John Wakelin and William Taylor

Neoclassical-Style, Continental Silver (.800), paw-footed chocolate pot with wood handle and hinged lid, Dutch, year-hallmarked for 1886, Ate deGroot Boersma Sneek - maker. Beautifu...

An exceptional, fine and impressive set of four contemporary Elizabeth II English sterling silver salts; part of our silver cruet and condiments collection. These exceptional cast sterling silver salts have been realistically modeled in the form of two male and two female figures gesturing towards each other, in the 18th century style. Each female figure is embellished with period attire comprised of a mid-calf length skirt with a bodice style top, one incorporating a fan and the other a lace...

An exceptional, fine and impressive set of three antique Georgian English sterling silver salts made by Paul Storr; an addition to our silver cruet and condiment collection. These...

Elegant hand made sterling silver entree with dish The welded edge with Reed & Ribbon characterizes the Classic Luis XVI style. The Louis XVI-era Reed & Ribbon collection features ...

Hallmarked in London in 1781 by William Cox III, this handsome, George III period, Antique Sterling Silver Tankard, is baluster shaped ...

We are so happy to offer this sterling silver Mid-Century Tiffany dishes. It has an oval shape and curves upwards on the ends. It stands on a pedestal (not weighted) thereby off the ...

A fine pair of George III sterling silver salts, London, 1790, by the celebrated silversmith Henry Chawner — a maker whose refined, restrained neoclassical style made him one of the ...

Pair of Georgian Silver and Gilt Open Salts in a Navette form, London 1805. Maker hallmarks for Abstainando King, London, 1805. Nicely enagraved and decorated with a gilt interior bo...

An elegant 18th-century Chinese export porcelain platter, dating to the Qianlong period and decorated in the celebrated Famille Rose palette. The shaped oval platter is finely hand-...

Sterling silver, George III Period, hoof-footed salver, London, England, year-hallmarked for 1765, Ebenezer Coker - maker. Scroll and shell designed border. Measures almost 6 3/4 inches in diameter x 1 inch high. Weighs 6.280 troy ounces. There is a small, capital letter P monogram...

George III Period, hoof-footed sterling silver salver/tray, London, year-hallmarked for 1764, Richard Rugg - maker. The salver is designed with a scroll and shell border, and has a l...

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...