Steel Mounted Objects

‘Eye of Discovery’ is a unique sculpture by the Cypriot artist, Yorgos Papadopoulos, created from glass, silicone and pigments with a hematite patinated steel bezel and stand. Papadopoulos has reworked the iconic 'Evil Eye' amulet with his Stratified Jewels Collection. Taking this simple composition as a starting point, the scale is blown up and the colours completely reworked using resins and glass pigments. Using a pioneering technique he developed at the Royal College of Art. Yorgos combines pigments and shattered sheets of Industrial glass which he then re-laminates them to create architectural-scale artworks that look fragile but are extremely durable. Yorgos Papadopoulos initially studied as an interior designer at Middlesex University changing to a Ceramics Diploma at the City Lit in London. Whilst studying for his MA in ceramics at the RCA, Papadopoulos became drawn to the glass studios and after an incident where a sheet of Industrial glass was broken, he became seduced by the Material’s contradictory qualities. Excited by what is normally viewed as a bad outcome in the glass Community he spent the rest of his MA experimenting with and breaking glass. ‘Glass is my canvas, hammers are my brushes,’ says Papadopoulos. His ability to exploit and harness accident has informed his entire working practice. His architectural panels create a stunning focus in cool modern spaces, the contrast between the unpredictable movement of fracture and the clean lines of contemporary architecture excite the eye. Papadopoulos’ work is represented in private collections globally and public collections including; Eskishihir Glass Museum, Eskishihir (Turkey), Derix Glass Studio Taunusstein (Germany) and British Airways Art Collection - Heathrow T4 (UK). He is the author of the A&C Black book Glass Lamination...

Collection of Three Vintage Tractor wrenches United States Early 20th century Cast steel 7, 8.5, and 12 in. / 18, 22, 31 cm Custom display measu...

Exceptional Persian tile hand-painted and glazed of beautiful wondering school of colorful fish on a yellow background. The tile can hang on the wall horizontally or vertically Gre...

A vintage cow jaw mounted on a custom black steel stand, perfect for the curiosity cabinet. USA, Mid-20th century Measures: 14.75" W × 3" D × 13" H Very good condition.

Ô-CULT TOTEM by Richard Yasmine Materials: Powder coated st.steel, blackened brass, neo cement on st.steel & raffia tassels Dimensions: Height 120 x diameter 40 cm. Ô-CULT our latest commissioned design piece for the Ministry of Foreign Affairs of Italy curated by La Triennale di Milano design Museum, a social design project related to the use of water for the exhibition titled “The shapes of Water”. Water, one of the elements that make up everything in this world. The symbolism of water has a universal trace of purity and fertility, it is the source of life since the ancient cultures and considered an aspect of wisdom that takes the form in which it is held. It does not resist, it flows, but always goes where it wants to go to fill empty spaces. As water is becoming rare yet more and more precious due to the environmental problems such as global warming, pollution, climate changes etc… our concept, to create a fantastic water safe taking the shape of a mascot /Genie imitating the authentic type of liquid containers descending since the Neolithic period till the ancient Roman era passing by our heritage but definitely in a contemporary Silhouette using multiple materials. In addition to the shape, providing a faucet, using the whole component as a useful water dispenser...

Dating from the 1870s, this pair of decorative ionic capitals are a fragment from English architectural history, preserved through time for more than 150 years. Each have been mounted on a bespoke steel...

A stunning and rare pair of antique architectural fragments with wings and serpents' tails French or Italian, circa late 18th century...

Collection of Six vintage woodworking files United States 20th century Cast steel Height on custom display stands: 16.25 - 22.75 in. / 41 - 58 cm.

A large scale vintage wall sculpture consisting of two interlocking demilune steel frames with rich oxidation. Each frame has a beautiful cerami...

Unique wire rod sculpture with asymmetrically placed " bow tie " enameled ornaments. Most likely by Jere at Artisan house. Rods do show patina. Some bent or t...

'Bracket Mushrooms in Grey and White' is a unique glass artwork by the British artist, Verity Pulford. Verity Pulford is a curator and artist, specialising in glass, who lives and...

A large abstract floor sculpture made by Cutis Jere in 1984. A great post modern design in grey cut steel. Artist signed and dated.

Sculpture designed by Lars Erik Falk, Sweden, 1990s. Lacquered steel. Signed. Measures: H: 18 cm / 7'' W: 55 cm / 21 3/4'' Provenance: From the artist's estate.

Incredible car: in solid wood. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Marcelo Peña Marcelo Peña / Artiste: Chileno Born in Chile, resides in Argentina Designer, creative and multifaceted. Inspired by the great masters of the Bauhaus and Art Deco movement. The " dreams of this artist" materialize in sculptures, masks, car design , lamp, furniture and an innumerable amount of objects that intervene from the world of the artist s imagination, printing his work an aesthetic and functional sense. Diferent materials play in their designs, wood, aluminum, bronze or copper and white metals. National design award 1998 Chile. Exhibition in Art Deco Weekend Miami Beach 2014. Works presented by exhibitors at the Antiques show...

Play up your flirty, fluttery side with this butterfly decorative accessory. Each flutter, mounted on acrylic, adds movement and joy wherever it lands. Build a space where you can b...

Perpendicular frame by Lenny Stöpp Materials: Raw steel, ash wood Finishes: Oiled (steel), greywash (wood) Dimensions: ±140 x 135 x 40cm   Product info:...

Mounted Specimen: Apophyllite, Stilbite, Chalcedony #L9W Dimensions: 6 x 8.5 x 2.5 in. / 15 x 22 x 6 cm Height on custom display stand: 9 in. / 23 c...

Mix it up. With gilded wings textured by hand, this dragonfly accessory makes a spot more playful. Orchestrate your space with things like natural motifs ...

The Luster Medallion is a hand-formed sheet of aluminum, carefully folded and bent to create a ripple effect on the surface. This piece makes a beautiful addition to walls that need ...

Though corbels are conventionally used as an architectural fixture, this pair of antique corbels are too beautiful to simply sit on a wall or ceiling. Instead, they have been repurposed as sculpture, brought to life on bespoke steel stands to allow the intricacy of their design to be enjoyed and observed up close on a table, shelf or column. Dating from the late 19th century, these large corbels...

'Apertura Slate 04' is a unique sculpture by the British artist, Jon Lewis, created from handblown television glass, cast iron and steel. The top section is held in place upon the metal base below by a strong magnet. A reoccurring theme throughout the years within Lewis' work has been the synthesis of glass with metal, which under the creative influence of the artist, results in corrosion, patination and texture. These blown glass forms are coated by ‘spark impregnation’. Lewis intensely grinds iron and other metals, creating a multitude of small, hot, airborne metal particles that instantly bond and finally cover, the surface of his glass. Forever evolving works, the consistent detail for each is a window of pure transparent coloured glass, a framed aperture to the internal space, encased and surrounded by this metallic shell. More about the artist; Lewis’ first introduction to glassmaking was in 1989 at Wolverhampton University, where he instantly fell in love with glass as a material. A reoccurring theme throughout the years within his work has been the synthesis of glass with metal, which under the creative influence of the artist, often results in corrosion, patination and texture. With his Apertura series, blown vessels created from recycled Bang & Olufsen Television glass are coated by ‘spark impregnation’. Lewis intensely grinds iron and other metals, creating a multitude of small, hot, airborne metal particles that instantly bond and finally cover, the surface of his glass. Forever evolving works, the consistent detail for each is a window of pure transparent coloured glass, a framed aperture to the internal space, encased and surrounded by this metallic shell. In a parallel and completely different body of work, are Lewis' Moonrock sculptures, which combine glass with dichroic filters and employ his own unique technique which began in 1994. Whilst working as a glass blowing assistant in Oregon, an introduction to ‘dichroic thin film interference filters’ as a form of surface decoration on blown glass, saw Lewis see vast potential. This amazing and very technical material, similar to iridescent butterfly wings, produces colour formed by selective reflection as opposed to absorption. The refractive transformation of light through convex and concave lenses and a diffused projection which this film creates, results in artworks that appear to glow from within, emanating a myriad of colours. A constant in Lewis’ glassmaking palette, this series and technique has featured in many notable sculptural & architectural works and derivations. These two opposing praxis of the artist’s artistic inquiry, often merge into a single expression. Lewis’ work has evolved into a distinctive vision, a fusion of beauty and uniqueness. Every piece of Lewis' art has a twist, in that each of his designs can be traced back to a single sketch. In many instances scribbled several years before just waiting for that last ingredient of inspiration for it to become a reality and brought to life in his multidisciplinary hot glass and metalwork studio in Essex. In the artist’s own words; “In my work I try to create pieces which are hard to identify materially and have an unknown. I enjoy making things whether a glass vessel or a glass furnace, I appreciate things crafted by hand. My history is of engineering and consequently, I love to push the boundaries of what is expected of materials” Lewis was awarded the Glass Society Prize in the British Glass Biennale 2019. His Transceiver received an Honourable Mention in Trace - Showcasing Sustainable Glass Art, in the Glass Art Society’s Virtual 2021 Conference. His dichroic glass has been used in a number of prestigious architectural commissions, including in the Space Pyramidion at the Child Museum of Cairo and the Bliegiessen Sculpture by Thomas Heatherwick...

Alea is a minimal and contemporary telescopic display shelf with 5 individually shaped trays that can be arranged at any height and position. Alea is part of the BLACK RHYTHMS limited collection designed by Jacobsroom Studio, Rome. This telescopic decor and display has a distinct visual style with its minimalist, abstract geometric shelves...

This large Burmese bell is known as hka-lauk and was used to track the movement of a livestock animal, strung from a collar by the two loops at the top. Dat...

'Clovis in Grey to Topaz' is a unique tall glass sculpture by the British artist James Devereux. Refinement and daring combine within this statue...

'Apertura Stone Grey 07' is a unique sculpture by the British artist, Jon Lewis, created from handblown television glass, cast iron and steel. The top section is held in place upon the metal base below by a strong magnet. These blown glass forms are coated by ‘spark impregnation’. Lewis intensely grinds iron and other metals, creating a multitude of small, hot, airborne metal particles that instantly bond and finally cover, the surface of his glass. Forever evolving works, the consistent detail for each is a window of pure transparent coloured glass, a framed aperture to the internal space, encased and surrounded by this metallic shell. More about the artist; Lewis’ first introduction to glassmaking was in 1989 at Wolverhampton University, where he instantly fell in love with glass as a material. A reoccurring theme throughout the years within his work has been the synthesis of glass with metal, which under the creative influence of the artist, often results in corrosion, patination and texture. With his Apertura series, blown vessels created from recycled Bang & Olufsen Television glass are coated by ‘spark impregnation’. Lewis intensely grinds iron and other metals, creating a multitude of small, hot, airborne metal particles that instantly bond and finally cover, the surface of his glass. Forever evolving works, the consistent detail for each is a window of pure transparent coloured glass, a framed aperture to the internal space, encased and surrounded by this metallic shell. In a parallel and completely different body of work, are Lewis' Moonrock sculptures, which combine glass with dichroic filters and employ his own unique technique which began in 1994. Whilst working as a glass blowing assistant in Oregon, an introduction to ‘dichroic thin film interference filters’ as a form of surface decoration on blown glass, saw Lewis see vast potential. This amazing and very technical material, similar to iridescent butterfly wings, produces colour formed by selective reflection as opposed to absorption. The refractive transformation of light through convex and concave lenses and a diffused projection which this film creates, results in artworks that appear to glow from within, emanating a myriad of colours. A constant in Lewis’ glassmaking palette, this series and technique has featured in many notable sculptural & architectural works and derivations. These two opposing praxis of the artist’s artistic inquiry, often merge into a single expression. Lewis’ work has evolved into a distinctive vision, a fusion of beauty and uniqueness. Every piece of Lewis' art has a twist, in that each of his designs can be traced back to a single sketch. In many instances scribbled several years before just waiting for that last ingredient of inspiration for it to become a reality and brought to life in his multidisciplinary hot glass and metalwork studio in Essex. In the artist’s own words; “In my work I try to create pieces which are hard to identify materially and have an unknown. I enjoy making things whether a glass vessel or a glass furnace, I appreciate things crafted by hand. My history is of engineering and consequently, I love to push the boundaries of what is expected of materials” Lewis was awarded the Glass Society Prize in the British Glass Biennale 2019. His Transceiver received an Honourable Mention in Trace - Showcasing Sustainable Glass Art, in the Glass Art Society’s Virtual 2021 Conference. His dichroic glass has been used in a number of prestigious architectural commissions, including in the Space Pyramidion at the Child Museum of Cairo and the Bliegiessen Sculpture by Thomas Heatherwick...

Naturally formed mineral, clear apophyllite sculpture India Measures: 11 x 8 x 4 in. / 28 x 20 x 10 cm Height on custom display stand: 14 in. / 36 cm Custom mounted on a ...

Alabaster and corten wall lamp designed and produced by Christian Caudron, Meilleur Ouvrier de France 2015*, in his Parisian workshop. This sconce, part of the Bridge Collection, ...

This large Burmese bell is known as hka-lauk and was used to track the movement of a livestock animal, strung from a collar by the two loops at the top. Dat...

Rare industrial object from textile factory. It was used for measuring elasticity and quality of pantyhouse. Original condition with nice patina. Gr...

'Landscape Blue on Blue I' is a unique blue and aqua hand-blown and etched glass sculptural plate by the British artist Kate Jones, with a painted ste...

This antique mosaic on stand is a fragment from history. It was reclaimed from a building in the southeast of England and includes a bespoke steel stand ...

Monument Lamp - Circle Version 2 has a blackened steel base with a cast stone cylinder and a matte opal glass globe. The Monument Lamp V2 is handmade ...

Tiles like these have decorated the floors of notable English buildings for centuries. But while many have become steadily worn and weathered away by footfall, these four armorial tiles are a rare find, having remained in beautiful condition for more than 150 years. Dating from the mid 19th century, these four reclaimed tiles are mounted on a bespoke steel...

The Fold Collection explores how a simple manipulation—a single fold—can bring dimension and contrast to geometric forms. Our founder, Corie Humble...

Antique carved stone Lion fragment. A mounted sandstone lion head, once part of an armorial crest. North of England.  

Early 20th-century English theatre spotlight lenses in graduated sizes (sizes vary) mounted on bespoke steel frames. A dramatic yet whimsical way of brin...

We grew up shooting on a mini hoop and its been a mainstay in our studio since our conception; our best ideas come after a copious amount of airballs. So, we created the black helmut mini hoop; ideal for cheap therapy and ideation sessions. Custom steel construction with white powdercoat...

This antique stone plaque is a fragment from history. With the head of human, the body of a lion and the wings of a falcon, a mythical sphinx has...

The Fold Collection explores how a simple manipulation—a single fold—can bring dimension and contrast to geometric forms. Our founder, Corie Humble...

Large decorative totem from the 19th century. This magnificent piece is unique. This is a very large "clod breaker" roller used in the 1850s on French...

19th Century Mounted York Stone Finial. An antique York stone finial mounted on a modern lacquered steel stand. Additional Dimensions Base 15 cm x 15 cm

In 19th-century Tibet, many men carried a fire striker to help ensure survival in the often-harsh climate of the Tibetan Plateau. Known as mechag, such strikers would hang from one's belt and often doubled as a small pouch for flint and tinder. The finest strikers were finished with precious metals and decorated with repoussé and inlaid stones. This leather flint pouch is decorated with silver and gold plated metalwork and three large beads of turquoise and red coral. The mechag hangs from a simple leather strap and three decorative leather beads hang below. The pouch contains two Tibetan prayer flags...

Coat rack branch gold 24-karat made with steel structure gold plated in 24-karat. Must be wall mounted. Price: 4250,00€. Also available in: Steel in lacquered matte white finish, pri...

Antique Armorial door Escutcheon plate. A white metal armorial door escutcheon plate with engraved detail, featuring the City of Londons lion cre...

A charming and playful vintage American saucer sled painted with an American flag motif, and retaining its original handles and tow rope. We've had...

In 19th-century Tibet, many men carried a fire striker to help ensure survival in the often-harsh climate of the Tibetan Plateau. Known as mechag, such st...

Monument Lamp - Square with Honed Roman Travertine, Solid Steel Billet and handblown Opal Matte Glass Louis Jobst' Monument Lamp - Square is high quality, bespoke and handmade using solid raw materials. The base is finished with a black patina and cut from 90mm thick steel billet. Markings from the process are visible and intentionally left, exposing the character of the material. A square block of Travertine slots into the steel base. The opal glass diffuser is hand blown with a matte finish. The concept was to design a lamp triptych (circle, triangle and square) made out of high quality materials for a formal interior space. A triptych of varying forms, colors and textures could create a 'common ground' throughout a space, whilst also working as individual lamps. Inspiration has come from architectural forms such as monoliths and monuments, implemented through the design with heavy, robust materials and simple geometric forms. The lamps consist of stacked shapes, designed like a small column...

Historic London Street Plaque Dated 1706. The stone plaque reads “Crowne Cowrt in Poltney Street 1706” in gold lettering and it has been mounted onto a bespoke steel stand. We believe this relates to the Pulteney Street area in London when the Crown took possession of the land in 1699. Part of an area rebuilt after the Great Fire of London...

Antique carved walnut figural relief. A carved walnut figural relief depicting a lady swathed in drapery with flowers, possibly Flemish.

A massive brutalist sculpture from the Paul Evans & Harry Bertoia Era circa 1970's. It consists of welded steel construction with some brass and bronze overlays. Originally this had ...

Italian artist Pino Conte (1915-1997) life size "Maternity" sculpture from the 1960s. Cast Bronze and signed Pino Conte 1/1. Statue measures 27" wide, 15"...

A 16th century roman style marble column fragment circa 1550. This Solomonic marble column is mounted onto a bespoke steel base. A fascinating, ...

In 19th-century Tibet, many men carried a fire striker to help ensure survival in the often-harsh climate of the Tibetan Plateau. Known as mechag, such strikers would hang from one's...

Richard Newton’s sculpture is composed of lines and shapes that are messengers of movement. Surface textures, edges and colors are carefully worked in an effort to retain the energy ...

'Message in a Bottle' is a unique sculpture by the British artist, Chris Day, created from handblown and sculpted glass, micro bore copper pipe, co...

"Man with the Bowler Hat" sculpture by David Gil, the founder of Bennington Potters (1960s, Bennington, VT, USA). Features a ceramic face and derby hat with round mirrored glass eye...

Nautilus sculpture by award-winning artist Michael Olshefski of Primal Modern. Michael brings to life the lines and patterns of an old-world map illustra...

A large and impressive steel sculpture by world renowned artist Guy Dill. It consists of black welded steel circa 1990's. Welded signature.