Revival Centerpieces

19th century gilt bronze centerpiece in the French Empire style with oval cut glass bowl supported by two stylized dolphins on oval base raised on lion paw feet. 13 1/4 inches wide,...

PRESENTING A LOVELY Wedgwood Jasperware Pale Blue Centerpiece Bowl. Made by Wedgwood in England in 1957 and fully and properly marked/stamped on base...

This antique silver plated centerpiece is signed and hallmarked by Phenix, amd presumed to originate from France and date to approximately 1920 and done in a Neoclassical Revival sty...

All handcrafted out of alabaster these stylish & decorative tazzas make great centrepieces. This rare pair of early 1900s tazzas comes with overhanging wine branches all around the ...

Late 19th century Christofle Rococo Revival silvered metal decorative centerpiece of reclining child with Baccarat cut crystal compote bowls, Fr...

19th century French Rococo Revival silver plate oval shape footed centerpiece plateau. The plateau features a curvilinear cartouche with 6 leaf-mou...

German Rococo silver coach. Imported to England by Berthold Muller in 1903. Cupid (Love) is in the driver’s seat but struggles to control the reins of a harnessed goat. A frisky meta...

Late 19th century Christofle Rococo Revival silvered metal large decorative epergne centerpiece of reclining child with Baccarat cut crystal compote bowls...

A stunning piece of Old Paris porcelain that features two sides of beautiful hand-painted floral panels, hand-cut work and hand-painted trim. Nicely shaped with a long and deep boat ...

A fine and rare 19th-20th century neoclassical Revival style silver plated metal and cut-glass centerpiece in the manner of Christofle. The boat-shaped ornately body with finely chas...

Silver 800 vase Empire revival on foot. The body and the foot are cheased and ambossed Three leaves rims determine the typical Empire style 1,080 grams. By Arval Argenti Valenza .-...

Venetian polychrome enameled and gilt handblown glass centerpiece by Pauly & C. of Murano of omphalos form in transparent red colored glass enameled by Francesco Toso Borella after a...

Hallmarked in Birmingham in 1910 by Elkington & Co., this attractive, Antique Sterling Silver Épergne, is a fine reproduction of a George II period Neoclassical design example, featuring 4 removable round side dishes, and a larger oval basket...

Exceptional centerpiece in silvered and gilded bronze, composed of a naiad riding a dolphin, supporting a chiseled shell decorated with reeds, adorned with the head of a river god on its bow and on which a winged love blows in a conch. The whole rests on a pedestal decorated with dolphin heads and cut-out leathers, ending with a porphyry base with molded steps. Historical and artistic context Centers and naves of tables are attested in France from the Middle Ages in order to present spices and other condiments brought from distant lands around the Mediterranean or from the trade of the Silk Roads. The importance of their presence on prestigious tables will be confirmed throughout the decorative arts, evolving during the 19th century in centerpieces, becoming a central element of decoration. Here we find a true virtuosity in the composition and representation of the human figure which is reminiscent of the greatest artists of the Italian Renaissance. Indeed, the fluidity of the lines of the naiad can be compared to the nymph of Fontainebleau by Benvenuto Cellini preserved at the Louvre museum and dated 1545, while the naturalist representation of the marine setting refers to the work of Wenzel Jamnitzer...

This very large and substantial light amber art glass vase is unsigned, but presumed to originate from Italy and dating to approximately 1950 and done in a Renaissance Revival style....

This large cast and cold-painted planter or centerpiece is unsigned, but presumed to have originated from Italy and dating to approximately 1965 and done in a Neoclassical Revival st...

A Fine Pair of French Ormolu Mounted Cake Stands/Centerpieces/Tazza's with Bohemian Amber Crystal Plates. Each centerpiece is made with wide circular crystal plates supported by ela...

Elkington & Co. pair of silver-plated chargers of The Seasons English, circa 1870 Height 4cm, diameter 54cm These exquisite decorative silver-plated, or electrotype, chargers we...

Ceramic Model of a Warwick Vase Ceramic Model of a Warwick Vase. After Clodion. With egg and dart rim, the vessel cast in relief with cherub heads and entwined branch-form handl...

Florenz sterling silver centerpiece bowl. Made by Gorham in Providence in 1924. Deep and tapering well and wide turned-down rim with chased Quattrocento grotesque ornament, including...

This pure silver 999/°° K-OVER draws inspiration from the elegant flower chains of the Renaissance. At the heart of the design lies an empty space, perfect for personalization. This ...

This champagne bottle cover is a stunning piece from the Nature Collection. The K-OVER was crafted by Florentine artist Giuliano Foglia, who sought to recreate the vibrant beauty o...

This hunting-themed centerpiece was crafted by the Thomire & Cie company around 1850. Pierre-Philippe Thomire (1751-1843) was the most famous member of a distinguished family of ar...

This exquisite Champagne Cover is a distinguished piece from our Wedding Collection. Designed to celebrate love, the cover features a stunning reproduction of Amore kissing the nym...

A parcel-gilt and electroplated epergnes suite by Elkington & Co. English, Late Victorian, c.1880 Large centrepiece: height 19.5cm, width 28cm, depth 20cm Case: height 37.5cm, width 51cm, depth 50cm Crafted in parcel-gilt and electroplated silver, this stunning epergnes suite was made by the leading English firm Elkington & Co. in late Victorian London. The pieces are crafted in a magnificent Egyptian Revival style, most evident from the stunning sphinx mounts on the main pieces. The suite is comprised of a pair of large oval shaped epergnes that consist of leaf mounts, pierced and mounted with pairs of sphinxes that support cut-glass bowls. The suite also comprises a set of four taller circular epergnes, that have similar sphinx mounts in trios, and which stand upon triangular bases, with beaded borders, chains, and paw feet, supporting a set of four bowls...

Historistic candlesticks rich engraved and decorated two pieces in the Louis Seize style.

This early 20th century piece of Italian lustreware was made by the renowned Rubboli family pottery in the Umbrian town of Gualdo Tadino, Italy. Italian lustreware Majolica production traces its origins to the Renaissance. The art was revived in Gualdo Tadino during the last quarter of the 19th century, largely due to the efforts of ceramist Paolo Rubboli. Rubboli established his pottery in the region around 1870, and became known for the high quality of his distinctive cobalt, red and gold Neo-Renaissance lustreware. Rubboli's wife Daria and sons Lorenzo and Alberto continued Paolo's efforts after his death in 1890, and joined the newly formed consortium Societa Ceramica Umbria in 1920. Rubboli pieces dating to the period are marked with a blue underglaze "SCU" in a triangle mark along with a conjoined "PR" monogram in homage to Paolo's work. This large ceramic Neo-Renaissance Rubboli double handled compote is finished in cobalt, red and gold lustre. The piece consists of a round bowl at the top with elongated applied handles at either side, all of which rest upon a pedestal base. The bowl features two bas-relief winged mask heads on the exterior which have been depicted with open mouths sprouting handles in the form of serpent-like forked tongues. The exterior is also painted with pairs of imposing gryphons, each of which flank a large urn. The interior of the bowl is also heavily decorated and bears a fantastical winged lion set at the center of a series of scrolling acanthus leaves and urns, best seen in image 8. The remainder of the piece is finished with foliate and geometric motifs. It is of note that a similar piece was included in the traveling exhibit of important Majolica and lusterware entitled 'The Rubboli Collection - Italian lustre pottery in Gualdo Tadino' held in the Chiesa Monumentale di San Francesco between July 17 – October 3, 2010. The compote is in excellent original condition with no restorations or repairs. There are some glaze skips present on the piece as well as minor chips at the base of the pedestal foot which do not detract from the appearance of the compote and are mentioned for accuracy. The underside of the piece bears the blue underglaze Rubboli family Società Ceramica Umbra mark cited above consisting of the letters “SCU” within a triangle along with the entwined Paolo Rubboli 'PR' monogram, which was used from 1920 to 1931. The 3lb 5oz compote stands...

A fine and rare 19th-20th century neoclassical revival style silver plated and cut-glass centrepiece in the manner of Christofle. The boat-shaped body with ornately finely chased det...

Elegant center plate made of high-quality green marble, enhanced by a base and elegant bronze detail. The plate's wide, concave shape makes it ideal for use as a decorative element o...

A Large Vienna Style (Rosenthal) Hand-Painted Porcelain Urn Vase, Circa 1910s, Signed A- Knije (The significance of this artist's work is underscored by the auction result of a plaqu...

High-End Murano Glass Goblet with Lid and Gold Finishes Italy 1960s. This mouth-blown transparent Murano glass goblet with gold finishes is pure beauty. Imagine placing this goblet at the center of the main table near a set of candleholders, and then add some white ceramic plates: there you have a truly regal table! The gold chalice...

Before describing the object under consideration we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection o...

Limoges production centerpiece C1950s in the Classical French style ceramic and bronze material height 18 cm 30 cm diameter

Centerpiece. calamine. France, 19th century. Centerpiece made of calamine slightly raised on legs and that has two handles on the sides. The elaborate and delicate decoration based...

A very fine French 19th century neoclassical style silver-plated figural centerpiece, in the manner of Christofle and a design by Mathurin Moreau (French, 1822-1912). The circular or...

Pair of antique silver vases Continental, Late 19th Century Height 32cm, diameter 20cm Crafted in the late 19th century, the design of these elegant vases is inspired by the Rococ...

Historism Tazza in Renaissance style made of bronze with putti and griffin decor.

One-of-a-Kind hand-crafted silver urns using the Repousse method of hammered design. Each is slightly unique from the other. Unusually large size and excellent condition. Probably mi...

Extremely decorative Italian vase with hand carved fruit, a Renaissance Revival style polychrome fruits and leaves on silvered center vase standing on stepped squared basement measur...

French gilt bronze and cut crystal two-tier surtout de table or centerpiece tazza.

Magnificent red veined marble centerpiece plate placed on an elegant and finely crafted gilt bronze base. The plate, with its wide, concave design, is perfect for displaying fruit, f...

Mid-Century French Neoclassical Brass & Etched Glass Footed Centerpiece will bring a splash of color and the smell of fresh flowers to your table or sideboard, and perform it with cl...

Centerpiece. calamine. France, 19th century. Patinated calamine centerpiece with legs and a complex decoration based on plant and architectural elements that draw curves and counte...

Centerpiece, "Hercules as an Atlantean." Bronze and marble. The circular base is decorated with a string of pearls and scrolls. Above it, two half-naked children hold the light mar...