Carved Native American Objects

Pre-Columbian style , Hispaniola, Arawak Peoples, Taino Native Indians This is a finely carved Taino Cacique Chief's hand carved hard wood figure- a superb ancestor style ceremonial...

An impressive early 20th-century carved and polychrome painted cigar store Indian standing approximately 6 feet tall to the tip of the feathers. The base features replacement boards—...

A fine example attributed to master Nuu-chah-nulth carver Ray Williams, circa 1960s. Ray Williams was the son of famed carver Sam Williams who started car...

From Native America and a collection dating to 1951, comes this unique old hand carved stone human effigy pipe figure idol , likely Hopewell culture with its bun head and ear spool...

A Native American Human Effigy female statue, Holliston Mills Site, Tennessee , sandstone, circa 1000 AD Dimensions: 11.75 inches tall and 3.75 inches width 5.75 diameter All stone carvings from America's Prehistoric past are scarce. The majority of known carved stones come from the far western Mimbres, Hohokam or Casas cultures. This sculpture is unique. Quality: fine original condition with varigated patina as found. Notice the detail of the carved ear spools...

Totem poles are intricately carved and painted sculptures with designs holding spiritual significance for particular families, clans, or tribes. Some were created to offer protection...

From Native America's Northwest Columbia River area comes this substantial and unique ancient hand carved basalt stone ceremonial bowl or mortar possessing nine (9) human like heads within a circular double band, Columbia River. It comes from a private Colorado collection. The stone hand carved from a large basalt...

A wonderful soapstone carving of a walrus by the indigenous Inuit People who inhabit parts of the arctic regions of Greenland, Canada, and Alaska. Signed ("E.Y.") and numbered/dat...

Massive Five Foot Tall Navajo Kachina Doll is signed "by GUY V.Y." on the base, and titled "Eagle Dance" Guy Yazzie and his wife Pearl Zonnie Chee Horseherder Yazzie had at least 8-c...

A fine mid 20th C. Inuit sculpture from a remote Arctic village. A very lively expressive carving of two faces in basalt stone. Signed in Inuktitut syllabics; we have not determined ...

A wonderfully hand-painted and decorated Native American Hopi Kachina Katsina doll. We believe this was a child's cradle first Kachina doll. It is hand carved from light wood (likel...

A vintage opal Indian head carving, weighing 32.10 carats, featuring an intricate piece of lapidary artistry. Crafted from opal, a gemstone known for its iridescent play of colors, t...

From Native America Southwest comes this unique ancient hand carved stone "Kachina" sculpture, Chaco culture, Farmington, New Mexico region. ...

A wonderful soapstone large, heavy carving of a tusked walrus by the indigenous inuit people who inhabit parts of the Arctic regions of Greenland, Canada, and Alaska. Signed on th...

This North West Coast Indian totem pole has fantastic carving and condition. It is unsigned or dated. Found in California. This table top totem...

This amazing antique American Indian totem pole came from a trading post in New Mexico originally.We obtained it from a Folk art collection in California....

A wonderfully hand-painted and decorated Native American Hopi Kachina Katsina doll. It is hand carved from light wood (likely cottonwood). Kachina figures are believed to act as me...

A fine example of an Alaskan Black Diamond hand carved wood totem pole by Vic Yeoda, circa 1980s. The Totem stands and 5.5" H with a 6" wingspan...

Early American Pre-Historic Human Effigy stone pipe, woodland period, 2500 BP Formerly in the Harold French collection, Amboy, Indiana (photo) All st...

This folk art carved and polychrome painted totem pole is signed by an unknown artist and originated from the United States and dates to 1985 and d...

A very nice hand carved and painted wood totem pole, circa 1970s. The totem stands and 26" H with a 16.5" wingspan and is in excellent condition for its age...

A fantastic and somewhat playful mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the Inuit peoples, have a long history of ceremonial mask making. Yup'ik masks were originally and specifically designed by Shamans and made to be worn by these spiritual leaders in Winter tribal dances and sacred ceremonies. Traditionally, the masks were destroyed or discarded after use in these ceremonies. Very few of these masks survived. After Christian contact in the late 19th century, masked dancing was suppressed and the tradition all but died out. As more outsiders settled in Alaska at the turn of the century, masks were made by the Yup'ik people to sell or trade for necessary goods. It is likely that this mask was created some years later for this purpose. In the 20th century, Yup'ik mask had a profound influence on many renowned surrealist artists including, Max Ernst, Joan Miro, Leonora Carrington, Victor Brauner, and most notably Andre Breton who was an avid collector of Yup'ik masks. This fantastic anthropomorphic mask is carved of lighter wood, hand painted and decorated with pigment, and held together with natural fiber. The mask seems to represent some sort of smiling, benevolent spirit or character with its four eyes, bird beak, and cat-like ears. The mask is from a French collection. We were told that this mask, as well as others in the collection we have listed, was acquired originally in the 1950s-1960s in Alaska and the Yukon territory in Canada but as we have no way to verify or authenticate this. Please note we are listing the masks as decorative and not as actual tribal artifacts...

Water Serpent (Palulukang) and Mud Man (Koyemsi) - Kachina Doll Brightly painted, dynamic sculpture by an unknown artist. The figure is dressed as a medicine man, with feather and fur accents. The Mud Man is holding a piece of leather and a drum, about to wrestle with the Horned Water Serpent (Palulukang) that is emerging from a pottery jar , or Mudhead kachina clown...

Displayed on a custom made metal stand designed especially for this boat, this is a typical model dugout canoe carved by the Nootka or Makah Indian tribe of the Pacific Northwest...

Vintage Cape Dorset Inuit soapstone (also called Steatite) carving of a seal - featuring fine simplified carving and details accentuating the form of the a...

Early American Pre-Historic Human Effigy Stone Paint Pallet, Anasazi culture 900 AD All stone carvings from America's Prehistoric southwest are scarce. The majority of known carved stones come from the Mimbres, Hohokam or Casas cultures. So examples of stone carvings from the Anasazi culture (circa 900–1300 AD) are rare especially human forms which are the rarest and some consider most desirable. This pallet is likely unique. The distinguishing characteristic of our paint pallet from the Anasazi culture is its creation from red sandstone- a material that was not used by the Mimbres, Hohokam or Casas cultures. Dimensions: 9.25 inches tall, 4.87 inches wide Quality: it exhibits no less than seven distinct pigment colors on the surface. The obverse has a distinctive head with three dimensional eyes and nose; there are four horizontal bands of color: red, white, dark red/white and black. The center of the pallet has a distinctive white pigment and the border is executed in both red and black. There are two well-defined legs, one red and the other black, which terminate in distinctive feet. On the reverse we find in the center seven clearly defined concentric painted rings, each a different color. Provenance: old New England collection Lifetime guarantee of authenticity: All of our works of art come with our lifetime authenticity guarantee. Our gallery has been dealing in authentic Native...

From Native America comes this unique ancient hand carved granite stone head head effigy, attributed to the Yokuts People. It was collected on a private ra...

13'2" totem by Don Colp. Inside or outside. Born in Alberta, Canada in 1932, Don Colp grew up on a farm with his parents and four younger brothers. Growing up...

Colorful Alaskan three figure winged totem. Carved and painted by Marlin Alphonse. Noted on back "purchased by Brad and Hazel Ritter on board Royal Princes, Sitka, Alaska 1986. His name heavily carved on back. PERIOD: 1986 ORIGIN: Alaska SIZE: 13"H x 12"W x 3 1/2"D Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source. Native American carvings & totems native American Indian native American totem poles n.

"Chief Bull Aparoke" is a legendary work of art from renowned Arizona Native American artist, Bruce Law. Hand-carved from a solid trunk of a rough-hewn Ironwood tree, Chief Bull Aparoke's polished, deeply lined, life size face emerges to evoke the spirit of a stoic Indian Chief who has seen much hardship. Brass plaque beneath the face reads, "Chief Bull Aparoke Sculpture Bruce Law" and has a carved mark of two intersecting bent arrows. Measures: 16.5" high x 11" wide x 11 deep. Weighs 27 pounds. Bruce Law grew up in Phoenix, and now resides in New River, Arizona. Collectors of Bruce’s work include the honorable Barry Goldwater...

Makah TOTEM by Young Doctor (1851-1934). Neah Bay, Washington. This monumental pole is a significant piece of Northwest Coast art and Seattle history that was previously owned by Joseph Edward “Daddy” Standley, the founder of the iconic Ye Olde Curiosity Shop in Seattle, Washington. The pole was displayed for years on the grounds of Standley’s “TOTEM Place” estate in West Seattle, across the bay from his iconic ethnographic art and curio shop on the Seattle Waterfront. So popular amongst tourists was the TOTEM Place estate grounds, that the Southwest Seattle Historical Society has stated that “for decades... it was a place where tour buses stopped, and flashbulbs popped. It probably was the most gawked-at, talked-about residence in West Seattle.” This pole was even featured in situ at Standley’s West Seattle home on a postcard that was sold to visitors through Ye Olde Curiosity Shop. While there are multitudes of model poles and other artifacts available to collectors that were sold as souvenirs from Ye Olde Curiosity Shop, objects that were actually owned by Standley are virtually unknown in the art market. The vast majority of objects that Standley esteemed and considered his private collection have remained with his family and descendants and are on permanent display in the store. Among the objects owned by Standley to make their way into the Smithsonian was a Spirit Canoe sculpture by Makah master carver Young Doctor (1851-1934), the likely carver of this pole. It would appear that Standley and Young Doctor had a good working relationship as a number of pieces, including this TOTEM, an elaborate transformation mask, the aforementioned Spirit Canoe model at NMAI, and a full model set of a Makah whaling crew and canoe were made for Standley by the artist. This large-scale TOTEM pole is an exceptional example of turn-of-the-20th-century Northwest Coast carving...

Simon Charlie "pole of wealth". Carved in Duncan, BC 1958 for Patrick Pryor who is in the timber business. Compared to the "pole of wealth" in Duncan, BC, you will see Simon's fingerprints. The adzed marks on the bear are identical to this totem. Also, the happy and sad faces are almost identical including their orientation left and right. This pole was carved by Simon in 1988. He used happy and sad faces in some of his work to notate good times and bad times. 9'2"H x 20" at base. Charlie was trained by famous Kwakwaka'wakw totem artist Henry Hunt, at the Provincial Museum of British Columbia, but though as Hunt he carved Totem poles, which was not traditionally used by the Coast Salish...

Vintage 1970s Hopi Katsina Figure - Kachina Doll, circa 1970s Measures: 7" wide x 6" deep x 14" high The doll shows a few minor losses and cracks - Please review all images ...

This handcrafted sculpture was made in Northern Canada by an Inuit artisan in circa 1970. This sculpture is a series of two stylized human figures intermixed with two representations of presumably Spirits, which has several carved faces in them. The entire sculpture is composed of hand carved and handcrafted antler, likely Caribou. This sculpture may symbolize a blessing of good fortune for an upcoming hunt. The series of four figures are each pegged on the bottom and fit into holes drilled into the base. The base is numbered on the bottom which identifies that it was registered, and also has a paper label. Due to the composition of this sculpture it may only be shipped within Canada...

Tlingit hand-carved totem with wings painted in a Norwegian style. Marked on back Maria Pease IV, Tlingit with Norgwegian influence. Three-figure totem, finely carved and painted, fe...

Nicely made and displayed. Signed by the artist on the base. Kachina figures are believed to act as messengers between humans and the spirit world. Would be a great addition to any...

A fantastic and somewhat grotesquely strange mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to t...

An interesting and rather unusual indigenous native North or Central/South American (Mesoamerican) primitive stone carved (steatite or soapstone) mythical creature figure. We are no...

Tasaf Katsina Hopi 1940s 10 inches H. x 4.50 inches W. x 3.75 inches D. Cottonwood root, mineral pigments, dyed horsehair, feathers. Very good original condition overall. An wonderful example of the Hopi Tasaf Katsina circa early to mid 1940s. Katsina dolls...

This large pole was “donated to a church on the northern tip of Vancouver Island for a fundraiser” sometime around 1905. The pole is carved in a folk-art style that is correct for the period. The imagery on this pole is quite fascinating and includes a large bird whose wings form the face of a composite creature holding what appears to be a whale or fish. Below that is what appears to be a Sisiutl, or three-headed sea serpent. Under the Sisiutl is a pair of animal heads flanking the pole, perhaps wolves, over a colonial bald eagle. This pole is a large and early Nuu-chah-nulth totem carving...

Pacific Northwest coast carved cedar killer whale rattle, by Coastal Salish - Squamish artist Stan Joseph, signed and dated 2012, a beautiful and deeply carved hollow cedar dance rattle in the form of a Killer Whale, with relief carved eyes and mouth, surface striations, and three human faces on the back and tale, with applied pectoral and dorsal fins. Mounted with simple whittled cradle on cedar block base (signed and dated on bottom of base). Hollow interior rattles with entrapped pebbles. The carving was never polychromed and remains in its original natural finish. Excellent condition. Stan Joseph is a Coastal Salish artist from North Vancouver. He began carving in 1962 at the age of twelve, and also ventured into painting and designing totem poles. In 1972 he carved an 80 foot and other huge poles which sold to Germany. In 1980 he carved a 60-foot pole for Sea Span and another one for the Chief Joe Matthias Centre, as well as the welcome figure on the West Vancouver Pier. Stan is now an outstanding master carver who teaches his craft to the next generation of young artists. Stan is also accomplished at making silver and gold jewelry, and teaches this art at the employment center. Stan has been interested in the spiritual dances of the Coast Salish...

This is a very rare example of a mid 19th century Amish childs toy figure. Carved delicately from a lighter weight wood and has been cared for lovingly for the past two centuries . ...

Hopi Kwahu eagle katsina totem. Hand-molded terracotta painted with feathers, turquoise jewelry, beads, shells and other mixed media. Hospoa ro...

Ditidaht First Nation TOTEM by Rick Williams the brother of John T. Williams partnered with other Native carvers to create at tribute to John in the form...

This large Indigenous North American stone carving was done by Thomas B. Maracle of the Mohawk Nation in circa 1985 in his signature Indigenous Folk Art...

72" TOTEM by Doug Lafortune. Salish TOTEM pole of a raven and beaver cedar TOTEM pole. Carved TOTEM pole with abalone and shell inlays. Carved. .72” x 9...

Salish TOTEM depicting a human wearing a potlatch hat perched between the ears of an eagle at top, a human face in relief for the birds eyes, a small humanoid/bird figure standing at...

Northwest totem with whale, man figure (possibly prominent individual within the tribe or society where the hands are shown in a holding position which...

Tsonoqua/Dzunukwa, “The Wild Woman of the Woods,” is an important ancestor figure to the Kwakwaka’wakw people of British Columbia. A giantess that fills important cultural roles during the potlatch, she is best known as a wealth-bringing being to those who encounter her and as a creature that parents tell their children stories about to make them behave and not venture far from the village – as she is also a cannibal and has been known to snatch stray children from the woods. She is the female counterpart of the male Bak’was, the Kwakwaka’wakw “Wild Man of the Woods.” Tsonoqua is analogous to the Coast Salish Sasq’ets, better known as Sasquatch, the Nuxalk Sniniq (female) and Buks (male), the Tsimshian Ba’oosh, the Haida Gagiit, the Athabaskan Hairy Man (or Woman), and the Tlingit Tl’anaxéedáakw. She is also what a lot of folks would call Bigfoot. This pole is carved in a Coast Salish style but shows several Kwakwaka’wakw influences, so is perhaps better termed a female Sasq’ets pole. This pole shares a lot of stylistic elements with work by the Coast Salish Horne family and was perhaps carved by one of them. The features of the face that identify this pole as a Wild Woman are the tightly squinted eyes, the prominent cheekbones, and the pursed red lips that depict her making her telltale whistling call. Large breasts are created by “split-u” formline elements on her chest, motifs which are repeated (unpainted) on her arms and legs. Her hands and appropriately large feet are rendered naturalistically, and she is depicted in a kneeling position. A very fine example of Northwest Coast carving. Period: Last quarter 20th century Origin: Salish Size: 49"H x 17'W. Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source.  Native American, Carving, Totem, Pole, Painted, Cedar, Salish Indian

Beautiful craftsmanship hand carved Soapstone figure of a Man with a Bear. Detailed and signed on the underside. Eitger from Alaska or Canada. In excellent vintage condition with min...

Rick Williams (Nootka / Nuu-chah-nulth, b. 1955). 2 Foot Red Cedar Seattle Pole" painted wood sculpture hand carved by Rick Williams and signed with titl...

This massive TOTEM pole is an incredible example of outsider Folk Art. The pole was carved by Lair Forster in Ottawa in 1938 and is an eccentric interpretation of one of the iconic Thunderbird TOTEM Poles of Alert Bay. The painting on the wings is bold in yellow and red, and the designs are fascinating and recall modernist paintings of the period. The eyes of the thunderbird...

This Polynesian Tiki figure, carved from dark hardwood, depicts a human-like spirit with both hands covering its mouth, symbolizing silence, secrecy, a...

WILDE (Unknown/Unidentified Artist) - Inuit naturally shed deer antler and stone carving of an eagle - hand carved featuring a perched eagle set on a natural stone plinth with half c...

Inuit Inukshuk (means 'in the likeness of a human') soapstone carving - hand carved from a single piece of stone - featuring a polished finish - signed on the base of each foot R. H....

Northwest four figure totem from British Columbia. Old black paint and integral base. Great condition and just the right size. Northwest Coast art, consisting of totem poles, posts or pillars, carved with symbols or figures. They are usually made from large trees, mostly western red cedar...

This matched pair of Nuu-chah-nulth model poles each feature thunderbirds, wolves, lightning snakes and eagles. The poles are nearly identical and vary only in minute details and color choices. The thunderbirds...

Vintage Cape Dorset Inuit stone carving of a screeching Ptarmigan - fine carving with articulated feathers and feet - signed TR (in Roman - unknown...

Native America Plains hand-carved and hand-painted stone Buffalo Hunting Talisman in the form of a buffalo hoof with human effigy head and tail , granite, 1800-1900 Dimensions: 12 inches high and 9.5 inches wide, Provenance: old mid west collection Hand-carved with great old paint and patina an authentic old work of art that is likely unique Lifetime guarantee of authenticity: All of our works of art come with our lifetime authenticity guarantee. Our gallery has been dealing in authentic Native...

Vintage Inuit 'two faced' stone carving - fine Modernist carving with spare decoration - signed PAUL (in Roman) on the base - Canada - mid 20th century. ...