Carved Native American Objects

This large pole was “donated to a church on the northern tip of Vancouver Island for a fundraiser” sometime around 1905. The pole is carved in a folk-art style that is correct for the period. The imagery on this pole is quite fascinating and includes a large bird whose wings form the face of a composite creature holding what appears to be a whale or fish. Below that is what appears to be a Sisiutl, or three-headed sea serpent. Under the Sisiutl is a pair of animal heads flanking the pole, perhaps wolves, over a colonial bald eagle. This pole is a large and early Nuu-chah-nulth totem carving...

Vintage Cape Dorset Inuit stone carving of a screeching Ptarmigan - fine carving with articulated feathers and feet - signed TR (in Roman - unknown...

Displayed on a custom made metal stand designed especially for this boat, this is a typical model dugout canoe carved by the Nootka or Makah Indian tribe of the Pacific Northwest...

Rare, good sized Totem Model. Untouched, original non commercial paint.

WILDE (Unknown/Unidentified Artist) - Inuit naturally shed deer antler and stone carving of an eagle - hand carved featuring a perched eagle set on a natural stone plinth with half c...

An exceptional late 19th-century Native American pipe attributed to the Great Lakes region, dating circa 1880–1890. The substantial catlinite bowl is ornamented with contrasting pewt...

Water Serpent (Palulukang) and Mud Man (Koyemsi) - Kachina Doll Brightly painted, dynamic sculpture by an unknown artist. The figure is dressed as a medicine man, with feather and fur accents. The Mud Man is holding a piece of leather and a drum, about to wrestle with the Horned Water Serpent (Palulukang) that is emerging from a pottery jar , or Mudhead kachina clown...

Vintage Inuit 'two faced' stone carving - fine Modernist carving with spare decoration - signed PAUL (in Roman) on the base - Canada - mid 20th century. ...

Beautiful craftsmanship hand carved Soapstone figure of a Man with a Bear. Detailed and signed on the underside. Eitger from Alaska or Canada. In excellent vintage condition with min...

Early 20thc hand carved wooden Indian chiefs plaque. This is so amazing and three dimensional at the same time.

Vintage 1970s Hopi Katsina Figure - Kachina Doll, circa 1970s Measures: 7" wide x 6" deep x 14" high The doll shows a few minor losses and cracks - Please review all images ...

Massive Five Foot Tall Navajo Kachina Doll is signed "by GUY V.Y." on the base, and titled "Eagle Dance" Guy Yazzie and his wife Pearl Zonnie Chee Horseherder Yazzie had at least 8-c...

This fine hand carved end of the run horse and rider plaque is in great condition.

Tlingit hand-carved totem with wings painted in a Norwegian style. Marked on back Maria Pease IV, Tlingit with Norgwegian influence. Three-figure totem, finely carved and painted, fe...

This Polynesian Tiki figure, carved from dark hardwood, depicts a human-like spirit with both hands covering its mouth, symbolizing silence, secrecy, a...

Early 20th Century Native American North West Coast Eagle Comb The eagle has a frog in its claws which is “holding” a whale. Carved with classic Nort...

Large vintage folk totem pole. By reputation, this very large totem pole was carved and displayed in Alaska. Early-20th century and to have been carve...

A massive Americana bowl hand-carved from Elm wood (with some possible burl pattern in the wood) circa 18th century. The bowl was from Northeastern part or Eastern Woodlands of the U...

A beautiful, somewhat benevolent mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the Inuit peo...

A beautiful, somewhat benevolent mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the Inuit peoples, have a long history of ceremonial mask making. Yup'ik masks were originally and specifically designed by Shamans and made to be worn by these spiritual leaders in Winter tribal dances and sacred ceremonies. Traditionally, the masks were destroyed or discarded after use in these ceremonies. Very few of these masks survived. After Christian contact in the late 19th century, masked dancing was suppressed and the tradition all but died out. As more outsiders settled in Alaska at the turn of the century, masks were made by the Yup'ik people to sell or trade for necessary goods. It is likely that this mask was created some years later for this purpose. In the 20th century, Yup'ik mask had a profound influence on many renowned surrealist artists including, Max Ernst, Joan Miro, Leonora Carrington, Victor Brauner, and most notably Andre Breton who was an avid collector of Yup'ik masks. This fantastic anthropomorphic mask is carved of lighter wood and hand painted/ decorated with pigment. The mask seems to represent some sort of smiling, benevolent spirit or character. The mask is from a French collection. We were told that this mask, as well as others in the collection we have listed, was acquired originally in the 1950s-1960s in Alaska and the Yukon territory in Canada but as we have no way to verify or authenticate this. Please note we are listing the masks as decorative and not as actual tribal artifacts...

This handcrafted sculpture was made in Northern Canada by an Inuit artisan in circa 1970. This sculpture is a series of two stylized human figures intermixed with two representations of presumably Spirits, which has several carved faces in them. The entire sculpture is composed of hand carved and handcrafted antler, likely Caribou. This sculpture may symbolize a blessing of good fortune for an upcoming hunt. The series of four figures are each pegged on the bottom and fit into holes drilled into the base. The base is numbered on the bottom which identifies that it was registered, and also has a paper label. Due to the composition of this sculpture it may only be shipped within Canada...

Presenting a gorgeous piece of native American art, namely, “Soul Mates” sculpture by RD Tsosie, made from Utah Alabaster. By the renowned Navajo Contemporary artist, Robert Dale ...

(1918-1990). This very large totem pole is a Tsimshian interpretation by George Mather Sr. of one of the famous Thunderbird Totems of Alert Bay, BC, o...

13'2" totem by Don Colp. Inside or outside. Born in Alberta, Canada in 1932, Don Colp grew up on a farm with his parents and four younger brothers. Growing up...

A whimsical large Inuit Eskimo carving in soapstone of a Bear holding a rock to throw at 2 Walrus. The tusks of one walrus are likely bone, and th...

Moses Alexcee was a prolific Tsimshian maker from Prince Rupert who frequently carved for William Webber, the owner of the iconic Thunderbird Scenery Shop in Vancouver, BC. Alexcee often carved Tsimshian-style models of Haida totem...

Presumed to date from the late 19th century, this life-sized Folk Art carved and hand painted study depicts a Native man dressed in traditional attire and holding a staff. The artist is unknown and this sculpture is unsigned and done in a very realistic style. The carving, likely done in Cyprus wood...

Raspberry Alabaster feather bundled bear Fetish with distinct heart line Amos Pino 1998 Ramah Navajo Band, Navajo Reservation, El Morro, New Mexico M...

Northwest Coast polychrome totem with multiple bird figures atop a turtle. Hole drilled for clamp. Well painted and carved with bright colors of red, black, blue, white, and brown on...

This striking hand-carved Northwest Coast Killer Whale (Orca) mask, dated 1961 and attributed to artist Johnny Johns, is a powerful example of mid-20th-century Native American carving rooted in the traditions of the Pacific Northwest Coast—particularly the Tlingit and related cultural groups. Expertly carved from wood and painted in the classic Northwest Coast palette of deep black and vibrant red, the mask features bold formline design—an iconic visual language defined by fluid, ovoid shapes and precise linework that has been central to Indigenous coastal art for centuries. The Killer Whale, or “Blackfish,” is among the most important crest figures in Northwest Coast culture, symbolizing strength, protection, family lineage, and a profound connection between the human and spirit worlds. It frequently appears in ceremonial regalia, storytelling, and clan identity, embodying both ancestral presence and supernatural power. Signed on the reverse with initials “JJ,” this mask is attributed to Johnny Johns, a recognized carver whose work reflects traditional Indigenous design principles while engaging with the 20th-century market for Northwest Coast art. The scale, craftsmanship, and stylistic execution are consistent with works produced for both ceremonial-inspired use and collector audiences during this period. Compact yet visually impactful, the mask displays strong sculptural depth and expressive detailing, making it ideal for wall display or inclusion in a curated collection of Native American or tribal art. Its bold graphic presence aligns seamlessly with both traditional and modern interiors. The piece remains in good antique condition, with professional restoration noted—having been repaired after a historical break. The repair is stable and minimally visible, preserving both the integrity and visual appeal of the mask. Key Features: Attributed to Johnny Johns, signed “JJ” and dated 1961 Northwest Coast / Tlingit style carving Hand-carved and hand-painted wood construction Killer Whale (Orca) crest motif with symbolic significance Classic black and red formline design Mid-20th century Native American artwork Professionally restored with stable structure Ideal for collectors of Indigenous, tribal, and ethnographic art A compelling and highly decorative example of Northwest Coast carving...

This is a very rare example of a mid 19th century Amish childs toy figure. Carved delicately from a lighter weight wood and has been cared for lovingly for the past two centuries . ...

19th century hand-carved bark canoe bailer from Minnesota. Fur trade era. Period: 19th Century Origin: Minnnesota size: 9" x 6" x 5" Family Owned & ...

This pair of colorful larger Nuu-chah-nulth model totem poles were likely made for a curio shop in Seattle or Victoria sometime around 1915. The poles...

Gorgeous Alabaster Native American Fisherman by Alfred Belgarde Signed by Artist

Rick Williams (Nootka / Nuu-chah-nulth, b. 1955). 2 Foot Red Cedar Seattle Pole" painted wood sculpture hand carved by Rick Williams and signed with titl...

Chief Shakes Raven pole by Ditidaht/Nuu-chah-nulth artist Raymond Williams. This finely crafted model totem pole is by Ditidaht/Nuu-chah-nulth master carver Raymond Williams, the father of the current generation of Williams carvers. It depicts an iteration of the Tlingit Chief Shakes pole of Wrangell, Alaska – a popular motif for the Williams family. The top figure is Raven’s Grandfather, who perched on the Box of Daylight. The middle figure is Raven, and below is frog. This model illustrates how Raven stole the sun, moon, and stars and released them into the world. This pole was probably made for Ye Olde Curiosity Shop in the 1950s. 27" PERIOD: 1950s ORIGIN: Seattle/Williams Family SIZE: 27"H Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source. Totems...

Matching pair of Northwest Coast carved model totem poles. Polychrome decorated with carved humanoid and bird figures. Each twice signed "Betty Sanners" back and bottom. Provenance Hudson Bay Fur Company, Seattle, Washington. 29"H Period: Early 20th century Origin: Northwest Coast Size: 29" base 4 1/2 x 3 1/2 Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source. Native American carvings & totems native American Indian native American totem poles n.

This massive TOTEM pole is an incredible example of outsider Folk Art. The pole was carved by Lair Forster in Ottawa in 1938 and is an eccentric interpretation of one of the iconic Thunderbird TOTEM Poles of Alert Bay. The painting on the wings is bold in yellow and red, and the designs are fascinating and recall modernist paintings of the period. The eyes of the thunderbird...

This matched pair of Nuu-chah-nulth model poles each feature thunderbirds, wolves, lightning snakes and eagles. The poles are nearly identical and vary only in minute details and color choices. The thunderbirds...