Baroque Vases and Vessels

An Abruzzo maiolica 'albarelli' in good condition. White tin glaze, waisted cylindrical form decorated in blue, with a classical figure of a putto surrounded by trees and flowers. ...

Majestic majolica Amphora vase, with a height of 183 cm (72 in) and a diameter of 52 cm (20,5 in): a unique piece, entirely handmade and hand-painted in Gubbio, Central Italy, in 1995. Its surface is decorated with a splendid and detailed reproduction of the famous "The Hippopotamus and Crocodile Hunt", painted by Peter Paul Ruben's (1615). The body of the vase shows remarkable technical capabilities, given its size and complexity. The amphora is divided into three parts: the base, the central body and the neck. The rarity of majolica artworks of this size lies in the technical difficulty of managing the entire creation process given the large size, both for the making of the terracotta artifact and the subsequent decorating phase. During the first firing of the clay biscuit the risk of breakage is very high and also during the second firing of the color majolica hides many pitfalls, this explains the rarity of artworks of this size, the difficulty of the decorations and consequently their value. Description of the reproduction painted : Peter Paul Rubens created the canvas oil painting entitled The Hippopotamus and Crocodile Hunt between 1615–16. The hunt takes place on the banks of the Nile, as indicated by a palm tree in the background. As hippopotami and crocodiles were considered dangerous nuisances, their destruction was a duty performed by noblemen. The hunting party comprises three men in orientalizing costume—mounted on Arabian horses, who hunt with lance and sword—and two valets clad in roughly-hewn jerkins—one of whom has been killed by one of the beasts. The enraged hippopotamus tramples the crocodile, as both are attacked by the hunters and hounds...

An opulent and expressive piece by renowned Murano master Archimede Seguso, this 1950s cornucopia-shaped glass sculpture blends traditional Italian grandeur with mid-century elegance...

Centrotavola in Porcellana di Meissen dipinta a mano, epoca 1860 - 1924. Sono presenti due lievi crepe interne come mostrato nelle foto. Ø cm 28 Ø cm 25 h cm 10 La porcellana di M...

17th Century Italian Faience ceramic apothecary jar. Bright colors of yellow, green and dark blue on cream background. In writing is "VG To BASILICO". There is a label affixed to bot...

Italian Polychrome Majolica Albarello, Late 17th Century.

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Maker's mark unidentified, Nürnber...

This fabulous handmade terracotta pot originated in the Provençal town of Biot and was used to store olive oil. In perfect condition, the photo...

Centrotavola in porcellana di Rosenthal bianco e oro, realizzato negli anni '60 Ø cm 37 Ø cm 21 h cm 14 Rosenthal è un produttore tedesco di prodotti in porcellana molto noto e ris...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection of a historic Florentine crystal grinder that unfortunately closed recently. It is the Marcello Galgani & Son company, whose completely manual and artisanal work has not withstood the disproportionate advance of mass-produced mechanical processes! Marcello Galgani began his craft as a grinder and restorer in 1960; as the years went by, Marcello mastered and became familiar with particular techniques and shapes, resulting in the production of objects that manage to retain the freshness of grinding and engraving, the warmth and softness of light, and the inimitable flavor of unique artifacts. After several years, his son Lorenzo, who grew up among crystals, also entered the business and immediately became passionate about this ancient craft with skill and ability. Stimulated by the aesthetic sense of the past, father and son, set up a workshop in which the shapes they researched and created themselves are mouth-blown by traditional Tuscan glassmakers in Empoli, then ground and engraved using ancient sixteenth-century techniques, with motifs born from the Galgani's inexhaustible imagination or culturally inspired by designs of objects seen and studied in Florentine museums (Uffizi, Galleria Palatina, Museo degli Argenti, etc.). Marcello and Lorenzo Galgani were also Masters in the difficult art of restoration, bringing rare and precious objects back to life. As mentioned the company recently closed and disposed of all its last production, and only Marcello's old private museum collection remained, which includes unique and special objects created over time, a collection that the craftsman made available to us for a planned sale. All of the objects were made entirely by hand with old grinding wheels, but there were mainly two tools that allowed the creation of masterpieces: the right hand and the left hand of the master craftsman. Ancient glassmaking techniques were used for all the ground and engraved products: first, the object was ground with an emery wheel fed continuously by a jet of abrasive sand and water, then re-polished with a very fine-grained sandstone wheel also fed with water; the engravings were done freehand using as many as 10-15 small stone wheels for each design (flowers, branches, animals, etc. ); then the object was polished and shined; we must make, at this point, an important clarification on these last two operations: towards the end of the 1960s acid crystal polishing was devised, the object was immersed and rotated in a solution of sulfuric acid, fluoridic acid and water and in a short time all the defects left by the previous processes were eliminated, it was a fast, industrial operation that allowed to lower costs considerably, with discrete but not excellent results. But for Galgani's products polishing is done with a cork bark wheel wet with water and pumice, to make the surfaces more transparent, and finally polishing was achieved with a felt wheel wet with a paste of water, iron oxide, and cerium oxide. This series of processes takes an average of two days of work( sometimes much longer) for each object, each engraving or grinding is the result of the creative inventiveness of the two artisans, inventiveness that transforms crystal into reality material of the highest aesthetic value and inestimable value. All the items in the entire collection have never been used; they were part of the exhibition. Large crystal vase; the decorations, in baroque style represent a series of "grotesques" The object is "a unique piece" signed by the Master, it was created in Marcello Galgani's workshop in 1983 and made with the techniques (grinding, engraving and polishing) that we explained in the description; for the shape, the Master was inspired by a vase present in a painting, preserved in the Uffizi Gallery in Florence by the sixteenth-century painter Jacopo Ligozzi...

A remarkable pair of two antique European tin-glazed earthenware apothecary jars. circa 1770 Originally used as medicinal pottery jars that held ointments and dry drugs at apothecar...

19th century Dutch blue and white delft vase with foliage and pheasant decoration having an elongated neck and graceful, elegant form.

This is a terracotta olive jar from central Spain. It has a wonderful aged patina with chalky painted finish. It makes a great statement as a sculpture in a room on a pedestal, alone...

800 solid silver potiche. Completely handmade this "lidded vase" has been embossed with scrolls which make it typically in the Baroque style. Masterfully executed, this vase among superlative embossing has been knurled, i.e. tapped thousands of times with a very small hammer, making the embossing evident and creating a perfect chromatic contrast. The lid has the same design and workmanship. The important knob was made with the fusion technique to then be screwed and therefore detachable for cleaning the vase. When it comes to potiche vase...

Pair of vintage gilded bronze stands with inlay, circa 1940 Gorgeous pair of cast bronze stands with inlay We are unsure of the material used for the inlay. The inlay is hand paint...

Wonderful Swedish 17th Century Mortar with Pestle in cast iron with charming patina. Wear consistent with age and use

This fabulous handmade terracotta pot originated in the Provençal town of Biot and was used to store olive oil. In perfect condition, the photos show the pot in sunlight. These pots ...

A very fine 18th century Dutch Delft pottery vase or jar. Of typical vasiform shape with medium and deep blue Chinoiserie landscape decoration, dot border to the top rim, and swag...

A large German Hanau 800 silver mounted repousee and open work - cut and etched glass trumpet vase. Molded border with beaded rim, floral and putti motif w...

Old tinaja of Calanda (Teruel), Spain. Made of red clay with handcrafted circular figures and four handles. A "tinaja" is an oval terracotta jar with a narrow mouth and foot, usu...

An exquisite pair of highly decorated Royal Vienna Gilt Porcelain covered vases. Scenes of neoclassical beauties on all four sides with large paintings on the front and back, and sm...

Stunning Italian gold gilt crystal vase, dating to circa 1850 if not earlier. A true artisan and visionary sculpted this work from thick, heavy glass to create the trumpet form with ...

Pair of fine antique ginger jars, circa 1699-1714) with pierced and cased cartouches and hand painted figural landscapes. Each with a different scene yet maintaining the mountain, la...

Magnificent antique porcelain Urn "Schauspielhaus In Berlin" This large vase (weight 8 kg/ 16 pounds) contains stylistic elements of the Re...

A fine Dutch Delft pottery beaker form vase. By Pieter Adriaensz Kocx of De Grieksche A. With a white ground and decorated with floral motifs in reds, blues, and greens and with gi...

The Pair, early 20th Century, with deep green color Onyx having natural cream and brown inclusions with finely chased and detailed gilt bronze handles, lid with pine cone finial and ...

PAIR OF LARGE VASES 19th Century in Carrara marble. Relief decoration with angels in plant motifs. Based on marble columns from the same period. Defects. Height: (Jar) 114 cm. Heigh...

This is a Talavera Majolica Amphora/Urn Vase. It depicts a hand painted amphora/urn with a white background showing a scene in the front of a Spaniard gentleman riding a horse and in...

A fine, diminutive, and early Dutch Delft pottery vase or jar marked for Gerrit Kam. With a stylized Chinese peony flower pattern. Bearing an underglaze blue GK monogram to the bas...

A fine antique Dutch Delft vase or jar. The body decorated with cartouches of stylized peony bouquets on a latticework ground. The shoulder decorated with alternating cartouches of ...

Majestic majolica Amphora vase, with a height of 183 cm (72 in) and a diameter of 52 cm (20,5 in): a unique piece, entirely handmade and hand-painted in Gubbio, Central Italy, in 1995. Its surface is decorated with a splendid and detailed reproduction of the famous "The Hippopotamus and Crocodile Hunt", painted by Peter Paul Ruben's (1615). The body of the vase shows remarkable technical capabilities, given its size and complexity. The amphora is divided into three parts: the base, the central body and the neck. The rarity of majolica artworks of this size lies in the technical difficulty of managing the entire creation process given the large size, both for the making of the terracotta artifact and the subsequent decorating phase. During the first firing of the clay biscuit the risk of breakage is very high and also during the second firing of the color majolica hides many pitfalls, this explains the rarity of artworks of this size, the difficulty of the decorations and consequently their value. Description of the reproduction painted : Peter Paul Rubens created the canvas oil painting entitled The Hippopotamus and Crocodile Hunt between 1615–16. The hunt takes place on the banks of the Nile, as indicated by a palm tree in the background. As hippopotami and crocodiles were considered dangerous nuisances, their destruction was a duty performed by noblemen. The hunting party comprises three men in orientalizing costume—mounted on Arabian horses, who hunt with lance and sword—and two valets clad in roughly-hewn jerkins—one of whom has been killed by one of the beasts. The enraged hippopotamus tramples the crocodile, as both are attacked by the hunters and hounds...

20th century handmade two handled vase, Spain This impressive late 20th century terracotta water jar was found in Sevilla, Spain. In excellent condition and great character, featuring the Classic "wavy line" design of particularly Fine pottery...

These handcrafted, artisan-made vessels from France, dating from the mid-century to the late 20th century, are crafted from two distinct wood tones that create a striking striped eff...

This pair of French stone sculptures from the early 20th century features two Médicis vases with gadroon decor on a square base. This exquisite pair of early 20th-century French ston...

Large baroque style sterling silver vases. This pair of vases was made by the same master silversmith. Being made entirely by hand, the vases are similar but not identical, both in s...

This fabulous handmade terracotta pot originated in the Provençal town of Biot and was used to store olive oil. In perfect condition, the photos show the pot in sunlight. These pots ...

This is a Talavera Majolica large amphora/ urn vase. It is hand painted in the belly with a scene of a country background with a musketeer riding a horse in one side and a country ch...

A rare pair of decalcomania glass vases from Piemonte Italy 18th century. Painted in polychrome with applications in Arte Povera with floral and chinois motifs. The synomania that ...

RARE FRENCH PORCELAIN Sevres Style Cornucopia Ormolu Horn Vase Urn. French chinoiserie 19th century Porcelain Vases Gilt Bronze Ormolu Mounts....

Cups in coconut such as this are especially uncommon and rarely appear on the world's art market. This is a very interesting piece for its fine and rich craftmenships metal silver de...

An 18th century Italian apothecary jar with blue and white tin glazing and hand painted decoration depicting a hilltop village in a lush settin...

Beautiful hand engraved contemporary vase. The pattern is Baroque style. Made of crystal.

Italian blue and white Della Robbia style jardinière, Provenance, Celine Dion Of large scale the two handled urn with white appliqués on a Tuscan blue background. Can be used indoors or outside. The opening diameter is 16.5" Provenance: Celine Dion's Jupiter Florida...

From a chateau in France, these are known as 'bouquets' fashioned after 17th century Baroque style. These "corbeilles" of potted flowers and fruits remain blooming and ripe through a...

Old tinaja of Calanda (Teruel), Spain. Made of red clay with handcrafted semi circular figures. A "tinaja" is an oval terracotta jar with a narrow mouth and foot, usually without...

Wonderful big vase with shaped round body embossed, chiselled and engraved with oak leaves. On the body are soldered melting made acorns Above the handles are placed two children. Th...

This elegant vase was produced by Richard Ginori porcelain manufacturer in Doccia, Italy, in the 1730 Not easy to find this model so fine and elegant with its country flowers in pin...

Tall antique 18th century Italian ceramic apothecary jar. Colors of blue, yellow and green on off white background.

18th century Italian, blue and white Albarello, Baluster form jar with crown over double eagle design.

Tall vintage Italian ceramic apothecary jar. Has words 'Sulph Comu' on front. Floral and bow motif in colors of blue, yellow and green on off wh...

A striking Spanish glazed earthenware two-handled blue and yellow painted urn or vase with molded handle, the body underglaze blue & yellow decorated, 19th century.

A massive 3ft 9" high, pair of Baroque-style, Chinese porcelain blue and white vases and covers possibly originally part of a large garniture - This rare pair of striking, vases are highly decorative statement pieces creating gravitas within any interior - From the early 1600s Chinese porcelain was highly valued and displayed as a statement of wealth, status and refinement in the houses of the aristocracy and elite society - Surviving examples of 17th and 18th floor standing, garniture sets are very rare, there is an early set at Woburn Abbey...

Louis XV-style Ormolu-Mounted and Fleur de Pêcher Marble Cassolets by Jollet & CIE Each with the stamp 'Jollet et Cie, Ave. Mon Colin A Paris' to the und...

A modern Italian Capodimonte porcelain jug from the midcentury, 1930s, with handle decorated in baroque forms. The pitcher features a col...

Large baroque style sterling silver vase. The body of the vase has been masterfully embossed with shells, flowers and volutes, typical of the Baroque style. Still in the body of the ...

Italian Venetian Murano (circa 1920) bud vase with stylized handle and applied pink colored glass trim (Also available with teal trim: VTP1501) Condition: Good; Wear consistent with...

Very large double snake handle vase in baluster form on a mounted funnel-shaped stand, handles in the form of coiled snake pairs raised on the side, white and cobalt blue base, fine ...

Amazing Antique Italian large lidded cassolet vase 19th century In green marble with a beautiful frame in decorated bronze (including children and garlands) - height: 66 cm Very goo...

A Fine Pair of Antique green marble and gilt-bronze mounted vases in Louis XVI Style . Date: circa 1880 Dimension: 22 in x 11 in.

Large English metal pitcher, late 19th century. A handsome early 20th century copper jug with a distinctive patina surface decoration. The large pitcher displays well with a lovely...

Gorgeous Italian solid silver vase. Body made in one piece without welding. Embossed and chiseled, of rare beauty and precision. Two important handles made of fusion and finely chiseled were welded onto the vase. The inside of the vase has been gilded in thickness with a non-glossy technique in order to make the overhangs visible and appreciable also on the inside. The vase was marked with the "800" but it was not possible to identify the master silversmith On both sides, the names of the owners of the vase, Maria and Gianni, have been engraved by hand Weight: 1184 grams Sizes: Height cm. 30 at the handles Height cm. 23 vase Width cm. 33 at the handles Width cm. 18 vase.