Metal Mounted Objects

Taking inspiration from planetary shapes and textures, the Cosmic collection artfully explores the interplay of metal properties and a curated selection of patina finishes. Handcra...

Tibetan traveling shrines, known as Gau, were believed to offer protective powers and were used to hold and carry sacred objects during long journeys. Crafted over a century ago, a B...

A large circular sculpture mounted on its original stand. Signed and dated.

A 20th Century English silver plated model of the legendary Rolls-Royce mascot which was designed by Charles Sykes, this later cast silver plated statue stands on round marble plinth...

Chinese Archaistic style hand carved jade bi disk, on custom steel stand. A deep green with white "heavenly" cloud patterns for an overall serene and calming effect. Jade bi discs a...

Elevate your home decor with this stunning pair of handcrafted resin tusks. These striking sculptures capture the elegance and grandeur of natural tusks, while offering an ethical an...

Mid-Century Modern brass sheet metal sculpture of a sail boat in style of Curtis Jere.

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Impressive pink gold concave mirror with brass wall bracket other colors are available. Bronze, blue, green, copper Some colours available im...

Rare cast iron antique Whistle Soda advertising piece. This figurative shaped hand has a screw off thumb that was made to hold an hourglass shaped bot...

Play up your flirty, fluttery side with this butterfly decorative accessory. Each flutter, mounted on acrylic, adds movement and joy wherever it lands. Build a space where you can bl...

A stunning pair of Italian 19th century giltwood wall appliqués–decorative elements to enhance the architectural program–likely obtained from a church or cathedral as they are flat a...

Architectural brutalist wall mounted sculpture made from cast metal. Imposing wall sculpture 1970s - Belgium Height: 85cm Width: 185cm Ref.: 2508120401 *All images are always pa...

Superb Example of French lidded grand tour ormolu & bronze cast heavy duty model of a two handled Urn of Museum quality. First quarter of the Nineteenth Century, possibly Regency per...

A rare Frederic Weinberg zodiac series wall mounted sculpture circa 1950s Cast bronze modernist Libra figure with brutalist texture and subtle holes f...

Pierre Forssell (1925-2004) Pierre Forssell was an acclaimed industrial designer who designed cutlery and cookware, for among others Gense, before joining the distinguished brass foundry of Skultuna as creative director in the early 1950s. Forssell was commissioned to renew Skultuna’s product range and created several successful series of modernist interior decorating objects...

Early 20th century Chilean huasos metal spurs. Heavy silvered metal stamped Chile on the side. As found with grosgrain ribbon attached.

Very stylish and rare, 1920s Art Deco pendant light with a beautiful color. When we first saw this rare, practical size and highly decorative Art Deco pendant we immediately knew ...

Antique Swiss Casted Bronze Cattle Bell ca. 1900s Item e7315 An antique cast bronze cattle bell, made in Switzerland around 1900. The bell comes with its ...

A table top twisted brass wire sculpture of a tree. Mounted to a marble base with an undecipherable signature inscribed in marble. 11 inches wide. 8 inches high. 6.5 inches deep. M...

Napoleon III Blue Opaline & Lucite Newel Post France, Circa 1850 Enhance your interior with this exquisite Napoleon III Blue Opaline & Lucite Newel Post, an unique piece of 19th-cen...

A collection of 10 fabric printing blocks liberty of london circa 1900. We are pleased to offer this set of 10 hand carved printing blocks, attr...

Fine work by A. Santini, intriguing bronze clown playing the accordion mounted on a beautiful marble base. Signature on the marble and on the bronze.  

Otero Wall Sculpture by Aura Carpio Dimensions: W 100 x D 12 x H 250 cm. Materials: Copper. Weight: 12 Kg. Aura Carpio® (CDMX). Mexican industrial designer graduated and graduated f...

Harry Bertoia Steel Wire Sculpture 1975 unique Table Top piece Steel wires intricately welded with stainless steel rod and base. The work has been added to the Harry Bertoia Catalogu...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian & Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

An exquisite pair of floral dioramas, crafted with a meticulous composition of seashells, conch shells, and mother-of-pearl, arranged in the form of three-dimensional floral bouquets...

Late 17th century Italian gold leaf angel wing with a coordinating baroque pearl and unique fossilized aragonite. The hand-carved angel wing was once part of a heavenly, angelic dep...

1970s Tessellated Stone Sphere on a Solid Aluminum Base Orange-Red coloring (likely Red Jasper stone) Sphere has a lacquered finish over it Spider veins in lacquer which doesn't tak...

Two lighting components harmoniously balanced, framing this unique ceiling light. Composed by patinated brass plates and finely brushed brass framework, the Orbit Solo ceiling light ...

An early 20th century carved wood support beam from central Asia, custom mounted on iron stand. This antique wooden support beam was once a lintel which adorns the upper doorway of a...

Collection of five 19th Century Batik copper printing blocks. With bespoke made metal display mounts.

Beginning in the Bronze Age, in much of what is now Europe, there emerged a practice of ritually “killing” weapons and other possessions to be buried with the warrior to whom they ha...

American maritime copper and brass deep sea divers helmet with the original three glass cross hatched windows, latching bonnet, air line intake ...

An antique bronze Buddha hand displaying the Vitarka Mudra, or the position of transferring knowledge, Thailand early 19th century, recently mounted on stand.

4" selenite sphere mounted on a brass stand. Selenite is a pearly variety of gypsum named after the Greek goddess of the moon for its sheen, and is a sister stone to alabaster. Multi...

Trio for three, a unique ceiling light composed by a cluster of lighting components. Combining patinated brass plates and finely brushed brass framework, the Orbit Trio ceiling light...

This is a pair of African iron currency blade or sword currency from the Nkutshu, Topoke & Songo Meno peoples, Democratic Republic of Congo (Zaire) which are nicely presented upon custom metal stands. Such blades were used by various tribal groups in the Democratic Republic of Congo as a form of currency. They were used to close a variety of important transactions such as land deals or the proposal of marriage. These African sword...

Finely hand-spun brass plates make up this pendant light, finished with a gentle gradient patina. Both sides of the brass shades are bronzed and gently brushed to reveal bright brass...

Abstract modern sculpture. Measures: Height 67 cm. Diameter 28 cm.

A 20th Century English silver plated model of the legendary Rolls-Royce mascot which was designed by Charles Sykes, this later cast silver plated statue stands on round marble plinth...

Set of 6 Kamyki mirrors by Zieta. Mounted sculpture. Color :Cosmic Blue. Dimensions [cm]: Ø 7- 20 cm 6 different forms Zieta Collection KAMYKI is a series of steel geom...

A 20th Century English silver plated model of the legendary Rolls-Royce mascot which was designed by Charles Sykes, this later cast silver plated statue stands on round marble plinth...

C. Jeré Artisan House metal wall art. This is a newer, 2000 or later production. There is no signature, but the piece was on the Artisan House website. 52” wide x 28” tall x 4” deep....

Elegant Italian bronze sculpture of a young woman, professionally mounted on a steel base . free spirit gazes upward with mysterious facial expression letting as wonder, what is she thinking...

Small unusual desk sculpture with removable bronze dice. Despite its small size its very heavy. The dice may have been mounted as a hood ornament originally and then made in to a dec...

Finely hand-spun brass plates make up this pendant light. One side of the shade is finished in a dark bronze patina and the other in a gently brushed brass gradient. The light is pro...

Napoleon III Crystal Vase - Empire - France 19th century with gilt bronze and diamond padding on the bases. Classic proportions and design. H-35cm. Width: 20cm, Height: 35cm, Depth: ...

Medium Brass Mar de Cobre Wall Sculpture by Aura Carpio Dimensions: D 70 x H 5 cm. Materials: Copper, Brass. Weight: 7 Kg. Aura Carpio® (CDMX). Mexican industrial designer graduate...

A large padlock hand-cast in solid brass and iron. Early 20th century. From the Vulcan Bright maker, it has copper rivets and 10 levers. Comes with original skeleton key. Sold as ...

Mocap (white-black) Illusionistic wall clock Design: Jan Paul “Time is an illusion” Most wall-clocks have the same basic shape: round. Also t...

Two finely hand-spun brass plates make up this pendant light, finished in a mixed patina to create this unique appearance. The light is projected into the shade and reflects out, ill...

European cast-iron large crosses Small cross dimensions: H 57.5 x W 20.5 x D 3 Middle cross dimension: H70.5 x W 21.5 x D 4.   

18th century Italian silver and gold leaf crucifix adorned with baroque pearls and mounted on a mica cluster and a calcite crystal. The mica specimen is from the Great Smoky Mountain...

'Eye' is not only a refined, luxurious furnishing accessory, but also a hand-carved sculpture, designed to enhance any living area or bedroom with unique beauty and charm. This is ou...

Sculptural 18th century Italian mecca miniature fragment with fossil agate coral. The fragment was originally part of an 18th century Italian candlestick from a historic church. I...

Trio for three, a unique ceiling light composed by a cluster of lighting components. Combining patinated brass plates and finely brushed brass framework, the Orbit Trio ceiling light...

Unleash a slice of culinary history with this 19th-century French iron butcher's cleaver, a robust masterpiece echoing the craftsmanship of a bygone era. The large triangle-shaped bl...

Large tall schooner ship with six masts torch cut in brass in the style of Curtis Jere. In excellent vintage condition with minimal wear. This item can be parcel posted.

Pair of 19th century Italian hand-carved and gilded angel wings on calcite crystal points in matrix. The pair hand-carved gilded and gilded angel wings are originally from a histor...