Stoneware Animal Sculptures

Standing not only as a decorative object but also as an evocation of Scandinavian folk traditions and the artist’s deep respect for nature and craft, this piece is sure to be a lovel...

A lovely wooden sculpture designed in Sweden in the midcentury. It is in very good condition except from that one of its legs is repaired. The designer is unknown.

A beautiful, decorative midcentury Rimini blue glazed fish sculpture. Designed by Aldo Londi, manufactured by Bitossi Ceramiche / Italy in the 19...

Great stoneware sculpture designed by Sven Wejsfelt for Gustavsberg, Sweden, during the 1980s. This pike belongs of the designers series 'Stim'.

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Carl Harry Stålhane (1920-1990) for Designhuset,...

Barbara Garrett (1930-2020) pair of Organic Mid Century Modern Pottery Owls. Both pieces with fabulous textured mottled glossy glaze wh...

A fantastic vintage ceramic/stoneware figurine/ sculpture depicting an owl made by Thomas Hellström for Nittsjö Sweden. This is one of Hellströms' famous animals for Nittsjö Keramik,...

French Art Deco ceramic seagull statue by Moulin-des-Loups (Orchies), France, 1920s. Seagull with a fish in its beak. Height : 8.7"(22cm), Width : 9.1"(23cm), Depth : 4.3"(11cm). Mou...

This naturalistic and dynamic scene of a deer and doe was designed by Knud Kyhn who worked for Royal Copenhagen for much of his career. Numbered 21449, incised KK.

Lisa Larson for Gustavsberg. Rare lion couple in glazed stoneware. 1970's. In very good condition. Stamped. Measures: 16 x 7.5 cm.

A stoneware figurine of a deer by Gunnar Nylund at Rörstrand. Incised on the base with makers mark, GN, SWEDEN.

Vintage wall plaque abstract mid century ceramic wall hanging stoneware Blue glazed Owls relief designed by Sven Aage Jensen and manufactured by S...

A rare stoneware bird by Svend Aage Holm Sørensen made in the in the 1950s. A perfect detail. * A stoneware desk bird with brown glaze * Designer: Svend Aage Holm Sørensen * Year:...

Raw glazed ceramic horse made by Bruno Gambone from 1975, signed Gambone on the bottom. Very rare in the raw version.

Introducing the Lladró porcelain figurine "Small Partridge" (#2088), a unique piece designed by renowned sculptor Salvador Debón. Produced between 1978 and 1981, this sculpture stand...

Cream white glazed ceramic cat made by Bruno Gambone in the 1970s, signed Gambone Italy on the bottom.

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A chubby and unusual Money bank pig executed in glazed studio stoneware. A unique design by the Danish ceramist Per Steffen Petersen who from the 1940s onwards worked at Kähler in De...

Playful unique bird sculpture in glazed chamotte ceramics by Rolf Hansen, Norway. The sculpture was handmade by Hansen at Konsberg Keramikk in the early 1950s. Rolf Hansen was a Norwegian ceramist. From 1947 he attended Kongsberg Keramikk until his death in 2004. Rolf Hansens works make people feel easy to mind, and motives of roosters and bulls were closest to his trademark. The source of inspiration for Rolf Hansen was Pablo Picasso. In 1949 he was in Vallauris in France and became acquainted with Picasso's pottery, and in the early 1950s Rolf Hansen made dishes and jars with abstract decor in his spirit. Rolf Hansen was one of Norways most popular ceramics...

Brutalist inspired stoneware hedgehog designed by female Danish Ceramist, Artist and Sculptor Tut Fog in the mid-1970s. This particular example (7010) dates from the 1970s and is the...

Porcelain stonewar stylized pigeon Italian production Studiolinea COM 1970 white.

Mandrill sculpture designed by Vicke Lindstrand for Uppsala Ekeby Sweden, 1940s Stoneware. Signed. H: 31 cm / 1'' L: 43 cm / 1'' 1' 3 / 4

Pair of tawny enameled earthenware animal sculptures representing boxers dogs laid with a necklace. Work realized circa 1900.

This solid agateware cat was hand-crafted in Staffordshire, England, around 1770 from laminated salt-glazed stoneware. An exceptional example of 18th-century English ceramics, it co...

Porcelain stonewar stylized pigeon Italian production Studiolinea COM 1970 white.

This pair of small Chinese Shar Pei puppies was made in the mid-19th century, circa 1860.                They are charming creatures with adorable faces. Th...

Adorable “Dragon Puppy” figurine by Wilhelm Kåge, made from stoneware with white cararra glaze. Fun and mischievous design, inspired by Chinese Ming era dragon sculptures and execute...

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

This stoneware Fish sculpture was designed by Carl-Harry Stålhane for the Swedish porcelain factory Rörstrand during the 1960s. Made of high-quality materials in shades of brown and ...

Art Deco stoneware sculpture of an antelope enameled in red. Signature engraved: G. Cacciapuoti, stamped “Fabrique en Italie” to the socle, labels to the base. Bibliography: A...

Vintage Swedish stoneware horse by Lisa Larson for Gustavsberg, 1950s. This small Scandinavian modern ceramic horse figurine is part of the Small Zo...

A black basalt bulb pot molded as a hedgehog, made by Wedgwood in the middle of the 19th century. Finely molded as a lively little hedgehog, this unique object would have been use...

Cream white glazed ceramic standing lion made by Bruno Gambone in the 1970s, signed Gambone Italy on the bottom. Very rare to find in this huge goat version and in excellent condition.

Cream white glazed ceramic bull made by Bruno Gambone in the 1970s, signed Gambone on the bottom.

A pair of mounted porcelain Karp shaped vases. Gilt - Bronze Mounted Blue Enameled Stoneware, Chinese 18th Century, the Mounts are Louis XV, Circa 1750...

A charming near pair of Chinese green glazed foo lion joss stick holders, late 19th century, China. The delightful foo lions, also referred to as foo dogs, crafted as joss (incens...

Miniature stoneware turtle sculpture by Meissen Boettger, circa 1970s. The piece is in very good condition with no chips or cracks and measures 2.25"W x 3""D x 1.5"H. Great detail a...

Valérie Courtet, by. White bear, in glazed and chamotte stoneware, standing. Work of a contemporary French artist. Dimensions: H 61 x W 28 x D 14 cm Reference: LS64171309P

This Metallic Silver-Gray hand-built ceramic sculpture evokes a proud creature that walks and observes. A Modern TOTEM, abstract with an angled head on two middle bars, balanced on 4...

Austrian studio ceramicist. Goose in glazed stoneware. 1930s / 40s. Measures: 29 x 16 cm. In excellent condition. Stamped.

Scandinavian Modern unique vase by Carl-Harry Stålhane. A hand decorated glazed vase with Elephants in light brown, yellow and grey on a white ground. Executed by Rörstrand, Sweden. ...

Impressive stoneware sculpture in matte sepia with pops of blue and green. Interesting form, with bird in tree motif on one side and figural decoration o...

Valérie Courtet, by. Fennec in greige-colored enameled stoneware. Work of a French artist. Unique work. Dimensions: H 33 x W 18 x D 24 cm Reference: LS6422959P

Valérie Courtet, by. White bear in enameled stoneware, holding 3 animals in its arms. Work of a contemporary French artist. Dimensions: H 59 x W 28 x D 14 cm Reference: LS64211605M

Valérie Courtet. Sculpture in chamotte stoneware representing a crocodile carrying hippos. Work of a contemporary French artist. Dimensions: H 56 x W 30 x D 22 cm Reference: LS64...

Set of five Danish Knud Kyhn bear sculptures for Royal Copenhagen The five lively bear sculptures were created by Knud Kyhn (1880-1969) Knud Kyhn wor...

Pair of Ming dynasty fish roof tiles, circa 1600.

This naturalistic and bear was designed by Knud Kyhn who worked for Royal Copenhagen for much of his career. Numbered 20179, incised KK.

Cream white glazed ceramic cat made by Bruno Gambone in the 1970s, signed Gambone Italy on the bottom.

This naturalistic and dynamic scene of two monkeys grooming each other was designed by Knud Kyhn who worked for Royal Copenhagen for much of his career. Numbered 20539, incised KK.

Gaston Le Bourgeois (1880 - circa 1956) 1928, ostrich sculpture made of stoneware from "Manufacture Nationale de Sèvres" This item was produced only 5 times from 1928 to 1930! Mon...

In Japanese culture the Koi fish symbolizes courage, perseverance, bravery and love simultaneously. This emblematic stoneware sculpture however was made in Denmark by Aage Würtz circ...

Wonderful Minimalist bear form, golden speckle textured matte glaze. Over 1 foot high and 15 lbs.

MCM stoneware lion bank sculpture by David Gil for Bennington Pottery of Vermont, circa 1960s. This unique piece is in very good vintage condition and measu...

Vintage MCM stoneware pig sculpture by Alfaraz of Spain, circa 1970s. The piece is in good vintage condition with no chips or cracks and a wonderful patina; it measures 8"W x 4.25"D ...

These stately and imposing lions each recline on a rectangular base, their splendidly carved faces and paws rendered in fine detail, their tails wrapped around their haunches. Caught in repose, the lions wear wise, almost pensive expressions, but Wedgwood's masterful rendering of their musculature hints at the power and ferocity of these magnificent creatures. This work is executed in black basalt...

Large stoneware sculpture of an eagle, designed by Karl Larsen and produced by Royal Copenhagen in 1947. This piece is numbered no. 3 out of a limited edition of just 15 and bears th...

French Art Deco stoneware bear by Paul MILET, 8, rue Troyon, Sèvres, France, 1920s. Height : 32.5cm - 12.8 in. , Width : 34cm - 13.4 in., Depth : 13.5cm-5.3in. A pinhead lack of cove...