elongated towers are an organic, elegant, and chic way to introduce nature and sculpture into your space. They are named after the geological term for tall thin rock spires protruding from the bottom of an arid drainage basin or badland. Unlike spires, hoodoos have a variable thickness often described as having a "totem pole-shaped body". Hoodoos are common to the Great Plains...

Crash vase 1 by Zieta Dimensions: H 30 x W 13.5 x D 20 cm. Materials: polished stainless steel. Unobtrusive deformation Crash Vases reflect the “contro...

A monumental shaped ceramic vase in various beautiful colors and patterns. Measures: Height 43 cm.

This 'modern family' consisting of a duck and four sparrows is a set created and made by French ceramist Georges Cassin. Signed. Each bird is unique and...

Delaunay vase, one of the vases from the "Suprematic" collection. The collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism is a modernis...

A porcelain flower vase with an organic form and texture, made by casting liquid porcelain in sewn leather molds. Clear glaze applied on interior surface. As a result of the producti...

Opiary is a Brooklyn-based biophilic design and production studio. We integrate nature in each of our designs, incorporating live greenery and organic shapes into bespoke furniture, planters, and sculpture. Through the ethos of biophilia, our work reflects the shifting, yet timeless relationship between humans and nature. These modern, elongated towers are an organic, elegant, and chic way to introduce nature and sculpture into your space. They are named after the geological term for tall thin rock spires protruding from the bottom of an arid drainage basin or badland. Unlike spires, hoodoos have a variable thickness often described as having a "totem pole-shaped body". Hoodoos are common to the Great Plains...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

Smurf vase is a decorative piece made with hundreds of iconic figures from the past. It is part of the ‘Cherished’ collection, Diederik Schneemann’s latest project revolving around t...

Crash vase 2 by Zieta Dimensions: H 25 x W 16 x D 18 cm. Materials: polished stainless steel. Unobtrusive deformation Crash Vases reflect the “controll...

Guido Gambone green snake vase, 1950s, Mid-Century Modern ceramic vessel, Italy. Guido Gambone (Italian, 1909 - 1969) Green and white snake design ceramic vase. Signed (Signature and donkey) on bottom. Stunning piece with gorgeous, rare green glaze and elegant lines that are elegantly accentuated by the snake that curls around the waist and body of the vessel. Museum-worth masterpiece by one of the most influential ceramicists of the 20th century. Dimensions: 12" H; Provenance: Collection of John 'Parker' Prindle, Jr., Boston, MA. Gambone's unique style is a combination of ancestral ceramic techniques and Etruscan or abstract decorations composed of primary and secondary colors. Ne fused traditional ceramic methods with amorphous forms that echoed equally the art of the past and of his modern day. His dynamic objects, in which he often experimented with glazes and patterns, garnered great popularity and today are treasured holdings in important private and museums collections around the globe. The year 1950 also marked the showcase of one of Gambone’s collaborative works at a group exhibition at the Brooklyn Museum in New York, and the following year Gambone enjoyed his first solo showing at the Galleria Il Milione in Milan. By the end of the decade, Gambone had achieved international acclaim for his pieces. He upheld his dedication to his work until 1967, when the La Tirrena...