Metal Mounted Objects

We offer this brutalist wall sculpture made in steel and brass. Made in Mexico 1970 by Manuel Díaz.

American hanging Apothecary show globe with a mounted cast iron painted and gilded eagle. Globe was filled with a colorful green or red liquid to...

18th century Italian eucharist emblem fragment mounted on mica with garnets with a baroque pearl and topaz. The ecclesiastical fragment was original used to depict a symbol of the eu...

Set of three wooden child size shoe forms mounted on an iron base.

This exceptional Amethyst Geode with Calcite is a museum-quality specimen that commands attention. Featuring rich, grape jelly purple Amethyst crystals with high luster and excellent...

Finely hand-spun brass plates make up this pendant light. One side is finished in either a gloss white or matt white piano lacquer and the inside finely brushed brass. The light is p...

The Luster Medallion is a hand-formed sheet of aluminum, carefully folded and bent to create a ripple effect on the surface. This piece makes a beautiful addition to walls that need ...

This 18th-century English carved giltwood eagle, hailing from the Georgian period, is a magnificent example of artisan cabinetry from the era. The eagle carving is expertly carved from giltwood and gessoed, showcasing the skill and artistry of the period. The eagle is depicted facing left and is perched on an oblong ring, adding a sense of movement and realism to the carving. The details and intricacies of the carving highlight the craftsmanship and attention to detail that went into its creation. Mounted on a later two-tiered lucite pedestal base...

An Exquisite 14K Gold, Diamonds, Emeralds, Rubies, Sapphires, and Semi Precious Stone Mounted Rhodonite Camel. Possibly by Verdura, circa 1970, Italy. A very good quality and unusual gold mounted jeweled object...

Architectural brutalist wall mounted sculpture made from cast metal. Imposing wall sculpture 1970s - Belgium Height: 90cm Width: 175cm Ref.: 2508120403 *All images are always pa...

Naturally formed mineral, clear apophyllite sculpture India Measures: 11 x 8 x 4 in. / 28 x 20 x 10 cm Height on custom display stand: 14 in. / 36 cm Custom mounted on a ...

Double Knob Rinocerontico designed by Salvador Dali produced by BD design. Three polished lacquered cast bronze pieces joined together. Double (for both sides of the door): 13 x 35...

1900s Copper Horn Holder On Copper Base All copper Little chip at top in one of arches Horn secured to base - one solid piece except for insert that pops out

A pair of tall faux tusks in tessellated marble mounted on dark marble plinths with brass accents. A tessellation or tiling is the covering of a surface, often a plane, using one ...

This round stone disc originated in Shanxi province as an early 20th-century threshing wheel. Secured to a wooden axel that ran through the center, the stone was rolled across stalks...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

18th century Italian "Florence Fragment" candlestick base with a rock coral head and coordinating elestial quartz crystals crafted to the coral and the feet of the candlestick. This fragment is from a church in Florence. It was found and saved from the historic Florence Flood of 1966. It is part of the The Florence Fragment Collection which is exhibiting with Museo de’ Medici this fall. This is a collection of historical fragment...

A fine early 19th century grand tour gilt bronze architectural model of the Arc de Triomphe, French, circa 1825. This very fine grand tour model of one of France's most celebrated monuments, having pediment with concealed hinged lid opening to a storage reservoir. The bronze having silver relief figural group plaques, the model is mounted on a black marble oval base, the model made by Leblanc Freres...

Antique Nautical Tyfon Brass Foghorn Malmo Sweden Kockums Mek Verkstad This antique Tyfon nautical brass foghorn originated in Malmo, Sweden, specifically from the Kockums Mek Verks...

Pierre Forssell (1925-2004) Pierre Forssell was an acclaimed industrial designer who designed cutlery and cookware, for among others Gense, before joining the distinguished brass foundry of Skultuna as creative director in the early 1950s. Forssell was commissioned to renew Skultuna’s product range and created several successful series of modernist interior decorating objects...

A 19th Century English lion head with articulated jaw. Probably from an antique billiard table. Measurements: Height: 10.5" Width: 7" Depth: 5"

A superb collection of 6 antique plaster models after the ancient 6th century BC Parthenon Frieze. Supplied loose, these mini friezes are presented in a wooden tray and mounted on a ...

Superb Example of French lidded grand tour ormolu & bronze cast heavy duty model of a two handled Urn of Museum quality. First quarter of the Nineteenth Century, possibly Regency per...

You are viewing a pair of antique Italian bronze statues depicting Mercury and Victory The statues are circa 1880 and signed by the artis...

Rock crystal sphere mounted on a brass stand. Rock crystal, a form of quartz, has been used in jewelry and ornaments since antiquity, and is the purest form of quartz discovered. Mea...

Offered are two of the sculptures of wings created by the Italian artist Salvatore Savoca. Each is mounted on a black iron stand. Made of epoxy resin and powdered marble, they each...

Fine work by A. Santini, intriguing bronze clown playing the accordion mounted on a beautiful marble base. Signature on the marble and on the bronze.  

Terra cotta facade block from Chicago Stock Exchange. Architect Louis Sullivan. Includes new custom mount.

A whimsical and unique way to display an ostrich egg or a large sphere or bowl. Thie piece comes with an Ostrich egg - it's a perfect paring. A complement on any shelf, cocktail ta...

Taking inspiration from planetary shapes and textures, the Cosmic collection artfully explores the interplay of metal properties and a curated selection of patina finishes. Handcra...

A rather curious helmet of leather and metal studs. The horns and shape are quite interesting. While we believe this to be for a pet, we are uncertain as the straps are rather long...

Ruler Selenite with gold leaf on a Lucite base. Selenite logs are single, prismatic selenite crystals from Morocco that were formed in extensive beds by the evaporation of ocean brine. This mineral is characterized by a silky, pearly luster called satin spare. It is then lined with gold leaf which contrasts beautifully with the sleek selenite. Interi transforms Italian artifacts...

In 19th-century Tibet, many men carried a fire striker to help ensure survival in the often-harsh climate of the Tibetan Plateau. Known as mechag, such st...

Tristan Govignon, "Tempest" abstract cast bronze on Lucite base.

Small size, early 1900s Gothic Revival light fixture. In architecture, a chimera or grotesque is a fantastic or mythical figure used for decorative purposes, but in the 12th and 1...

Traditional rustic metal hand bell bottle opener, by unknown manufacturer from Spain, circa 1950. In original condition, with minor wear consistent with age and use, preserving a ...

A Rare Mid-Century Modern Masterpiece – Curtis Jeré’s 1976 Brass Sailboat Sculpture. Elevate your collection with this exceptional 1976 mid-century modern brass wire sculpture by C...

18th century Italian sliver leaf and mecca cross adorned with gold and silver plated crystal points and mica mounted on a mica and tourmaline in calcite matrix base. The crucifix originally came from a church in Tuscany. The gold and silver plated crystal points replicate the original sunrays or halo around the cross. The piece is mounted on a mica and tourmaline cluster that is in a matrix of calcite. The mica holds a shimmery appearance that can reflect light - like nature's disco ball. It perfectly coordinates with the silver leaf and mecca painted cross...

A german vintage aluminum paperweight or sculpture featuring a dice balanced on one corner. Art Deco style, inspired by the 1930s designs of Edgar Brandt. A minimalist dice sculpture...

A rare and wonderful antique South Indian bronze breast plate mounted on a purpose made display stand believed to date from the 17th or 18th century. The...

Napoleon III Crystal Vase - Empire - France 19th century with gilt bronze and diamond padding on the bases. Classic proportions and design. H-35cm. Width: 20cm, Height: 35cm, Depth: ...

Barbed Wire Collection / Display Mounted on a Texas Shaped Plaque.

Murano Art glass sculpture by Licio Zanetti, "Birds In Flight". Beautifully handmade art glass sculpture by a master. The seagulls are life like in their positions moving freely a...

Mary Block Walking Cat, 2022 bronze 39h x 64w x 13d in 99.06h x 162.56w x 33.02d cm MBK001

This is a rare fireplace bellows in carved and lacquered wood with polychrome decorations of flowers on a yellow background. It has original leather details and the bronze spout. Th...

This hot air balloon wall sculpture by C. Jere is made of welded brass components. it depicts two people operating a hot air balloon, in great detail. Please note that I did not fin...

A hand-spun brass parabolic shade perfectly slips over a cast-glass dome. A line of glass is revealed from the profile; inciting a look underneath into a seemingly endless void of gl...

This hand-spun 8" dome is meticulously brushed and waxed to desired finish. The hand blown glass provides pleasant surface diffusion while also complimenting the light's overall form...

This hand-spun 10" dome is meticulously brushed and waxed to a matte satin finish. The hand blown glass provides pleasant surface diffusion while also complimenting the light's overa...

A cast bronze bird sculpture by Philippe Jean, French artist, designer and sculptor. Mounted on a black wood cube base. Signed and numbered. PhJean 8...

A large and impressive torch cut palm tree sculpture, circa 1970s. It features an all aluminum & steel construction. Nice warm patina. Leaves are adjustable so you can style and mode...

Stunning Silver Miao Minority Tribe Necklace mounted on a custom base. Meticulously designed to add a touch of cultural charm to your space, this captivating piece serves as a decora...

Two lighting components harmoniously balanced, framing this unique ceiling light. Composed by patinated brass plates and finely brushed bronze framework, the Orbit Solo ceiling light...

A vintage gentleman's library telescope Not sure exactly of it's age. Estimated Mid Victorian Period ( 1860-1880). Uncertain to maker and origin. ...

French Neoclassical Silverplated Bronze Mounted Crystal Newel Post A stunning French Neoclassical Silverplated Bronze Mounted Crystal Newel Post, ...

This monumental Chinese pipe is beautifully sculpted with a long boxwood handle shaped to resemble a branch gnarled with knots and burls. Although its grand size recalls large bamboo...

Rare cast iron antique Whistle Soda advertising piece. This figurative shaped hand has a screw off thumb that was made to hold an hourglass shaped bot...

A vintage Mid-Century Modern pair of Italian bookends made of hand crafted chromed metal and brass, depicting a golf ball, in good condition. Wear consistent with age and use. Circa ...

Exceptional pair of table lamps artistically handcrafted of large and smaller genuine Citrine rock quartz crystal pieces, to make beautiful and impressive pair of table lamps, one of...

A huge old witches broom burl from a very old conifer tree with massive proportions and beautifully aged color and surface. Mounted on a circular iron base...