Adam Style Sterling Silver

This gorgeous set of sterling silver flatware by Towle Silversmiths is up for sale. The design has a Gothic look and with a curved bo...

An English silver tea caddy by Harrison Brothers & Howson, Sheffield 1907. An oval round shaped silver tea caddy with hinged lid. The caddy raised on a footrim and 4 ball shaped ...

A fine vintage silver table bell. By Tiffany & Co. In sterling silver. Marked to the clapper. Simply a wonderful Tiffany design! Date: 20th Century Overall Condition: It is in ...

Tall, Empire-style sterling silver candelabra with removable arms, Preisner Silver Co., Wallingford, CT., Ca. 1935. Graceful design. Each of the pair, which is weighted, measures 15 ...

Being offered is a four piece sterling silver tea set: tea pot, creamer, sugar bowl and tray. Manufactured by the world renowned Tiffany and Company during the late 1940’s it has an...

An Antique solid Silver Epergne Centrepiece with a large oval central basket supporting a tall trumpet shaped vase on top of an impressive concave shaped stand. The central stand has...

An exceptional, fine and impressive pair of antique George V English sterling silver nutcrackers - boxed; an addition to our silver flatware...

Pair of 5-light candelabra in 925 sterling silver in neoclassical style. Candelabra formed by an iron eye stem and a Hellenic part in Ionic style in 925 silver. The iron eye is a sto...

Hallmarked in London in 1807 by Paul Storr, this handsome, George III, Antique Sterling Silver Meat dish cover, features a shaped gadroon border and r...

An absolutely spectacular collection of "Lily" pattern sterling silver flatware mostly by Whiting (approximately 90%), an assembled set from an estate collection which was started in the 1970's. The pattern was introduced in 1902 and features a stunning high-relief handle with stalks of blossoming lily flowers across the surface. Please be aware this set is of mixed age, some antique 1902 pat pieces, some contemporary. This set includes a 5 piece place setting for 18 people, or an 8 piece place setting for 12! There is a fair amount of rare serving pieces included with the set. Housed inside a chippendale style flatware chest on stand. Mauser MFG Co., New York. The set comprises of: 18 - Dinner Forks 18 - Individual Salad Forks 18 - Dessert / Oval Soup Spoons 18 - Individual Teaspoons 18 - New French Hollow Knives 16 - Individual Butter Knives (Gorham) 12 - Oyster Forks 12 - Individual Steak Knives 7 - Citrus or Grapefruit Spoons 4 - Individual Salt Cellar Shell Spoons 3 - Olive or Pickle Forks 2 - Sugar Shell Spoons 2 Pc - Solid Salad Set 2 Pc - Solid Oversized Serving Salad Set 2 Pc - Cold Meat Carving Set...

A Milanese sterling silver 20th century fountain centrepiece Measures: Height: 33cm, width: 47cm, depth: 42cm. This stunning centrepiece is an Italian sterling silver fountain, made in Milan in the twentieth century. The piece, set on fish-shaped legs, and decorated with mythical sea-monsters from whose mouths the water flows, consists of a rectangular shaped basin divided into four shell-shaped quadrants which are adorned with small silver crabs. A smaller basin...

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...