Hellenistic Figurative Sculptures

Set of Beautifully Detailed Bronze Surrealist or Hellenistic Sculptures in the Style of Giacometti. Italy, circa 1930.

Sculpture of a male torso in the Hellenistic style, 21st century. Sculpture of a male torso in the Hellenistic style, 3rd century BC, Contemporary work, 21st century. H: 92cm, W: 8...

After the Hellenistic original, apparently by the sculptor Boethus, a marble variant of which can be found in the Louvre. This sculpture, along with the Dying Gaul and the Scythian K...

Capture the essence of Hellenistic artistry with our exquisite reproduction of the famed "Benevento Head." Meticulously crafted from plaster and adorned with a lifelike bronze finish...

A nineteenth century French bronze of the Sleeping Ariadne, after the antique, the 'original' - itself a copy of an earlier Hellenistic sculpture - he...

A charming pair of Gandharan molded stucco heads of donors, ancient region of Gandhara (modern day Pakistan / Afghanistan), probably Taxila, circa 3rd-5th century. The two heads most likely represent donors. Donors to temples would often have their images enshrined in the artworks of temple walls in thanks for their support. One head portrays a youthful figure with a plump, smiling face, and full head of hair arranged in fat curls and secured by a headband. The androgynous figure...

This striking Italian patinated bronze is known as The Dying Gaul or Gladiator. It is a 19th copy of an ancient Roman lost Hellenistic sculpture thought to have been first executed i...

Carved stone figure of a woman, 20th century, modeled as a woman captured in a moment of contemplation, inscribed to base "J. Todak". 22.75” H x 10.25” W x 6.75” D. Dealer: S138XX.

A striking Gandharan molded stucco head of a male Bodhisattva, tentatively identified as Manjushri, ancient region of Gandhara, probably Hadda or surrounding area, 3rd-5th century. The Bodhisattva is sculpted of stucco in an idealized manner as a youthful male, with soft and kind features, a benign expression on his face. He wears an elaborate pleated turban wrapped around his head, with two sweeping lobes at the front. His turban secured on one side by a small image of a roaring lion. The lion may be read as a reference to Manjushri, the Bodhisattva of Wisdom, who is often depicted as riding or subduing a roaring lion, a metaphor for taming the wild thoughts of the mind. Manjushri gazes outwards in a beatific manner from almond shaped eyes, a gentle smile on his lips. The eyes at different levels when looking at the sculpture head on, indicating the original placement of the head was meant to be viewed at an angle. Remnants of pigments to the eyes, nose, mouth and ears. Mounted on a custom black metal stand. Hadda was an important center of Buddhist learning in the early history of Greco Buddhist Gandhara, and at one time may have housed a bone relic of the historical Buddha, Shakyamuni. The sculpture and architecture of Hadda followed Hellenistic artistic conventions faithfully, leading some scholars to believe the distinct Greco Buddhist style of Gandhara was first developed in Hadda before spreading to the rest of the region. The kingdom of Gandhara was situated at a crossroads of trade and cultures. Being one of the last remnants of Alexander the Great's Empire, the inhabitants of the Greco-Bactrian Buddhist kingdom preserved Greek culture and heritage for centuries after the decline of the Greek Empire...

A mesmerizing Gupta Empire (mid-3rd century BCE - 543 AD) mounted terracotta torso of a standing Vishnu. Vishnu is the preserver god, which means he p...

This finely modelled Hellenistic inspired portrait bust is likely that of the Greek philosopher Chrysippus of Soli - regarded by scholars as the 2nd founder of the School of Stoicism...