Metal Mounted Objects

Large iconic New York Brooklyn Bridge brutalist wall sculpture, handmade with Brass finish and brown highlights by Curtis Jeré Artisans, circa 1976. Signed in black ink C.Jeré 1976 ...

This bronze seagull and black marble base is one of our favourite purchases so far this year. To us, this Art Deco era sculpture epitomizes everything the Art Deco period stood for....

A stunning sound sculpture made by Val Bertoia. Makes a beautiful chime when played. Comprised of brass and beryllium copper. Gorgeous patina and comes with COA from the Bertoia Studio.

Inspired by planet-like shapes and textures, the Cosmic collection plays with both metal properties and a selection of patina finishes. The Purion Chandelier is inspired by the beaut...

Inspired by planet-like shapes and textures, the Cosmic collection plays with both metal properties and a selection of patina finishes. Composed of four carefully hand-spun brass pla...

19th century French bronze head of a boy mounted on an iron base. It is a great accent for a side table or bookshelf.

Introducing the exquisite Leaf & Blossom Vine Sculpture, elegantly mounted on acrylic and finished in a timeless Aged Gold hue. This enchanting piece of art seamlessly blends natural...

Inspired by planetary forms and textures, Atelier001's Cosmic Collection artfully explores the interplay of metal properties with a curated selection of patina finishes. This pendan...

Play up your flirty, fluttery side with this butterfly decorative accessory. Each flutter, mounted on acrylic, adds movement and joy wherever it lands. Build a space where you can bl...

Inspired by planetary forms and textures, Atelier001’s Cosmic Collection artfully explores the interplay of metal properties with a curated selection of patina finishes. This pendan...

Two finely hand-spun brass plates make up this pendant light, finished in a mixed rust patina to create this unique appearance. Light is projected into the shade before reflecting ou...

Inspired by planet-like shapes and textures, the Cosmic collection plays with both metal properties and a selection of patina finishes. The Verdigris Chandelier...

Composed by two carefully hand-spun brass plates, the Sol Pendant preserves the beautiful texture and quality of fine brass. Light is projected into the sh...

Large crucifix with stunning hand carved details and an amazing patina. This remarkable and large corpus of a deceased Christ on the cross is truly uniqu...

Finely hand-spun brass plates make up this pendant light. One side of the plate is finished in a bronze gradient patina while the other side in a gently brushed brass gradient. The l...

Elevate your interior with the exquisite artistry of Murano glassmaking through this stunning Clamshell Sconce by Barovier e Toso. One of the oldest and most prestigious glassmakers ...

Up for sale two lovely sconces from Skultuna, Sweden in brass. Designed by Pierre Forssell and manufactured in the 1990s. Very good condition. Delivered whit the original box.

Inspired by planetary forms and textures, Atelier001's Cosmic Collection artfully explores the interplay of metal properties with a curated selection of patina finishes. Handcrafted from uniquely patinated brass plates, a finely brushed brass framework, and hand-wrapped leather, the Solstice Verdigris...

Sculptural 18th century Italian figure of Christ and metal sword with large red and white crystal quartz clusters and phantom quartz. The figure of Christ was originally part of a c...

Painted French tole mushroom decoration for planters or gardens. Circa 1950s. Probably originally created as a prop for a Parisian department store window or a theater. Twenty-six in...

This is a large and impressive replica of The Dutch WWll GI Fokker Aircraft. The piece is finished in polished aluminium and will make a stylish addition to any interior space. The P...

Extra large and extremely rare, antique sculpture of Mephistopheles from the Faust Opera. This striking and famous historical work of art depicting Mephistopheles is another one of ...

A great Mid-Century Modern Curtis Jere brass, copper and metal life-size tree sculpture. Rare form Brutalist design. Large leaves and verdigris green metal base. Signed C Jere on leaf.

An inspiring and graceful stylized brass ballerina dancer statue mounted on an acrylic stand. Her facial expression and elongated hands and fingers are...

Set of 6 Kamyki Mirrors by Zieta. Mounted sculpture. Color : Flamed Gold. Dimensions [cm]: Ø 7- 20 cm 6 different forms Dimensions of the set : H. 40 cm W. 61 cm D. 6 cm The Heat...

This round stone disc originated in Shanxi province as an early 20th-century threshing wheel. Secured to a wooden axel that ran through the center, the stone was rolled across stalks...

An Exquisite and Rare French Louis XVI Style Ormolu-Mounted Bloodstone Inkwell, circa 1875. A truly exceptional and jewel like quality inkwell encrier, made with the finest ormolu, mounted on bloodstone. A true collectors and one of a kind piece. Revival of the ancient régime in the late 19th century was paramount to the French furniture and bronze casting firms of the Belle Epoque. Imitation in the highest regard and replication of those tastes and styles was prevalent throughout the Paris Faubourg, where the most talented bronziers and ébénistes established their workshops. The present inkwell encrier recalls the late 18th century's obsession with hardstones - a taste expounded above all by the duc d'Aumont and, subsequently Marie-Antoinette. Such hardstone-mounted pieces, reminiscent of Renaissance schatzkammer objects, enjoyed a revived popularity at the end of the 18th century through the impetus of both the marchands-mercier and, more importantly, the hôtel des Menus-Plaisirs, where the duc d'Aumont himself established a workshop in 1770 specializing in the cutting and polishing of precious hardstones. This exceptional inkwell encrier, sumptuously-mounted with finely chased gilt-bronzes, incorporates a highly-prized material such as bloodstone. Sometimes called the Sunstone, the meaning of Bloodstone comes entangled in fascinating history. The Ancient Greeks held the Bloodstone as a gem with glorious powers. They referred to it as Heliotrope, which directly translates to Sunstone. It was believed to have heavenly healing powers gifted by the gods and most certainly when it came to healing all things related to the blood. Even as we move forward into the Middle Ages, the Bloodstone takes another mystical story under its wing. It was believed to be formed from Christ's blood. It was said that during the Crucifixion, a few red spots of his blood dripped...

This is a great looking bronze abstract sculpture by Robbie Robins on a moveable black plynth 20 th century

Taking inspiration from planetary shapes and textures, the Cosmic collection artfully explores the interplay of metal properties and a curated selection of patina finishes. Handcra...

Early 20th century Chilean huasos metal spurs. Heavy silvered metal stamped Chile on the side. As found with grosgrain ribbon attached.

Set of 18 Kamyki mirrors by Zieta Mounted sculpture Color: Inox finish Dimensions [cm]: Ø 7- 20 cm 6 different forms Dimensions of the set : H. 76 cm W. 150 cm D. 6 cm Zieta Colle...

Set of 12 Kamyki Mirrors by Zieta Mounted sculpture Finish: Stainless Steel Dimensions [cm]: Ø 7- 20 cm 6 different forms Dimensions of the set : H. 86 cm W. 102 cm D. 6 cm Zieta...

Two finely hand-spun brass plates make up this pendant light, finished in a mixed patina to create this unique appearance. The light is projected into the shade and reflects out, ill...

A set of five vintage Indonesian copper Batik textile printing blocks from the mid 20th century, with floral patterns. We have an unlimited stock availabl...

Elevate your space with the enchanting presence of this stunning Brass Lord Ganesha Statue, the Divine Symbol of Love and Enlightenment. Meticulously crafted from high-quality brass.

Play up your flirty, fluttery side with this butterfly decorative accessory. Each flutter, mounted on acrylic, adds movement and joy wherever it lands. Build a space where you can bl...

1993 wrecking ball installation Art Gallery sphere sculpture by Carter Kustera Carter was born in Canada in 1962. In the early 1990s, Carter began ...

Midcentury Harry Bertoia Sonambient sculpture featuring seven black monel "cat-tail" tops silvered to beryllium. Copper rods silvered to brass base. In fin...

Brutalist steel sculpture on wood base. This incredible sculpture is not signed. We looked all over and cannot find a signature. Wood base is 8.25" wide, 4" deep and 10" high. S...

The stone mill wheels are attached to wire stands with iron bases lined underneath with padding. Measures: Two with the height of 15.25".

Set of 18 Kamyki Mirrors by Zieta Mounted sculpture Color : Cosmic Blue Dimensions [cm]: Ø 7- 20 cm 6 different forms Dimensions of the set : H. 76 cm W. 150 cm D. 6 cm The Heat C...

The Aperture series was created to provide a beautiful quality of light by combining bounce and ambient glow. The light source is held in a hand-spun perforated brass dome on one sid...

A fine example of a hand carved solid wood Oriental Buddha head, in overall good condition, hand painted and the top ornament made of bronze. Mounted on decorative genuine coral...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Large Sawfish Bill Rostrum Trophy Mounted on Chrome, Lucite, 1970s Offered for sale is a vey large Sawfish rostrum that has been mounted on a chrome plinth and a Lucite base. This ...

This distinctive pair of Maitland Smith horns features a striking combination of tessellated stone and polished brass, showcasing the brand's sign...

Bronze eagle (after Edward Chope) on a marble base, circa late 20th century. The bronze sculpture depicts a majestic bald eagle with its wings fully spread open, soaring down to catc...

Decorative fresh water turtle shell professionally mounted on solid brass base, the shell is cleaned and seal with clear protective satin finish. And the back is upholstered with fi...

Chinese Archaistic style hand carved jade bi disk, on custom steel stand. A deep green with white "heavenly" cloud patterns for an overall serene and calming effect. Jade bi discs a...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian & Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Bronze statue of a rider or warrior on a rearing horse holding a torch. Not sure who the rider is but it's a nice piece. The bronze is in good condition and may have stood on a marbl...

Set of 12 Kamyki Mirrors by Zieta Mounted sculpture Color : Cosmic Blue Dimensions [cm]: Ø 7- 20 cm 6 different forms Dimensions of the set : H. 86 cm W. 102 cm D. 6 cm The Heat ...

Pair of 18th century Italian fragments with a gold flower relief decorated with natural forming baroque pearls to emulate the flower on a matrix of barite and double terminated calci...

Two finely hand-spun brass plates make up this pendant light, finished in a verdigris patina to create this unique appearance. The light is projected into the shade and reflects out,...

A stunning pair of Italian 19th century giltwood wall appliqués–decorative elements to enhance the architectural program–likely obtained from a church or cathedral as they are flat a...

West African hand beaded head dress crown from Yoruba, Nigeria. This artistic beautiful and functional art piece is covered with beads in turquoise, orange, green, yellow red, blue ...

A pair of striking Victorian era bronze winged lions mounted on contrasting sienna marble bases, circa 1870. Three-quarter cast, these bronze winged lion sculptures each have a dram...

A tall stone sculpture hand-carved in Indonesia, mounted on a black metal cube stand. Narrow slate. The sculpture itself is 10" Wide x 5" deep x ...

A tall Stone sculpture hand-carved in Indonesia, mounted on a black metal cube stand. The slate is narrow on the bottom, wide at the top. The scu...

Mid-Century Modern brass sheet metal sculpture of a sail boat in style of Curtis Jere.