Baroque Revival Decorative Objects

A Whimsical English 19th-20th century white marble figural fountain with dogs fountain. The Baroque Revival six-sided tripod marble base surmounted with three upright seated Yorkshire Terriers resting on a leaf and acanthus center stem, topped with a semi-circular scalloped carved basin...

Is a centerpiece, Is a fruit holder, Is a single piece of glass, cast, hand embroidered, It's an invention, it's a sculpture, takes the light and...

A silver-clad table casket the domed hinge top centered with a paterae among foliate scrolls. apparently unmarked This has a golden patina. Height 7 1/2...

Black marble and bronze doorstop, made in the 1950s Ø cm 12 h cm 25

19'th century Sévres porcelain vase with ormolu mounted top A fine 19th century French Sèvres porcelain box of cylindrical form, decorated with hand-painted floral sprays within alte...

Antique hand-painted vase from Bavaria is a wonderful example of the fine porcelains produced by the southern region of today's Germany. The elaborately formed handles contrast with ...

A noble Baroque-style porcelain figurine in a baby blue motif, designed by Alpinien Margaine and produced by Gibus et Cie in Limoges, France. Signed “4 M,” from the titled series “...

Stunning antique picture or photograph wall picture frame from the mid 1800's. This stylish and all handcrafted picture frame will make great decoration on your wall and with a work...

19 th c Antique Dutch/Flemish wall clock with wooden frame , ingraven brass face with Arabic numerals and brass basreliefs of lion heads as decorations. Wind up original mechanism w...

Rare pair of 19th century, antiquarian, dutch sconces in the baroque-style each holding a small 4-arm chandelier -Versatile can be used as a wall sco...

This striking pair of vintage brass candle holders channels the opulence and symmetry of Baroque design, making them both functional and dramatically decorative. What sets them apart...

This amazing and finely detailed table centerpiece is in very good condition. If you have the right table for this stunning antique porcelain then this eye catcher will never fail t...

Imposing Pair of Italian Giltwood Altar Candlesticks – 19th Century This striking pair of ecclesiastical candlesticks originates from Italy and dates to the mid-19th century. Standin...

Unique French-Style Mantel Clock With Candelabras, Early 20th Century A unique French-style set with a mantel clock and two four-arm bras...

Large, important and beautiful pair of Italian old friezes, that completely decorate a wall, more than a picture, but like two sculptures. They may be used also like sconces with b...

Beathiful glazed Porcelain group . Three people drinking Thee. and Gossip . i made dat up . Classic Rococo style . the piece is signed . not easy to read for me . good condition .

Decorative 19th century sculptural candleholder from the so-called "Baroque revival" period around 1880. Made of solid, fire gilt brass, this artfully crafted candleholder from the s...

A substantial and highly decorative French mantel clock dating to the late 19th century, circa 1890, fitted with a mechanical movement by the renowned French maker Japy Frères. The ...

This charming 1930s Sicilian sculpture depicts a classic putto, radiating the whimsical and serene character typical of Mediterranean decorative arts from the interwar period. Expert...

Mid 19th century Swedish painted pine strong box circa 1840. Fine example of a small strong box which people used to keep their valuable's safe in. Rustic made from shaped pine, or...

Here we offer you the chance to own a unique piece of history circa 1787. Here is a turret clock face and most of the movement reclaimed from rosendal palace in sweden. 'rosendal p...

Charming Majolica wire basket with leaves signed Villeroy & Boch, circa 1900.

A pair of lovely figures of young children with beautiful hand painted facial features. One holds a bell and is leaning on a tree stump base and the other child with floral leaves. S...

A Large German 19th/20th century Figural Porcelain and Gilt-Bronze Mounted Urn with Cover in the Manner of Meissen. The ovoid porcelain hand painted u...

Sculpture depicting the Sphinx in gilded bronze, resting on a black marble base, made in the 20th century Ø cm 23 Ø cm 15 h cm 32 The Sphinx is a mythological creature that has fas...

An impressive pair of monumental ecclesiastical altar candlesticks dating from the late 19th to early 20th century. Standing an exceptional 91 cm high, these architectural candlesti...

A hand-painted Rosenthal Monbijou porcelain berry bowl from circa 1900, pairing ripe strawberries and delicate blossoms with one of the factory’s most elaborate early forms. The frui...

This german porcelain figurine, by Volkstedt, captures a sweet moment between a couple sharing a gentle kiss. Volkstedt was one of the top porcelain makers, it is marked on the bot...

A very fine handcrafted blown Murano art glass female figurine with gold and toned flecks . This classic looking form is of a lady in waiting with Baroque overtones made in Italy in ...

In this listing you will find an elegant Italian carved and pierced giltwood picture frame dating to the second half of the 19th century, circa 1850–1880, executed in the Baroque Rev...

A noble baroque style porcelain figurine lady designed by Alpinien Margaine (French, active after 1854) by the foundry Gibus et Cie (1853–1972) in Limoges, France in a baby blue moti...

Elegant vintage large footed Brown color wooden music box with top finely hand painted and inlaid with foliages floral decor. Upon opening, the music box begins to play " We've only ...

Presenting an exquisite Royal Vienna Austria hand-painted porcelain oval tray dating back to circa 1940. This dish boasts an elongated shape adorned with opulent gold embellishments....

Baroque Revival Wood Bust of a Putto on Faux Marble Lacquered Base – 19th Century A charming and soulful 19th-century Baroque Revival carved wood bust depicting a cherubic putto. Thi...

"Highland Mary" (also known as Highland Mary or a portrait of Mary Campbell) Carved White Marble Sculpure by Benjamin Edward Spence (British, 1822–1866). A fine full-length, life-size neoclassical carved statue depicts the subject of Robert Burns’s poem Highland Mary (Mary Campbell), shown as a young woman standing in a contemplative pose. The sensual carved figure with a gentle contrapposto stance, weight resting on her left leg, right foot slightly advanced, and her head tilted downward with a solemn, introspective gaze. Her hair is centrally parted and styled in soft classical waves framing the face. She wears a long, fitted floor-length gown with a buttoned bodice and full skirt falling in graceful folds, over which is draped an asymmetrically arranged, heavily fringed plaid shawl (tartan implied through carved texture). Both hands are clasped together at her chest in a reflective gesture, fingers gently interlaced. She wears simple low-heeled slippers. The sculpture stands on a plain circular marble plinth. The work exhibits the refined carving and smooth finish characteristic of Spence’s mid-19th-century neoclassical style, with particular attention to the soft drapery, fringe details, and textural contrast between fabric and skin. Multiple versions of Highland Mary are known (including examples in the Royal Collection, Walker Art Gallery, Liverpool, and Sefton Park Palm House), with minor variations in pose and attributes; the present example corresponds to the clasped-hands composition. Signed: B.E. SPENCE Ft. ROMAE - 1862 Provenance / Literature note: Frequently exhibited and replicated during the Victorian period as one of Spence’s most celebrated works, inspired by the tragic romance between Mary Campbell and the poet Robert Burns. Benjamin Edward Spence (1822–1866) was a 19th century English sculptor, who spent much of his professional life in Italy. He was born in Liverpool in December 1822, the son of William Spence, a sculptor who later in life became a partner in a business house in Liverpool, and gave up the profession. In 1846 he was awarded the Heywood silver medal and a cash prize by the Royal Manchester Institution for a group in clay of the death of the Duke of York at the battle of Agincourt. His father was persuaded by John Gibson to send Edward to Rome. There he entered the studio of Richard James Wyatt, and also received help from Gibson. He died at Livorno (then known as Leghorn) on 21 October 1866. Between 1849 and 1867 Spence contributed to the exhibition of the Royal Academy five times: in 1850 with "Ophelia", in 1856 "Venus and Cupid", in 1861 "Hippolytus", and in 1867 "The Parting of Hector and Andromache". He contributed "Highland Mary" to the Exposition Universelle 1855, and two works, "Finding of Moses" and "Jeanie Deans before Queen Caroline", to the International Exhibition 1862. A number works of his that were not exhibited in England were engraved for the Art Journal. Works: • Highland Mary 1853, Buckingham Palace • Venus and Cupid, Philadelphia Museum of Art • Statue of Lavinia for Mr Holmes of Liverpool (1849) • Statue of Ophelia for Thomas Brassey MP (1850) • Tomb of Richard James Wyatt in the Protestant Cemetery, Rome (1851) • Highland Mary at Osborne House (1854) • Bas relief in a monument to Ann Catherine Jane Smith...

Brass ashtray in the manner Hagenauer.

Pair of candleholder carved and giltwood With multiple glass pieces inlay.

Paper weight or sculpture in Resin.

An antique hand-carved, lacquered and gilded wood Sicilian Palm holder, used to decorate antique private church, later it has been transformed in an amazi...

A pair of Swedish Girandoles Candelabra in cobalt blue glass, glass tears and gilded bronze. The base is made of white marble, from which a column emerges in cobalt blue glass that supports the gilded bronze balustrade...

Pair of antique French bronze appliqués depicting art and music, each one finely cast draped putto one holding an artists palette the other a lute. Art measures: 10.5" H x 6" W Mus...

Beautiful brass picture frame, France, circa 1860. Picture size: 10 cm x 14 cm.

An unusual pair of French gilded bronze Baroque Revival cigar lighters, each having four ornate candle holders and a gas jet. The pierced foliat bases terminating in four lion masks ...

A very large scale 19th century Italian baroque revival silver giltwood altar candlestick Height 96 cm x Width 29 cm x Depth 29 cm Candle plate 16 cm Internal width x 1.5 cm heig...

A striking 19th-century architectural frieze panel crafted entirely in iron, featuring elaborate scrolling foliate decoration and a central rosette motif. The surface retains remnant...

Majestic ceramic Italian Baroque wall console , hand decorated polychrome and gold leaf. Production of Este's Ceramics. Suitable for every room in the house: entrance console or nig...

This type of candleholders are called castle or manor candlesticks in Denmark. Originally designed in the late 17th century up into the 18th century. This set dates from circa 1900-1...

A striking set of vintage Baroque Revival candlesticks in silver-plated bronze, richly cast with scrolling foliage, cherub masks, and acanthus motifs. Likely made for ecclesiastical ...

upholstered in original velvet and metallic trim, square in shape with a slanted hinged top, the interior also upholstered, raised on elaborately carved lions paw feet

A pair of French 19th century Baroque Revival style steel and patinated bronze figural chenets (Andirons). Each with a posing male figure holding a satyr shield next to decorative sp...

A lovely pair of bronze statues depicting joyous cherubic figures. Can be used as a sculpture or as single candle candleholders The cherub figure was used a lot in Renaissance art and represented as a naked, chubby male baby or child. During the time of the Greeks it was Dionysus and later adopted by the Romans as Bacchus, the god of the grape, harvest, wine and fertility. The figures sculpted on this pair of decorative candle sticks...

A stunning early twentieth century hand cast plaster sculpture in the likeness of Saint Aloysius Gonzaga. A beautiful all over patina from time. A realistic composition with beautifu...

This Set of candle holders or Candlesticks is in black Iron with a gold color. It is heavy, and in a very good condition. The patina is beautiful. It has been made in France in the ...

This large pair of 19th-century Danish Baroque Revival candlesticks exemplifies the grandeur and opulence characteristic of the Baroque Revival period, seamlessly blending historical...

Oval with oxidized patination. Gadrooned body and animal head ring handles.

The turned baluster shaped candlesticks with C-scrolls applied to tripartite base.

Beautiful pair of late 19th-century hand-carved putti figures executed in solid oak. One figure depicts a smiling child with a cheerful expression, while the other portrays a child w...

19th century bronze decorative or jewelry box with putti in relief.

Pair of Italian Renaissance Revival bronze Andirons.

Cast bronze clasped hands by Sylvain Norga. Belgium circa 1915. Norga was known for his religious themed castings. This piece would have been mounted to an object or structure. Extre...