Bronze Lighting

French Art Deco table lamp with nickeled bronze for the base and glass lampshade from Degué, 1930. The particularity of the lamp is the shape of the glass, designed like a flower a...

our honeycomb portable lamp creates poetic projections, it evokes a unique and captivating display of light and shadow. Description: Portable USB table lamp LED, rechargeable Color...

Fabulous and rare to find a tall angular Bronze figure of a man with a top hat and walking stick, which is removable, holding a leaded glass Tiffany style lamp shade...

A pair of circa 1920's Caldwell gilt bronze double lights sconces with mirrored back plated

A pair of circa 1920's Caldwell silver plated double light sconces

Antique Japanese Cloisonné Lamp, circa 1910, with blue, wine white and turquoise color enamel inlay on bronze vase, mounted on a round hand ...

A pair of circa 1930's French gilt bronze lyre shaped sconces with crystal hangings

This lamp demonstrates the great design of Adnet, it is chromed bronze, the central column is black lacquered metal, the lampshade is parchment leather. It can be adjusted in height ...

A pair of circa 1930’s French empire style sconces with swan atop and on arms

Spectacular pair of unique tripod base floor lamp made of bronze and goatskin lampshades. They are in vintage condition. Its lampshades has some imperfections, ( check it out in the ...

Mid-century era sculptural fusion bronze table lamp featuring a classic Western candle stick design with a Chinese motif featuring cranes, foo dogs, and a floral design. along the ce...

A pair of 1930’s French empire gilt metal 3 lights sconces with swans head, original gilding and patina

A pair of circa 1900's small gilt bronze Caldwell sconces with mirrored backplate and hand painted chinoiserie design

LLAMA is a table lamp, composed of a lost-wax cast bronze body, and a handblown glass lampshade. It is a reinterpretation of an archetype of llama sculptures essential within Ecuador...

A pair of circa 1920's French gilt bronze sunburst double light sconces.

This fantastic pair of bronze sconces features etched satin glass globes at the end of each delicate and detailed scrolling arm. The arms are embellished with a reticulated palmetto ...

A pair of circa 1920's Caldwell double light sconces with cherub atop

A pair of circa 1930's French gilt bronze double light sconces in style of Louis XVI

A circa 1900's Caldwell gilt bronze 8 lights chandelier

Louis XVI 19th century dore bronze chandelier, This solid bronze six light, nine arm, chandelier was recently rewired about ten years ago. Having a very fine think bronze masculine f...

Anonymous Early 20th century; European Bronze and wood Approximate size: 24 (h) x 14.5 (w) x 10.25 (d) inches The present pair of handsome sconces are the perfect addition to a mood-driven library, office or study. Burnished bronze shades, with an open-work border treatment, cover a pair of candlestick...

This handsome pair of signed Caldwell sconces feature Classical motifs including foliate swags, and acanthus leaves.

A pair of circa 1930's French gilt bronze sconces from Parisian Hotel

A pair of circa 1920’s gilt bronze federal style double arm sconces. Available in silver plate

A pair of circa 1920's Caldwell silver plated sconces with lion's head on arm

A large pair of mid 19th century bronze & ormolu candlesticks, having urn-shaped sconces above acanthus scroll decorated tapering stems above scrolled legs ending on triform platform...

A pair of circa 1920's Caldwell neoclassic style 2 lights bronze sconces with etched mirror backplate

A pair of circa 1920’s brown patina Caldwell double light sconces

Distinctive nail-studded leather floor lamp on a circular bronze base, great patina.

A pair of circa 1900 Caldwell one light sconces with unusual arm design.

Pair of circa 1920's gilt bronze neoclassic style double light sconces

Art Nouveau style table lamp. Bronze, glass. Table lamp with a bronze base decorated with dragonflies, leaves, flowers, etc., clearly inspired by Art Nouveau pieces. The lampshade ...

A pair of circa 1920's silver plated Caldwell sconces with two lights

A pair of circa 1920’s large Caldwell silver plated sconces with 3 lights unusual size

A pair of circa 1920's Caldwell silver plated sconces

Refined chandelier in gilt bronze with rock crystal drops The body is formed from a band of interlinked hearts and ovals issuing hand carved rock crystal hearts and natural quartz pe...

Vintage Gilt Bronze Chandelier-Lantern with art glass dome. Italy, 1960s. A striking model from the Italian manufacturer is perfect for installation on the ceiling in the living ro...

A mid century, Hollywood regency, asian style lamp by James Mott. Bronze with dragons and loops on a wooden base.. The finial what appears to be original but I don't know for certain.

This beautiful pair of bronze sconces each feature an etched glass lily globe at the end of scrolling arms. The French antique pair dates back to the late 19th century and is embelli...

A pair of circa 1900's Caldwell double light gold and green color sconces with enameled detail. Italian motif, with ladies medallions.

A circa 1940’s French empire style alabaster chandelier with bronze interior arms, 12 lights + 6 interiors.

This gorgeous 1920s French Art Deco table lamp was designed & signed by Schneider. It features a nickel-plated bronze base with a glass sh...

A pair of 1920’s mirrored back plate sconces with bronze fittings with two lights

Sita. table lamp - Stylish and useful cast bronze tablelamp with contemporary design. The dome is made of cotton and it can be in various collors. The base presents natural irregula...

A Set of Four Late 19th / Early 20th Century Gilt Bronze and Crystal Four Light Sconces Multi-faceted and shaped crystals, three exterior lights and one downward facing interior light.

Pair of large scale gilt bronze wall lights, circa 1920s Each sconce holds five lights. Beautifully cast Newly electrified.

A great set of three large cast plaster chandeliers salvaged from a theatre in Victoria , BC. Rewired and very easy set up…lights can be lengthened or shortened. Great old worn s...

HI-quality castings in fine details made from the original . All metal finished in a polished Antique Gold Dore" finish . Set up for Candles . Not wired ! There is a bar on the rever...

The Nautilus lamp in lamp is inspired by midcentury Italian design. It is cast bronze and weighs up to 28 to 30 lbs. The outer shell has a blackened patina and the face is high polis...

A pair of circa 1930's French gilt bronze sconces with lion's head and crystal hangings

A Very Fine "Crinoline" Chandelier by Baccarat featuring the classical crystal "plumes", octagon graduated chains and long slinder prisms. 8 lights. France, circa 1930. Dimensions:...

A pair of circa 1900 French Empire sconces with swan's head

Pair Of 20th Century Candlesticks Pair of 20th century candlesticks, 20th century decorative candlesticks in silver metal - one has 2 spots - see photos Dimensions: 14 cm in height a...

A pair of circa 1920's Caldwell silver plated sconces with waves design and unusual arms, two lights

Imposing Art Deco chandelier from the 1930s, signed J. Coduré, a Lyon silversmith of the period. Gilded bronze structure (the chandelier is quite heavy) with a central frieze featuri...

Pair of Hand Carved and Hand Polished Rock Crystal Fluted Ceiling Fixtures

Pair of large Japanese Porcelain Cone Shape Vases with Imari decoration Important mounts in ormolu and gilded metal, the base decorated with a laurel wreath, the upper part of falling leaves and a frieze of knotted ribbon. The mounts signed Gagneau, 115 R. Lafayette. Circa 1860 With their original aluminium bulb cover and original gilding Vase it self Height 47 cm The Gagneau Company is one of the most famous lighting factories in Paris in the nine-teenth century, established in 1800 at 25 rue d'Enghien in Paris and later at 115 rue de Lafayette. She has participated in many exhibitions throughout this century. She began in 1819 with the Exposition des Produits de l'Industrie and later participated in the Universal Exhibitions where she was part of the jury in the category of art bronzes (class 25) at the Universal Exhibition in Paris in 1889. "Imari" was simply the trans-shipment port for Arita wares, from where they went to the for-eign trading outposts at Nagasaki. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, after kaolin was discovered in 1616. A popular legend attributes the discovery to an immigrant Korean potter, Yi Sam-Pyeong (1579–1655), although most historians consider this doubtful. After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as Early Imari, or "Shoki-Imari". In the mid-17th century, there were also many Chinese refugees in northern Kyushu due to the turmoil in China, and it is said that one of them brought the overglaze enamel coloring technique to Arita. Thus Shoki-Imari developed into Ko-Kutani, Imari, and later Kakiemon, which are sometimes taken as a wider group of Imari wares. Ko-Kutani was produced around 1650 for both export and domestic market.Kutani Ware is characterized by vivid green, blue, purple, yellow and red colors in bold designs of landscapes and nature. Blue and white porcelain pieces continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are ac-cordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon-style Imari, which was produced for about 50 years around 1700. Kakiemon was characterized by crisp lines, and bright blue, red and green designs of dramatically stylized floral and bird scenes. Imari achieved its technical and aes-thetic peak in the Kakiemon style, and it dominated the European market. Blue and white Kakiemon is called Ai-Kakiemon. The Kakiemon style transformed into Kinrande in the 18th century, using underglaze blue and overglaze red and gold enamels, and later additional colors. Imari began to be exported to Europe when the Chinese kilns at Jingdezhen were damaged in the political chaos and the new Qing dynasty government halted trade in 1656–1684. Ex-ports to Europe were made through the Dutch East India Company, and in Europe the des-ignation "Imari porcelain" connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China resumed export to Europe, since Imari was not able to compete against Chinese products due to high labor costs. By that time, however, both Imari and Kakiemon styles were already so popular among Eu-ropeans that the Chinese export porcelain copied both, a type known as Chinese Imari. At the same time, European kilns, such as Meissen and English potteries such as Johnson Bros. and (Royal) Crown Derby, also imitated the Imari and Kakiemon styles. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe.Thus, in the western world today, two kinds of true Japanese Imari can...

Winged Victory French Empire figural lamp patinated and gilt bronze, column on stepped black veined marble base. 19th century, France MEASUREMENTS; 30.25" H x 16" diameter (shade)...